共126个镜头，该分镜由光厂AI自动生成
| 镜号 | 景别 | 参考图 | 画面内容 | 台词/旁白 | 时长(秒) |
|---|---|---|---|---|---|
| 1 | 中景 |  | 林成宇在摆满艺术工具和草图的工作台上，双手拿着白纸比对 | 1.63 | |
| 2 | 特写 |  | 林成宇低头注视下方，面部被侧光照亮，背景模糊 | The reason I started drawing is that | 2.10 |
| 3 | 近景 |  | 林成宇在室内侧身坐着，背景是明亮的窗户和模糊的置物架，光线从后方透出 | there are stories I really want to tell, | 1.67 |
| 4 | 近景 |  | 林成宇侧身站在工作台旁，低头专注佩戴黑色防护手套 | and I thought drawing might be a way to show them, | 1.63 |
| 5 | 近景 |  | 戴黑色手套的双手按住白色削笔器准备削铅笔 | 1.07 | |
| 6 | 特写 |  | 身穿深棕色夹克的林成宇展示左臂上的Stone Island罗盘臂章 | 1.63 | |
| 7 | 中景 |  | 林成宇低头专注工作，背景挂着印有FRIEZE和STONE ISLAND字样的黑色T恤 | so that's how I began. | 1.37 |
| 8 | 全景 |  | 林成宇坐在白墙前的椅子上，墙上映射着树影，画面中心有FRIEZE字样 | 1.23 | |
| 9 | 全景 |  | 林成宇坐在白色塑料椅上，背景是阳光照耀下的白墙与交织树影，画面中央印有STONE ISLAND标志 | 1.70 | |
| 10 | 远景 |  | 灰白云层在城市上方快速移动，天空颜色转暗 | I spent a lot of time thinking about | 1.60 |
| 11 | 远景 |  | 林成宇身着灰色外套在草坪上行走，背景是阴天下的树林 | how I could communicate those things quickly and intuitively. | 1.43 |
| 12 | 中景 |  | 林成宇侧身站在户外田野中，背景是巨大的高尔夫练习场围网，她缓缓转头 | 1.40 | |
| 13 | 远景 |  | 仰视视角下的高大网架柱体，背景为布满碎云的天空 | 1.13 | |
| 14 | 特写 |  | 一只戴白手套的手握着红色铅笔，在炭笔画稿上勾勒 | That's probably why I naturally gravitated toward the tools | 1.07 |
| 15 | 近景 |  | 林成宇戴着白色手套在工作台前低头用画笔绘制 | 2.63 | |
| 16 | 特写 |  | 戴着黑色工作手套的手伸入装满铅笔的盒子里挑选 | that were always around me such as pencils and erasers. | 1.60 |
| 17 | 特写 |  | 戴黑色手套的双手横握着一支铅笔，笔尖向左 | 1.37 | |
| 18 | 特写 |  | 几支削好的铅笔和白色蜡笔散落在白桌面上 | 0.97 | |
| 19 | 特写 |  | 戴着脏污白手套的手握着画笔，在布满线条的纸面上创作 | And that act of drawing, | 1.30 |
| 20 | 大特写 |  | 画笔在灰白纹理纸张上描绘线条，左侧有流动光斑遮罩 | 1.73 | |
| 21 | 特写 |  | 林成宇低头专注，光线从侧后方照射发丝 | which allows me to share my stories more lightly, | 1.73 |
| 22 | 中景 |  | 戴白手套的创作者在白纸上用铅笔排线，周围有素描作品和画具 | 1.43 | |
| 23 | 全景 |  | 林成宇在堆满工具的工作室里低头素描 | has now become a part of my identity. | 1.00 |
| 24 | 特写 |  | 林成宇闭眼，额头和眼周有汗水 | 1.40 | |
| 25 | 全景 |  | 手绘风格的灰色墙面，有拱门和窗户，四周垂下黑色线条植物 | For as long as I remember, there have been | 1.40 |
| 26 | 中景 |  | 林成宇站在黑白纹理墙前，双手捧着一件石质尖锐艺术品观察 | 1.30 | |
| 27 | 特写 |  | 双手握着被白灰不规则物质包裹的物体端详，左手食指戴银戒 | objects in my home with no clear origin, | 1.30 |
| 28 | 近景 |  | 林成宇低头摆弄手中的骨骼状雕塑 | 1.60 | |
| 29 | 近景 |  | 林成宇背对镜头手持锯齿状工艺品，随后转头看向斜后方 | things I used simply because they were in the house | 3.03 |
| 30 | 近景 |  | 木制熊和鸭子雕塑摆在白色台面上，背景是贴满旧照片的玻璃窗 | 1.00 | |
| 31 | 近景 |  | 生锈的古董铁熨斗静置在木质层架上 | and strange patterns with unidentified origins. | 1.03 |
| 32 | 特写 |  | 斑驳的绿色金属门上有一个青铜狮头门环 | When I asked myself 'Why do I keep looking at these things?', | 1.23 |
| 33 | 空镜 |  快速剪辑 | 密布电线的街巷，随后仰望天空中的电线横穿树木剪影 | 'Why do they feel so familiar to me?' and 'Why am I using them?', | 2.33 |
| 34 | 远景 |  | 近处松树枝叶，远方是城市高层建筑群，天空阴郁 | 1.23 | |
| 35 | 远景 |  | 右侧是林成宇的虚焦侧影，远景是阴天下的城市现代建筑群 | 1.13 | |
| 36 | 近景 |  | 林成宇侧立户外望向远方，背景是阴天下的绿色田野和模糊建筑 | my thoughts would always go back to my two grandmothers, | 1.60 |
| 37 | 中景 |  | 手绘风格人物坐在椅子上，身旁堆放书籍，呈壁画质感 | 1.47 | |
| 38 | 近景 |  | 手绘风格黑白画作，中心是神情忧郁的女性，背景有海浪和叶片 | 1.53 | |
| 39 | 近景 |  | 林成宇神情凝重注视侧前方，背景是模糊的树木 | and I think the things my grandmothers gathered have, | 1.53 |
| 40 | 全景 |  | 林成宇站在金属骨架的露天建筑结构下，背景是树林和阴沉天空 | 1.40 | |
| 41 | 近景 |  | 林成宇行走在户外林荫道上 | in some way, influenced my life | 2.23 |
| 42 | 中景 |  | 画室中，林成宇戴着白手套低头处理巨大的黑白纹理画作 | 1.80 | |
| 43 | 近景 |  | 斑驳墙壁上投射出女性侧脸的剪影 | and the way I see the world. | 2.13 |
| 44 | 全景 |  | 画室桌面上平铺多幅素描画作，周围堆放工具 | 1.77 | |
| 45 | 全景 |  | 工作室墙上挂着艺术作品，右侧窗帘投下条纹状阴影 | This work is part of a series titled The Shifting Sands. | 2.27 |
| 46 | 特写 |  | 戴戒指的手指向墙上的岩石纹理艺术品，随后展示更大的一幅岩石壁画 | 1.83 | |
| 47 | 近景 |  | 黑白拼贴画在深灰色背景前展示 | It is a drawing where the landscapes and figures | 1.80 |
| 48 | 全景 |  | 手绘风格黑白画作展示在深色背景中心 | I often saw at my grandmother's house are intertwined. | 1.97 |
| 49 | 近景 |  | 林成宇侧身站在挂满灰色浮雕艺术品的白墙前，一边观察一边讲解 | 1.80 | |
| 50 | 近景 |  | 林成宇抬头看向左侧墙壁上的艺术画作 | 1.60 | |
| 51 | 特写 |  | 从旧照片转场至黑白线条插画，插画中隐约可见人脸轮廓，手指划过表面 | In particular, the figures of my grandmother | 5.63 |
| 52 | 中景 |  | 黑白炭笔画作，中心层叠多张扭曲人脸和线条纹理 | 1.57 | |
| 53 | 特写 |  | 手绘风格画作，左侧堆叠神情各异的人脸，右侧是抽象线条 | and the people surrounding her, | 1.83 |
| 54 | 中景 |  | 林成宇低头整理物品，随后抬手整理头发，背景墙面挂着艺术挂毯 | hidden among the wallpaper in the center, | 1.60 |
| 55 | 特写 |  | 手握黑色画笔在白色几何镂空模板上描画创作 | depict the view | 1.30 |
| 56 | 近景 |  | 林成宇在室内低头沉思，白色纸板移入遮挡面部，孔洞对准其右眼 | 1.33 | |
| 57 | 中景 |  | 林成宇侧身手持白色纸片端详，背景为室内的窗户和挂钟 | I always had when looking into this room from outside. | 1.40 |
| 58 | 大特写 |  | 透过白色卡纸上的菱形孔洞观察林成宇的双眼 | 1.50 | |
| 59 | 全景 |  | 阳光照射下带有红色瓦片围墙的老式二层民居建筑 | Both of my grandmothers' houses | 1.30 |
| 60 | 全景 |  | 带有木质门廊的老式房屋院落，门口堆放木材 | 1.17 | |
| 61 | 远景 |  | 废墟建筑工地全景 | were in a situation where they were going to be demolished. | 1.23 |
| 62 | 近景 |  | 老旧白墙上的窗户安装着防盗网，窗台内放置白瓷罐 | 1.37 | |
| 63 | 近景 |  | 林成宇侧身坐室外望向远方，背景是浅色墙壁与窗户 | The thought that our home, a place I had frequently visited | 1.10 |
| 64 | 全景 |  | 林成宇侧坐在户外白色塑料椅上，背景建筑墙面投射树影 | 2.10 | |
| 65 | 远景 |  | 仰望视角下的老旧建筑外墙，左侧有电线和阴云天空 | would suddenly and truly disappear | 1.43 |
| 66 | 特写 |  | 林成宇靠在石柱旁，眼神平静，随后轻轻转动头部 | 1.87 | |
| 67 | 全景 |  | 工作室白墙上挂着几幅巨大的黑白纹理画作，桌上摆放用具 | gave me the sense that the core of my work | 1.53 |
| 68 | 中景 |  | 黑白水墨风格抽象画作，中心重叠模糊的人物面部轮廓 | was being shaken. | 1.83 |
| 69 | 中景 |  | 室内昏暗光线下，一只手伸向画面中央拨动百叶窗拉绳 | 1.47 | |
| 70 | 特写 |  | 带有粗糙纹理和光泽的矿石表面 | which led me to wonder | 1.30 |
| 71 | 中景 |  | 林成宇在工作室握持压力喷罐，背景是粗犷纹理深色墙面 | 1.47 | |
| 72 | 近景 |  | 林成宇手持喷雾设备和深灰色海绵质地物体 | 'Could I somehow reconstruct that place within my work?' | 1.50 |
| 73 | 近景 |  | 林成宇注视前方，举起灰色模型观察，背景是明亮的室内窗户 | 1.70 | |
| 74 | 中景 |  | 林成宇站在布满抽象图案背景的室内，用手轻触石块状艺术装置 | 1.73 | |
| 75 | 特写 |  | 拼贴风格艺术作品细节，有圆形图案和灰底拼贴块 | So I translated those narratives into drawings, | 1.30 |
| 76 | 多景别 |  | 展示飞鸟绘画与人物剪影局部，随后切换至画室全景 | 4.67 | |
| 77 | 近景 |  | 林成宇站在画室中，身后挂着巨大的黑白艺术绘画 | imagining a closet as a personal and private space | 1.67 |
| 78 | 特写 |  | 灰色石膏质感雕塑，内部露出交错物质 | 1.53 | |
| 79 | 中景 |  | 灰白墙壁上挂着三件镂空图案的浮雕装置 | where they could be preserved and kept. | 2.03 |
| 80 | 特写 |  | 一只手扶住容器向其中倒入透明液体 | 1.27 | |
| 81 | 中景 |  | 林成宇背对镜头站在桌前忙碌，墙上挂着几何镂空艺术品 | For Focus Asia, | 1.23 |
| 82 | 近景 |  | 手部特写，随后移向林成宇的侧脸 | I was given a booth space, | 2.80 |
| 83 | 特写 |  | 沾满灰白粉末的搅拌机内部装有深色浆液 | 1.90 | |
| 84 | 中景 |  | 林成宇在工作台前低头操作模具，背景墙上挂着浮雕艺术品 | and as I began by thinking about how I could transform it into a place | 2.00 |
| 85 | 特写 |  | 量筒向透明容器倾倒灰白色浓稠浆液 | 1.97 | |
| 86 | 特写 |  | 灰黑色的雕塑材料堆积，一把铲子在材料中翻动搅拌 | that invites visitors to step directly into my work, | 1.97 |
| 87 | 大特写 |  | 水珠在黑色粗糙物体边缘积聚滴落 | 1.30 | |
| 88 | 特写 |  | 戴白手套的手握蓝色铅笔勾勒线条 | I felt that I needed to go beyond simply drawing lines | 1.47 |
| 89 | 特写 |  | 戴着银戒指的手在画纸上涂抹阴影 | 1.23 | |
| 90 | 全景 |  | 林成宇在桌前创作，动作轨迹呈现重影，背景墙挂满艺术作品 | and connect them on a scale | 1.47 |
| 91 | 特写 |  | 黑色岩石质感文物表面带有云纹浮雕 | 1.00 | |
| 92 | 特写 |  | 灰色混凝土裂缝侧面细节 | that could not be conceived in my head. | 1.07 |
| 93 | 中景 |  | 暗色岩石表面岩缝中有抽象元素 | 1.67 | |
| 94 | 特写 |  | 林成宇低头沉思侧影 | Then I heard that Stone Island | 1.40 |
| 95 | 近景 |  | 林成宇背对窗户光线低头操作 | 1.17 | |
| 96 | 特写 |  | 白色容器内堆满碎纸片和纤维物质 | has a wide variety of ways to print on fabric. | 1.00 |
| 97 | 全景 |  | 林成宇站在挂满石膏艺术品的墙前 | 1.63 | |
| 98 | 中景 |  | 林成宇站在大幅水墨布幔前讲话 | I was very curious to see how my work could be | 2.10 |
| 99 | 特写 |  | 印有黑白素描人像和FRIEZE、STONE ISLAND字样的灰色卫衣平铺在桌面上 | 0.90 | |
| 100 | 中景 |  | 联名T恤悬挂在衣架上，背景是模糊的艺术画作 | expressed on a medium other than paper. | 2.07 |
| 101 | 中景 |  | 林成宇站在工作室整理头发并看向镜头 | 2.40 | |
| 102 | 特写 |  | 展示印有手绘风格人像和FRIEZE字样的联名款T恤正面图案细节 | It also gave me a chance to | 1.47 |
| 103 | 近景 |  | 浅色衣物表面印花和纹理细节 | 1.63 | |
| 104 | 全景 |  | 林成宇背对镜头站在工作台旁，墙上挂满大幅画作 | think more about fabric as a material | 2.57 |
| 105 | 中景 |  | 林成宇注视侧前方，背景是灰白墙面上的挂毯 | that carries movement when worn, | 1.83 |
| 106 | 中景 |  | 林成宇站在黑白抽象画前看向前方 | rather than a static surface. | 2.00 |
| 107 | 中景 |  | 光影投射在灰色石墙上，出现女性侧脸的手势阴影 | 2.37 | |
| 108 | 远景 |  | 透过铁架望向远处的城市轮廓和夕阳 | The biggest realization I had was that | 1.50 |
| 109 | 全景 |  | 林成宇在白窗建筑前的草地上行走 | 1.77 | |
| 110 | 中景 |  | 林成宇在户外的草坪上回头，随后转向侧方 | I had always believed my work was something I had to do alone. | 1.70 |
| 111 | 中景 |  | 林成宇在黄昏下转头闭目，背景是模糊铁架 | 1.80 | |
| 112 | 远景 |  | 废弃建筑框架和红砖塔楼旁的大片草坪，夕阳透射 | Through this collaboration, | 1.23 |
| 113 | 特写 |  | 微风中摇曳的狗尾草 | 1.17 | |
| 114 | 特写 |  | 明黄色的向日葵盛开，前景被绿叶遮挡 | 1.27 | |
| 115 | 中景 |  | 林成宇站在向日葵花田旁望着远方 | I began to think about how my drawings could | 1.33 |
| 116 | 中景 |  | 茂密的绿色野草丛在微风中晃动 | 1.13 | |
| 117 | 特写 |  | 干枯褐色玉米叶悬挂在植株上 | 1.10 | |
| 118 | 远景 |  | 仰望废旧建筑钢结构骨架 | become images that someone could actually wear and move in, | 0.97 |
| 119 | 远景 |  | 仰望暗红色砖石圆塔 | 0.93 | |
| 120 | 特写 |  | 深灰色凹凸不平的岩石表面微距细节 | 1.17 | |
| 121 | 特写 |  | 黑色褶皱物料在光影下呈现纹理 | and that held great significance for me. | 1.33 |
| 122 | 特写 |  | 粗糙的旧墙壁上叠印着模糊的孩童肖像 | 1.40 | |
| 123 | 中景 |  | 林成宇站在巨大的黑白水墨画作前交谈 | 3.13 | |
| 124 | 中景 |  | 林成宇穿着T恤对镜头站立，背景为模糊涂鸦墙面 | 1.43 | |
| 125 | 特写 |  快速剪辑 | 林成宇正面注视镜头，背景为黑白基调艺术画作 | 0.37 | |
| 126 | 特写 |  | 黑色背景显示 Stone Island 和 Frieze Studios 标志 | 3.87 |