共84个镜头，该分镜由光厂AI自动生成
| 镜号 | 景别 | 参考图 | 画面内容 | 台词/旁白 | 时长(秒) |
|---|---|---|---|---|---|
| 1 | 全景 |  | 黑色背景中心出现白色 Los Angeles Times SHORT DOCS 字样，文字从无到有、再到完全显现，最后隐去 | 5.80 | |
| 2 | 特写 |  | 黑色背景正中央水平排列着两个白色的电影节获奖或入围图标，左侧为翠贝卡电影节，右侧为全帧纪录片电影节 | 4.93 | |
| 3 | 特写 |  长镜头 | 在充满圆形光斑的舞池中，穿着橙色长靴和黑色皮鞋的一对舞者的双腿随着节奏起舞 | 16.67 | |
| 4 | 近景 |  | 充满霓虹灯光的夜店中，两名男子在舞池中央相拥共舞，背景有绿色的棕榈树和 Club 字样的霓虹灯 | The feeling of line dancing and being in lockstep with people is kind of indescribable. | 8.70 |
| 5 | 近景 |  | 昏暗的派对或夜店环境中，一名戴着棒球帽的年轻女子低头沉思或随节奏摆动，周围背景有模糊的霓虹灯光和晃动的人影，光线以红色和蓝色为主调 | 3.63 | |
| 6 | 中景 |  | 光线昏暗、充满红蓝霓虹灯影的俱乐部内，一名戴眼镜的短发女性在舞池中央随着节拍晃动身体，周围有其他人在共同起舞 | It is like this flow state closing your eyes | 3.10 |
| 7 | 中景 |  | 昏暗且有霓虹灯光点缀的室内，一名戴帽子的年轻男子在人群中随音乐节奏晃动身体 | 3.27 | |
| 8 | 特写 |  | 一个银色迪斯科球悬挂在黑暗中，表面反射着蓝色和少许橙色的光点，球体在微光中微微晃动 | opening them and everyone around you is in unison. | 2.10 |
| 9 | 近景 |  | 充满霓虹灯光的夜店环境中，一群年轻人随音乐起舞，画面中心是一名身着浅色上衣的女性，她闭着眼沉浸在节奏中，周围人的动作虚化 | It makes me feel like it's like hitting some deep part of the human brain | 7.00 |
| 10 | 特写 |  | 红紫色调的舞池灯光下，多双脚穿着牛仔靴或其他鞋子跟随着节奏跳舞踏步，地面上有彩色光斑闪烁 | where like we want to work together as people. | 5.17 |
| 11 | 中景 |  | 画面起初虚焦，随后逐渐对焦至夜色中正在亲吻的一对女性，接着转向旁边舞池中相拥起舞的人群 | And so when we see people moving in unison, it triggers this human response. | 4.57 |
| 12 | 近景 |  | 光线昏暗的迪厅内，一名戴眼镜的男子侧身向后看，随后另一名戴牛仔帽的年长男子出现在画面左侧，背景中迪斯科球在闪烁 | People call it church. | 4.87 |
| 13 | 近景 |  | 红绿霓虹灯光映衬的舞池中，两名穿着黑色背心的男子紧紧相拥跳舞，周围还有其他模糊的舞动身影 | We didn't come up with that. People were just like, "Oh, I'm going to church. I'm going to Stud Country." | 8.40 |
| 14 | 空镜 |  | 黑色背景上，先是出现白色小字 Logo，随后快速切换显示大号白色艺术字体 STUD COUNTRY | 7.43 | |
| 15 | 全景 |  | 一家名为 BAHIA NIGHTCLUB 的夜总会舞池内，一名女子从画面中心缓慢走向左侧，背景中可见吧台、桌椅和镜面墙 | It's important to me that people know that Stud Country is LGBTQ line dancing. | 5.57 |
| 16 | 中景 |  | 一名穿着牛仔裤的人物坐在箱子上穿上黑色靴子，随后起身离开画面 | Yeah, we'd go over the dances together. | 7.07 |
| 17 | 全景 |  长镜头 | 旱冰场背景的舞池中，一名女子身穿黑色 T 恤和橘红色喇叭裤，与一名穿条纹短袖的男子相对而行并进行舞蹈展示 | Well, do you think we should do the new... | 12.77 |
| 18 | 中景 |  长镜头 | 一名身穿条纹衬衫的男子在酒吧背景下边说话边比划手势，神情生动，背景环境略显模糊 | I first went to Oil Can Harry's in 2017 and I brought Bailey as soon as I could. I haven't done that one in a long time. I think a lot of people try and overcomplicate line dancing these days. But like, you can take a simple move, like a step and a clap. | 11.73 |
| 19 | 全景 |  | 复古风格的室内舞池中，一男一女随着节奏并排跳舞。背景是一个带有 Bahia 标志的吧台和红色的墙面，男士穿着条纹衬衫和牛仔裤，女士穿着黑色 T 恤和橘色长裤 | And like when there's all these people doing it together, it sounds fucking incredible. | 8.97 |
| 20 | 全景 |  | 舞池中的人群律动，一名长发女性在舞台边缘扭动身体并阻挡部分镜头，背景中有一名男性在持麦克风说话 | People view us from the outside and they say, hey, that's cool. But it's the same kind of novelty. I'm afraid that a lot of people see. And it's like, no, but this is a whole community. This is a culture. This is like sacred. | 3.23 |
| 21 | 全景 |  | 一男一女的背影出发，随着他们的动作转向热闹的舞池，画面展现出大量成对跳舞的人群，环境灯光昏暗并伴有红绿霓虹灯色调 | When Oil Can Harry's closed, we were devastated and we needed somewhere to dance. So we started doing Stud Country. | 6.07 |
| 22 | 全景 |  长镜头 | 光线昏暗的俱乐部舞池中，多对舞伴正在跳舞，戴牛仔帽的老年男子与他的年轻舞伴旋转拥抱 | Remembering that the elders that come to Stud Country now literally got arrested for trying to create this culture. They laid the foundation for what we're doing now. This wouldn't exist without them. | 28.20 |
| 23 | 特写 |  | 明亮的观片器底座上，整齐排列着多张彩色反转片幻灯片，左侧放置着一个透明的放大检查镜 | I was looking for that belt buckle the other day. | 6.07 |
| 24 | 特写 |  | 一位白发长者戴着眼镜，正低头通过放大镜仔细观察灯箱上的多张彩色幻灯片 | I couldn't... I couldn't find it, but I think I still have it. | 3.00 |
| 25 | 多景别 |  长镜头 | 躺在地上休息、身着红色背心的牛仔特写拉远，展示周围同伴及吉他盒，随后画面切至舞台上戴白帽的领队在人群前指点，最后聚焦于背景横幅 | I've always been interested in introducing people into the dance. To me, it's still important. | 11.83 |
| 26 | 近景 |  | 左侧是一台白色冰箱，冰箱顶放着旧电器和一瓶洋酒；右侧木纹墙面上挂着一面写有 LONGHORNS 的红白条纹旗帜 | 3.33 | |
| 27 | 近景 |  | 一位戴眼镜的老年男性坐在木质墙壁的室内，面前摆放着幻灯片观片器，侧头交谈并露出笑容 | Even though people are still struggling to simply eat and find a shelter over their head, they could be dancing in the streets. | 9.30 |
| 28 | 多景别 |  长镜头 | 洛杉矶夜间舞厅外景、双人交际舞、戴牛仔帽的人群以及男子横抱同伴旋转等场景跳切 | Let's see. I believe Oil Can Harry's opened up around 1969. And when they first opened up, they couldn't go public because it was illegal... quote... for two men to dance together. And so the only way you could do this was you created a private club. Oil Can Harry's was one of the first dance clubs to go public where you didn't have to have a membership to dance. | 34.20 |
| 29 | 特写 |  | 场记手中拿着写有 906-5 字样的场记板，并在镜头前进行合板动作，背景中可见工作人员的腿部 | That late 70s, the film Urban Cowboy came out, | 1.97 |
| 30 | 特写 |  | 木质地板上，一双穿着拼色皮鞋的双脚快速跳动踢踏舞步，周围隐约可见其他观众的脚步 | and people were getting burned out on disco. | 2.40 |
| 31 | 近景 |  | 穿着蓝色牛仔裤和凉鞋的人走在黑白条纹的地板上，怀旧胶片质感 | And we had the AIDS epidemic come along about the same time. | 2.80 |
| 32 | 全景 |  | 身着亮片晚礼服和黑色礼服的歌手在复古舞台灯光背景下跳舞歌唱 | 1.63 | |
| 33 | 中景 |  | 舞台中央，身着黑色礼服的男歌手与两名伴舞表演，前方观众举手随音乐节奏欢呼晃动，背景为城市夜景风格的灯光装饰 | 2.00 | |
| 34 | 近景 |  | 身着粉色演出服、戴着白色卷发和皇冠的异装者站在人群中，左侧有人举着牌子 | Not much was known about that at the time, but here was an opportunity you could actually touch somebody and dance with them. | 3.60 |
| 35 | 近景 |  | 穿着带有红色衣领的白色 T 恤男子面带微笑，人群面孔出现 | 2.77 | |
| 36 | 全景 |  | 灯光昏暗、挂有装饰灯串的舞厅里，一对男女在木质地板上紧紧相拥跳交际舞，周围坐着围观的宾客 | Disco was designed to pull everybody apart. Here, we got pulled together in a unity. | 5.63 |
| 37 | 近景 |  | 戴着眼镜的老年男性坐在木质背板前，面前摆放着幻灯片观片器，边说话边配合手势讲解 | 6.53 | |
| 38 | 多景别 |  长镜头 | 一群身穿红色和白色衬衫、头戴牛仔帽的男子在室内近距离拥抱交谈，随后画面切至黑白，穿着带有五角星装饰衬衫的男子在舞台上集体跳踢踏舞 | Plus the gay community has always been at the forefront of a lot of things, artistically, dance-wise, and creatively. So, there we were. | 17.43 |
| 39 | 特写 |  | 戴眼镜的老年男性低头查看桌上的幻灯片底片，随后画面下移聚焦到底片盘和放大的底片细节 | This is one of the whole group at that time. | 4.13 |
| 40 | 多景别 |  长镜头 | 穿着红色衬衫和牛仔帽的人群合影、特写镜头、在酒吧内手拉手跳舞的动态场景，浓厚复古年代感 | I started teaching at Oil Can Harry's a couple years after country dance had taken over. Yeah, I believe Los Angeles was the blueprint for the gay country dance scene in America. | 22.90 |
| 41 | 近景 |  | 戴着眼镜、留着白胡须的年长男性侧面开口交谈，背景是木纹墙面 | When we lost Oil Can Harry's, for me, it had been home for, what, 50 years. | 4.60 |
| 42 | 多景别 |  | 室内木质背景下，戴着牛仔帽的男子在人群前举起帽子欢呼，随后画面迅速拉近聚焦于他的笑脸 | It was disheartening in some ways, and in some ways it needed to move on. | 5.93 |
| 43 | 近景 |  | 戴眼镜的老年男性在室内背景前面对镜头交谈并露出微笑 | Sometimes when things get too complacent, they die. | 4.97 |
| 44 | 中景 |  长镜头 | 光线昏暗、带有霓虹灯装饰的俱乐部内，两名戴着牛仔帽的男子面对面交谈并练习舞蹈动作，随后拉手旋转起舞 | Growing up in the South as a gay teen, I sort of rejected Southern culture, country music. | 13.63 |
| 45 | 近景 |  | 两位戴着牛仔帽的男性在昏暗且有霓虹灯装饰的室内场馆里跳舞，周围有其他模糊的人影 | These guys that bullied me were the guys that were listening to it going mudding on the weekends in their Jeeps. | 6.07 |
| 46 | 近景 |  | 两名戴着牛仔帽的男子在昏暗的酒吧内搭肩跳舞，从正面跟随着他们的旋转动作转至背影视角 | It has been nice to sort of reclaim my space, reclaim a part of my identity. | 6.87 |
| 47 | 多景别 |  长镜头 | 穿着浅粉色长裤和浅灰色袜子的男子走入镜头并停下，展示其上半身，右手抚胸，神情真挚在说话 | At the risk of alerting my landlord, they're a bit scuffed up from practice in my cowboy boots. So I've got to kind of find a way to fill those before I move out at some point so I don't lose my security deposit. | 17.00 |
| 48 | 特写 |  | 桌上散乱放着牛仔裤和透明托盘，一只手伸向桌面上的手机并轻触屏幕 | 3.37 | |
| 49 | 多景别 |  长镜头 | 穿着粉色裤子和深色 T 恤的男子在室内起舞。记录其舞蹈动作 | 12.40 | |
| 50 | 中景 |  长镜头 | 一群人在充满霓虹灯光和氛围感的俱乐部内跳舞，镜头最后对准了舞台上表演或操作设备的 DJ | It's almost like you go into a little bit of like a meditative state, so much so that sometimes I could be turning and be in the middle of a dance and I have to stop and sort of, you get lost in it. And I come back and I'm like, wait, what dance are we doing right now? | 24.57 |
| 51 | 近景 |  | 卷发女子坐在贴满海报和照片的墙壁前，边说话边配合手势表达，背景中有文件夹和杂物 | I immediately was hooked and was like, I'm coming back on Thursday. And I'm coming back on Friday. And that was my life for years and years. | 6.47 |
| 52 | 特写 |  | 墙壁上贴着多张手绘草稿，正前方是一张红纸，上面画着火柴人在跳舞并配有文字 | 1.93 | |
| 53 | 近景 |  | 一张白纸上画着棕色的西部牛仔靴和一顶牛仔帽的手绘草稿图 | 1.87 | |
| 54 | 中景 |  | 一名短发女子坐在办公桌旁，带着笑容与人交谈，背景墙上贴满了照片和纸张 | That was 17 years ago. | 2.73 |
| 55 | 近景 |  长镜头 | 光线昏暗的室内，一名穿着条纹衬衫的男子搂着一名戴蓝色棒球帽的女子，两人随着律动起舞、旋转并牵手对视 | It came down to people who were going to try to figure out a way to keep this going. | 9.97 |
| 56 | 近景 |  | 昏暗的室内环境中，一名身穿条纹衬衫的男子位于画面右侧，低头看向前方；左后方一名戴着粉色鸭舌帽的女子微笑着看向他 | 2.93 | |
| 57 | 近景 |  长镜头 | 充满霓虹光影的昏暗派对中，一名戴眼镜的女性从侧脸大笑开始，先低头掩面，随后转头与身旁的同伴深情拥抱并交谈 | And that's what it comes back to. It comes back to people who are going to continue to try and preserve this awesome thing that we all do. I mean, for so many of us, this is home. And, you know, for a lot of people, they kind of, they never find that. They never get a chance to see what that feels like. | 16.17 |
| 58 | 特写 |  | 奖杯立在镜子前，奖杯上方装饰有一只金色的靴子，金色奖杯表面带有磨砂质感，环境光影昏暗 | 2.20 | |
| 59 | 近景 |  | 一名穿着牛仔裤的长者费力地穿上皮靴，低头俯身继续调整鞋袜，背景是带有百叶窗和台灯的卧室 | 7.20 | |
| 60 | 多景别 |  | 黑色靴子，镜头跟随一名戴眼镜的老年男性起身的动作向上移动，定格在老人微笑的面部 | Sometimes I'm afraid I'll wear myself out before I get to the dance floor. | 7.87 |
| 61 | 中景 |  | 一名戴着牛仔帽、穿着浅蓝色衬衫和牛仔裤的男子在街道人行道上向前走去，左侧是绘有花卉图案的涂鸦墙 | I know a lot of the kids are frustrated that the club is going to close soon. | 6.43 |
| 62 | 全景 |  | 戴着宽边牛仔帽、身穿浅蓝色长袖衬衫和牛仔裤的老年男子走近一处栅栏门，与一名戴口罩的安保人员碰拳致意后，转身上台阶进入室内 | But having already been through this, I know it's just probably another stage. | 7.87 |
| 63 | 全景 |  长镜头 | 名为 Club Bahia 的酒吧柜台，一名戴着浅色牛仔帽的男子背对镜头站在柜台前，背景墙上的霓虹灯招牌从熄灭状态变为亮起绿光 | We lost Oil Can Harry's. Club Bahia got bought, it's gonna get torn down. | 15.03 |
| 64 | 中景 |  长镜头 | 一名穿着条纹衬衫的男子在深色背景前坐着，神情专注地一边说话一边配合手势讲解 | In a city where this real estate is so valuable, who wants to have a business where half the room, half the building is just empty space? | 10.53 |
| 65 | 远景 |  | 昏暗的夜总会里，前景侧面摆放着小费箱，人们在闪烁的红蓝灯光下跳舞 | The public hasn't caught up yet in order to protect these spaces. And they might be gone. And then it's hard to get them back because of the market. | 8.53 |
| 66 | 全景 |  | 充满霓虹灯光的酒吧内，一名戴着牛仔帽的老年男子与一名年轻男子跳舞，年轻人的手臂搭在老年人的肩上，两人在舞池中旋转 | I have a lot to say to Sean yet. | 6.50 |
| 67 | 近景 |  | 灯光昏暗、挂有迪斯科球的舞厅里，一名戴着白色牛仔帽的长者搂着舞伴在舞池中缓缓旋转起舞 | The most potent thing I can give him is a progression of some of the dancing. | 4.13 |
| 68 | 中景 |  | 两位男士在灯光昏暗的酒吧内相拥跳舞，一人戴着黄色牛仔帽，背景有红色灯带和霓虹招牌 | I'm sort of being reborn through it too. Reborn through the dance. | 4.73 |
| 69 | 近景 |  | 光影斑斓的舞厅中，戴着牛仔帽的年长男士与舞伴对舞，镜头从背影转向侧面，特写其微笑的面容 | 3.80 | |
| 70 | 近景 |  | 灯光昏暗、带有霓虹装饰的室内舞池中，两名戴着牛仔帽的男士跳双人舞，背景中可见其他舞动的人影和闪烁的招牌 | I am thankful that I'm still able to do it. Thankful that I'm able to meet new people. And thankful that I can still share what I know. | 9.60 |
| 71 | 近景 |  | 两名戴着西部牛仔帽的男子在昏暗的室内场所交谈并起舞，其中一人举起手臂在空中挥舞，随后两人相对而立继续交流 | 6.80 | |
| 72 | 中景 |  长镜头 | 光线昏暗的室内，戴眼镜的白发老人坐在桌前，桌上放着发光的幻灯片查看器，老人看着幻灯片由沉思转为微笑 | I guess that's... thank God. | 12.83 |
| 73 | 特写 |  | 一名戴着棕色牛仔帽和眼镜的老年男子原本侧对着镜头，在酒吧吧台前缓缓转身面向前方，手中拿着两杯淡黄色饮品，背景是模糊的红色霓虹灯和悬挂的酒杯 | Sharing a dance floor brings people together. | 9.77 |
| 74 | 多景别 |  长镜头 | 男歌手在舞台上表演的近景，随后快速切至其跳舞时的全身及腿部特写，展示其在棋盘格地砖上的舞步 | I think that it's healing and it reminds people of their humanity. | 10.77 |
| 75 | 中景 |  | 光线昏暗、带有绿色霓虹灯招牌的酒吧内，一群人随着音乐跳舞，聚焦在一名身穿白色 T 恤的男子身上，他在人群中尽情摆动 | And if we don't agree, we can share a dance, if just that. | 8.67 |
| 76 | 中景 |  | 身穿白色短袖的男子在光线昏暗的夜店或派对现场随音乐跳舞，背景是发绿光的棕榈树和 Club Bahia 霓虹灯牌，周围人群也在晃动身体 | 4.90 | |
| 77 | 中景 |  | 昏暗的俱乐部内，人群随着音乐节奏舞动，背景闪烁着绿色的霓虹灯牌 | 4.80 | |
| 78 | 中景 |  快速剪辑 | 霓虹灯光闪烁的酒吧或迪厅中，一群年轻人正在舞池中热烈跳舞，镜头在人群中穿梭并跟拍一名穿着白色背心的女子和一名穿着白色 T 恤的男子 | 1.80 | |
| 79 | 中景 |  | 昏暗且闪烁霓虹灯光的夜店里，众人随着音乐跳舞，前景中的男子正大幅度舞动身体，背景处可见绿色的椰子树霓虹招牌 | 0.60 | |
| 80 | 多景别 |  长镜头 | 一群人在带有霓虹招牌的俱乐部内跳舞，画面从众人的背影逐渐转为拍摄地面的舞步，随后出现多层字幕 | 29.20 | |
| 81 | 全景 |  | 光线昏暗且带有绿色霓虹灯招牌的俱乐部内，多名男性背对镜头随着音乐节奏晃动身体，画面中央叠印着白色的演职员名单字幕 | 0.83 | |
| 82 | 中景 |  | 霓虹灯闪烁的俱乐部中，人们随着音乐舞动，多位男性正在跳舞，背景有绿底霓虹招牌和滚动的职员表字幕 | 8.67 | |
| 83 | 中景 |  | 光影闪烁的夜店中，人们随着音乐节奏晃动身体，背景带有霓虹灯牌，画面中央显示白色字幕 | 1.47 | |
| 84 | 空镜 |  长镜头 | 黑色背景上先后出现两段关于说明文字，随后显示 Los Angeles Times SHORT DOCS 的 Logo 并缓慢消失 | 15.97 |