共32个镜头，该分镜由光厂AI自动生成
| 镜号 | 景别 | 参考图 | 画面内容 | 台词/旁白 | 时长(秒) |
|---|---|---|---|---|---|
| 1 | 特写 |  | 暗调的调音台背景前，一双黑色真无线耳机放置在打开的绿色充电盒内，上方带有白色的文字标识。随后，一只手入画挡住部分光线并触碰耳机 | 3.37 | |
| 2 | 全景 |  | 充满电子乐器与混音设备的暗调录音棚中，汉斯·季默背对镜头，坐在电脑前工作 | 1.57 | |
| 3 | 特写 |  | 汉斯·季默佩戴绿色耳机的右耳特写，随着景深变化，展现其戴眼镜的侧脸，背景是控制面板的指示灯 | 2.50 | |
| 4 | 特写 |  | 手指在音频控制台上推动滑杆 | I've been working in surround for as long as I remember, at least 40 years, | 2.83 |
| 5 | 特写 |  | 电子控制面板上整齐排列的旋钮、开关和指示灯 | because my world is surround. | 2.77 |
| 6 | 全景 |  | 汉斯·季默背对镜头，坐在录音棚的电脑前，双手在调音台上操作 | So when, you know, we started to have immersive audio, I just jumped onto it straight away. | 5.60 |
| 7 | 特写 |  | 在光线昏暗的室内，一双手正在弹奏带有蓝色背光的电子琴键盘，背景中有电脑显示器等设备 | It wasn't even an evolution, it was just a missing link. | 3.93 |
| 8 | 全景 |  | 汉斯·季默背对镜头坐在专业音频设备前，面对发光的电脑屏幕进行音频编辑，两侧亮着暖色台灯 | And music really exists sort of as a solid mass. | 3.17 |
| 9 | 特写 |  | 电子音序器面板上密集的控制滑块和蓝色指示灯在暗光环境中闪烁 | Where you know, you have the tune and you have the harmony, and if you take the tune too far away from the harmony, the whole thing falls apart. | 3.40 |
| 10 | 特写 |  | 汉斯·季默戴着眼镜和耳机的侧脸，背景是布满旋钮与指示灯的音频调音台 | I wanted to bring it back to where it started, which was, it was made to be in surround. It was made to be immersive. It was made to be in the cinema. | 6.93 |
| 11 | 特写 |  | 音频合成器的控制面板，分布着旋钮、拨杆和指示灯，上方另一台黑色的音频设备逐渐进入视野 | The relationship between technology and music has, of course, always been there. | 4.03 |
| 12 | 中景 |  | 汉斯·季默侧坐着在多层电子琴和调音台前操作，背景是显示音频波形的监视器 | I mean, it's an obvious thing that I would want to go and figure out how best to use something like the OnePlus Buds Pro 2. | 4.33 |
| 13 | 特写 |  | 一只手正在快速弹奏电子合成器的黑白琴键 | I like the sound of the OnePlus Buds Pro 2, because it makes you feel as if you're immersed by the sound. | 1.73 |
| 14 | 中景 |  | 汉斯·季默在录音室内操作电子琴和调音设备，背景中可见显示屏上的音频波形图 | The good part of it is that you suddenly have much more room to play with. | 2.20 |
| 15 | 特写 |  | 一只手在黑色电子键盘上灵活地弹奏 | You know, while before you only had left and right, you now have everything. | 1.97 |
| 16 | 特写 |  | 画面掠过彩色电线和调节旋钮，最后停留在显示绿色波动波形的示波器屏幕上 | Give the audience still some space to experience something. Let the audience's imagination roam free within the environment you've just built. | 3.73 |
| 17 | 特写 |  | 绿色一加耳机盒静置在黑色桌面上，前景是调音台的旋钮，背景中有人影在操作器材 | Very often, you know, minute... minute changes make a huge, huge difference. | 4.00 |
| 18 | 全景 |  | 一台满布旋钮、接线和电平表的大型模拟合成器设备，波形显示器上有绿色信号跳动 | 2.87 | |
| 19 | 大特写 |  | 汉斯·季默的侧脸特写，眼镜片上反射着彩色波形和屏幕光 | 4.87 | |
| 20 | 全景 |  | 汉斯·季默的背影，坐在录音棚内，面对着显示音频波形的电脑屏幕 | 2.13 | |
| 21 | 近景 |  | Colossus模拟合成器巨大的控制面板，布满旋钮、插孔和红色连接线，面板上的指示灯不断闪烁 | 2.93 | |
| 22 | 特写 |  | 音频调音台或效果器的控制面板特写，旋钮与屏幕清晰可见，背景中透出指示灯光 | 2.33 | |
| 23 | 近景 |  | 汉斯·季默的侧脸，低头看向下方，背景是带有红色指示灯的控制台 | 2.97 | |
| 24 | 特写 |  | 一只戴着金属表带的手正在演奏电子琴，琴键下方透出蓝色的背光 | 1.83 | |
| 25 | 特写 |  | 具有复杂旋钮、插孔和彩色线缆的专业电子音频设备或机架系统，带有发光的指示灯 | 2.00 | |
| 26 | 大特写 |  | 汉斯·季默的侧脸大特写，其佩戴的眼镜片上映射出彩色的音频波形图动态效果，背景为模糊的暖色光点 | 1.97 | |
| 27 | 全景 |  | 汉斯·季默的背影，坐在布满专业音频设备的录音棚中，面对着亮起的电脑显示器，四周陈列着合成器和监听音箱 | 2.90 | |
| 28 | 中景 |  | 右侧显示器呈现音频剪辑界面，背景是密集的调音设备。汉斯·季默从左侧入画，盯着屏幕 | 4.47 | |
| 29 | 特写 |  | 一只手在调音台面板上操作，手指划过推子并向下拨动 | 3.37 | |
| 30 | 特写 |  | 汉斯·季默侧脸面对着布满复杂旋钮与指示灯的音频设备面板，正在说话 | 4.10 | |
| 31 | 特写 |  | 银灰色的一加耳机盒及其耳机静置在深色桌面上，背景是带有蓝色灯光的电子设备，虚化柔和 | 4.60 | |
| 32 | 近景 |  长镜头 | 两枚耳机缓缓降落并嵌入打开的深绿色充电盒中，旁边放着一个黑色充电盒 | 10.93 |