共116个镜头，该分镜由光厂AI自动生成
| 镜号 | 景别 | 参考图 | 画面内容 | 台词/旁白 | 时长(秒) |
|---|---|---|---|---|---|
| 1 | 中景 |  长镜头 | 黑色背景中心出现一个圆框，内含一位戴着高礼帽、拿着单片眼镜观察蝴蝶的男士侧影插画。圆框随后缩小并嵌入到品牌文字标识中，最后画面转为纯黑。 | 12.07 | |
| 2 | 大特写 |  | 人物面部特写，画面起初处于失焦状态，焦点逐渐清晰。主要呈现了人物深邃的眼睛和眉骨，眼神流露出专注的情绪，背景保持纯色留白。 | I want to get 3D printed eyes that glow. | 3.33 |
| 3 | 其他 |  | 画面全程为纯黑背景，仅在右下角显示有微小的 The New Yorker 标志。 | Glow in the dark. That's cool. Like actual glowing eyes. | 6.20 |
| 4 | 大特写 |  | 一名年轻男子的面部大特写，主要聚焦于他的上半部分面部。他正低头注视前方，眼神深邃，起初闭口凝神，随后嘴角微微牵动。 | How would they help? Because glow in the dark normally helps you see better in the dark. | 3.30 |
| 5 | 空镜 |  | 画面处于纯黑状态，右下角带有常驻的媒体标志。整个镜头期间没有发生任何视觉变化。 | LEDs. Oh. LEDs inside the eyes. LEDs. Yeah. | 5.20 |
| 6 | 中景 |  长镜头 | 户外路边，身穿红色长袖上衣的 Daniel Kish 拿着白色毛巾擦拭脸，随后放下毛巾露出笑容，看着身旁的两个戴头盔的孩子。 | Alright, so I'm gonna remove the right one. I'm wiping it off. So I think I'm gonna hand that to you. Alright. There it is. | 35.50 |
| 7 | 特写 |  | 在一个模糊的背景下，几个年轻人站在一起，镜头对准他们互相传递小物件的手部动作，背景虚化。 | And then Aston, you get the left one. | 5.17 |
| 8 | 特写 |  | 穿着红色上衣的 Daniel Kish 抬起双手反复揉搓和按压双眼，表现出疲惫或焦虑的情绪，最后用一只手遮住脸部。 | I'm just wiping it off for you. And... There you go. So does it feel weird with your eyes out? | 5.63 |
| 9 | 近景 |  | 一名穿着深色短袖的年轻男性，左手托着下巴，正微笑着看向斜下方，左眼呈现明显的浑浊状态。背景为模糊的户外绿植。 | Yeah, it does. But can you blink? Not really. | 1.97 |
| 10 | 大特写 |  | Daniel Kish 面部大特写，展示了其眼周及额头的皮肤纹理。他表情凝重，眼神向下注视，面部伴有轻微的晃动感，背景模糊。 | Oh. That's all I can do. Okay. Yeah. I'll take the eye. I'll take that. And I'll take that. Thank you. My hand is kind of dirty, though. Oh, that's alright. | 3.30 |
| 11 | 其他 |  | 画面全程为纯黑色背景，仅在右下角保留微小的 The New Yorker 标志。 | As long as you haven't picked your nose. | 3.30 |
| 12 | 多景别 |  | 镜头从快速旋转的自行车前轮特写开始，向上移动展示骑行者，最后定格在头戴银色头盔的 Daniel Kish 侧脸特写。 | There's a whole... | 8.40 |
| 13 | 多景别 |  长镜头 | 头戴头盔的 Daniel Kish 在安静的社区街道上骑自行车。镜头随他骑行转弯而移动，街道两旁停放着车辆，阳光从侧面照射。 | dimension of experience available to the perceptive blind person. | 13.57 |
| 14 | 中景 |  | 戴着银色头盔的 Daniel Kish 正在街道上骑行。背景是居民区的街道，路边停放着多辆汽车，远处有模糊人影。 | 7.10 | |
| 15 | 中景 |  长镜头 | Daniel Kish 在城市街道中央骑着自行车迎面而来。街道两旁停满车辆，随着他骑行，镜头持续后撤，影子斜映在地面上。 | If I click at a surface, it answers back. | 12.80 |
| 16 | 近景 |  | 戴着银灰色头盔的 Daniel Kish 正在户外骑行，画面从侧面捕捉他的面部表情，他微微张嘴，阳光形成暖色调光影。 | It's like asking a question: what are you, and where are you? | 3.77 |
| 17 | 多景别 |  长镜头 | 全黑画面中通过白色点云特效显现夜晚街道轮廓，随后出现本片声音设计说明的文字，最后转为抽象粒子动态效果归于全黑。 | I can get through echolocation a really rich, palpable, satisfying three-dimensional fuzzy geometry. There's hardly a richer tapestry of sound and essence. | 57.93 |
| 18 | 全景 |  长镜头 | 布满圆孔的巨大岩洞内，一名少年和拿着长棍的 Daniel Kish 一前一后行走，阳光从顶部天窗洒下，岩壁上有涂鸦痕迹。 | If you can learn to manage and function as a blind person, you've overcome one of the greatest challenges to befall anyone. Echolocation leads to greater freedom. | 19.00 |
| 19 | 中景 |  长镜头 | 昏暗洞穴中，Daniel Kish 和一名年轻男孩并排站立仰面，闭着眼睛感受上方。男孩动作细微，Daniel Kish 露出欣慰微笑。 | See if you can find a high point of the ceiling. Like where does it seem like it's the tallest? | 10.40 |
| 20 | 远景 |  长镜头 | 昏暗且有涂鸦的岩洞内部，两名手持登山杖的人物背对镜头站立，仰头观察洞顶圆孔，洞穴深处呈现多层拱形结构。 | Right about there. Maybe a little more. Yeah, there. Okay, what does it seem like it does up there? Man, you can't really tell if there's like a hole up there, because it's not that clear. | 20.13 |
| 21 | 中景 |  长镜头 | 洞穴顶部视角，机位向下移动展示岩石纹理。Daniel Kish 和少年处于洞口附近向深处观察，半剪影状态，洞外明亮。 | Can you articulate what that sounds like? How is this click coming back different from, say, if you were standing closer to the wall? | 20.20 |
| 22 | 近景 |  | 一个人头部剪影占据右侧，背景极亮导致主体呈现黑色剪影。人影微微侧头并有晃动，右下角有 The New Yorker 标志。 | Because it's coming back so quickly that it's a little more in your face feeling. | 4.57 |
| 23 | 中景 |  长镜头 | 身着深色西装的年轻 Daniel Kish 坐在办公椅上面对镜头交谈。背景有百叶窗和显示器，画面带有复古录像带质感。 | Hi, I'm Daniel Kish. I'm the Executive Director of World Access for the Blind. World Access for the Blind is a nonprofit corporation dedicated to equalizing opportunities for the success of blind people by providing innovative technology and strategies to enhance or replace vision. | 21.07 |
| 24 | 中景 |  | 阳光街头背景下，穿红色短袖的年轻 Daniel Kish 面向镜头说话。他身后跟着一名黑人年轻人，两人行走在模糊的街道上。 | I started working with students in 1993. | 1.63 |
| 25 | 远景 |  | 镜头推移，年轻 Daniel Kish 穿红色短袖向右走去，黑衣男子紧随其后并搭着他的肩膀，两人走过粉红双层公寓前。 | Nearly half my life. | 2.13 |
| 26 | 全景 |  | 室内走廊，微笑着的 Daniel Kish 拄着盲杖，在红色外套小男孩的引导下行走。背景有标识牌，带有复古纪实感。 | It's an honor to share something... | 1.83 |
| 27 | 全景 |  | 户外路边，三名男性站立交流。左侧穿花衬衫，中间少年穿蓝色格纹衬衫，右侧穿灰色背心。光线充足的白天环境。 | fundamental... | 1.00 |
| 28 | 全景 |  | 户外小径，穿红色 T 恤的 Daniel Kish 和穿黄色衣服的儿童并排走向右侧。背景有汽车，画面具复古胶片感和微晃。 | something sublime, something really seminal. | 1.37 |
| 29 | 中景 |  | 户外街道，两名视障人士拿盲杖行走。戴墨镜男子在前，穿花衬衫男子跟随。背景有黄色卡车，复古胶片低分辨率特征。 | Juan was the first, really. He was my first full-time student. | 2.77 |
| 30 | 全景 |  | 复古画面中，操场上一名穿白衣女孩背对镜头。穿花衬衫拿盲杖的成年男性走向她。背景是带窗户的砖红色平房。 | 2.23 | |
| 31 | 中景 |  | 扎马尾戴墨镜的白衣女孩在户外转头观察，显得迷茫。身后有穿花衬衫成年人侧影。旧录像带怀旧感，有黑框遮幅。 | 3.40 | |
| 32 | 全景 |  | 低清晰度复古影像，草地上两名成年男性和一名穿黄色卫衣男孩并排站立面向镜头，背景有车辆、树木和房屋建筑。 | 5.57 | |
| 33 | 多景别 |  | 两名男子在后院交谈，随后镜头拉远。拿导盲棍的男子走向镜头，又转身看向上方。画面为旧录像带质感。 | Remember that one time you and I had to pretend to see when we were riding a bicycle, when we got stopped by the police? | 8.70 |
| 34 | 全景 |  | 老式录像风格，两名戴头盔少年在树木和住宅遍布的街道骑车靠近。右侧有 PLAY 字样，镜头后撤路边现出皮卡。 | Yes. Yes. That's right. We were... we were riding in the neighborhood. And it was late, to be fair. It was quite late at night. | 6.90 |
| 35 | 中景 |  | 两名戴头盔男子在柏油路面骑车。左侧穿花衬衫，右侧穿深色上衣。背景有洋楼和绿植，复古胶片感旧色调。 | And we smelled doughnuts, and we were looking for the doughnuts. Where are the doughnuts? Where are the doughnuts? | 3.20 |
| 36 | 全景 |  长镜头 | 客厅内两人分坐沙发交谈，走廊光线形成阴影。期间一只黑猫从左侧走廊横穿背景。天花板有静止吊扇。 | And the doughnut store wasn't open. The police caught us there. His first question is, 'What were you guys doing in this parking lot? In this dark parking lot?' I'm thinking, 'I don't know it was dark.' Yeah, we had no idea what's dark and what isn't. | 16.63 |
| 37 | 近景 |  | 灰白短发戴智能眼镜男子坐着，先低头凝视，眼镜反射光影，随后抬头微笑，嘴唇微张，流露出感动神情。 | I said we can see well enough. Yeah, and fortunately we were able to pull it off. We were able to pretend that we could see. | 8.80 |
| 38 | 特写 |  | 戴智能眼镜短发男子的侧后方视角，他转动头部似乎在观察环境，背景砖墙光线柔和，氛围安静专注。 | That was pretty crazy. | 4.07 |
| 39 | 近景 |  | 中年男子背靠条纹沙发，逆光下侧对镜头微笑，皮肤纹理显现。他抬头斜视上方，神情温和。 | 2.50 | |
| 40 | 特写 |  | 侧后方特写理寸头戴黑框智能眼镜男性说话，背景模糊室内，侧光照射光影明显。表情平静带笑意。 | 4.63 | |
| 41 | 近景 |  | 戴黑智能眼镜短发中年男性室内静坐，侧前光照射。他微笑着专注看向下方，右下角有 The New Yorker 标识。 | 3.70 | |
| 42 | 特写 |  | 戴墨镜中年男子室内侧转头看向右方并露出笑容，背景沙发和模糊人影。光影柔和纪实风格。 | I think Daniel was an example of what somebody could do as a blind person. | 3.13 |
| 43 | 近景 |  | 虎纹沙发上中年男子侧脸微笑，后仰天大笑露齿，最后收敛笑容低头，喜悦激动溢于言表。 | Daniel was the answer to 'How?' | 2.97 |
| 44 | 中景 |  长镜头 | 男子背影缓步走入宽敞车站大厅，模糊背景有吊灯、显示屏和围栏，左有行人经过。室内暖光柔和。 | 11.97 | |
| 45 | 中景 |  长镜头 | 穿灰衬衫男子的背影走在柔光地下通道中。白色电动车从左侧驶过远去，行人稀疏，环境宁静。 | 10.07 | |
| 46 | 多景别 |  长镜头 | 颗粒模糊黑白数字空间，在走廊推进，人影形体变幻位置，最后推向阶梯出口，呈压抑抽象感。 | 22.90 | |
| 47 | 中景 |  | 车站内穿灰短袖男子背对镜头站立，用手触摸阅读黑色告示牌盲文，左侧是楼梯和坡道。 | 6.43 | |
| 48 | 中景 |  | 火车站站台，穿灰短袖男子背对镜头，前方双层列车进站停稳。左侧有旅客和另一列火车，站台有黄线。 | 3.90 | |
| 49 | 全景 |  | 火车车厢内戴口罩男子双手持手机望向镜头，他穿灰衣腿放深色外套，窗外街景掠过。 | You had to really do it on your own. | 8.00 |
| 50 | 特写 |  | 戴口罩男子斜侧特写，注视手机边缘。背景自然光和模糊山峦表明在移动交通工具中。 | And you had to struggle a little bit. And it was important to struggle. | 8.37 |
| 51 | 全景 |  长镜头 | 滑板少年越过拄盲杖的 Daniel Kish，背景街道停放车辆，货车驶过，最后少年下板步行。 | 22.07 | |
| 52 | 中景 |  | 持盲杖红衣的 Daniel Kish 在绿化带旁稳步走，背景灌木天堂鸟花，近景树干掠过。 | 5.13 | |
| 53 | 全景 |  长镜头 | 停车场戴头盔少年越过挡车器失败滑板脱脚，背景拄盲杖红衣人士走动。 | 18.73 | |
| 54 | 中景 |  | 戴黑色运动头盔穿灰短袖人员在户外小径前行的背影，背景草坪树木模糊。 | A lot of students don't get the chance to learn to skateboard. | 8.47 |
| 55 | 中景 |  长镜头 | 公路边白石坎，持盲杖的 Daniel Kish 和绿衣孩子并排坐着交流。背景马路山坡暮色。 | Because they're just told that you can't do that, you shouldn't do that, we're not going to let you try this. | 12.03 |
| 56 | 中景 |  | 户外傍晚，持盲杖的 Daniel Kish 微笑，身旁亚裔少年低头后将头靠他肩上，并排坐。 | You don't really think anyone tried to say you shouldn't be doing that? Well, usually if they say you shouldn't do that, I say 'screw you, I don't care.' Because there's no way to stop me. | 3.07 |
| 57 | 近景 |  | 深色短发男子背对站在悬崖斜坡边，眺望反射余光的海面，背景虚化呈现宁静感。 | 5.70 | |
| 58 | 中景 |  | 穿深灰夹克男士走在险峻悬崖泥土小径上，面部显阴影纹理，傍晚灰调背景。 | We're still back in the dark ages of consciously designed, consciously implemented systems of instruction for blind folks. | 6.93 |
| 59 | 全景 |  长镜头 | 深色外套男子沿峭壁小径背对镜头行走，右陡坡左海浪礁石，黄昏淡紫色调。 | That's not the way you learn echolocation. | 13.83 |
| 60 | 远景 |  长镜头 | 黑白沙丘光影交替，手电光束闪现显出纹理阴影。黑场闪烁营造神秘探索感。 | 23.47 | |
| 61 | 近景 |  | 暮色中西装成年男性的侧脸，平静眺望远方海岸城市光斑，深沉思考氛围。 | 5.93 | |
| 62 | 大远景 |  | 孤独背影在悬崖望海，天空深蓝至微光渐变，远见城市灯火，构图简洁静谧。 | It's really quite simple: you learn from the people that have that similar experience, right? | 7.40 |
| 63 | 多景别 |  长镜头 | 男子坐沙发抚摸猫，镜头左摇至另一戴特制眼镜男子访谈说话，室内光线柔和。 | You don't send a mechanic to a mathematician to go learn about cars. Right? So when it comes to blindness skills, you want to learn from the blind people that have, you know, mastered those skills already. | 27.37 |
| 64 | 近景 |  | 浅衣中年男性靠虎纹沙发说话，面部左侧有疤痕。百叶窗透光对比，神情严肃。 | And people who are sighted cannot master those skills. It's just not possible. It doesn't make sense. Sighted people are deemed most appropriate to teach blind people how to be blind. | 5.60 |
| 65 | 远景 |  | 圆月被薄云遮掩悬在夜空，层叠枝叶剪影作为前景中景，深沉静谧远景。 | 3.97 | |
| 66 | 远景 |  | 夜色中平层民宅伫立，黑猫从椅旁草坪走来，光线暗淡仅有微弱余晖。 | 6.80 | |
| 67 | 中景 |  长镜头 | 极昏暗室内窗前人影侧坐，背景蓝光透出树木路灯轮廓，压抑沉思氛围。 | There's a personal toll. There are sacrifices. | 12.23 |
| 68 | 近景 |  | 白墙仰拍含皮革蛇纹木鸟长羽的原住民工艺饰品，旁有温控器和百叶窗柜门。 | Tired. Tired. Hopeful. But tired. | 4.60 |
| 69 | 全景 |  | 蓝短袖中年男性侧躺沙发双腿搁脚托，头后仰平静沉思，背景有百叶窗和捕梦网。 | 7.20 | |
| 70 | 多景别 |  长镜头 | 大水泥斜坡上垂直裂缝延伸，蓝短袖男子盘腿坐在顶端天空前，身形渺小宁静。 | There's a parallel universe somewhere where I'm not doing this at all. I'm on stage. | 17.27 |
| 71 | 大特写 |  | 眼睛的大特写，眼神深邃注视斜前方，眼周皮肤纹理清晰可见。背景严重虚化。 | 5.10 | |
| 72 | 多景别 |  长镜头 | 灯光亮起俯拍剧院顶部，圆形反光板整齐排列。下移至舞台上仰望微笑的男子。 | Here we stand all together face to face and arm and arm... | 18.87 |
| 73 | 多景别 |  长镜头 | 剧院舞台上，镜头环绕穿深绿毛衣的男子，展现其面容与沉静专注的凝视表情。 | Here we stand upon the threshold of a dream. No more outcasts, no denials, no restraint to liberty. It's a powerful idea, and I know its time has come. I want to live, I want to grow, I want to see, I want to know... I want to share what I can give, I want to be, I want to live. We all want to live. | 63.47 |
| 74 | 特写 |  | 昏暗中发白卷发男子深沉凝重，光线勾勒轮廓纹理，背景模糊静止庄重。 | 8.07 | |
| 75 | 中景 |  长镜头 | 蓝短袖男子在洗手池镜前刮胡子整理面部，背景有白色室内门，居家忧郁感。 | 10.03 | |
| 76 | 全景 |  | 昏暗卧室门强光背景中，男子整理头发，身旁五斗柜，逆光居家氛围。 | 8.47 | |
| 77 | 特写 |  长镜头 | 咖啡壶萃取中，玻璃球装粉起泡反射模糊人影，壶底积聚咖啡液，慢节奏生活。 | 12.80 | |
| 78 | 特写 |  | 侧对镜头微低头的成年男性举杯缓慢喝水，思考表情配背景窗户虚光。 | 7.07 | |
| 79 | 全景 |  长镜头 | 树叶下移，院中两人分卧躺椅晒太阳闲聊，有树木黄花和房屋背景。 | Yeah, I got to get him a new name. Well, I don't know, they called me 'Little Daniel' forever. Yeah. Danny. Danny. You know what, they didn't call me Danny that much. No? | 17.63 |
| 80 | 特写 |  | 枕脑后微仰的平静男子在户外微笑侧头仰望，有虚化绿植和 The New Yorker 标志。 | 4.67 | |
| 81 | 远景 |  | 阳光草坪两人黑躺椅上休息，左拿拐，右赤脚垫脑后，有繁树白车和房屋。 | Daniel has been... definitely a mentor. He's also known as Uncle Daniel. To everyone. To everybody. | 3.70 |
| 82 | 特写 |  | 室内戴宽边眼镜中年男子侧面静坐说话，光线透过百叶窗柔和投射，面带平和。 | But you know, it's kind of difficult to say, but... sometimes even closer to a father. | 5.23 |
| 83 | 近景 |  | 条纹沙发前有疤中年男子微笑着对镜头点头转头，光线柔和显出愉悦神情。 | 3.67 | |
| 84 | 近景 |  长镜头 | 戴特制厚框眼镜灰发男子侧脸近景，百叶窗背景中头部微动专注说话思考。 | 10.70 | |
| 85 | 近景 |  | 靠窗疤痕男在昏暗中侧对镜头，窗隙微光勾勒复杂神情，带感慨笑意望前。 | 3.03 | |
| 86 | 特写 |  | 戴墨镜灰白发男子思考，略显紧绷克制情绪。明暗对比显眼，THE NEW YORKER。 | Doors aren't open to blind kids in this society... almost any society. | 3.63 |
| 87 | 中景 |  | 青年两男持导盲手杖在停车场交谈。一人花纹衬衫一人白背心，复古胶片感。 | 2.43 | |
| 88 | 全景 |  | 丛林中几人骑山地车背影向远方，暖光复古录像滤镜带暗角，户外运动感。 | 1.80 | |
| 89 | 近景 |  | 平头青年在户外活动中微笑交谈，老胶片颗粒感暗角展现纪实画面。 | The doors are shut, barred, locked. | 1.20 |
| 90 | 中景 |  | 丛林中几人背着背包登山杖向右前方走去，画面现旧录像年代感带标识。 | 1.23 | |
| 91 | 特写 |  | 白红导盲杖在乱石丛林地表探步，人物黑鞋裤子走动，复古胶片脚步特写。 | 0.93 | |
| 92 | 全景 |  | 草坪几位持盲杖孩童和成年女性走动，后方停靠汽车，复古录像视障活动。 | You have to kick down that door. Because... | 1.47 |
| 93 | 中景 |  | 穿拉链卫衣和黑衣两青年在户外含笑看向同向，后者露白衬领，复古影像。 | 1.40 | |
| 94 | 中景 |  | 花短袖与暗条纹 Polo 衫两少年在庭院握导盲杖开怀大笑，背景校园微旧。 | we've spent millennia... | 0.83 |
| 95 | 特写 |  | 室外老录像里男子残缺眼特写向镜头指点说话，街道车树背景带有噪点。 | 2.90 | |
| 96 | 中景 |  | 旧录像里成年人和儿童戴头盔穿运动服在土路上骑车前进，旁枯黄植被。 | being kept in the dark. | 2.63 |
| 97 | 中景 |  | 土质山路上骑车人穿头盔短衫骑远，低矮灌丛背景复古录像画质缩放。 | 6.63 | |
| 98 | 全景 |  | 红衣持杖的 Daniel Kish 和抱滑板戴头盔的少年交谈后并走，背景居民楼汽车。 | 7.67 | |
| 99 | 特写 |  | 黑运动鞋脚蹬滑板于水泥地落叶上平滑，滑板后收，脚部动感特写。 | 2.10 | |
| 100 | 全景 |  长镜头 | 灰卫衣滑板少年加速经过红衣盲杖男，经过树丛滑梯，数辆银车前景掠过。 | 17.57 | |
| 101 | 中景 |  | 红长袖持杖的 Daniel Kish 在绿篱草坪和迷屋旁走路，白轿车近身经过。 | 2.70 | |
| 102 | 全景 |  | 公园路上滑板少年自右向左行。背景红衣长裤拄盲杖人员迎面而过。 | 6.67 | |
| 103 | 中景 |  | 持杖红衣的 Daniel Kish 在绿围栏道走，带入近景红车驶过前沿遮蔽画面。 | 7.00 | |
| 104 | 中景 |  | 戴头盔少年人行滑过，近前车接连过，遮挡社区围墙树木背景。 | 7.60 | |
| 105 | 中景 |  | 快步行走的持盲杖红衣的 Daniel Kish 途径公园落叶绿篱和小径背景。 | 2.07 | |
| 106 | 全景 |  | 模糊发光人形轮廓用白色点云渲染呈现神秘转场效果在黑白空间。 | 3.27 | |
| 107 | 全景 |  | 公园滑板少年向左前驰行，背景绿篱墙和小径，曾被近树轻扫过。 | 2.63 | |
| 108 | 全景 |  | 持杖的 Daniel Kish 步行于绿植旁的人行道。背景林立伴前车晃影。 | 2.47 | |
| 109 | 全景 |  | 点云呈现夜晚房、路与车及当中人形斑驳光影，类似激光雷达幻境变回黑屏。 | 2.60 | |
| 110 | 多景别 |  | 少年社区道路上迅速滑板。由贴摄半身变为绕到背影视角伴滑绿植屋前。 | 3.47 | |
| 111 | 近景 |  | 红衣人员背影户外前行，颠簸中显出后方街道伴行的景致。 | 1.60 | |
| 112 | 远景 |  | 从纯黑过渡至渐出白沙型三维点云展示街道样貌，再重新黑屏。 | 3.03 | |
| 113 | 全景 |  | 亚裔滑板少年在停着车住宅街道快速驰进，伴有一辆银车近跨遮面。 | 4.07 | |
| 114 | 中景 |  | 持盲杖人员由右向左踏过公园绿地草丛前，多伴过路机动车辆影遮。 | 2.13 | |
| 115 | 全景 |  | 滑板少年沿整齐绿篱林荫及停好车辆边滑，地留些散叶。 | 5.63 | |
| 116 | 其他 |  长镜头 | 黑底白字显现有关 Daniel Kish 信息的片尾文字，接着是长名单直到北点标记。 | 78.97 |