共50个镜头，该分镜由光厂AI自动生成
| 镜号 | 景别 | 参考图 | 画面内容 | 台词/旁白 | 时长(秒) |
|---|---|---|---|---|---|
| 1 | 特写 |  | 黑色背景正中央，白色手写体Lisa字样逐渐显现，随后下方出现PICTURES字样 | 3.80 | |
| 2 | 空镜 |  | 纯黑背景中央显示白色英文字母：EVERY DAY'S LIKE THIS | 5.80 | |
| 3 | 全景 |  长镜头 | 昏暗的室内走廊，尽头是一扇关闭的深褐色木门，走廊两侧堆放着书籍 | Yeah, I heard a fluttering noise. Through the fog she could see shadows lift out of the woods below the peak and spiral into the dark sky. She hadn't realized so many birds could be roused from the woods in deep winter. Then she saw a terrifying scene. One flock of birds flew into the region of the air the antenna pointed at. | 22.00 |
| 4 | 中景 |  长镜头 | 夜晚的室内，一名年轻女子拎着黄色购物袋开门进入，随后一名中年男子也跟着进屋并关上门，女子放下东西后经过镜头前 | Why is the door locked again? I don't know, left it open for the nurse. Anna's coming anytime. Yeah, Dad, I know. It doesn't matter, just keep the door locked. Just easier when we leave it open. Yeah. Did you lose your key again? No, it's... it's in your room. I just didn't bring it. Didn't think it was needed... I don't know who would have locked it then. Um, the doorbell's not working, it didn't ring. I pressed the button. Stupid thing. What time does the nurse come? Um... Usually at five, right? So... anytime. | 87.00 |
| 5 | 中景 |  长镜头 | 一名短发女子低头整理购物袋中的物品，随后一名中年男子出现在右侧并看向女子，两人简短交谈 | What'd you get? Uh, I got her the um... sardines? Yeah. Did she call you? Texting me. Literally makes no sense, I can't follow what she's writing. I can't text and shop with her like that, it's honestly too stressful. Yeah, I know. Is it the right kind? The right... The sardines? It's the kind Mom told me to get so... I assume. | 31.93 |
| 6 | 特写 |  | 一人的手从画面右侧伸向中间的黄色塑料袋，从中拿出一盒沙丁鱼罐头并向左侧展示 | This one, with the olive oil. | 2.53 |
| 7 | 近景 |  | 画面中一名短发女性在前景低头忙碌，后方一名穿着棕色条纹开衫的男子神情疲惫地站立，随后男子转身走向背景处的厨柜 | Awful things, aren't they? Yes, it's disgusting. | 6.07 |
| 8 | 近景 |  | 一名短发女性在室内昏暗的环境中，原本背对或侧对镜头，随后缓缓转头看向侧前方，神情显得有些忧虑或沉思 | She thinks it stops her cancer cells from spreading. No, that's... that's the guava. Yeah. No. No, it's too. No, sweetheart. That is just a craving. Well either way I don't like it. | 5.73 |
| 9 | 中景 |  | 在光线昏暗的厨房里，一名穿着棕色条纹开衫的中年男子正侧身看向右侧，前景处一名虚焦的人物正背对镜头忙碌 | Is she hungry? | 3.00 |
| 10 | 近景 |  | 一名短发女性在昏暗的室内低头整理物品，随后转过身去，背对镜头 | I think so. She was. | 8.80 |
| 11 | 近景 |  | 在暖调的室内厨房背景下，一名短发女子站在前方，一名中年男子站在她身后并伸手拿取物品，两人低声交谈 | I'll cut up some fruit. Does she want fruit? A little apple, just some slices. I can do it. Okay. | 4.87 |
| 12 | 远景 |  长镜头 | 幽暗的室内走廊尽头，一扇木门缓缓开启，一个身着黑衣的身影走进室内并关上门，随后从走廊向镜头方向走来并转向楼梯处 | 22.77 | |
| 13 | 多景别 |  长镜头 | 一个卷发人影走下楼梯进入厨房，厨房内另有两人正在整理橱柜和冰箱，三人表情略显凝重 | What are you doing? I was just reading to her. Does she like the book? No. I don't think so. She just likes being read to, so... whatever will do. She likes the historical parts about the Cultural Revolution. Why don't you read her something she likes? Well, this is a book I wanted to read, so... Yeah, but if she doesn't like the book... She just likes being read to. The book doesn't matter so much. Yeah, I know. | 35.60 |
| 14 | 全景 |  长镜头 | 一名女子从门口向室内走来，此时一名身穿棕色毛衣的男子也从前景侧身经过，最后女子在门口附近站定 | Hi Anna. Hi. Hi. There's all these packages outside on the porch. What? Fuck. Guess she ordered more shit. | 10.00 |
| 15 | 中景 |  | 一名短发女性穿着彩色条纹毛衣，正在厨房柜台前低头专注地拆开一盒物品包裝，背景中有人影走动 | She keeps buying everybody presents. | 2.93 |
| 16 | 全景 |  | 室内柔和暖光环境下，一名身穿橙色外套背着包的女子在玄关处整理衣袖并匆忙走出房门，随后一名男子抱着印有标志的纸箱走进屋内 | I'll just go upstairs, see how she is. Okay. | 5.43 |
| 17 | 远景 |  长镜头 | 一名身着红衣背着棕色包的女子穿过狭窄昏暗的走廊，走向尽头的木门并开门离去 | Hello, Linda. How are you today? | 12.13 |
| 18 | 多景别 |  | 金发女性在昏暗室内低头垂眸，画面随后下移俯拍她正在摆盘的手部，盘中装有沙丁鱼、切片水果和饼干 | I'm kinda gonna lose my fucking mind if she orders another Amazon package. Just don't tell her about them, she'll forget. | 7.57 |
| 19 | 全景 |  长镜头 | 在暖黄灯光的厨房里，三个人各自忙碌，男人在案板前处理食材，两个年轻人在两旁低头操作，背景可见整洁的橱柜和吊灯 | She does it at night, you know. When I'm sleeping. Is the... 14th decided on? Did we confirm that? I can't do the 15th. And the 16th is the Oscars. | 18.70 |
| 20 | 中景 |  | 一名身穿条纹毛衣的年轻女子站在楼梯边专注地看手机，身后一名男子走过并下楼，随后女子抬头看向前方 | What's wrong with the 13th? What's wrong with the 14th? We've been through this already. | 4.83 |
| 21 | 近景 |  | 室内环境里，一名长卷发的男子侧身低头操作，随后微微抬头看向侧方 | The 14th is the best date. We can go over it all again if we have to, but... we talked about it. | 3.93 |
| 22 | 近景 |  | 一名身穿条纹毛衣的短发女子正站在楼梯旁，神情略显疑惑地向左前方交谈 | You're all right with Mom dying on Valentine's Day, Dad? | 4.53 |
| 23 | 近景 |  | 一名穿着棕色条纹开衫的中年男子坐在餐桌前，眼神中流露出犹豫或思考的神情，面前摆放着装有水果的碗，背景是昏暗的室内环境 | That's fine. We just all need to be on the same... | 3.57 |
| 24 | 中景 |  | 室内楼梯前，一位短发女性穿着条纹毛衣侧坐着，先是看向前方交谈，随后微微低头沉思，最后转头看向镜头方向 | Page? Yeah. | 6.50 |
| 25 | 中景 |  | 侧面视角下，一名棕色长卷发的男子神情严肃地在室内说话，背景中有置物架和暖色调灯具 | We can't wait any longer than that, though, Dad. | 3.47 |
| 26 | 中景 |  | 一名身穿棕色条纹开衫的男人站在昏暗的室内，手中拿着一部手机正在交谈，背景中有窗帘和一盏亮着的台灯 | That's what I'm saying. If she has a stroke... And she can't give consent to the doctor. | 3.60 |
| 27 | 近景 |  | 一名长卷发的男子侧身站立，表情凝重地看着前方 | That's what I'm saying, we all need to talk to her tonight. She's all over the place. We need to sit down together. | 3.70 |
| 28 | 近景 |  | 一名短发女子坐在楼梯旁，神情略显忧郁，她先是平视前方，随后微微低下头并开口说话 | Okay. Sure. | 5.37 |
| 29 | 中景 |  | 一名穿着褐色针织衫的中年男子站在室内背景前，他神情专注而略显忧郁，双手交叠在身前轻微动作，头微微偏向一侧，正对前方说着话 | Are you here for dinner? | 2.83 |
| 30 | 中景 |  | 室内楼梯口，一名身穿粗线毛衣的短发年轻女子原本侧身站立并回头张望，随后她转过身来低下头，一名男子从她身后走过 | I don't know. Okay. | 8.30 |
| 31 | 近景 |  | 一名长卷发的男子原本侧身站立，随后缓慢转头看向镜头方向，神情凝重 | What's wrong? | 8.57 |
| 32 | 近景 |  | 一名短发女孩穿着条纹毛衣站在楼梯旁，神情略显思索，随后低头看向下方 | Nothing. | 2.47 |
| 33 | 近景 |  | 一名长卷发的男子原本在室内环境交谈，随后他低头并起身离开画面，露出了后方坐着的另一名男子 | Just tired. I'm gonna go downstairs. Okay. Yeah. | 5.10 |
| 34 | 中景 |  | 室内楼梯旁，一名身穿条纹毛衣的短发女性原本低头思索，随后抬起头看向侧前方并伸出手臂 | Can you pass me that... | 7.40 |
| 35 | 近景 |  长镜头 | 室内背景中，一个穿着棕色条纹开衫的男人原本正对着镜头，随后低头并在区域内转身忙碌，最后再次抬头看向前方 | Are you bringing up the food, sweetheart? Oh, I was gonna wait until the nurse is gone. Anna. Yeah. Anna. Just knock on the door, it's fine. She should eat. | 13.27 |
| 36 | 中景 |  | 短发女性站在楼梯旁向下看，随后镜头推进过程中她转身并从侧方离开画面，最终镜头停留在楼梯栏杆上 | All right. | 7.30 |
| 37 | 中景 |  | 一名穿着深色条纹上衣的男孩从楼梯上快速跑下并离开画面 | 3.47 | |
| 38 | 全景 |  | 在光线昏暗的室内走廊中，一名穿着条纹毛衣的人端着盘子从楼梯口走入走廊，背对镜头走向走廊尽头的深色木门 | Hey, Ma, can I come in? | 6.87 |
| 39 | 近景 |  | 在杂乱的厨台上，手冲咖啡滤杯架在杯子上，一旁放着牛奶盒，一个穿着棕色毛衣的人站在左侧，双手自然垂放在台面上 | 3.37 | |
| 40 | 多景别 |  长镜头 | 一名穿着条纹外套的男子在厨房整理后，端着杯子穿过客厅，走向窗边的沙发并坐下思考 | 50.43 | |
| 41 | 全景 |  长镜头 | 一名留着金色短发的女性手托盘子从楼梯上走下来，进入客厅后转身看向一旁 | Wrong sardines. What? I got the wrong sardines. Ah. Shit. | 10.57 |
| 42 | 中景 |  | 室内柔和灯光下，一名中年男子坐在桌边整理衣物，随后看向右侧，一名女子从画面右侧经过并穿上外套 | Here. I'll drive you. Uh, no. That's okay. You don't have to go back out again. I don't mind walking. | 4.60 |
| 43 | 近景 |  | 一名短发女性在室内楼梯旁弯腰捡起一条蓝色的带状物，随后直起身子整理手中的物品，前景可见另一人的模糊侧脸 | Are you going out tonight? Um... I still don't know. | 9.40 |
| 44 | 中景 |  长镜头 | 在室内昏暗的光线下，一名男子坐在椅子上低头看手中叠放的图纸，一名女子拎着蓝色包从他身后走过并离开房间 | I don't know what we're gonna do for dinner. I can pick something up at Loblaws. Okay. If you see something, then pick it up. If not, then... it's fine. Okay. Back soon. Okay, bye. See ya. | 25.47 |
| 45 | 近景 |  长镜头 | 在一处昏暗的室内，一名棕色卷发的女性躺在床上，闭着眼睛，表情显得有些痛苦或不安，她的手抓着胸口的衣服 | 15.23 | |
| 46 | 远景 |  长镜头 | 夜晚积雪的街道上，一名女子双手插兜独自快步行走，从街道左侧人行道穿过马路走向右侧缓坡，路边停满了车辆，远处路灯闪烁 | 26.77 | |
| 47 | 全景 |  长镜头 | 昏暗的走廊尽头，一扇深色木门被推开，一名穿着橙色上衣的女性拎着包走入室内，穿过走廊消失在画面右侧 | 19.37 | |
| 48 | 中景 |  | 一名身穿红白外衣的年轻女性从右侧快速走过，背景墙上挂着装有黑白照片的相框，照片中是一位正在戴耳环的老年妇女 | 4.70 | |
| 49 | 中景 |  长镜头 | 一女子从门口进入室内并轻轻关上门，镜头横移并推向客厅，露出一名正在沙发上打瞌睡的老年男子 | 31.70 | |
| 50 | 空镜 |  长镜头 | 演职人员名单、致谢名单及纪念文字在黑色背景上以白色字体逐屏出现 | 29.43 |