共184个镜头，该分镜由光厂AI自动生成
| 镜号 | 景别 | 参考图 | 画面内容 | 台词/旁白 | 时长(秒) |
|---|---|---|---|---|---|
| 1 | 空镜 |  长镜头 | 黑色背景上出现青绿色的英文字幕，介绍西雅图 Harbor Island 的地理位置和人口信息，文字分段落淡入并消失 | 17.43 | |
| 2 | 远景 |  | 透过茂密的绿叶和木质栅栏俯瞰海港，远处是繁忙的码头货柜吊机和起伏的山峦，海面上漂浮着货船，随后画面中央浮现出文字标题 | 6.97 | |
| 3 | 全景 |  | 两座高大的混凝土高架桥梁柱构成的夹角中，露出一座造型现代的混凝土塔楼，背景是晴朗的蓝天 | 3.47 | |
| 4 | 特写 |  | 灰色水泥墙面上镶嵌着两块金属材质的工程纪念牌，记录了西雅图旋转桥项目获得的土木工程奖项 | 4.03 | |
| 5 | 远景 |  | 两名身穿橙色反光背心和白色安全帽的工作人员站在路边，低头查看并讨论手中的工程图纸 | No need for hostilities Terry. | 7.57 |
| 6 | 中景 |  | 一名头戴黑色针织帽、穿着蓝色丹宁外套的男子靠在金属围栏边，手中拿着一部黑色手机，侧过头看向镜头并开口说话 | I'm a civil engineer. | 4.63 |
| 7 | 远景 |  | 一艘黄蓝相间的小型拖船在工业区河道中缓缓行驶，两岸可见工厂建筑、吊塔及桥梁结构 | A civil engineer. | 3.67 |
| 8 | 远景 |  | 透过大桥栏杆俯瞰港口，近处水面停泊着小型拖船，远处是装载着集装箱的巨型货轮和成排的白色塔吊，右侧矗立着工业厂房 | 1.87 | |
| 9 | 远景 |  | 透过岸边的树影，看到河面上停泊着一艘青色的拖船，背景是工业厂房和远处的城市山坡 | 6.50 | |
| 10 | 中景 |  | 一名戴着黑色冷帽、穿着深蓝色工装夹克的男子站在铁丝网围栏前，右手夹着烟深吸一口，左手拿着一个黑色小物件，随后他将烟拿开并开始说话，伴随着手势动作 | You know ah... If I had a nickel for every meddling bureaucrat | 3.43 |
| 11 | 特写 |  | 铁丝网上的警示牌，上方写着DANGER，下方写着严禁烟火，背景有绿色植物 | 2.63 | |
| 12 | 近景 |  | 戴黑针织帽、穿牛仔外套的男子站在铁丝网围栏前，右手拿着对讲机，左手夹着烟在说话，随后将烟叼在嘴里看向对讲机 | But ah, bureaucrats always seem to keep the change. | 4.20 |
| 13 | 远景 |  | 两座高大的浅色圆筒形工业谷仓仓库矗立在画面两侧，中间夹着一条通往港口起重机的铁轨和道路，左前方是一座红砖结构的办公建筑 | 4.37 | |
| 14 | 远景 |  长镜头 | 男子站在空旷的工业厂区空地上，身前摆放着一排绿色和蓝色的油桶，他正举起对讲机在说话，背景是砖石建筑、铁丝网和大型工厂设施 | I had a job working for the furniture store, and things were going really well. They offered me a promotion. But ah, I had to quit because they said they were gonna turn me into a chairperson. | 11.03 |
| 15 | 远景 |  | 傍晚时分，水面上停泊着巨大的货轮剪影，岸边堆放着原木，背景是微光微明的黄昏天空 | 5.97 | |
| 16 | 远景 |  | 傍晚时分，一艘载有大型吊车的驳船静止在水面上，远处是起伏的山丘和树林剪影 | 4.00 | |
| 17 | 远景 |  | 夜晚的河流对岸坐落着工厂建筑，灯火点点，微弱的倒影在波动的水面上晃动，背景是深色的山丘阴影 | 4.57 | |
| 18 | 远景 |  | 黑夜中，一名男子站在高架天桥的围栏边，桥上一盏路灯发出橘黄色的光芒，桥下远方有微弱的点状灯光 | A lot of people say they're afraid of the dark. | 3.97 |
| 19 | 中景 |  | 戴着棕色冷帽的男子在昏暗的户外手持通讯设备，先是低头沉思随后抬头露出微笑并看向侧方 | Me, I'm more afraid of the effin murderers hiding in it. | 7.40 |
| 20 | 全景 |  | 夜晚昏暗的停车场内，一名男子坐在浅色轿车的驾驶座上，双手握住方向盘，神情严肃地目视前方 | 8.90 | |
| 21 | 远景 |  | 夜晚昏暗的路灯下，一名男子扶着天桥栏杆站立，他抬头望向远方，身体姿态放松 | 4.97 | |
| 22 | 近景 |  长镜头 | 戴眼镜的男子双手握住方向盘，神情严肃地坐在车内直视前方 | 11.77 | |
| 23 | 中景 |  | 戴着棕色针织帽、穿着深色夹克的男子手里拿着一部黑色手机，若有所思地看向右侧，背景环境昏暗 | 3.00 | |
| 24 | 空镜 |  | 水面上波光粼粼的金色灯光倒影，随着视角上移展现出更开阔的水面纹理 | 4.57 | |
| 25 | 远景 |  | 夜色下的繁忙港口，水面上倒映着岸边吊车和建筑的黄色灯光，近处停泊着深色的货船残影 | 5.97 | |
| 26 | 全景 |  | 夜晚的工厂厂区，巨大的球形储罐矗立在暗处，背景中的烟囱冒出白色烟雾，零星的灯光点缀在工业设施间 | 2.93 | |
| 27 | 全景 |  | 夜晚时分，一座路边汽车旅馆的红色霓虹招牌在暗处闪烁，上方有La Hacienda字样，左侧是石墙与围栏的阴影 | 2.97 | |
| 28 | 远景 |  | 夜幕下的一处旅店门前，一名男子缓慢穿过人行横道向右侧路边走去，停在红色停车标志杆和路边灌木旁 | 7.17 | |
| 29 | 远景 |  | 穿着棕色风衣的女子在深夜的路灯下，静静地站在巷口的卷帘门前 | 3.57 | |
| 30 | 中景 |  | 戴着黑色针织帽的男子在昏暗的户外环境中露出惊愕或专注的神情，背景是模糊的绿色植被和枯叶 | 3.00 | |
| 31 | 中景 |  | 昏暗的木质纹理背景前，一名留着刘海、穿着棕色大衣和浅色衬衫的年轻女性神色凝重地注视前方 | 4.30 | |
| 32 | 近景 |  | 戴黑帽的男子神情紧张地盯着前方，随后他举起右手握住的对讲机放到嘴边准备说话 | What's the difference between a hotel and a motel? | 7.50 |
| 33 | 近景 |  | 长发女性在昏暗的背景前睁大双眼，面露惊恐或紧张的神情，一动不动地盯着前方 | 5.80 | |
| 34 | 近景 |  | 一个戴着黑色针织帽的年轻男子在昏暗的户外背景下，手里拿着一个小型电子设备放在脸颊旁，他神情专注且略带微笑地看着镜头说话 | Hotel is an expensive place where you can get some sleep. A motel is an expensive place where you can get killed. | 4.93 |
| 35 | 近景 |  | 夜晚户外，亮着的红色霓虹牌写着“NO VACANCY”，随后灯光闪烁并熄灭，只剩背景微弱的灯火 | 3.37 | |
| 36 | 近景 |  | 夜晚码头岸边，一根铁杆上挂着锈迹斑斑的警告标牌，背景是模糊的港口灯火与水面波光 | 2.30 | |
| 37 | 远景 |  | 夜晚的集装箱码头，近处有建筑屋顶和吊机，中景是平静的水面和整齐堆放的黄色集装箱，背景灯火通明 | 3.17 | |
| 38 | 全景 |  | 深夜的户外场地，一辆浅色的面包车静止停放在昏暗的灯光下，背景是远处连绵的城市灯火 | 3.57 | |
| 39 | 特写 |  | 一架黑色的微型磁带录音机斜放在桌面上，磁带窗口内显示磁带正在平稳转动，背景虚化且带有暖色光斑 | Why does everyone say count Dracula? There's only one of him. | 2.97 |
| 40 | 近景 |  | 杂乱铺放在灰色地毯上的几本彩色螺旋笔记本，封面上分别手写着不同的标题，最上方压着一本红色的小便签本 | 3.63 | |
| 41 | 特写 |  | 一本白色线圈笔记本铺在桌面上，上面写着‘Size doesn't matter because nothing matters’的手写字迹，右侧露出红色线圈本边缘 | 4.43 | |
| 42 | 特写 |  | 一只蓝色的小鸭子玩偶正拿着一本书在阅读，背景是一个模糊的金属质感容器，环境光线较为昏暗 | They say home is where the heart is. | 3.30 |
| 43 | 中景 |  长镜头 | 戴眼镜的男子盘腿坐在车厢内，膝盖上放着笔记本，手中拿着录音笔进行记录和讲述，背景是带有民族风图案的红色挂毯 | Me? I say home is where the van is. They say the pen is mightier than the sword, which is fortunate for me, because I don't have a sword pocket. | 11.00 |
| 44 | 全景 |  | 夜色下的一盏路灯照亮了下方停放的面包车和周围的灌木丛，周围环境漆黑一片 | 9.43 | |
| 45 | 特写 |  | 在纯黑背景下，两部折叠屏手机的边缘线条逐渐亮起，展现出机身超薄的设计感 | 1.93 | |
| 46 | 远景 |  | 透过岸边树木的枝叶缝隙，一艘小船在平静的海面上缓缓向右行驶，背景处停泊着大型货轮，画面中出现彩色艺术字体 | 9.70 | |
| 47 | 特写 |  | 一只蓝色橡皮鸭模型放在木质甲板上，鸭子胸前举着一本小书，呈现出阅读的姿态 | 3.70 | |
| 48 | 中景 |  长镜头 | 戴着黑色针织帽的男子坐在户外木桌旁，桌上放着一个蓝色小鸭，他正专注地进行手势交流和交谈 | So the other day I was driving down the street on Holgate, and ah, I see this lady, and she's like on the side of the road, and it's raining. I never do this, but I pulled over to the side of the road, and I said, Are you okay? And she said, No, I'm not. My car broke down down the road, and I'm late for court, and I can't get to the court. And I said, Well, do you have a phone? Can't you call a car? And she says, My phone died, and I'm really just hoping the judge will cut me some slack. And I said, Well, how far away is the courthouse? She said, Seven blocks. And again, I never do this. This is not my style, but she was all alone, there was no one around, so I said, Okay, I'll give you a ride. | 40.23 |
| 49 | 特写 |  长镜头 | 一只手拿书籍装饰的蓝色橡皮鸭静止在灰色木质纹理平面上，背景中有模糊的涂鸦线条 | I'll give you a ride to the courthouse. And she said, That's really sweet of you, but my sister is in the hospital. I told her I'd go visit her after the courthouse. I said to her, That sounds like a lot of problems. Here's what I think I can do for you. I'll drive you to the courthouse. I promise. When you're in the courthouse, I'll take your phone, I'll charge it in my car, and wait for you in the parking lot. That's a promise. | 12.37 |
| 50 | 中景 |  长镜头 | 戴着黑色冷帽、穿着深蓝色外套的男子坐在户外木桌前，桌上放着一只蓝色小鸭子。他一边低头摆弄双手，一边对着斜下方说话，神情显得有些忧郁或沉思 | When you come out, I'll drive you to the hospital to see your sister. This I promise you. | 19.60 |
| 51 | 特写 |  | 蓝色的橡胶鸭子静静地坐在木地板上，手中拿着一本红棕色封面且翻开的小书，仿佛正在阅读 | She says, Who are you? Where did you come from? You're my hero. | 4.37 |
| 52 | 中景 |  长镜头 | 戴着黑色针织帽、穿着蓝色工装外套的男子坐在户外木质长桌旁，正低头盯着桌上的一只蓝色小鸭子。随后他抬头看了看四周，又拿起一个黑色小型电子设备展示并放下，陷入沉思 | I said, Well, it's not what my friends call me. She says, What do your friends call you? I said, They call me the promise breaker. Then I took her phone and tore out of there. Too long? | 13.43 |
| 53 | 中景 |  | 穿着棕色长款大衣的女性静止站立在阴暗茂密的树林中，身旁有一棵粗壮的树干，环境光线昏暗 | What? | 2.47 |
| 54 | 近景 |  | 戴着黑色针织帽、穿着蓝色工装外套的男子坐在户外木桌前，神情严肃地注视着前方，桌上放着一只蓝色小鸭子模型和一个黑色电子产品 | Nobody wants to listen to a joke that long. | 2.10 |
| 55 | 中景 |  | 穿着棕色大衣的女性站在茂密的松树林中，她神情严肃地环顾四周，风吹动着她的头发 | 5.43 | |
| 56 | 近景 |  | 戴着黑色冷帽的男子坐在户外的木桌旁，眼神略显空洞地看向侧前方，他双手交叠放在胸前的桌面上，桌上正前方放着一只蓝色的小鸭子 | Nobody has to. | 2.50 |
| 57 | 中景 |  | 身穿棕色外套和牛仔衬衫的女子坐在户外木桌旁，桌上放着一只蓝色小鸭玩具，她神情严肃地交谈并配合手势 | So you're not going to tell it? | 2.03 |
| 58 | 中景 |  | 头戴黑帽、身穿深蓝夹克的男子坐在户外木质桌子旁，正目不转睛地盯着桌上的一只蓝色小鸭子。背景为绿色的树丛和铁丝围栏 | Just trying out new material. | 5.63 |
| 59 | 近景 |  | 穿着棕色绒毛大衣、内搭蓝色衬衫的女性在室外绿植背景下，先是闭眼随后睁开眼并开口说话 | Don't they have open mics for that? | 6.90 |
| 60 | 近景 |  | 戴着黑色针织帽、穿着蓝色工装外套的男子坐在户外木桌旁，盯着桌上的一只蓝色小鸭子模型，其表情从凝视转为略显困惑地张嘴张望，最后继续盯着鸭子 | I don't know, this is what I do. | 7.97 |
| 61 | 中景 |  | 身穿棕色毛绒外套和牛仔衬衫的长发女子站在户外深色植被背景前，原本在说话，随后紧闭双眼陷入沉思，面部表情严肃 | You creep around the industrial zone telling jokes to yourself? | 2.90 |
| 62 | 近景 |  | 戴着黑色针织帽、穿着蓝色夹克的男子坐在户外木桌前，桌上放着一只蓝色小鸭子。男子先是低头看着鸭子，随后抬头看向一侧，露出疑惑且略带嫌恶的表情 | Yeah. Works for me. | 5.77 |
| 63 | 中景 |  | 身穿棕色大衣的女性站在深绿色森林背景前，表情严肃并不断开口说话 | What do you do? | 7.33 |
| 64 | 中景 |  | 戴着黑色针织帽、穿着蓝色夹克的男子坐在户外木桌旁，面露惊讶和疑惑的表情，桌上放着一只蓝色的小鸭子，右前方露出另一人的背影 | Reverse mortgage lending. | 1.70 |
| 65 | 中景 |  | 棕色头发、身穿焦糖色毛呢大衣和蓝色衬衫的女性在户外森林背景中闭上眼睛沉思，随后慢慢睁开眼并开口说话 | 2.47 | |
| 66 | 中景 |  | 戴黑帽、穿蓝色夹克的男子坐在木质长椅上，盯着桌上的一只蓝色塑料鸭子看，神情凝重，背景是绿植和围栏 | What is that? | 3.43 |
| 67 | 中景 |  | 身穿棕色大衣、蓝色内搭衬衫的长发女性站在户外绿植背景前说话，神情专注且带有微妙的情绪起伏 | A reverse mortgage is a loan secured by a residential property that allows the borrower access to the unencumbered value of the property. | 5.37 |
| 68 | 近景 |  | 戴着黑色针织帽、穿着深蓝色夹克的男子坐在户外木桌前，桌上放着一只蓝色的小鸭子玩具，他神情凝重地看着镜头右侧的人 | 2.27 | |
| 69 | 中景 |  | 身穿棕色大衣、蓝色衬衫的女子站在户外茂密的绿色背景前，表情严肃地在说话 | It's typically promoted to homeowners 62 or older who have accrued more than 50% of the equity in their homes. However, unlike a home equity loan, you don't need good credit or income to qualify. | 2.50 |
| 70 | 中景 |  | 头戴黑帽、身穿深色夹克的男子坐在户外木桌旁，桌上放着一只蓝色的小鸭子，男子先是沉默注视随后开口说话 | Why are you telling me this? | 3.40 |
| 71 | 近景 |  | 穿着棕色大衣、蓝色衬衫的女性在户外深色植被背景下凝视着侧前方，神情严肃或忧郁 | Why are you telling jokes? | 1.47 |
| 72 | 中景 |  | 戴着黑色针织帽、穿着蓝色工装外套的男子坐在户外木质餐桌前，桌上放着一只蓝色小鸭子。男子神情疑惑地盯着斜前方的人说话，后景是繁茂的松树林 | 1.13 | |
| 73 | 中景 |  | 身穿棕色大衣的棕发女子站在树林前，她正神情严肃地在说话，随后微微抿嘴 | What's your name anyway? | 0.73 |
| 74 | 近景 |  | 戴着黑色针织帽、穿着蓝色外套的男子坐在户外木质桌旁，桌上放着一只蓝色小鸭子。男子神情专注且略显疑惑地看着桌对面的同伴，期间伴有轻微的点头动作 | Paige. | 1.97 |
| 75 | 近景 |  | 身穿棕色大衣和牛仔衬衫的年轻女性站在深绿色的森林背景前，表情从严肃变为愤怒，张开嘴露出牙齿说话 | Bill. Your name's Bill? Yeah. Call me Bill. | 2.63 |
| 76 | 中景 |  | 戴着黑色针织帽、穿着牛仔外套的男子坐在户外木质长桌旁，正低头看着桌上的一只蓝色小鸭子并开口说话，背景是绿色的松树 | Nice to meet you Bill, Dan. | 3.87 |
| 77 | 中景 |  | 穿着棕色大衣和牛仔衬衫的年轻女性站在树林背景前，神情严肃且带有怒意地在说话，随后闭上嘴唇目光凝视前方 | Is that your Christian name? | 2.83 |
| 78 | 中景 |  长镜头 | 戴着黑色针织帽、身穿深蓝色夹克的男子靠坐在江边的木桌旁，背景是铁丝网和远处的城市建筑，他一边交谈一边做出各种手势 | Sure. Let me ask you something, Bill. You just out here giving financial advice or whatever? | 12.40 |
| 79 | 全景 |  | 戴着黑色针织帽的男子独自坐在户外木质长椅上，长椅旁是一张桌子。背景是铁丝网围栏，围栏外是一片平静的水域和远处的山丘，男子在椅子上左右转动身体并四处张望 | 5.03 | |
| 80 | 特写 |  | 一快绿色的青铜历史纪念牌立在草坪前，上面刻有关于西雅图海港岛的历史文字，背景是模糊的绿地和远处的建筑 | 3.97 | |
| 81 | 全景 |  | 逆光下的河岸边，水面波光粼粼，河对岸停泊着大型船只，背景是连绵的树林与阴云密布的天空，前景有草丛遮挡 | 3.97 | |
| 82 | 远景 |  | 在桥梁下方的空地上，远处是一个带有涂鸦的高大圆柱形工业料仓，左侧背景可见港口起重机，周围环绕着铁丝网围栏 | 3.77 | |
| 83 | 多景别 |  长镜头 | 男子站在立交桥下的铁路轨道旁，正对着镜头慷慨激昂地演讲并辅以手势，背景是工业区、集装箱和远处的工厂设施 | And then ah, in 1933 FDR implemented the New Deal. Ah... Three billion towards roads, bridges, highways connecting Americans from sea to shining sea. A record of daring genius laid in steel and concrete. But ah... But I don't think he gave any thought as to how lonesome those highways would be. | 25.63 |
| 84 | 全景 |  | 高架桥梁下方的仰视视角，画面中展示了粗壮的混凝土桥墩以及上方纵横交错的桥梁结构，背景为明亮的蓝天 | Guess he had to wait for ah, Hank Williams to send him the memo. | 7.40 |
| 85 | 远景 |  | 薄暮时分的港口岸边，水面波光粼粼，岸上矗立着老旧的码头建筑、吊车残骸以及远处堆叠的集装箱 | 2.63 | |
| 86 | 远景 |  | 夜幕下的城市天际线灯火辉煌，隔着海湾和铁丝网远眺，近处有野餐桌和树影环绕 | 2.80 | |
| 87 | 远景 |  | 夜晚的港口，巨大货轮停靠在岸边，上方有多台白色的塔吊正在作业，远处灯火点缀 | 4.33 | |
| 88 | 中景 |  长镜头 | 夜晚货场内，戴黑帽、穿深色外套的男子手持通讯器，一边耸肩摊手，一边与他人交谈，背景是堆叠的集装箱 | Dating's tough out there. It's tough, you know. Last date I went on, the gal ah... says she's a dog person. Dog person? What is this, The Island of Dr. Moreau? I left after one drink. And it weren't out of no bowl of water either. | 11.43 |
| 89 | 远景 |  | 深夜的停车场，男子背对镜头站在路灯下，不远处停放着一辆白色轿车和大型货车 | 3.73 | |
| 90 | 中景 |  | 夜晚的货柜堆场，戴黑帽的男子神色慌张地张望，随后举起右手指向斜上方大声呼喊 | Did you see that? | 6.93 |
| 91 | 近景 |  长镜头 | 戴着眼镜的男子正坐在车内驾驶位，双手握住方向盘，神情严肃地目视前方 | 14.73 | |
| 92 | 近景 |  | 戴着黑色针织帽、穿着深色外套的男子手里拿着黑色手机，他面露困惑与犹豫的表情，转头看向一侧并用大拇指向后指了指 | 2.67 | |
| 93 | 远景 |  | 夜晚的工业港口，堆叠的集装箱在灯光下显现出色彩，水面反射着橙色的灯光，左侧矗立着大型起重机的吊臂 | 2.97 | |
| 94 | 全景 |  | 夜晚河对岸的厂区灯火通明，近处草坪上有两只黑雁在休息，河面映着灯光的倒影 | 3.63 | |
| 95 | 远景 |  | 黑夜中的户外空地，一盏路灯孤零零地亮着，灯光下停放着一辆黄色的小面包车，周围环境昏暗且寂静 | 2.90 | |
| 96 | 特写 |  | 微型磁带录音机正在工作，透明窗格内磁带轴心持续旋转 | Gonorrhea. More like here to stay-orrhea. Flowers don't smell good. They actually don't smell anything at all. So ah, I was making out with this girl with acute bronchitis. More like a door... | 5.53 |
| 97 | 中景 |  长镜头 | 戴眼镜和黑色针织帽的男子坐在室内暗光处，低头在腿上书写，随后抬头思考，背景是格子和红底民族风挂毯 | Reverse mortgages allow elders to access the home equity they've built up in their homes, and then they defer the payment of the loan until they die, sell, or move out of the home. | 19.27 |
| 98 | 特写 |  | 一盘磁带正在录音机中快速转动，磁带盒上的箭头标识清晰可见，背景光影昏暗 | And because there's no required mortgage payments on a reverse mortgage, the interest is added to the loan balance each month, and the rising loan balance can eventually grow to exceed the value of the home, particularly in times of declining home values, or if the borrower continues to live... | 6.43 |
| 99 | 近景 |  | 戴着黑色针织帽、黑框眼镜的男子坐在室内环境中神情专注地看向一侧 | 7.00 | |
| 100 | 全景 |  | 深夜的户外停车场或空地，黄色面包车停在路灯下，灯光照亮了车身周围和背景的树丛，周围环境昏暗 | 7.53 | |
| 101 | 空镜 |  | 画面处于全黑状态 | 1.90 | |
| 102 | 远景 |  | 黄昏时分的河岸，近处有植物剪影，河对岸停靠着工业货船和起重机，画面中央出现标题字样 | 9.83 | |
| 103 | 中景 |  | 戴着黑色冷帽、身穿深色夹克的男士背对镜头站立，仰头望着晴朗天空中的一个小黑点 | 2.63 | |
| 104 | 近景 |  | 男子站在户外桥下，抬头望向远方，随后举起望远镜观察 | 2.90 | |
| 105 | 远景 |  | 蓝灰色的天空中悬浮着一个模糊的黑色球状不明物体，画面右侧矗立着一根双头路灯杆 | 3.60 | |
| 106 | 中景 |  | 男子举着双筒望远镜观察，随后他拿起一个黑色对讲机准备说话 | How in the world did Magic Johnson cure his AIDS? | 9.23 |
| 107 | 远景 |  | 淡蓝色的天空中，黑色圆形斑点悬浮在左上方，右侧是一根笔直的路灯杆 | 3.33 | |
| 108 | 中景 |  | 男子在桥下先是举着望远镜观察，随后放下望远镜并侧头看向一旁 | He is a Magic Johnson. | 2.00 |
| 109 | 远景 |  | 穿着牛仔外套、戴着黑色便帽的男子转身向画面右侧走去并离开镜头 | 3.43 | |
| 110 | 远景 |  | 河岸边的树木与凉亭构成的剪影后方，一艘拖轮正拖曳着装满货物的驳船缓缓驶过水面 | 3.73 | |
| 111 | 远景 |  | 茂密树丛的掩映下，远处的工业设施排放着白烟，铁丝网围栏横贯前景 | 3.30 | |
| 112 | 全景 |  | 一男子背对镜头站在草坪上，正对着前方巨大的牛仔帽和靴子造型雕塑，随后他举起右手似乎在进行拍摄或操作手机 | 2.40 | |
| 113 | 中景 |  | 男子站在昏暗的户外背景前，右手拿着对讲机放在耳边，先是侧头倾听，随后缓慢转向正前方 | You know, ah... There's something about public art. The miracle of public art. | 5.93 |
| 114 | 中景 |  | 一顶巨大的粉色牛仔帽造型建筑屹立在户外，背景是黄昏时分的树木、电线和天空 | I think ah... | 5.30 |
| 115 | 中景 |  | 在巨大的帽子和靴子装置前，戴黑帽的男子转身面向镜头，手中拿着电子烟并吸了一口 | I think it's man-made. | 5.07 |
| 116 | 远景 |  | 傍晚的户外，伫立着一双巨大的蓝色调彩绘牛仔靴雕塑 | 3.60 | |
| 117 | 远景 |  | 带有吊装设备的旧货船静止停泊在蓝调时分的平静水面上 | 2.37 | |
| 118 | 全景 |  | 一辆深蓝色的皮卡车停在废弃场的高处架子上，背景是昏暗的暮色天空 | 2.47 | |
| 119 | 远景 |  | 白色的面包车停在夜晚的港口空地上 | 7.33 | |
| 120 | 特写 |  | 蓝色的橡皮小鸭子静静地坐在红色的台面上，手里正拿着一本橙色封面的小书 | I got this cousin who is so talented, and he was accepted to this very prestigious academy of art in London, and he beat out thousands of applicants, and we're all really proud of him. Um, but ah, when it came time to ah... | 6.00 |
| 121 | 近景 |  长镜头 | 戴着黑色针织帽和眼镜的男子靠在格子毛毯前，手里拿着一个小型录音机正在说话并配合手势 | turn in his semester portfolio, his professor, she was not too complimentary, you know. She said, ah, This is not art. This is just doodles. Just doodles. So you can imagine he was pretty bummed, and ah, especially also, you know, he already felt like an outsider being the only American there, um... But, being in London, it's such a progressive city, he finally felt like he was comfortable enough to, you know, come out, which he did, and that was great. But, um... | 17.57 |
| 122 | 特写 |  | 桌面上平放着几本红色封面的螺旋笔记本，其中一本封面上手写着“Little Jokes”字样 | you know, those art school kids, they got together and they came up with a really mean nickname for him. You know, because he's American, and because of his drawing style, and because he came out, they started calling him the Yankee Doodle Dandy. | 3.60 |
| 123 | 全景 |  长镜头 | 男子坐在房车内部的地板上，他右手拿着手机，左手向身体右侧摊开做手势，正对着斜前方的电热水壶说话 | Don't put that in your act. | 12.53 |
| 124 | 近景 |  长镜头 | 半躺在格子布背景前，一边手持黑色对讲机靠近耳边，一边用另一只手做出手势在身前挥动 | Why? It's long, not funny, and it's going to alienate people. Who? Art school kids. They're under enough pressure. | 19.90 |
| 125 | 中景 |  | 年轻女性双手按在一块带有红色民族风图案的织物上，神情警惕，目光向左侧窥视并开口说话 | What are you doing here? | 7.80 |
| 126 | 近景 |  | 男子手里拿着磁带录音机贴在耳边，听着录音 | I'm here because you're in here. | 1.33 |
| 127 | 近景 |  | 年轻女子双手扶着深色花纹毛毯，神情惊愕地看向前方，随后闭上嘴巴 | What am I doing here? | 4.30 |
| 128 | 近景 |  | 男子低头沉思，随后微微抬起头看向侧前方 | 2.00 | |
| 129 | 中景 |  | 男子回头看向后方拉起红花纹毯子的女子 | 1.93 | |
| 130 | 中景 |  | 女性双手按在一条带有民族风格图案的红毯上，在黑暗的背景中微微侧头观察 | 2.23 | |
| 131 | 近景 |  | 男子坐在格子图案的背景前，神情严肃地看向一侧 | This is your element. | 2.83 |
| 132 | 中景 |  | 年轻女子双手按在一块带有红色民族风花纹的布料上，眼神看向侧方后转回正面微笑 | 5.37 | |
| 133 | 远景 |  | 夜色下的停车场中，黄色小型货车停在路灯的光晕下 | 3.63 | |
| 134 | 远景 |  | 夜晚的工业区内，平行的铁轨向远方延伸，右侧是大型的白色工业仓库和集装箱，路灯发光 | 3.90 | |
| 135 | 远景 |  | 夜晚的工业港口码头，近处是储油罐剪影，远处的塔吊被灯光照亮 | 2.07 | |
| 136 | 多景别 |  快速剪辑 | 夜晚在码头或工业区，一名男士低头行走。视角在男士侧面与路灯仰视之间切换 | 1.63 | |
| 137 | 全景 |  | 夜色下，港口货柜码头的高杆灯照亮了堆叠的集装箱 | 1.93 | |
| 138 | 中景 |  | 男子站在铁丝网前，背景中远处的路灯透出虚化的光斑 | 4.03 | |
| 139 | 远景 |  | 夜晚的港口货运场，巨大的水泥桥柱矗立，远景处堆放着集装箱 | 1.73 | |
| 140 | 中景 |  | 男子在昏暗的街道中央低头行走，背景散布着街灯和路标 | 1.87 | |
| 141 | 近景 |  | 男子在夜晚的街头行走，神情凝重地走过镜头 | 5.77 | |
| 142 | 远景 |  | 工业区，白色轿车停在路边，后方停着大货车 | 1.60 | |
| 143 | 近景 |  | 男子在昏暗的车内，张开嘴将手枪塞入口中 | 4.43 | |
| 144 | 近景 |  | 男子口中含着枪管，车窗外另一名男子悄然出现并贴近玻璃向内窥视 | 3.30 | |
| 145 | 近景 |  | 男子坐在昏暗的车内，表情略显困惑地望向前方 | Hey! | 2.87 |
| 146 | 中景 |  | 年轻男子趴在车窗外，面带微笑地看着车内的人 | Get that big old ding-a-ling out of your mouth. You've done enough self-pleasuring for tonight. | 2.67 |
| 147 | 近景 |  | 戴着眼镜、身穿格子衬衫和深色外套的男子坐在汽车后座，面带疑惑与凝重地注视前方 | Now it's my turn. | 4.33 |
| 148 | 近景 |  | 男子俯身靠在车窗外，对着车内的人边打手势边急切地交谈 | So ah, I robbed a bank the other day, and I was crashing out at my brother's place. He said, Are you gonna go on the lam? I said, No, I'm gonna go on a horse. A lamb can't carry me. | 6.83 |
| 149 | 近景 |  | 戴眼镜的老年男性坐在昏暗的车内，直视前方并开口说话 | Is that a joke? | 3.70 |
| 150 | 中景 |  | 年轻男子弯腰向车内张望并说话 | They say, I don't know if you've heard them say this. They say Americans are addicted to plastic. I mean, not me. I don't even like the taste. | 8.60 |
| 151 | 近景 |  | 中年男子坐在车内副驾驶位，正视前方 | 2.87 | |
| 152 | 近景 |  | 男子站在车窗外弯腰与车内乘客交谈 | So I'm at the coffee shop the other day. Barista says to me, Room for cream? What do I need a whole room for? How much cream are we talking about here? | 7.00 |
| 153 | 特写 |  | 白发男子坐在黑暗的汽车后座，表情平静地直视前方 | 3.37 | |
| 154 | 中景 |  长镜头 | 深色上衣男子弯腰探头在车窗外与车内男子交谈 | So ah, back in June of 68, Senator Bobby Kennedy was assassinated by a Palestinian militant, Sirhan Sirhan. A lot of people think that the case ought to be reopened on account of there being credible evidence that there was more than one shooter. I'm not so sure about all that, but I do know that there were at least two Sirhans. | 16.60 |
| 155 | 近景 |  | 老年男子坐在汽车内副驾驶位，正看向镜头 | 3.20 | |
| 156 | 中景 |  | 戴帽子的男子站在车窗外俯身向车内交谈，随后伸出手比出两根手指的手势 | I took a personality test today to find out if I was an introvert or an extrovert. You want to know what it said? No. Said I was a sadist. | 7.37 |
| 157 | 近景 |  | 中年男子坐在汽车内，直视前方 | 2.37 | |
| 158 | 中景 |  | 男子俯身靠在汽车车窗外，先是对着车内的人比出剪刀手，随后收回手与其交谈 | There's been a lot of talk these days about gender-neutral pronouns. You heard about this? A lot of people feel it represents them, and a lot of people feel their speech is being policed. | 7.33 |
| 159 | 近景 |  | 中年男子坐在车内后座，正对着镜头说话 | Me? I only have one question. | 1.40 |
| 160 | 近景 |  | 年轻男子趴在车窗外带着微笑与车内男子交谈 | What's a pronoun? | 3.33 |
| 161 | 近景 |  | 白发男子坐在车内，转头面向前方 | If gender is a construct, so is grammar. | 2.50 |
| 162 | 中景 |  | 男子站在车窗外俯身向车内说话 | I used to have this roommate who was convinced that our place was haunted on account of him always hearing spooky sounds in the night. Um, and I said to him, I said, You're crazy, man. I've lived here 275 years. I never heard a thing. | 9.17 |
| 163 | 近景 |  | 白发中年男子坐在汽车驾驶位上，神情严肃地看向前方 | Stop. | 2.97 |
| 164 | 中景 |  | 男子俯身在车窗外，与车内的人交谈 | So ah, there's been a lot of fear floating around about this. Anti-vax. I'll tell you who I'm afraid of. | 2.53 |
| 165 | 近景 |  | 中年男子坐在车内后排，面带微笑地直视前方 | Uncle Vax. | 1.63 |
| 166 | 近景 |  | 男子俯身向车内交流，他伸出食指做出强调手势，随后收回手 | Hey, are you a fan of the actor Ernest Borgnine? | 2.03 |
| 167 | 近景 |  | 中年男子坐在汽车内，直视前方并微微露出笑容 | Wait'll you get a load of Ernest Borg-10. | 3.67 |
| 168 | 近景 |  长镜头 | 后座的男子看向车窗外站着的另一名男子并与其交谈，窗外男子边说边做出手势 | So, you know, zoos with chimpanzee houses, apparently they do better than those without, you know, on account of people see themselves in the chimpanzees. More people, more money. Simple economics. Economics? More like monkey business. | 10.63 |
| 169 | 近景 |  | 中年男子坐在汽车内，表情严肃地注视前方 | Are there more? | 4.23 |
| 170 | 中景 |  | 年轻男子扒在汽车驾驶座的车窗边，向坐在车内的男子指手画脚并交谈 | I'm just getting started, pal. Hey, why do smart women like me so much? I don't know. Because... | 6.37 |
| 171 | 特写 |  | 白发男子坐在昏暗的车内，先是注视着前方，随后缓缓低下头闭上眼睛 | Opposites attract. | 2.47 |
| 172 | 近景 |  | 年轻男子正趴在车窗外与车内的驾驶员交谈 | 3.87 | |
| 173 | 近景 |  | 中年男子坐在汽车副驾驶位，神情凝重地注视前方 | 1.77 | |
| 174 | 中景 |  | 男子站在车窗外，面带微笑地向坐在车内的另一名男子招手示意并交谈 | 3.40 | |
| 175 | 近景 |  | 中年男性坐在车内，表情严肃且专注地注视着前方 | 2.73 | |
| 176 | 中景 |  | 男子弯腰站在车窗外，对着车内的人做出手势并交谈 | 6.60 | |
| 177 | 近景 |  | 年长男性坐在汽车驾驶座上，面带微笑地直视前方 | 2.50 | |
| 178 | 近景 |  | 戴黑帽的男子从车窗外探头靠近并把手搭在车门边，与车内交流 | 4.80 | |
| 179 | 近景 |  | 白发男子坐在昏暗的车内，正对着镜头说话并微微露出笑意 | 2.13 | |
| 180 | 中景 |  | 戴帽子的年轻男子双手搭在车窗边框上，俯身对车内的驾驶员说话 | 3.37 | |
| 181 | 近景 |  | 中年男子坐在汽车内，他看向镜头并开口说话 | 1.33 | |
| 182 | 远景 |  长镜头 | 男子在轿车旁与驾驶位的人交谈，随后一道圆环形金光在画面中心爆发直至覆盖全屏，转入演职员名单 | 44.73 | |
| 183 | 全景 |  | 黑色背景中心显示青绿色的致谢名单文字 | 6.50 | |
| 184 | 空镜 |  | 黑色背景中心有一段雨中街道的黑白动态影像，随后画面全黑 | 5.03 |