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共61个镜头，该分镜由光厂AI自动生成
镜号景别参考图画面内容台词/旁白时长(秒)
1近景
纽约百老汇（Broadway）与西44街（W 44 St）的绿色路牌挂在灰色电线杆上，旁边是黄色的红绿灯箱0.83
2远景
繁华街头的斑马线红绿灯下，众多行人在阳光下行走，背景是纽约时代广场风格的建筑与大屏幕，焦点从模糊逐渐过渡到清晰2.47
3全景
在光线昏暗的地铁站内，近景处有几名低头看手机的乘客，背景是空旷的轨道和站台支柱，支柱上标有42 Street字样2.03
4特写
一双手拿着黑色的无线耳机充电盒，正准备将耳机放入盒中，背景为户外模糊的地面1.40
5特写
Mike 侧对镜头，先是将右手从耳边移开，露出佩戴在耳内的黑色真无线耳机3.87
6近景
Mike 佩戴着耳机侧脸对着斜上方，神情轻松自然3.30
7中景
Mike 穿着黑色衬衫坐在录音棚的混音台前微笑并开口讲话My name is Mike Piacentini. I am a mastering engineer and immersive mixing engineer here at Battery Studios. I've been mixing and mastering records for a wide variety of our frontline and reissue catalogue artists.2.27
8近景
一只手正在操作调音台上的旋钮，展现出戴着耳机专注工作的 Mike 面部神情2.97
9特写
Battery Studios与SONY MUSIC的金色灯箱标识悬挂在墙上1.53
10特写
Mike 戴着索尼头戴式耳机低头沉思，侧重表现其面部侧轮廓与专注神情3.13
11中景
Mike 坐在录音室对着镜头说话，其身前的桌上摆放着两盒无线耳机，背景可见调音台设备和书架I think the thing that makes sound engineers so valuable is that we're really able to bridge the connection from the artist's intent for how they want their song to sound1.47
12多景别
一只手在调音台上旋转旋钮，Mike 戴着耳机专注工作2.43
13特写
手在录音棚调音台上精细地旋转调节旋钮，背景中可见带背光的仪表盘和指示灯2.93
14近景
Mike 戴着索尼头戴式耳机神情专注地盯着前方的屏幕1.40
15特写
带有双屏幕的音频监测设备，左侧显示绿色波形，右侧显示黄色电平进度条，背景为深暗色2.83
16特写
带有蓝色和黄色背光的调音台或控制面板，前景中有多个印有字母和数字的透明按键，其中一个亮起鲜艳蓝光，背景虚化2.77
17特写
Mike 在室内暖色灯光背景下侧身站立并开口交谈to how it should sound to the consumer.1.53
18近景
Mike 佩戴耳机坐在录音棚内，正对着调音台和显示屏进行音频编辑操作2.23
19中景
Mike 坐在录音室对着镜头说话，面前的桌上放着两副耳机Headphones give everybody a great point of reference for how to make records. Sony has always sort of been an industry leader in the professional audio space.1.27
20特写
带有黄色发光电平表的复古音频控制面板，指针随音频信号摆动，左侧有蓝白相间的旋钮与红色数字显示屏1.73
21近景
Mike 面对镜头说话，桌上摆放着两盒无线耳机I use the MDR-MV1s, the 7506s,2.20
22近景
Mike 戴着索尼头戴式耳机低头坐着，神情专注，背景灯光昏暗1.67
23特写
一架索尼MDR-MV1耳机静置在调音台上，背景中隐约可见录音棚的设备与灯光1.47
24特写
一副索尼耳机放置在调音台上and the Z7s.1.77
25特写
Sony耳机MDR-Z7M2斜放在专业的调音台控制面板上，背景虚化1.33
26特写
Mike 正在戴上一副黑色的头戴式耳机2.73
27中景
Mike 坐在调音台前，双手操作着控制面板，背景中可见显示音频轨道的屏幕My expectation from a consumer point of view is that I'm going to get the sound the way the artist intended it.2.67
28多景别
快速剪辑
纽约街头行驶的一辆黄色SUV出租车，随后一辆红色三轮车在斑马线上骑行，最后时代广场地铁站1号线列车进站的侧影1.67
29近景
两副真无线耳机及充电盒（一黑一白）放置在户外露台上，背景是虚化的城市建筑群The WF-1000XM5s are a consumer grade headphone but they're really translating those professional grade mixes that we're doing to the end user.7.03
30特写
Mike 双手拿着索尼耳机充电盒，用大拇指将其顶盖轻轻推开，露出内部的无线耳机0.73
31特写
双手拿着黑色的无线耳机盒，右手将一枚耳机取出0.97
32特写
Mike 佩戴着黑色入耳式耳机低头沉思2.17
33特写
手握持着一部黑色智能手机进行点击操作，背景为模糊的户外街景One of the most appealing functions is the noise canceling function.1.50
34中景
Mike 背对镜头在城市街头行走，身旁有车辆经过As soon as I leave work here, I go right back out onto the streets of Manhattan1.80
35中景
纽约街头一角，中心为热狗摊位的遮阳伞和正在倒计时的行人过街信号灯1.30
36特写
行人在斑马线上快速行走1.10
37远景
纽约时代广场街头，中景有许多行人走动、坐卧或交谈，前景不断有路人经过where there are people talking, cars going by, buses buzzing by,1.17
38全景
一辆黄色出租车快速驶过斑马线，背景是带有广告的巴士和行驶中的白色货车1.50
39近景
一辆蓝色电动公交车正缓缓驶入镜头，前景中有行人穿过斑马线，并有摩托车和黑色越野车快速掠过画面2.13
40近景
Mike 正在城市街道上行走，他一度伸手触碰耳塞进行调整and as soon as I enable the noise canceling function, it puts me in my own little bubble where I can just forget about all of that other extraneous material and just focus on the music.3.37
41特写
Mike 佩戴无线耳机在都市街头漫步，神情轻松自然6.13
42特写
Mike 在室内光线下低头沉思并开口交谈You have to take into account sound quality of the mixes that you're listening back to on top of how the noise canceling is going to affect the end user.3.77
43近景
Mike 坐在录音室的调音台前面对镜头说话，桌上放着两副真无线耳机These are doing an incredible job of being transparent with the noise canceling3.40
44特写
耳机外壳呈爆炸图状拆解，露出内部精密零件和两块核心处理芯片6.17
45特写
耳机内部的发声单元组件在空中呈拆解状态悬浮，中心振膜随节奏产生一圈圈金色涟漪状的声波动效while at the same time staying true to the mixes that we're creating in the studio here for the everyday listener.3.57
46中景
Mike 坐在录音室内对着镜头交谈，前方桌面上放着两副无线耳机So when you enable noise canceling on the WF-1000XM5s,1.73
47特写
手正拿着黑色的蓝牙耳机充电盒，手指在盒盖边缘进行开合操作，耳机指示灯亮起1.67
48近景
Mike 侧脸坐在室内，伸手将一枚黑色蓝牙耳机塞入左耳，随后放下手臂目视下方you really can't tell that you're wearing headphones, which I really appreciate from a casual listener perspective.3.13
49中景
Mike 戴着无线耳机，靠在黑色皮沙发上低头操作手机2.07
50特写
手握持着一部深色手机，主体保持静止，背景为暗调的室内环境1.50
51多景别
一名跑者在蓝色田径场上奔跑；右侧叠加特写画中画，展示男子侧脸并正将白色无线耳机放入耳中They're super comfortable and lightweight and very pleasant to wear.1.80
52近景
扎着辫子的男士戴着白色耳机在操场慢跑，画面右侧同步出现耳机的耳道适配结构图，最后全屏展示耳机的三维拆解与佩戴原理3.53
53特写
电脑屏幕显示音频处理软件界面，中心有一个发光的蓝色经纬网球体，周围散布着彩色音频标注点，数据点在界面中进行动态展示What I've been doing here at Sony more recently is a lot of immersive mixing and mastering.2.33
54特写
Mike 佩戴耳机，背景是模糊的调音台设备和亮起的黄色电平指示灯2.43
55中景
Mike 侧坐在阴暗的室内，低头操作手中的智能手机，他佩戴着黑色无线耳机，背景隐约可见专业音箱与置物架The WF-1000XM5s really do an incredible job at translating those immersive audio mixes2.97
56近景
Mike 戴着入耳式耳机低头侧脸特写to the end user.4.43
57中景
Mike 坐在录音室或工作室中对着镜头说话，前方桌上摆放着两副真无线耳机及充电盒，背景可见调音台设备和书架As a professional sound engineer, my guiding principle is always to craft the best-sounding records that I can that translates the artist's vision to the listener for the music.2.97
58近景
Mike 侧身站立正开口说话，背景是带有暖色壁灯的室内环境4.17
59中景
Mike 坐在录音棚控制台前微笑着注视前方进行交谈，他面前的控制台上放着两副无线耳机2.40
60特写
快速剪辑
全黑背景迅速转场为纯白背景，画面左侧出现一个实心黑球1.17
61特写
For The Music文字与播放键图形组合，随后切至彩色光影背景下的SONY标识，最后背景变为纯黑4.27