共57个镜头，该分镜由光厂AI自动生成
| 镜号 | 景别 | 参考图 | 画面内容 | 台词/旁白 | 时长(秒) |
|---|---|---|---|---|---|
| 1 | 全景 |  | 室内艺术展览空间，右侧深蓝色方柱上挂着黑色画作。左侧灰白展厅有格子窗和介绍牌，整体呈极简主义风格。 | 3.63 | |
| 2 | 全景 |  | 展厅内部，左侧有带网格玻璃窗的双开门和三张信息牌。右侧深蓝色壁龛内挂有一幅深色矩形画作。 | 2.83 | |
| 3 | 全景 |  | 极简艺术展厅内，左侧弧形灰墙挂着介绍板，右侧深蓝色展墙悬挂一幅大尺寸黑色画作。上方小窗透入自然光。 | 4.63 | |
| 4 | 近景 |  | 深蓝色墙面上挂着一幅装有金属支架的黑色画作背面，灰黑色背面质感粗糙，上方贴有白色标签。 | One day, a friend and philosopher asked me | 3.80 |
| 5 | 近景 |  | 黑白色调油画局部特写，黑色背景中浮现出类似人脸侧影的模糊白色轮廓，笔触纹理清晰可见。 | if I would consider contributing a piece on 'suffering' to the university magazine he edited. | 3.30 |
| 6 | 中景 |  | 镜头从左侧虚焦粗糙墙后平移，展示右侧深蓝色背景墙上悬挂的一幅深沉基调抽象画作。 | 4.53 | |
| 7 | 全景 |  | 极简展厅中央有一堵深蓝色背景墙，挂着一幅垂直构图的抽象画作，中央有一抹亮色笔触。左侧墙面透入光线。 | 2.27 | |
| 8 | 中景 |  | 灰白极简室内中心立着一个蓝色立方体，正中凹槽嵌有纯黑色长方形艺术品。左侧高处有窗户透光。 | I usually don't accept such invitations, as I find them a waste of time and rather useless. | 2.77 |
| 9 | 特写 |  | 深蓝色背景上展示一块表面有细小凹凸纹理的深褐色或黑色块状物，边缘不齐，像涂有厚重颜料的旧木板。 | 4.20 | |
| 10 | 中景 |  | 长发女子背对镜头，在深蓝色墙面壁龛前静立，注视着内部的黑色矩形艺术作品。 | 2.27 | |
| 11 | 中景 |  | 宽敞美术馆内，长发女子走到深蓝色墙面的巨幅黑色长方形画作前，侧头端详作品。 | Yet, out of curiosity I accepted. | 2.53 |
| 12 | 中景 |  | 长发女子在蓝色墙面展厅内背对镜头，仰头注视着带细窄边框的巨大黑色油画。 | 4.23 | |
| 13 | 中景 |  | 深蓝色墙面画廊内，长发女子背影静静注视着竖向大尺寸深黑色油画，画作笔触纹理明显。 | I must add that at the time, I was just writing on my NADA paintings, | 4.13 |
| 14 | 特写 |  | 深蓝色墙上油画局部特写，深色窄框内底部隐约可见纤细且略微褪色的手写体德文字母。 | which coincidentally also deal with the theme of suffering or to be more precise, | 2.57 |
| 15 | 远景 |  | 长发女子侧身站在工业感展厅右侧，注视前方挂着画作的深蓝色墙壁。自然光在灰色水泥地面投下光影。 | with what lies beyond suffering. | 5.00 |
| 16 | 全景 |  | 深蓝色巨型背景墙矗立在明亮展厅中心，悬挂纯黑色长方形抽象画作。右侧窗户透光在地面形成光斑。 | After the crucified one is overpainted. | 5.30 |
| 17 | 远景 |  | 穿过粗糙灰墙缝隙，可见深蓝色立方体展墙嵌有带窄框的深色板面。左上窗户光线在白墙投下光斑。 | That is to say, when every visible trace of suffering is removed, leaving at most only its memory. | 3.70 |
| 18 | 全景 |  | 深蓝色背景墙悬挂标有“NADA”的垂直黑色画作。展厅有浅色墙壁和高窗，自然光侧后方射入。 | 7.63 | |
| 19 | 中景 |  | 带有精美金色边框的黑色油画挂在深蓝墙面上，画框内上方嵌有白色长条标签。 | My first NADA painting, now destroyed, resulted from a single intention: | 3.10 |
| 20 | 中景 |  | 极简大厅的深蓝色展墙中央挂着顶部带“NADA”标签的竖版大面积黑色画作。侧上方光线洒下。 | to abolish the image of Christ on the Cross, albeit in a demonstrative way. | 3.33 |
| 21 | 全景 |  | 三名女性背靠坐在展厅长凳上，观赏蓝色墙上带“NADA”标签的黑色抽象画作。展厅有倾斜光影。 | 4.87 | |
| 22 | 中景 |  | 穿白大褂的工作人员在暗调工作室内，用手电筒侧照桌面白色板状物并操作单反相机拍摄。 | At no point did I think about making a great painting. | 2.10 |
| 23 | 中景 |  | 白色台面上放置画板，后有相机和设备。右侧一手持手电筒水平照射画板表面，形成移动的明亮光影。 | My only objective was to symbolically annihilate a deeply rooted Christian image. | 5.83 |
| 24 | 全景 |  | 宽敞极简空间中央矗立深蓝色方形柱子，正中嵌有黑框空白画板。阳光在灰色背景墙前投下矩形光斑。 | That was all it was about at the time. | 4.37 |
| 25 | 中景 |  | 深蓝色转角立柱右侧凹槽展示一块纯白色画板。整体环境呈现极简现代展览风格。 | 2.67 | |
| 26 | 特写 |  | 画面垂直平分，左为灰蓝色磨砂平面，右为带纹理的亮黄色平面，中间有一条粗糙深色缝隙。 | However, my satisfaction quickly faded | 2.30 |
| 27 | 中景 |  | 深蓝色长方柱侧开小窗透出黄光。阳光在柱子和浅灰墙面形成强烈阴影和几何色块。 | and I found myself unable to expand the interpretation of these sacrilegious paintings. | 2.63 |
| 28 | 中景 |  | 深蓝墙上挂着金色纹理画作，上方强光照射产生不规则光斑。背景隐现灰褐色工业风天花板。 | 4.20 | |
| 29 | 近景 |  | 深蓝垂直色块左接浅灰粗糙墙面，右接黑色纹理表面。强光照射交界处产生亮条和光斑。 | Then one day, while immersed in a biography of the Spanish mystic Saint John of the Cross, | 4.57 |
| 30 | 大特写 |  | 画面平分为左侧哑光深蓝和右侧带纵向刷痕的深蓝色面。光影在纹理面上产生微明明暗流动。 | 4.03 | |
| 31 | 全景 |  | 深蓝色墙上挂着垂直长方形黑色颗粒感艺术作，左侧灰色墙面带工业感，隐约有窗户透光。 | I happened upon the following passage: | 3.50 |
| 32 | 中景 |  | 灰色水泥墙前，铺白膜木桌上放着黑色矩形板材和一台手机设备。 | 3.23 | |
| 33 | 特写 |  | 穿白大褂人员手持小灯贴近观察黑色光滑漆面板，光束投射出明亮光斑，映出纹理。 | "The search for the NADA, or “Nothing”, of the Cross; the concern for the only thing necessary..." | 8.07 |
| 34 | 全景 |  | 深蓝色墙壁镶嵌玻璃视口，与极简高大灰墙并置。上方小窗透光形成漫反射光效。 | 2.53 | |
| 35 | 全景 |  | 宽阔展厅内，深蓝色凹槽立柱中央镶嵌带深色垂块的深蓝色抽象画。 | Suddenly, a vision arose within me, significantly deepening the meaning of these paintings, | 5.10 |
| 36 | 中景 |  | 极简灰墙空间内，背斜挎包男子仰头凝视深蓝色墙壁，左侧隐现穿风衣人影。 | by freeing them from the restrictive interpretation in which they were trapped. | 3.67 |
| 37 | 中景 |  | 蓝色墙面上带深框的黑色大型绘画局部，左上角有白标签。表面纹理细腻，色调深沉。 | 3.70 | |
| 38 | 中景 |  | 深蓝墙上悬挂带细腻纹理的单色黑画。两侧为粗糙灰色混凝土墙面，空间通透。 | they gradually evolved towards the ultimate achievement in painting, | 4.33 |
| 39 | 中景 |  长镜头 | 穿皮衣、围格纹围巾的白短发女性背对镜头，近距离注视深蓝墙上的巨幅黑色抽象画，逐渐向左移出。 | namely the sublime. Reduced to almost nothing, this painting became part of a movement that I ended up calling: | 12.00 |
| 40 | 大特写 |  | 充满质感的黑色画布特写，颜料堆叠纹理和纵向笔触在微光下展现深浅层次差异。 | Negative Painting as a nod to the Theology of the same name. | 9.13 |
| 41 | 远景 |  | 长发风衣女子背对镜头，注视工业风画廊中深蓝色巨大立板。高处自然光在水泥地投射明亮光影。 | I'm working on paintings that are supposed to represent nothing. | 3.77 |
| 42 | 空镜 |  | 仰视巨型落地窗，透出室外蓝天和白建筑，斜射阳光在室内形成强烈光影。 | 2.63 | |
| 43 | 全景 |  | 宽敞灰墙室内，前方巨大落地窗反射对楼的橘线和方窗，左侧伫立深蓝立方体装置。 | I am nowhere yet. | 2.20 |
| 44 | 中景 |  | 仰视灰顶面两个并排的狭长玻璃天窗，斜阳在侧壁形成明暗对比，几何感强。 | In doing so, I wonder if there is anything harder than painting nothingness. | 2.20 |
| 45 | 中景 |  | 巨大蓝色立方体立于灰白墙明亮室内，后方有半圆拱格窗和监控器设备。 | 3.07 | |
| 46 | 全景 |  | 仰视悬挂于深蓝墙的纯黑画作，右侧强光在画作表面产生反光和光晕，映出暗纹。 | Anyone who looks fixedly and long enough at this radical painting will eventually realize they're looking | 6.73 |
| 47 | 近景 |  | 深蓝墙角挂着一个深边框矩形黑色画作或镜子，顶部中央有浅色标签。左侧微露灰白墙体。 | 4.63 | |
| 48 | 全景 |  | 深蓝展厅内，穿黑卫衣男子仰望带有“N·A·D·A”标和细框的巨幅纯黑长方形画作。 | 2.63 | |
| 49 | 中景 |  | 扎马尾的黑皮夹克女性背立于带银雕内框的巨大全黑画作前，随后移出画面。 | at nothing. | 3.10 |
| 50 | 特写 |  | 左侧深蓝空间内微小亮粉尘缓慢漂浮，右侧可见带光泽黑色矩形物体的边缘。 | 6.97 | |
| 51 | 全景 |  | 暗光室内左深蓝、右纯黑两块巨墙并立，透窗光晕及叠加彩色光斑在表面移动闪烁。 | While painting, I don't think at all. After painting, I think about something else. | 7.97 |
| 52 | 特写 |  | 黑暗中金色雕花画框油画特写，右侧斜射光照亮表面质感、细痕和悬浮尘埃。 | In my eyes, beauty doesn't matter at all. | 3.63 |
| 53 | 中景 |  | 深蓝墙上悬挂带碎金边饰的黑色矩形画框，右侧斜阳在画作右缘投下百叶窗状阴影。 | 3.17 | |
| 54 | 特写 |  | 深蓝画布局部，黑边框内写有两行手写风格西文，侧光呈现细腻纹理渐变。 | If my painting bores to death, | 3.70 |
| 55 | 全景 |  | 深蓝墙壁正中挂着蓝色竖幅抽象画，色调由浅蓝至深黑渐变，表面有光泽和刮擦纹理。 | if it repels, or leaves indifferent, then I'm almost sure that I'm on the right track. | 9.53 |
| 56 | 特写 |  长镜头 | 深蓝画布从纹理表面平移至平整左缘，底侧为浅蓝背景。画布表面充满笔触肌理。 | A painting, the night, and me... entering the painting, disappearing into the deep blue, immersing myself in it, becoming the night... and all of a sudden, no more difference between the painting, the night and me." | 28.63 |
| 57 | 远景 |  | 透过枝叶新绿的树木，砖墙后矗立着“NADA”字样的广告牌与带地球图的看板，背景为城市天际。 | 5.67 |