共238个镜头，该分镜由光厂AI自动生成
| 镜号 | 景别 | 参考图 | 画面内容 | 台词/旁白 | 时长(秒) |
|---|---|---|---|---|---|
| 1 | 特写 |  | 深色背景中心逐渐显现出白色的圆形图标和文字LOGO | 2.97 | |
| 2 | 全景 |  | 一间充满复古气息的昏暗书房内部，左侧亮着一盏暖黄色的台灯，正中是一把带脚踏板的红色花纹扶手椅，背景是塞满书的书架 | 9.07 | |
| 3 | 特写 |  | 画面中心是一个复古的椭圆形相框，里面有一张年轻女性的黑白照片，相框放置在编织纹理的桌面上，周围还有其他模糊的相框 | I don't remember exactly, but... | 9.17 |
| 4 | 特写 |  | 一个带有金色阶梯状底座和圆柱形瓶盖的香水瓶位于画面中心，周围摆放着其他不同形状的精美玻璃香水瓶，背景朦胧且光影丰富 | I use the most expensive hair color in the world. | 6.40 |
| 5 | 全景 |  | 一间充满红色调和复古气息的昏暗房间，左侧桌上亮着一盏暖黄色的台灯，中央餐桌上摆放着密集的玻璃器皿和餐具，背景隐约可见壁炉和挂镜 | It's not that I care about the money, | 5.47 |
| 6 | 中景 |  | 红色木质墙面转角处放置着一张玻璃小桌，桌上摆放着两座带有雕刻装饰的白色灯座、一盏圆形玻璃台灯以及一个银色女性头像雕塑，上方架子上陈列着许多精美的茶具和器皿 | it's that I care about my hair. | 5.37 |
| 7 | 全景 |  | 一间光线柔和的室内起居室，左侧是堆放着杂物的长桌，右侧是转角红色沙发，背景有两个高大的拱形窗户透出明亮的室外光 | It's not just the color. I expect great color. | 7.67 |
| 8 | 全景 |  | 昏暗的室内走廊，左侧有一盏造型独特的发光台灯，灯光映在墙壁上。右侧深处开着的房门透出暖色调的光线，照亮了走廊地面 | What's worth more to me is the way my hair feels. | 5.97 |
| 9 | 中景 |  | 室内柔和的光影下，画面中央伫立着一个白色的裁缝模特人体模型，左侧是玻璃陈列柜，背景是带有斑驳纹理的墙壁和深色窗框 | Feels good around my neck. I can't remember it. | 7.20 |
| 10 | 全景 |  | 一个光线昏暗、充满装饰艺术风格的房间，中心有一座壁炉，上方悬挂着一幅女性画像，前方摆放着两把扶手椅、一个圆形茶几和一块装饰地毯 | I can't finish it all. If only we had more time. | 7.77 |
| 11 | 近景 |  | 一名白发老妇人起初背对画面，随后缓慢转过头来，双眼圆睁直视前方并开口说话 | - Why don't we have more time? I'm dying. I'm croaking! | 8.67 |
| 12 | 大远景 |  | 黄昏时分的曼哈顿下城全景，世界贸易中心一号大楼耸立在建筑群中，画面中央浮现品牌标志文字 | 5.13 | |
| 13 | 近景 |  | 画面主体为亮着绿灯的黄色交通信号灯，背景是城市建筑和大量冒出的白色蒸汽，画面右下方逐渐浮现出工作室标识文字 | 4.57 | |
| 14 | 特写 |  | 低角度拍摄过马路行人的脚步，多名路人穿着运动鞋或休闲鞋走过斑马线，背景模糊可见提着白色购物袋的行人 | 3.10 | |
| 15 | 中景 |  | 一辆白色汽车快速驶过镜头前方，遮挡了背景中的理发店橱窗，随后镜头定格在橱窗上的广告文字 | 2.27 | |
| 16 | 全景 |  长镜头 | 阳光下的繁华街道上，一名穿红色波点羽绒服的老人拉着行李箱迎面走来，背景中多名路人交错而过，最终镜头掠过老人身侧移向路边的海报墙 | 14.80 | |
| 17 | 远景 |  长镜头 | 在繁忙的都市街头，行人与车辆穿梭而过，镜头后退并向上移动，视线移向路口转角处一栋宏伟的多层古典欧式公寓楼 | 23.73 | |
| 18 | 全景 |  长镜头 | 画面从全黑中亮起，露出一个带有华丽雕花边框的室内大镜子，镜中映射出另一间明亮房间里的侧影，四周是深色的条纹壁纸和书架 | 23.53 | |
| 19 | 全景 |  长镜头 | 在光线昏暗且充满古典气息的卧室内，一名女子站在窗边背对着镜头，床上躺着一个人正举起手臂遮挡光线 | It's tough, coming home. | 11.53 |
| 20 | 中景 |  | 室内逆光背景下，一名戴眼镜的人物剪影站在落地窗前，正在整理或折叠手中的深色衣物 | But this is what you do for a parent that you love. | 7.43 |
| 21 | 特写 |  | 一只干瘪、苍老的手静止平放在带有复杂花纹的暗红色锦缎被褥上，手背青筋凸显 | But, you know? She's not my mother. | 5.40 |
| 22 | 近景 |  | 一位戴着圆框眼镜和蓝色围巾、白发编辫的老年女性正对镜头，带着和蔼的微笑开口说话，背景是略显模糊的室内居家环境 | Technically. | 3.00 |
| 23 | 特写 |  | 人物在窗边逆光而坐，最初画面主要为窗户背景，随后镜头向左摇动，露出戴眼镜女性的侧脸剪影 | In my own family, there's a lot of dysfunction, | 8.73 |
| 24 | 特写 |  | 一名佩戴眼镜、编着辫子的银发年长女性面带微笑地直视前方并轻声交谈，背景是略显模糊的室内居家环境 | a lot of mental illness, a lot of substance abuse. | 1.30 |
| 25 | 大特写 |  | 一名戴着细框眼镜的老年人面部近距离特写，眼神深邃，皮肤纹理清晰 | Every generation. My parents divorced when I was about five. | 5.37 |
| 26 | 远景 |  | 黄昏时分的公路远景，天边火红的晚霞映衬着深色的山脉轮廓，路面上亮着车灯的车流缓缓向远方延伸 | My mother moved us out of state, | 2.07 |
| 27 | 远景 |  | 一架大型客机正飞过机场跑道上方的灯架准备降落，随后画面叠化至纽约时代广场繁华的街道和巨大的广告牌 | so we had to fly to New York to see my father 'cause he was already working in advertising, | 5.83 |
| 28 | 特写 |  | 一位戴眼镜的老年女性正对着镜头说话，面带微笑，颈部系着蓝绿色的丝巾，背景是模糊的室内环境 | and New York was the only place to be. | 2.97 |
| 29 | 中景 |  | 画面中心是麦迪逊大道（MADISON AV）和单行线（ONE WAY）的路牌，背景为高耸的现代化办公大楼和明亮的蓝天 | - Many of the commercials you see on television begin life here. | 5.77 |
| 30 | 全景 |  | 几名身着西装的男性围坐在会议桌旁，有的在做记录，有的抬头交谈，背景墙上挂着抽象画 | - Advertising is one of the | 1.43 |
| 31 | 特写 |  | 画面主体为一个人的手部特写，此人正握着一根铅笔在纸上书写或记录，背景隐约可见办公室或教室环境 | main sources of messaging | 1.77 |
| 32 | 近景 |  | 一名穿着深色西装和白衬衫的年轻男子低头看手中的纸张并开口说话 | about who you should be. | 1.13 |
| 33 | 近景 |  | 一位戴着圆框眼镜和蓝色围巾的老年女性注视镜头并开口交谈，背景是光影斑驳的室内环境 | 1.47 | |
| 34 | 全景 |  | 一名穿着印花围裙的女性正在客厅清理地毯，随后画面左侧通过重叠叠化效果浮现出另一位身着优雅晚礼服的女性。两者并列呈现，表现女性双重身份的对比 | - Nowadays, most of you women lead two lives, combining homemaking with the role of glamorous hostess. | 6.93 |
| 35 | 特写 |  | 画面从一位女性的面部特写拉开，露出她身旁正在与她对视交流的西装男性，背景为模糊的夜间灯光 | - And in the '60s, the ads were often made from a male point of view. | 4.57 |
| 36 | 中景 |  | 一名穿着棕色西装的外籍男子坐在室内，手里举着一块展示板，正用手指向板上的分镜图示进行讲解 | - In the pre-production meeting, | 1.83 |
| 37 | 全景 |  | 多位商务人士围坐在长方形会议桌旁进行会议讨论，其中一名男子正低头在纸上记录，会议室背景简洁并挂有图示板 | everybody who has anything to do with the commercial is there. | 2.07 |
| 38 | 近景 |  | 办公室内，一群身着正装的人员正围坐在长桌旁，正对镜头的男士手中拿着文案正进行讲解，随后视线转向桌面上堆叠的文件和资料 | It was mostly men. These superstar art directors and writers. | 4.03 |
| 39 | 中景 |  | 三位穿着西装、面带微笑的男子在白色背景前合影，其中中间的男子戴着黑框眼镜 | 2.60 | |
| 40 | 中景 |  | 一名浅发男子身穿白衬衫系着领带，面带微笑侧身低头看向下方 | Like my father, Gene Case. "Mad Men" was like home movies, | 3.43 |
| 41 | 特写 |  | 一名戴着眼镜、围着蓝色丝巾的老年女性面带微笑正在说话 | 1.17 | |
| 42 | 特写 |  | 一只手将烟头按入装满烟灰和滤嘴的白色三角形烟灰缸中，随后手部移开画面，烟灰缸静置于桌面上 | and he was Don Draper. | 0.80 |
| 43 | 中景 |  | 在一间充满复古氛围的会议室内，几位男士围坐在长桌旁，桌上摆放着咖啡杯和报纸，其中一人正在抽烟 | 1.17 | |
| 44 | 中景 |  | 一张复古的老照片，画面中一名金发男子正在开心地大笑，周围还有其他模糊的人物背景 | He was very witty, | 3.60 |
| 45 | 近景 |  | 一位戴眼镜的中年女性在室内光影背景下对着镜头进行自述演讲 | but I don't think my father realized how powerful his words were. | 3.27 |
| 46 | 中景 |  | 一名年轻的金发男子坐在靠背椅上，面对镜头微微露出笑容，背景是粗粝的砖石墙面，整体呈现黑白老照片或纪实录像的风格 | He knew it professionally. | 2.40 |
| 47 | 特写 |  | Honey Suckle White火鸡肉包装袋的文字特写，随着拉远露出更多图案 | But with his kids, he could | 1.60 |
| 48 | 特写 |  | 一名穿着白色衣服的女性正戴着隔热手套从烤箱中取出一只烤好的火鸡，背景中烤箱门半开，火鸡下方铺满了配菜 | be incredibly cutting. | 4.33 |
| 49 | 特写 |  | 在充满光泽的烤肉表面，一把餐刀斜向切入肥美的皮层，将其掀开露出内部 | Flay you just with a phrase. | 1.53 |
| 50 | 特写 |  | 一位戴着圆框眼镜、面带微笑的老妇人正对着镜头说话，她戴着蓝色爱心耳环，背景虚化 | 1.60 | |
| 51 | 中景 |  | 一张黑白老照片风格的画面，展示一名女性抱着一个幼儿，照片中间有一条明显的白色撕裂缝隙，两侧可见胶片边缘的齿孔 | But it's the time with my mother that was the nightmare. | 3.93 |
| 52 | 特写 |  | 一名戴眼镜的中年女性面带微笑地看着镜头，正在说话，背景是较为模糊的室内环境 | 1.90 | |
| 53 | 中景 |  | 超市货架上整齐堆放着Bounty卷纸，一名女性从货架上取下一包纸巾递给旁边的小女孩，两人站在购物车旁 | She had a horrible childhood, | 3.67 |
| 54 | 特写 |  | 黑色液体在白色纸质表面缓慢向上渗透扩散，随后画面切换到车窗内母女谈笑的模糊影像 | but she sure as hell didn't make any effort to overcome that in her relations with us. You know, it was really horrifying to my mother | 9.57 |
| 55 | 中景 |  | 在黑白复古色调的街头，一名女子牵着一个孩子的走在建筑前，两人正在行走中侧头交流 | that I was not popular. | 1.93 |
| 56 | 近景 |  | 一名戴眼镜、围着蓝色丝巾的老妇人在室内背景前对着镜头说话 | But I was also really awkward because she had been undermining my confidence for all my life. | 3.40 |
| 57 | 全景 |  | 在一张带有面包形状遮罩的老旧照片中，一个小女孩扎着双辫子站在河边的岩石上，画面带有强烈的复古胶片感和边缘磨损 | 3.40 | |
| 58 | 远景 |  | 黑白复古胶片质感画面，低机位仰望天空与建筑物边缘，一个模糊的人物剪影在画面右下方走动 | She would pick apart your personality in detail. | 1.23 |
| 59 | 近景 |  | 在复古黑白滤镜下，一名女性的面部在模糊的光影中逐渐显现并看向镜头，画面带有胶片质感 | 1.90 | |
| 60 | 中景 |  | 黑白复古画面中，一名小女孩站在野花丛中，正专注地低头摆弄手中的花朵 | I was lazy. I looked bad. I acted bad. I was awkward. Emotionally, just out for blood. | 4.60 |
| 61 | 特写 |  | 一名戴着圆框眼镜和蓝色围巾的年长女性正在对着镜头说话，神情显得凝重 | 1.87 | |
| 62 | 近景 |  | 一双手在昏暗的光线下打开柜门，柜内整齐摆放着多瓶洋酒和酒杯 | At a certain point in the night, | 3.23 |
| 63 | 近景 |  | 黑白画面中，女性的侧脸剪影位于亮色背景前，随后主体向左侧移动消失，画面最终变黑 | I would know, "Okay, the situation is dangerous. I need to get outta here." | 6.37 |
| 64 | 特写 |  长镜头 | 一位戴眼镜的银发女性侧对镜头，正在讲述一段回忆，随着谈话内容从悲伤转为平静，她闭上双眼又重新睁开，神情变得祥和 | Um... I had this fantasy when I was in fourth grade that I vividly remember that some kind of outside agency was gonna come in and determine from all the salt on my pillow that I was crying myself to sleep every night and do something about it. No, it was awful. It was awful. And that was the point where Ilon came into my life. | 37.10 |
| 65 | 近景 |  | 在暖黄色的室内灯光下，一名白发老人背对镜头坐在床边，手中拿着一面小圆镜子正在照镜子，背景是带有花纹的墙纸和一扇紧闭的门 | - Ilon, do you need anything to eat? | 8.50 |
| 66 | 中景 |  长镜头 | 在带有大花卉壁纸的卧室里，一位白发老人躺在床上，右手拿着小镜子遮住眼部，身旁亮着一盏暖色台灯，另一人站在床边与其交谈并操作手机 | I don't think so, but look up this wallpaper, Waverly fabrics, and see if they have a rose pattern. Okay. | 12.20 |
| 67 | 近景 |  | 一名白发老人躺在床上，双手拿着一个白色的圆形物品遮住脸部并低头摆弄 | Oh, what about this one here? | 5.33 |
| 68 | 近景 |  长镜头 | 在暖色调的室内，一名白发老人躺在床上看手机，身旁一名深色衣服的人侧身站立并与老人交谈，背景是鲜艳的花卉壁纸 | That's not it. No? No, first of all, I was an art dir... I was a creative director at an advertising agency. The first thing I know is what I'm looking at. | 12.77 |
| 69 | 特写 |  | 一张女性的黑白艺术肖像照片，女性面部占据画面主体，背景为纯色 | Ilon the girl. | 5.60 |
| 70 | 近景 |  | 黑白胶片质感的画面中，一位长发女性靠在墙角，双手略微抬起支撑在身体两侧的墙面上，眼神深邃地看向前方，左侧背景处放置着一台老式打字机 | I don't remember particularly being into advertising, but somehow I found myself in it. | 4.17 |
| 71 | 中景 |  | 一张复古的黑白照片，画面中一名留着蓬松短发的女性坐在圆凳上，背景是带有手写笔迹的墙壁 | And I seemed to be very good at it. | 2.53 |
| 72 | 特写 |  | 一名白发老妇人侧躺在带有花纹的枕头上，手托着脸颊，正低声说话 | First of all, I'd always listen to everybody. | 2.60 |
| 73 | 中景 |  | 一名头戴黑色礼帽、身着黑衣的女性侧身看向镜头，画面呈现为带有胶片边缘纹理的黑白老照片质感，底部伴有英文字幕 | And I noticed that I saw things differently than other people. | 4.93 |
| 74 | 中景 |  | 一名职业女性坐在办公室窗前办公，背景是高楼林立的城市景观，她正低头在桌面上操作，侧对镜头 | - Women could get somewhere in advertising, | 2.70 |
| 75 | 中景 |  | 复古风格的室内办公场景，三名女性和一名男性正在工作台前忙碌，前景有台灯遮挡，画面带有怀旧质感和字幕 | but they were marginalized. | 1.50 |
| 76 | 特写 |  | 前景是一个插满各色圆珠笔的笔筒，随着焦点后移，背景中穿着白衬衫、打领带正在办公的人物逐渐由模糊变得清晰 | 2.13 | |
| 77 | 中景 |  | 一名头戴白色蕾丝发饰、身穿条纹衬衫的女性面带微笑，低头注视着手中的水壶，将水倒入茶杯中，画面呈现黑白复古胶片质感 | - Women were given a lesser role. | 0.93 |
| 78 | 特写 |  | 黑白老电影画面，黑咖啡从上方连续注入一个白色杯子中，杯内液体泛起波动并冒出轻微热气，背景色调较暗且模糊 | 0.97 | |
| 79 | 特写 |  | 一个写有“HIS”字样的白色咖啡杯，随着画面的重叠动效，逐渐在背景中变幻出多个整齐排列的同款咖啡杯 | All the men were always arguing with you and always taking credit. | 3.07 |
| 80 | 全景 |  | 在复古风格的办公室里，几位穿着西装的男士正坐着交谈，一名女士站立着为他们递送咖啡，背景有木质装饰墙和窗户 | 3.80 | |
| 81 | 近景 |  | 一名戴眼镜、系着蓝色丝巾的老年女性正在室内对着镜头说话，背景较为模糊 | - And one of the things that was coming through loud and clear | 1.27 |
| 82 | 中景 |  | 一名优雅女性的侧脸，她戴着珍珠耳环，背景是一块褶皱的蓝绸，左侧有一双戴着黑手套的手入镜 | is that women are for men. | 1.60 |
| 83 | 特写 |  | 一名年轻男子低头沉思，随后慢慢抬起视线看向前方 | 1.63 | |
| 84 | 全景 |  | 一名穿着紫色紧身衣的舞者从白纸板的椭圆破口处跃出，落地后优雅地旋转起舞，身旁有白色的绸缎帷幕垂下 | Glory, glory, hallelujah | 1.50 |
| 85 | 中景 |  | 几名男子在黑白影像的电影片场中，有人在操作大型摄像机，有人在指挥调度并做出手势，气氛忙碌而专注 | Glory, glory, hallelujah | 2.47 |
| 86 | 多景别 |  快速剪辑 | 一名穿着西装的男子在透明玻璃电梯内拿着报纸，随后画面快切至该男子的面部近景，最后切换至一名穿着条纹裙子的女性背影 | Glory, glory, hallelujah | 2.40 |
| 87 | 全景 |  | 一名身穿西装的男子站在街头看向镜头方向，前景有一名女性的侧影，镜头逐渐向左侧拉开露出黑色围栏和路边的白色车辆 | Glory, glory, hallelujah | 2.07 |
| 88 | 近景 |  | 一群身着西装的男士在室内合唱，画面中心戴眼镜的男士与右侧男士正在张口歌唱 | Glory, glory, hallelujah | 2.13 |
| 89 | 远景 |  快速剪辑 | 一帧模糊的黑影淡入，显现出一张黑白怀旧风格的照片，照片上一名女子穿着黑色泳装站在海滩上，照片上有红色的圈选标记，随后画面再次进入黑暗 | His truth is marching on | 2.07 |
| 90 | 全景 |  | 一群身着鲜艳服装的青年男女在复古建筑街道上行走欢笑，背景可见一座带有钟楼的牌坊 | His truth is marching on | 1.23 |
| 91 | 多景别 |  快速剪辑 | 一对男女微笑面对镜头，男子戴着帽子并举手示意；随后画面切为六宫格的涂抹口红的嘴部特写，最后转为排列整齐的各种颜色的嘴唇插画 | 2.63 | |
| 92 | 多景别 |  | 一名金发女性在黑色背景前先举起平底锅，随后画面快速切换到全景并伴随淡入淡出动效，女性换上一袭白色长裙并向镜头指去 | - Men were always the ones who everyone was pleasing. | 3.50 |
| 93 | 特写 |  | 一名年轻女性托腮沉思，她的目光闪烁，嘴角微扬，正专注地看着斜前方 | - What will your eyes say to him tonight? | 2.27 |
| 94 | 全景 |  | 在海边的露台上，一名身穿深色衬衫的女性对着镜头说话，身后一名穿着泳装的女性展示背部设计，背景中还有其他人在休息 | - Wait 'til the fellas take a look at this plunging backline. | 4.50 |
| 95 | 近景 |  | 一名戴着圆框眼镜、围着蓝色丝巾的老年女性正在室内对着镜头交谈，背景虚化显示出窗户和家具的轮廓 | - You look at ads from that period and it's jaw-dropping. | 1.30 |
| 96 | 远景 |  | 国会大厦矗立在画面中央，许多行人正在大厦前的台阶上走动 | - This is one of our nation's most beautiful sights, | 1.10 |
| 97 | 远景 |  | 身穿黄色连衣裙的女子正步上宽阔的石阶，上方一名提着公文包的西装男子正拾级而下，两人在楼梯上交错 | 1.80 | |
| 98 | 中景 |  | 在户外的浅色石阶上，一名穿着黄色无袖连衣裙的女子正步履轻快地走下台阶，她身旁站着一位身穿深色西装、戴着礼帽并手持手提箱与手杖的绅士 | the kind of girl who keeps her figure. | 1.27 |
| 99 | 特写 |  | 一名戴着黑色圆帽、留着胡须的老年男子神情严肃地低头沉思，随后微微侧头看向斜下方 | 1.60 | |
| 100 | 近景 |  | 一位戴着眼镜、系着蓝色丝巾的老年女性在室内背景下对着镜头进行谈话 | But that's what feminism was pushing back against. | 1.73 |
| 101 | 中景 |  | 黑白历史影像中，多名女性在街头游行，其中一名女性举着写有“I AM FURIOUS Female”字样的圆形抗议牌 | 1.10 | |
| 102 | 远景 |  | 画面为黑白老影像，城市高楼背景下，示威者举着写有“NEW YORK RADICAL FEMINISTS”的大横幅经过镜头 | 1.40 | |
| 103 | 远景 |  | 一群女性在街道上行走，有人手持示威标牌，有人推着婴儿车，画面呈现黑白胶片质感 | - I was a feminist. | 1.27 |
| 104 | 中景 |  | 黑白影像中，一名女性站在讲台前对着麦克风激昂演讲，背景是城市建筑和围观群众 | 1.20 | |
| 105 | 近景 |  | 人群中有人举着一块白色的手写标语牌，上面写着“ALL MEN AND WOMEN ARE CREATED EQUAL”，标语牌在人群走动中略微晃动 | I knew women were equal if not superior to men from the time I was a little girl. | 2.30 |
| 106 | 特写 |  | 一位白发苍苍的老人斜卧在色彩斑斓的靠垫上，眼神专注而深沉，正轻声低语 | 2.43 | |
| 107 | 特写 |  | 一名戴着黑色宽檐帽的女性面部特写，背景为竖条纹纹理的墙面或帘幕 | And in advertising, she wanted to be a trailblazer that way. | 9.80 |
| 108 | 近景 |  | 一名戴眼镜的白发老年女性正对着镜头说话，她围着蓝色丝巾，背景是光线明亮的室内起居室 | At one point, she worked in the same agency with my father, | 1.07 |
| 109 | 中景 |  | 一张黑白老照片，记录了一男一女在室内办公环境坐着交谈的瞬间 | 2.33 | |
| 110 | 近景 |  | 展示一张老旧的双人合影照片，画面中是一对年轻的男女，男性为金发，女性为黑发，照片带有年代感的划痕 | and that's how they met. - He was a good writer and I was a good writer. | 3.20 |
| 111 | 近景 |  | 一对穿着考究的男女在室内合影，男子戴着黑色高礼帽，女子披散长发，背景为书架和木质护墙板，画面带有老旧胶片质感 | I liked the fact that he was good at what he did and cared about it. | 5.90 |
| 112 | 近景 |  | 黑白老照片中，一对青年男女并肩而立，男子身着西装系领带，面带微笑向下俯视，女子看向前方 | We got engaged and then we got married. | 2.10 |
| 113 | 全景 |  | 黑白婚礼录像画面中，一对新人站在前景，一名金发女孩坐在左后方背景中微笑 | - I'm sitting there in the background. I'm grinning. I'm so thrilled because I adored her instantly. I thought she was super cool | 5.07 |
| 114 | 近景 |  | 黑白画面中，一男子的身体侧影占据画面中心，背景中一名金发女性坐在椅子上，环境呈现复古胶片质感 | and she treated me like I mattered. | 1.83 |
| 115 | 中景 |  | 在一张带有黑边边框的老旧胶片质感画面中，一个身着西装的浅色头发男子微笑面对一个小女孩，旁边还有一名深色头发女性和一名戴眼镜的年长男性 | 4.03 | |
| 116 | 近景 |  | 一名戴眼镜、灰白长发的老妇人身着绿色上衣和蓝色围巾，面对镜头柔和地微笑并轻微点头，背景是模糊的室内窗户 | 2.83 | |
| 117 | 全景 |  | 一张黑白家庭合影照片，画面中有十余位不同年龄层的人物，包括老人、中年男女和青少年，他们身着正装或半正装，面带微笑站在室内的背景墙前 | - She was a sweet little girl and she deserved some caretaking. | 2.50 |
| 118 | 近景 |  | 一张具有年代感的黑白老照片，画面中有多位穿着正装的人合影，中心是一位笑容灿烂的长发女孩，两旁是穿着西装的男性，下方露出一位年长女性的头顶 | 3.63 | |
| 119 | 特写 |  | 一名白发老人侧躺在印花枕头上，手扶着头部，眼神显得忧郁而疲惫 | My mother was kinda terrible, | 1.53 |
| 120 | 中景 |  | 一名长发女孩侧身坐着，左手拿着一个装有液体的红酒杯，眼神放空看向侧前方，背景是带有百叶装饰的室内门和模糊的桌面 | so I knew that she needed support and I gave her support | 2.17 |
| 121 | 全景 |  | 黑白影像中，室内一群人正在交谈，前景两名女性相对而立，中间一名年轻女性微笑注视，背景中还有其他宾客 | and that was what we did. | 2.40 |
| 122 | 中景 |  | 在黑白胶片质感的画面中，一名长发女性侧身处于左侧阴影中，右侧一名金发女孩正低头认真阅读手中的书籍，背景显示为室内的沙发和窗帘 | - She was interested in me. She listened to me. | 2.53 |
| 123 | 特写 |  | 一位戴眼镜的老年女性正在室内对着镜头说话，神情温和 | Treated me like I was lovable. | 4.73 |
| 124 | 近景 |  | 在一张带有黑白胶片边缘边框的画面中，一名长发女孩正低头专注地弹奏钢琴，背景中隐约可见另一个人的手和一只酒杯 | - She didn't have anyone to recognize her being, to support her, to see who she could be, who she was. | 4.47 |
| 125 | 特写 |  | 一名银发老妇人微微低头，神情专注且严肃，目光深邃地看向下方 | 2.47 | |
| 126 | 特写 |  | 一张黑白老照片，画面中央为一名女性的面部特写，她神情从容，佩戴着大耳坠 | - She was very interested in what I would do with my life, | 3.90 |
| 127 | 近景 |  | 一名戴眼镜的老年女性正对镜头说话，背景是室内环境 | and the assumption was that it would be something... worthwhile. | 3.50 |
| 128 | 近景 |  | 金发女性在室内侧身坐着，另一名深色头发女性在她身后交谈，背景中有画框、窗帘以及沙发上模糊的人影 | She just went way, way beyond the call of duty | 5.47 |
| 129 | 特写 |  | 一位戴着圆框眼镜、围着蓝色围巾的银发女性在室内光影背景下对着镜头平静地讲述，面带温和神情 | to make me feel like I was worth it. And she did that for a lot of other women, too. | 7.13 |
| 130 | 远景 |  | 在海边隔岸眺望大城市繁华的摩天大楼群，水面上船只驶过并冒出白烟 | - I was working at McCann Erickson. | 4.43 |
| 131 | 远景 |  | 复古风格的街道街景，上方挂着红色遮阳棚，众多穿着 70 年代风格服饰的男女在人行道上行走，画面带有旧胶片的质感 | 1.73 | |
| 132 | 特写 |  | 一名满头银发的年长女性侧躺在印花枕头上，双眼紧闭，神情安详且略带沉思 | We were given an assignment. | 1.20 |
| 133 | 近景 |  | 黑白报纸广告页面上的欧莱雅产品包装和手绘女性眼部插图逐渐变大，展现复古广告排版 | L'Oréal, they wanted a campaign for Preference, | 5.10 |
| 134 | 全景 |  | 一名身穿灰色西装、打着暗红色领带的年轻男子站在长方形会议桌前讲话并辅以手势，周围坐着多名男女参会者正在倾听或低头记录，桌上放着水杯和文件 | it's a hair color. She's in this room full of men brainstorming for this ad. | 6.07 |
| 135 | 中景 |  | 黑白老照片中，一名身穿浅色长袖上衣和深色半身裙的年轻女性侧坐在圆凳上，正视前方 | - The men were busy flirting with the women, | 3.20 |
| 136 | 中景 |  | 黑白画面中，一名黑发女性靠在背景板前，双手抬起扶住两侧板缘，正注视着前方 | telling us we all look like models and we didn't look like advertising people, you know? | 4.03 |
| 137 | 特写 |  | 一名白发苍苍的老妇人侧躺在带有花纹的枕头上，原本闭着双眼休息，随后慢慢睁开眼睛看向镜头 | 1.67 | |
| 138 | 特写 |  | 一根指示棒在黑底背景的白色手绘稿纸上滑动，纸上绘有黑色裙装草图及红笔标注，随后镜头平移至右侧另一张手绘草图 | - They're like, "Oh, this woman is gonna be standing | 2.27 |
| 139 | 多景别 |  | 女子身着吊带背心站在随风飘动的白色窗帘旁，起初背对镜头望向窗外，随着镜头后退并右移，她微微侧头露出面部轮廓 | by an open window | 1.73 |
| 140 | 近景 |  | 一名留着长发和胡须的男子站在暗处，手扶着一个大型电风扇，眼神直视前方 | and the wind will be blowing the curtains." | 2.23 |
| 141 | 近景 |  | 半透明白纱后面，一个长发女性的黑影正在低头并整理头发 | And she's thinking, you know, | 1.80 |
| 142 | 近景 |  | 一名戴眼镜、围着蓝色丝巾的老年女性正在室内对着镜头交谈，背景模糊可见窗户和家具 | this is just making the woman totally an object. | 1.47 |
| 143 | 特写 |  | 一名长发女性面部特写，她神情严肃、眼神深邃，似乎正在倾听或述说着什么，背景模糊虚化 | - I was feeling angry. I'm not interested in writing anything about looking good for men. | 6.07 |
| 144 | 中景 |  | 三名穿着西装的男士坐在会议桌旁，中间的男士正在说话，桌上放着文件、笔记本和烟灰缸 | Fuck 'em. | 3.57 |
| 145 | 特写 |  长镜头 | 一位白发苍苍的老妇人侧躺在花纹枕头上，睁大眼睛直视前方，嘴唇微动正在说话，随后慢慢闭上眼睛又重新睁开 | Fuck you too. - Why fuck me? Well, you're a man. - Yeah, but I'm here trying to help you tell your story. Yeah, that's good. I like that part. | 13.93 |
| 146 | 近景 |  | 画面展示了一张黑白旧照片，照片中是一位戴着宽檐黑帽、身着深色上衣的女性，眼神直视前方 | I was pissed. | 4.50 |
| 147 | 全景 |  | 在明亮的办公室内，三名女性和一名男性正在桌前专注工作，其中一名红衣女性俯身在看同伴的桌面，右侧女性正在操作工作材料 | We weren't there to just dance for the men. | 1.63 |
| 148 | 中景 |  | 一名身穿花纹长袖上衣的女性正在办公桌前俯身操作，三位穿着西装的男性站在她身后注视着她的动作，背景是现代化的办公天花板格栅 | 2.37 | |
| 149 | 特写 |  | 一名年轻女性低头沉思，表情严肃凝重，眼神低垂，随后画面底部出现字幕 | - It is what she said. | 1.83 |
| 150 | 近景 |  | 一位戴眼镜的老妇人对着镜头说话，并在中途短暂地举起手指，随后继续交谈 | She just thought, "Fuck you." And wrote this. | 3.60 |
| 151 | 特写 |  | 在黑色背景中，一只涂着红指甲油的手指正在拨动机身侧边的拨盘，镜头跟随手指动作下移，随后露出更多手指部分 | 1.50 | |
| 152 | 大特写 |  | 粗糙纸张质感上的黑色印刷文字在阴影中逐渐显现并随后变模糊 | 0.43 | |
| 153 | 特写 |  | 打字机内部的金属结构，滚轮在纸张上方横向移动 | 1.97 | |
| 154 | 大特写 |  | 一只原本紧闭的眼睛缓缓睁开，睫毛浓密，眼神中带着某种觉醒或深思的神情 | - I just opened my eyes and knew. | 1.43 |
| 155 | 大特写 |  | 一台打字机的局部，光影投射在白色纸张上，字母“I”和“use”被逐个击打显现 | 1.67 | |
| 156 | 特写 |  | 双手的指尖正在老式英文打字机白色的键盘上快速敲击，键盘布局清晰可见 | 0.80 | |
| 157 | 特写 |  | 正在打字的复古打字机纸张边缘，字母随着纸张上卷向上移动 | 1.97 | |
| 158 | 大特写 |  | 画面由模糊逐渐聚焦，显现出带有两个黑点的白色不规则几何体零件 | 0.33 | |
| 159 | 大特写 |  | 老式打字机的连杆在纸张上快速敲击，字母worth和it相继出现在纸面上 | 3.03 | |
| 160 | 大特写 |  | 极近距离拍摄一只眼睛，瞳孔和睫毛清晰可见，伴随一次缓慢的闭眼与睁眼动作 | 1.17 | |
| 161 | 特写 |  | 一名白发老妇人侧卧在深色衣物和金色圆枕上，正对着镜头说话，眼神深邃，皮肤布满皱纹 | Because I'm worth it. | 4.10 |
| 162 | 中景 |  | 两名穿着西装、打着领带的中年男子坐在窗前，左侧男子拿着烟斗神情严肃，右侧戴眼镜的男子正调整领带并注视前方 | The campaign got approved, | 2.83 |
| 163 | 近景 |  | 一名穿着灰色西装外套、白色衬衫和红色条纹领带的年轻男子站在窗帘前，他低头看着下方并开口说话，神情显得有些严肃或在思考 | but all the men were always telling you | 0.97 |
| 164 | 全景 |  | 一名穿着灰色西装的男子站在长桌旁低头查看资料，桌边坐着一男一女，背景是拉着浅色薄纱窗帘的窗户 | that you were doing something wrong | 1.93 |
| 165 | 中景 |  | 一名戴着黑框眼镜、留着胡须的秃顶年长男性正对着镜头严肃交谈，他举起右手并伸出食指进行指点 | 1.30 | |
| 166 | 全景 |  | 在复古风格的会议室内，一名西装男子站立在桌边发言，桌旁坐着多位正在聆听的男士，其中一人举手示意 | or they knew how to do it better. | 1.50 |
| 167 | 特写 |  | 镜头先掠过模糊的黑色物体与文字页面，随后视角后拉显露出纸张上印有的“WOMAN”字样，一根点燃的香烟出现在画面左侧 | - The agency insisted on a male voiceover. | 2.07 |
| 168 | 特写 |  | 打字机纸张上印着黑色大写的 MALE V.O. 字样，纸张纹理清晰可见 | 1.23 | |
| 169 | 中景 |  | 一对男女在充满阳光的树林小径中漫步穿行，男人穿着米色上衣，女人穿着黄色开衫，两人并排走过茂密的灌木丛 | She uses the most expensive hair color in the world, Preference by L'Oréal. - You know, it was just totally different. | 7.37 |
| 170 | 多景别 |  长镜头 | 一对男女在户外的阳光下亲密互动，随后画面切换到欧莱雅染发剂产品的特写，产品外盒带有金色光泽 | - Smooth and silky, but with body. It feels good against her neck. Actually, she doesn't mind spending more for L'Oréal. Because she's worth it. - It was wrong. | 16.20 |
| 171 | 特写 |  | 一名白发老人侧卧在带有花纹的红色枕头上，她正用手轻轻抚摸自己的手臂和肩膀，眼神低垂，神情显得安详而略带忧伤 | This was not for men, but for women and for other human beings. | 6.33 |
| 172 | 全景 |  长镜头 | 一个光线昏暗的房间内部，尽头有两扇明亮的窗户，窗前立着一个模特人体模型，天花板上悬挂着吊扇 | I use the most expensive hair color in the world, Preference by L'Oréal. It's not that I care about the money, it's that I care about my hair. | 16.03 |
| 173 | 中景 |  长镜头 | 一名身穿格子衬衫的卷发女性怀抱花盆走在茂密的丛林植物间，她一边对着镜头说话，一边用手抚摸拨弄自己的头发 | It's not just the color, I expect great color. What's worth more to me is the way my hair feels. Smooth and silky, but with body. It feels good against my neck. Actually, I don't mind spending more for L'Oréal. | 12.33 |
| 174 | 特写 |  | 一位白发苍苍的老妇人侧卧在有花纹的枕头上，原本闭眼休息，随后睁开眼睛注视着镜头并开口说话 | Because I'm worth it. I wrote that. | 8.50 |
| 175 | 近景 |  | 在拥挤的车厢或公共场所，一名女子正低头阅读手中的报纸，周围还有其他乘客在阅读或站立 | 0.97 | |
| 176 | 特写 |  | 特写展示报纸上的欧莱雅广告页面，文字显示“Why buy the most expensive haircolor in the world? Because you're worth it.” | - It was everywhere. It was a national campaign. | 2.10 |
| 177 | 多景别 |  快速剪辑 | 首先展示一排在美发厅烫发的女性，接着切换到一名戴着老式烫发罩看杂志的年轻女性近景，最后切至杂志上欧莱雅染发广告的特写 | 1.97 | |
| 178 | 特写 |  | 画面从女性面部特写平滑过渡到报刊上的文字广告，展示了欧莱雅的品牌标语 | 2.77 | |
| 179 | 特写 |  | 女性面部特写，她在说话并露出微笑，随后画面通过重叠渐变效果转场至黑底背景上的欧莱雅睫毛膏产品展示及对应文案 | Yes, it's expensive, but I'm worth it. - What they realized after they started running it | 6.00 |
| 180 | 近景 |  | 一名佩戴眼镜、围着蓝色丝巾的老妇人对着镜头微笑并交谈 | was that that was only the tip of the iceberg. | 1.73 |
| 181 | 多景别 |  快速剪辑 | 画面快速切换，依次展示女性面部特写、洗发产品包装及广告语、欧莱雅染发剂包装盒以及品牌经典台词 | - It was supporting women, finally. | 1.27 |
| 182 | 特写 |  | 画报上显示着标语“BECAUSE YOU'RE WORTH IT!”，随后画面切换到欧莱雅产品的广告排版页面 | 1.73 | |
| 183 | 特写 |  | 一名女性的面部局部特写，视角聚焦在眼部与鼻梁，神情凝重且带有思考状 | - And I'm worth it. | 1.27 |
| 184 | 近景 |  | 画面首先呈现一名金色长发女性正对镜头说话，随后画面切至另一名短发职场装束的女性在相似背景下说话 | I'm worth it. I'm worth it. | 1.67 |
| 185 | 多景别 |  快速剪辑 | 画面首先呈现一位金发女性的侧脸轮廓，随后切至带有L'OREAL标志的双眼部特写，最后切至印有BECAUSE YOU'RE WORTH IT字样的产品说明文案 | - It's a four-word feminist manifesto | 1.57 |
| 186 | 近景 |  | 一名戴着圆框眼镜、围着蓝色围巾的老年女性对着镜头谈话 | defying this social pressure | 2.07 |
| 187 | 中景 |  | 一名年轻女性在人群中手持圆形标语牌，上面写着“I AM FURIOUS Female”，背景是熙攘的人流 | 1.17 | |
| 188 | 中景 |  | 一群抗议者举着写有“NEW YORK RADICAL FEMINISTS”字样的巨大横幅在城市建筑前游行 | to think about yourself in relation to men. | 1.37 |
| 189 | 近景 |  | 手绘标语牌上写着等权宣言，处于抗议人群的中心，周围有模糊的人影晃动 | 2.10 | |
| 190 | 中景 |  | 穿着深粉色抹胸裙和袖套的长发女性在明亮的室内走廊背景下，面对镜头张开双臂并说话 | You're worth it. | 0.90 |
| 191 | 近景 |  | 一头浅金色短发的女性穿着黄色上衣，正在对着镜头说话，上方浮现出品牌Logo | I'm worth it. | 0.87 |
| 192 | 中景 |  | 一名波浪长发的女性对着镜头微笑并说出台词，背景为简约的室内墙面，画面上方带有品牌标志和字幕 | I'm worth it. | 0.80 |
| 193 | 特写 |  | 画面从模糊的黄色发丝或色块中抽离，通过快速移动和对焦，最后停留在印有L'OREAL标志和宣传语的复古报纸广告页上 | - It was a very big success. | 1.40 |
| 194 | 多景别 |  快速剪辑 | 快速切换展示多组复古杂志页面内容，包含女性头部仰视绘图、文字广告语以及著名的欧莱雅广告词，最终切至一名深色皮肤女性专注注视下方的面部特写 | 2.13 | |
| 195 | 特写 |  | 画面展示欧莱雅广告页面的文字，随后镜头向下移动聚焦到 L'OREAL 的 Logo | 1.33 | |
| 196 | 特写 |  快速剪辑 | 画面快速切换，展示三段印有英文标语的印刷品，包括深蓝底白字、浅蓝底蓝字和黄底黑字，内容提及欧莱雅及其标志性口号 | - At a certain point, L'Oréal adopted it as the tagline for their entire business. | 2.63 |
| 197 | 特写 |  | 在复古质感的米白色纸面上，黑色印刷体文字从'Because L'OREAL'向右滑过，最后停在'worth it.'字样上 | 2.10 | |
| 198 | 近景 |  | 画面中心的一位女性正在面对镜头说话，左右两侧各站着一位微笑着的人，背景处有品牌文字和亮部线条穿过 | Parce que je le vaux bien. | 1.10 |
| 199 | 远景 |  | 俯瞰视角下的城市繁华街道，车流穿梭，正中央矗立着一张巨大的欧莱雅化妆品品牌广告牌 | 1.03 | |
| 200 | 远景 |  | 一栋建筑物外墙贴着欧莱雅的大型女性平面肖像广告，下方是红色招牌，前景有树枝掠过，底部偶尔有模糊的车辆经过 | 0.90 | |
| 201 | 中景 |  | 夜晚的城市街道背景下，一处巨大的欧莱雅双面广告牌矗立在转角处，上面印有女性肖像和品牌标语，左侧有复古风格的路灯点亮 | 1.37 | |
| 202 | 特写 |  | 蓝色背景版上印有白色手写体的欧莱雅品牌名称及其意大利语标语，画面下方露出少许发顶 | Even today, that's their motto. | 0.97 |
| 203 | 全景 |  | 夜晚繁华街道旁，一栋建筑外立面上挂着巨大的欧莱雅蓝色电子广告牌，正播放着代言人的肖像和品牌语 | 1.10 | |
| 204 | 特写 |  | 画面先是棕发女性的面部特写，随后快切至长发金发女性，两名女性均在对镜头说话 | Because I'm worth it. 'Cause you're worth it. | 1.53 |
| 205 | 中景 |  | 一位棕发女性面带微笑看向侧方，长发随风飘动，身着黑色挂脖上衣，背景为简洁的灰蓝色调 | You're worth it. | 0.73 |
| 206 | 近景 |  | 画面先是两位女性并排看向前方交谈，随后快速切至一位成熟女性的面部近景，她正微笑着对镜头说话 | We're worth it. And I'm worth it. | 2.47 |
| 207 | 特写 |  | 一张女性的黑白艺术肖像照片，主体面无表情地目视前方，光影勾勒出面部轮廓 | - She wrote the most influential tagline | 4.53 |
| 208 | 特写 |  | 戴眼镜的中年女性正面对着镜头说话，背景为模糊的室内环境 | in women's beauty advertising. | 2.10 |
| 209 | 近景 |  | 画面开始为一位灰色卷发女性对镜说话，随后快速切换至一位金色长发女性继续对镜说话 | I'm worth it. I'm worth it. | 2.90 |
| 210 | 中景 |  | 一名银发老年女性穿着黄色丝绸衬衫，在纯黑背景前对着镜头说话并露出微笑 | It's magic, that phrase. Those words just get better with age, don't they? | 2.77 |
| 211 | 特写 |  | 穿着红色上衣的非裔女性正对着镜头说话，神情自信且面带微笑 | I'm worth it. | 2.40 |
| 212 | 特写 |  长镜头 | 一位白发苍苍的老妇人侧躺在花纹枕头上，闭着双眼休息，随后慢慢睁开了眼睛 | I'm worth it. Because you are and always will be. | 15.13 |
| 213 | 特写 |  | 一名戴着圆框眼镜、面带微笑的老年女性正在室内对着镜头说话，她戴着蓝色爱心形耳坠，背景虚化可见室内窗户 | - She came up with that line because she believed it. | 4.57 |
| 214 | 近景 |  | 在黑白胶片质感的画面中，一名长发小女孩正拿着卡片与两名成年男女交谈，后方站着一名戴眼镜的年长男性，众人神情温和 | She believed it about herself, and she believed that women should believe it. She did that for me. | 4.93 |
| 215 | 中景 |  | 一张老旧的黑白全家福合影，镜头从中心位置的女孩特写向后拉开，露出了左右两侧穿着西装和礼服的其他家庭成员 | You know, even after they split up, she was still a big part of my life. | 7.77 |
| 216 | 特写 |  | 一名戴着头巾和飞行员墨镜的长发女性直视镜头，右前方露出一个小男孩的半张脸，背景是一扇室内的门 | I've always kind of felt like I dodged a bullet | 4.87 |
| 217 | 近景 |  | 戴眼镜的长发年长女性面带微笑，正在对着镜头说话，背景为模糊的室内居家环境 | that I have watched take down other members of my family. | 2.83 |
| 218 | 近景 |  | 在漆黑的背景下，一名女子手持正在燃烧并迸发火花的仙女棒，火光照亮了她的脸部，她面带微笑看着前方 | She saved me. | 5.23 |
| 219 | 近景 |  长镜头 | 一名戴眼镜的白发老年女性面对镜头谈话，神情温和，背景是柔和的室内光影 | And today, I am a professor of English at Williams College. I teach Victorian literature and I also teach women's, gender and sexuality studies. | 13.17 |
| 220 | 大特写 |  | 一张女性面部的老照片全屏显示，照片中女性面带微笑，下巴处有一只手托着 | She was my mother. | 4.77 |
| 221 | 近景 |  | 一名戴眼镜的老年女性正对着镜头说话，她系着蓝色丝巾，背景是光线柔和的室内环境 | She also taught me how to be a mother. | 1.97 |
| 222 | 近景 |  | 一名白发年长女性侧脸对着镜头，正在将一副圆框眼镜戴上，她眼神柔和，带着淡淡的微笑 | I had been very uncertain about motherhood for myself | 2.60 |
| 223 | 远景 |  | 画面由最初模糊的人物特写拉开，展现出远处的一名女性站在户外建筑前，背景是山脉和绿树 | because my role model for that was so nightmarish. | 2.87 |
| 224 | 大特写 |  | 一名戴着圆框眼镜的老人面部极近距离特写，眼神深邃，镜头捕捉到面部的皱纹细节和略微摆动的发丝 | But Ilon really taught me, I can do this. | 1.87 |
| 225 | 多景别 |  长镜头 | 画面由多个家庭录像片段切成，分别展示了一名长发女性在室内谈话、戴墨镜的女性坐在窗边吃零食，以及一名成年女性紧紧抱着怀中大笑的小女孩 | I can be a good mother. She made me believe that I was worth it. And I was not either the first or the last. | 12.47 |
| 226 | 特写 |  | 戴眼镜的老妇人侧脸，她微微抬头凝视着窗外，神情平静而深沉 | 5.23 | |
| 227 | 全景 |  | 在一座华丽且古典的多层欧式大楼前，展示其精美的外墙装饰、尖顶以及周边的现代建筑和路灯 | 4.03 | |
| 228 | 近景 |  | 室内壁炉上方摆放着一张巨大的女性人像海报，海报下方有一排圆柱状的黑色蜡烛台，右侧窗外可见林立的城市建筑 | 4.30 | |
| 229 | 全景 |  | 昏暗的欧式风格室内，有一张带有红色花纹的扶手椅和脚踏，背景是堆满书的书架，左侧亮着一盏暖色调台灯，右侧可以看到半掩的木门和部分床铺 | 6.53 | |
| 230 | 特写 |  长镜头 | 一位白发老人侧卧在床上，眼神涣散，随后转头看向镜头说话，最后缓慢翻身侧坐起来 | I have to go away now. To go to my room. - It's been lovely. It's been lovely. Oh... | 20.73 |
| 231 | 远景 |  长镜头 | 在昏暗且具有古典装饰风格的走廊深处，一名年轻女子搀扶着一位行动迟缓的老年女性缓慢向镜头方向走来 | I'm not interested in advertising. I don't give a shit. | 21.50 |
| 232 | 全景 |  | 一名穿着黑色皮衣和长裤的女性侧坐在白色背景前的黑色高脚凳上，右手托腮看向镜头，画面带有胶片底片边框效果 | It wasn't like it was my whole life. | 3.13 |
| 233 | 中景 |  | 一名卷发女性身穿黑色皮衣站在白色背景前，双臂向上弯曲展示肌肉并带着自信的表情 | It was just a portion. | 2.47 |
| 234 | 中景 |  | 在充满颗粒感的黑白画面中，一名长发小女孩正向身边的西装男子展示手中的卡片，男子微笑低头倾听，左侧一名黑发女性和后方一名戴眼镜的老者共同注视着这一幕 | It's about humans; it's not about advertising. | 6.50 |
| 235 | 中景 |  | 一张颗粒感明显的黑白老照片中，一名金发女孩正对着镜头微笑，周围是身着正装的家人 | It's about caring for people. | 3.93 |
| 236 | 全景 |  | 一张包含多人的复古黑白全家福合影，画面中有老人、中年男女和几位青少年及儿童，均面朝镜头微笑 | 3.60 | |
| 237 | 特写 |  长镜头 | 一名白发年长女性侧卧在花纹枕头上，一手托着脸颊，目光深邃地注视着斜上方并低声言语 | Because we're all worth it, or no one is worth it. | 11.10 |
| 238 | 空镜 |  长镜头 | 在纯黑背景上，先出现欧莱雅品牌标语及年份，随后依次切换显示多组演职人员名单和感谢名单 | 73.23 |