共87个镜头，该分镜由光厂AI自动生成
| 镜号 | 景别 | 参考图 | 画面内容 | 台词/旁白 | 时长(秒) |
|---|---|---|---|---|---|
| 1 | 全景 |  | 阳光明媚的白天，路边一座两层独栋民居小木屋，左侧停着一辆银灰色汽车，右侧有棵巨大的枯树。 | 4.40 | |
| 2 | 全景 |  | 美式家庭厨房内，身材瘦削的白发老人身穿黑色短袖和牛仔裤，背对镜头站在炉灶前忙碌。 | I don't like being in a house. | 6.47 |
| 3 | 全景 |  | 室内前景是带塑料保护膜的圆餐桌和餐椅，背景是老人在厨房水槽前背对镜头劳作。 | Cause I can't smoke in here, so | 2.90 |
| 4 | 中景 |  | 老人在光线较暗的室内侧身站在白门旁望向窗外，左手夹着香烟，并送到嘴边吸了一口。 | Smoking is just a crutch, I guess. | 8.20 |
| 5 | 远景 |  | 老人从左侧草坪走向右侧敞开门的白墙车库，天气晴朗。 | You pick up your first drink and it makes you feel good, | 5.10 |
| 6 | 特写 |  | 黑色背景前，手绘的蓝色木制牌子悬挂着，上面有字迹和透明装饰物随风摆动。 | You know. It makes you forget about things. | 3.47 |
| 7 | 大特写 |  | 老人布满皱纹和斑点的手正按在黑色器具边缘，有细微按压动作。 | And all of a sudden, | 2.30 |
| 8 | 特写 |  | 老人布满褶皱的手在操作黑色手动卷烟器，左手向下按压金属手柄，机器亮起绿灯。 | You drink one, and it ain't enough, and then it just progresses. | 2.07 |
| 9 | 特写 |  | 老人的手捏住一根刚卷好的香烟，将其从黑色卷烟机出口处抽离。 | You wake up the next morning and your problems are right there. | 1.97 |
| 10 | 中景 |  | 老人坐在深色躺椅上抽烟，随后放下手吐出烟雾，头部微转注视斜上方，神情沉思。 | 8.77 | |
| 11 | 大特写 |  | 老人面部仰拍大特写，眼神略显空洞，眼带泪光，嘴唇微张，明暗对比强烈。 | I drank for 50 years. | 4.20 |
| 12 | 全景 |  | 昏暗杂乱的车库内，老人盖着黑白波浪纹毛毯仰躺在躺椅上休息，周围堆满杂物。 | It was beer, then I went to whiskey. Because with whiskey you get drunk quicker, so. | 6.27 |
| 13 | 特写 |  | 老人布满色斑的双手在汽车引擎盖下操作，左手稳住塑料件，右手拿工具尝试安装。 | 2.87 | |
| 14 | 特写 |  | 老人穿着红色上衣，在模糊的户外背景中低头注视下方。 | Well, I had three wives. | 2.27 |
| 15 | 特写 |  | 老人的手在昏暗中操作汽车引擎盖下的电瓶线路，调整黑色电缆。 | And... They didn't want to be around me. I was an ass. | 2.87 |
| 16 | 特写 |  | 老人穿着红衣在户外低头叼着香烟，神情疲惫，随后稍微抬头。 | 2.80 | |
| 17 | 全景 |  | 昏暗车库内，老人叼着烟在工作台前摆弄小型物件，右臂贴着膏药。 | Because of my drinking... I got divorced because of it. | 2.77 |
| 18 | 全景 |  | 老人穿着红衣背对镜头站在车库门口，手里抛接小球，室外光线明亮。 | 5.60 | |
| 19 | 中景 |  | 昏暗车库里，老人坐在扶手椅上抽烟吐雾，周围堆满杂物。 | I'd've divorced me too. | 6.63 |
| 20 | 大特写 |  | 老人闭着眼睛的面部特写，随后镜头下移展示他枯瘦的手夹着燃烧的香烟送到嘴边。 | I want to remember June the 3rd of 1995. Never want to forget that. | 5.63 |
| 21 | 远景 |  | 老人坐在停在过道上的黑色轿车驾驶座，双脚落地，低头看手中设备并揉眼。 | There was 30 guys went up to Caseville. | 4.17 |
| 22 | 特写 |  | 黑暗背景中，老人布满皱纹的手夹着点燃的香烟，手上方握着黑色细长物体。 | Anyways, that night, I was transporting people back and forth from the cottage to the bar. | 2.33 |
| 23 | 全景 |  | 汽车后座视角，老人正在驾驶汽车行驶在安静的住宅区街道上。 | It was 2 o'clock in the morning. I had picked up the last person and I come out of there and I lit a cigarette and a cop was there. | 2.50 |
| 24 | 大特写 |  | 老人头部后侧及耳朵的极近景特写，镜头下移展现他满布皱纹的手握着方向盘夹着香烟。 | He pulled me and he says, you've been drinking? I said, yeah. | 2.93 |
| 25 | 近景 |  | 车内侧拍老人开车，他拿起香烟叼在嘴里，左手臂搭在车窗外。 | That was terrible. I could have killed somebody. You know. | 5.33 |
| 26 | 特写 |  | 略显脏污的塑料容器底部浸泡着带有黄色过滤嘴的烟头和深色液体。 | 2.13 | |
| 27 | 近景 |  长镜头 | 黄昏行驶的车内，老人点燃香烟深吸后单手扶方向盘，随后用夹烟的手继续操控。 | People say they never think about drinking, how could they not? There's a liquor store on every corner, you know. | 11.77 |
| 28 | 大特写 |  | 老人满是褶皱的手在车内夹着燃烧的香烟，背景是车内饰条。 | 2.13 | |
| 29 | 远景 |  | 傍晚车窗外视角，枯树林和深色房屋在镜头前飞速掠过，带有强烈的动态模糊。 | 2.70 | |
| 30 | 近景 |  | 昏暗背景中老人的侧脸剪影，他抬手吸了一口香烟，随后放下手望向前方。 | My family gave me an intervention. They wanted me to go to Sacred Heart, and I said, what's that? | 9.80 |
| 31 | 远景 |  | 宁静户外庭院的黎明或黄昏，背景有树木剪影和渐变色天空，前景有折叠椅。 | 3.77 | |
| 32 | 中景 |  长镜头 | 餐厅内部，镜头穿过前景顾客聚焦背景两名年长男性顾客，他们正在交谈。 | And they said it's for alcoholics. | 12.27 |
| 33 | 中景 |  | 仰拍分叉的粗壮树干，树枝上长出新叶，背景是明亮的蓝天。 | 1.47 | |
| 34 | 中景 |  | 草地上长有黄色小花，背景有白墙房屋和粗壮树干。 | 1.70 | |
| 35 | 远景 |  | 老人在白墙红顶平房外走向蓝色折叠躺椅并缓缓坐下。 | I was in there for 14 days, hated every day I was there. | 6.57 |
| 36 | 全景 |  | 阳光下的草坪上，老人双手扶着蓝色折叠躺椅慢慢坐下，身旁有棕色塑料椅。 | I had a seizure and I flatlined on the way to Port Huron Hospital. | 4.73 |
| 37 | 全景 |  | 老人坐在折叠躺椅上低头摆弄小物件，托盘里放着烟盒。 | 2.53 | |
| 38 | 大特写 |  | 老人闭着双眼的侧脸大特写，面部布满皱纹与斑点，背景是模糊的草地。 | The good doctor said to somebody on your side, he said, I don't think so, and he said, you're alive. | 4.60 |
| 39 | 特写 |  | 老人的右手搭在黑色扶手边缘，夹着点燃的香烟冒着白烟，阳光凸显皮肤纹理。 | And I said, that's the problem, I don't wanna live anymore. | 2.80 |
| 40 | 远景 |  | 老人仰坐在折叠躺椅上，右手抬起做微小动作，身旁放着空塑料椅。 | I really didn't. But it's a good thing I went, you know. | 3.67 |
| 41 | 特写 |  | 戴金边眼镜的老人侧脸特写，右手夹烟吸食后移开，嘴部吐出浓密白烟。 | 5.97 | |
| 42 | 中景 |  | 户外白色网格栅栏旁立着斑驳的圣母玛利亚半身塑像。 | 2.73 | |
| 43 | 特写 |  | 蓝色雕像手部特写，手指微张，表面有明显脱漆痕迹，背景灰白。 | 2.97 | |
| 44 | 特写 |  | 室内昏暗光线下的受难耶稣雕像特写，戴荆棘冠冕被钉在十字架上。 | And if I'd have continued to drink, I know where I'd be. | 2.33 |
| 45 | 中景 |  | 老人独自坐在室内走廊长椅上闭目养神，随后缓缓睁眼，背景有砖墙和窗户。 | 3.60 | |
| 46 | 近景 |  | 老人仰头注视斜前方的近景，面容沧桑，背景是模糊的墙壁和格栅窗户。 | 2.17 | |
| 47 | 特写 |  | 教堂内身穿白袍的神职人员将玻璃壶中红葡萄酒倒入金色圣爵。 | When I got out of rehab, it took me a year to accept the first step. | 2.80 |
| 48 | 特写 |  | 老人布满皱纹的手托着夹有书签的深色书籍，背景有人持类似书籍。 | And there's 12 steps in the AA program. | 1.53 |
| 49 | 中景 |  | 老人在教堂长凳上捧着书阅读，身旁还有其他同样捧书的人。 | 6.30 | |
| 50 | 中景 |  | 教堂内的深色卷发女性专注听讲，背景有其他观众。 | 1.33 | |
| 51 | 中景 |  | 戴眼镜的神职人员手举圣杯和面饼说话，背景有彩绘窗和蜡烛。 | God grant me the serenity to accept the things I cannot change, | 2.27 |
| 52 | 全景 |  | 拄拐老人从神职人员手中领取圣体后转身，身后有女性跟随。 | the courage to change the things I can, | 5.53 |
| 53 | 特写 |  | 白发女性双手接过金色圣杯举至唇边准备饮用，背景是彩绘玻璃窗。 | and the wisdom to know the difference. | 3.33 |
| 54 | 近景 |  | 穿马甲的老年男子双手捧金圣杯饮用后放下，背景可见彩色花窗。 | And that's what it's all about, you know. | 1.80 |
| 55 | 中景 |  | 老人微笑着坐在木质墙板前，双手交叠握拐杖，被走动的行人遮挡。 | 2.93 | |
| 56 | 特写 |  | 老人凝重深沉的面部特写，嘴角微动，光线凸显深邃眼窝和皱纹。 | My, uh, sponsor gave me a 24-hour token with a hole in it, | 3.70 |
| 57 | 特写 |  | 老人粗糙的手捏着带孔的24小时戒酒纪念金属币，中心有三角形图案。 | And it's got the serenity prayer on the back of it. | 3.70 |
| 58 | 大特写 |  | 手指捏着金色纪念币，随着轻微动作表面反光，可见背面的宁静祷文。 | And I've been carrying that ever since. | 3.07 |
| 59 | 特写 |  | 戴眼镜的老人低头专注操作电钻，工作室内光线昏暗。 | 1.60 | |
| 60 | 全景 |  | 老人在堆满杂物的昏暗车库里专注使用电动工具，产生微弱火花。 | I've been, um, buying the tokens and drilling holes in them | 2.83 |
| 61 | 大特写 |  | 戴眼镜的老人侧脸大特写，低头专注，光线形成眩光和光斑。 | And giving them to new people that need it, you know. | 3.30 |
| 62 | 特写 |  | 电钻在工作台上给金属圆片钻孔，旁边散落着金属碎屑和加工好的圆片。 | 3.03 | |
| 63 | 中景 |  | 白发老人背对镜头在挂满工具的工房工作台前操作。 | It's good to see people get off alcohol, you know. | 2.97 |
| 64 | 大特写 |  | 神情凝重疲惫的老人低头揉搓后颈和耳后，面部皱纹深深刻画。 | 3.47 | |
| 65 | 特写 |  | 老人的手翻开名为ALCOHOLICS ANONYMOUS的黄色封面手册。 | I go to Mass every day except Saturday, and I go to AA every day, at least one a day. | 6.77 |
| 66 | 全景 |  | 昏暗室内，老人侧身坐在长桌旁，双臂撑桌面沉思，背景有黑板和十字架。 | I've been in it for 22 years, April 6 of 2003, | 4.63 |
| 67 | 中景 |  | 老人在柔光下侧坐低头垂目，神情落寞沉思，背景有深绿黑板边缘。 | And I don't wanna go back. | 4.77 |
| 68 | 大特写 |  | 老人面部大特写，双眼深邃注视前方，神情庄重沉思，明暗对比强烈。 | And I don't have to. | 5.30 |
| 69 | 特写 |  | 发黄书籍内页特写，印有英文段落，其中一段加粗显示。 | You know, the compulsion finally left me. | 4.53 |
| 70 | 中景 |  | 老人双手交叉紧握放在深色桌面上低头沉思，表情凝重忧郁。 | And I wouldn't give this up for nothing. You know. | 5.23 |
| 71 | 大特写 |  | 老人暗调侧脸特写，眉头微蹙双眼低垂，神情凝重忧郁。 | 3.87 | |
| 72 | 特写 |  | 成人的手从室外草坪的高尔夫球包中抽出一支蓝色球杆。 | I don't wanna relapse. | 1.37 |
| 73 | 特写 |  | 穿红衣的老人低头俯首，视线向下，表情专注沉思，背景是草坪房屋。 | 2.10 | |
| 74 | 特写 |  | 老人布满皱纹的手握着两个白色高尔夫球，随后合拢手指。 | I'm gonna continue on this journey, and stay sober. | 1.30 |
| 75 | 特写 |  | 高尔夫球杆瞄准草地上的高尔夫球，旁边站着穿牛仔裤的人。 | Not everybody does it. | 1.87 |
| 76 | 全景 |  | 老人在两座平房间的后院弯腰推杆练习高尔夫，推球后直起身并挥拳。 | 5.70 | |
| 77 | 中景 |  | 深色木质墙面上挂着铲子、耙子等农用工具，阳光照亮侧面。 | You know, we all gotta pass sometime in our life. | 1.90 |
| 78 | 特写 |  | 棕色洞洞板悬挂各种维修工具，光线从右侧斜射留下阴影。 | 1.60 | |
| 79 | 特写 |  | 昏暗室内，穿深色裤和皮鞋的双脚翘起搁在平面上。 | You know, I hope I make it to 88. | 2.73 |
| 80 | 全景 |  | 昏暗车库内，老人在明暗对比中靠坐在花纹靠垫椅子上休息。 | 3.13 | |
| 81 | 特写 |  | 暗调室内，老人点燃打火机并点着口中香烟，火光照亮面部局部。 | I just don't want to hurt anybody, that's it. | 4.47 |
| 82 | 中景 |  | 昏暗车库中，老人斜靠在躺椅上夹烟凝视上方，吐出淡淡烟雾。 | 4.00 | |
| 83 | 特写 |  | 暗调背景中，老人布满皱纹的手夹着冒烟的香烟特写。 | Just want to be a good person, and... just live a good life, | 2.67 |
| 84 | 特写 |  | 暗调花纹背景前，老人拿着点燃的烟吸食后缓缓吐雾，神情深沉疲惫。 | and help people out. You know. | 6.20 |
| 85 | 特写 |  | 昏暗中，烟灰缸里散落着熄灭的烟头，一支点燃的香烟冒着青烟。 | 2.57 | |
| 86 | 多景别 |  长镜头 | 老人面容苍老的肖像镜头缓慢推进至面部大特写，随后淡出致敬字卡。 | Do a lot of praying. And I can do that today. | 22.73 |
| 87 | 其他 |  | 画面完全呈现为黑屏。 | 0.97 |