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共68个镜头，该分镜由光厂AI自动生成
镜号景别参考图画面内容台词/旁白时长(秒)
1远景
一只海鸥在黄昏时分布满云朵的天空中向左飞翔。4.17
2远景
戴浅色宽檐帽的男子Joe Greer走向荒原上巨大的金属艺术装置。画面出现徕卡标识和标题。8.53
3全景
黄昏海边，前景是带有铁丝网和钢筋的废墟，远景海面有简易支架。5.57
4远景
Joe Greer在黄昏荒野上侧望海面，随后向远方走去。You see there was this new thing that brought me joy, that brought me excitement, that brought me happiness and peace.5.43
5特写
清晨或傍晚的海滩，水洼倒映微光，远景隐约可见海中三角形支架。And I wanted to do it with the best of my ability.5.33
6多景别
Joe Greer逆光操作一台黑色徕卡旁轴相机，神情专注。My Leica M6 taught me to slow down,6.30
7中景
夕阳下，Joe Greer举起相机进行取景拍摄。to see the world in such a simple and beautiful way.5.87
8远景
海面泛起波浪，夕阳余晖下中心有一个三角形木架。7.00
9特写
Joe Greer在阴天户外凝视前方，神情专注略带忧郁。3.53
10远景
长镜头
Joe Greer背对镜头走在一条荒凉破旧的公路上，两侧停着老旧房车。Analog photography has given me this unbelievable desire of wanting to get better,11.67
11远景
阴天隔着铁丝网看营地里的废旧房车和带风车结构的平房。wanting to learn, and wanting to grow as an artist.4.97
12远景
平房外墙贴满蝴蝶装饰，院内停有皮卡，四周环绕铁丝网。5.30
13全景
微风中，破旧的美国国旗挂在铁丝网围栏上。3.47
14远景
三辆老旧甲壳虫轿车停在荒草院落中，前有挂着红花的围栏。4.60
15全景
荒野空地摆放着破旧沙发、老电视和生锈冰箱，呈现废土感。4.63
16全景
简易白房旁紧挨一辆老式房车，高大棕榈树在背景中屹立。4.87
17远景
阳光下的蓝白色简易教堂建筑，顶端带有十字架。5.07
18中景
Joe Greer在荒地上思考片刻后举起相机取景。When I see a scene that I want to photograph, I just know.3.83
19中景
背对镜头的Joe Greer持相机拍摄，前方是废弃集装箱与房车堆叠的建筑。I feel the balance within the scene.3.77
20近景
Joe Greer眼贴取景器拍摄，随后稍稍移开相机观察。I stop, and I make that picture. I try not to overthink or overcomplicate things.4.80
21远景
荒原中集装箱上方架着房车，旁边堆有草垛，连着破木屋。5.33
22全景
淡蓝天空下，立着一面写有“ON AIR”字样的灯牌。3.43
23远景
透过破损车窗，看到Joe Greer在废车场拍摄。3.77
24全景
白色封闭拖车前散乱摆放着黄色与深色折叠连排座椅。6.63
25远景
废车场外，Joe Greer对准指示牌和报废汽车拍照。4.50
26中景
Joe Greer侧立拍摄Bombay Beach Drive-In的复古招牌。2.60
27全景
破败汽车骨架停在露天场地，左侧立有复古霓虹招牌。5.00
28全景
满墙涂鸦的废弃建筑，顶部有“Love Me”生锈铁牌。5.67
29全景
布满街头涂鸦和海报的残破墙面，一只鸽子立在窗沿。I'm drawn to colors, and the way that colors render on film,3.43
30近景
透过画有红圈的墙洞，看到Joe Greer正举着带闪光灯的相机窥探。and how they interact within a given scene or a certain moment.3.07
31中景
Joe Greer背向镜头步入昏暗凌乱、伴有闪光和涂鸦的室内。Even a lack of color at times can be very, very beautiful.2.60
32中景
在挂满刷状物的空间内，Joe Greer举起带闪光灯的相机拍照。4.83
33全景
浅绿房间天花板密密麻麻挂着白色长柄马桶刷，氛围怪异。5.97
34中景
Joe Greer把玩手中的徕卡相机，神色沉静。5.27
35近景
双手组装、调试徕卡旁轴相机底盖和镜头特写。With film, it's just different. It's direct, it's physical.7.60
36近景
仰拍Joe Greer在黑色涂鸦墙前专注操作相机外接部件。There's a tangible quality that a negative provides that digital cannot.2.80
37全景
Joe Greer从荒野中刻有BOMBAY BEACH ESTATES的地标石牌前走过。3.60
38特写
沙地上插着细铁杆，散落着黑色假人残肢和一本黑皮书。2.80
39全景
老旧大巴旁散落着断臂残躯的黑假人，Joe Greer在其中游走观察。With digital photography, it's always gonna be a bunch of zeros and ones.3.53
40中景
失去右臂、戴着珍珠项链的黑亮假人立在荒野中。That's unchanging, that's exact, that will always be that way.4.37
41远景
Joe Greer站在白棕大巴旁对周围的假人模特拍摄。But with analog photography, due to its chemical nature, there's so much chaos and imperfections.2.97
42中景
靠在大巴车身的Joe Greer双手举着徕卡旁轴相机取景。For me, those imperfections make it even more beautiful.3.67
43特写
侧身特写，Joe Greer倾身专注对准荒野构图拍摄。3.47
44全景
开阔场地上摆着数个黑红或纯黑假人，后方有彩绘板房。4.30
45全景
半空中，弯曲金属灯柱上悬挂着两盏摇晃的水晶吊灯。My M6 has helped me get rid of a lot of unhealthy habits4.03
46远景
Joe Greer在金属巨型火箭装置下的荒地边缓步前行。that Instagram and smartphone photography taught me early on.3.73
47近景
倚着铁丝围栏的Joe Greer举起相机对焦。With 36 frames you have to slow down, breathe, open your eyes,3.90
48全景
Joe Greer在空地上端起相机，旁有枯枝和集装箱建筑。watch the world pass you by, wait for that moment, and go for it.3.83
49近景
Joe Greer背对镜头，面对不远处形似水母的银色装置。4.77
50中景
仰视顶端带着彩色透明装饰件的半球形生锈铁网装置。5.23
51中景
晚霞中，Joe Greer面朝海平线伫立，呈剪影状态。Analog is on the rise with young people because they want something tangible,5.07
52全景
Joe Greer蹲在海边残坑密布的沙滩上拍摄夕阳晚霞。something they can touch.4.03
53近景
特写Joe Greer蹲伏于海边礁石地带端稳相机拍摄。Digital does not offer an experience like that.5.40
54远景
夕阳染红云层，倒映在零碎的礁石水坑间。4.13
55远景
夜幕下的荒凉公路边立着SKI INN的发光招牌。4.73
56全景
夜色中Joe Greer走向亮着霓虹灯的建筑推门进入。Going to a new place that you've never been before gives you a perspective on things that's incredibly rewarding.4.10
57全景
酒馆满是纸钞的室内，展示着灯箱与各种杂物。3.40
58特写
昏暗酒吧里用纸币贴满灯罩的台灯特写，后方有人坐着。3.20
59近景
墙壁纸钞上一只仅剩骨架和首尾的机器鱼装饰。2.73
60全景
灯光幽暗的复古纸钞酒吧全景，隐约透着蓝光。2.67
61中景
带涂鸦的一美元纸币贴在木柱上，背景是模糊的台球桌。2.93
62中景
Joe Greer坐在餐桌前低头写字，桌上摆着徕卡相机。If you break that routine, and step into a space that's unfamiliar, that's unknown,3.70
63特写
焦点从相机转移至握笔在纸条上写字的手部特写。to pursue things photographically,4.43
64特写
Joe Greer低头沉思操作，背景斑驳朦胧。beautiful things will happen.3.37
65全景
Joe Greer起身走向酒吧后方的台球区，伸展双臂。5.53
66特写
长镜头
双手将一张写有红字的美钞郑重贴在木制边缘。10.23
67其他
长镜头
黑屏浮现文案，随后变成徕卡标志及官网链接。17.33
68其他
全黑画面收尾。2.17