共163个镜头,该分镜由光厂AI自动生成
| 镜号 | 景别 | 参考图 | 画面内容 | 台词/旁白 | 时长(秒) |
|---|---|---|---|---|---|
| 1 | 远景 | ![]() | 仰拍视角下的户外城市广场,画面中央是一座高大的石质骑马人物雕像,背景蓝天白云。 | 1.97 | |
| 2 | 远景 | ![]() | 仰拍视角下的城市建筑景观,左侧是一座蓝灰色玻璃幕墙的现代高层建筑,右侧前景有雕刻装饰的石质建筑细节。 | 1.07 | |
| 3 | 远景 | ![]() | 低视角仰拍一座古典宏伟的欧式教堂建筑,可见其标志性的圆顶、石柱、雕像及繁复的外墙装饰。 | 1.27 | |
| 4 | 全景 | ![]() | 城市街道远景。画面左侧有一名非裔男子蹲在麦当劳店铺门口的墙边举着相机拍照,街道上有红色双层大巴车和出租车行驶。 | 1.47 | |
| 5 | 全景 | ![]() | 在圣保罗大教堂背景下,近处右侧有一名身穿红格子衬衫的非裔男子背影,中景处有几名行人走动,街道上有双层巴士驶过。 | 2.40 | |
| 6 | 近景 | ![]() | 穿红白格子衬衫的非裔男子侧身站在街头墙角,双手拿着一个绿色的富士一次性胶卷相机,低头摆弄着。 | Sometimes I actually feel quite weird, just like on my knees, holding this camera. | 3.47 |
| 7 | 全景 | ![]() | 一辆红色的双层观光巴士正在街上行驶,二层坐着多名乘客,车身印有城市地标图案。 | So I'm hoping... | 2.90 |
| 8 | 近景 | ![]() | 穿红白格子衬衫的非裔男子蹲在街边,双手正拿着小型相机。 | ...that was the one. | 1.17 |
| 9 | 全景 | ![]() | 画中画展示了伦敦街头,远处是圣保罗大教堂,一名中年男子行走在人行道上,朝镜头走来。 | 2.93 | |
| 10 | 全景 | ![]() | 镜头展示包含红色电话亭的街景,一名女性在电话亭旁挥手,随后向右摇动,出现穿红白格子衬衫的非裔男子背影。 | 1.97 | |
| 11 | 全景 | ![]() | 白色边框的画中画里,一名女性站在红色电话亭旁合影,前方有一辆绿色共享单车,路边有车辆行驶,另一名女性蹲在地上拍摄。 | So that's a bit of a cheeky one. I normally don't do stuff like that. | 5.17 |
| 12 | 中景 | ![]() | 穿红白格子衬衫的非裔男子背影,正行走在欧式街道人行道上。 | I don't mind humans. I can't stand groups of people. | 2.53 |
| 13 | 全景 | ![]() | 俯拍街道,一名穿牛仔裤和运动鞋的行人快步走过,投下清晰的影子。 | 2.63 | |
| 14 | 全景 | ![]() | 一名穿黑色连衣裙的女性穿过马路,正在穿上黑色外套。前景有行人经过,背景是古典建筑。 | It just felt very weird out here. | 5.13 |
| 15 | 远景 | ![]() | 两名男子沿着建筑外墙的便道行走,其中一人回头张望,前景有路人走过,背景是现代建筑。 | You notice the footfall of how, when tourists are here, what type of tourists come, when type of tourists come. | 3.97 |
| 16 | 远景 | ![]() | 仰拍桥梁边缘,一名男子背对镜头站在桥面上,背景蓝天白云,路灯逐渐亮起。 | 1.87 | |
| 17 | 近景 | ![]() | 前景是印有英国国旗等图案的旅游纪念品,背景是模糊的伦敦街景和人群。 | 1.50 | |
| 18 | 特写 | ![]() | 一台银黑色微单相机的特写,背景是穿红白格子衬衫的非裔男子双手拿着它操作。 | And I was just thinking, maybe I noticed these things because I have spent so much time being homeless. | 4.47 |
| 19 | 远景 | ![]() | 远景展示城市广场露台,有多名游客靠在栏杆上远眺,左侧有骑马雕像,远景有喷泉。 | It's like I feel like I can see the trends when they're coming in. | 4.27 |
| 20 | 全景 | ![]() | 一名穿白色西装、戴礼帽的男子坐在沿街咖啡馆室外圆桌旁喝咖啡,背景是繁忙的街道。 | 4.77 | |
| 21 | 全景 | ![]() | 穿红白格子衬衫的非裔男子蹲在步行街台阶边缘摆弄相机,一只鸽子在地面停留。 | Recently got into this thing where I like doing like lower level shots, 'cause you get a different perception. | 2.83 |
| 22 | 中景 | ![]() | 非裔男子正低头弯腰,侧脸对镜头,神情专注,背景模糊可见街道和摊位。 | 1.63 | |
| 23 | 中景 | ![]() | 户外广场上,两只鸽子在行走,背景是石墙和红色柱状结构。 | 1.27 | |
| 24 | 全景 | ![]() | 色彩鲜艳几何图案的现代风格室内长廊中,多名戴口罩的行人在走动,呈现出强烈的透视感。 | 0.80 | |
| 25 | 远景 | ![]() | 低角度拍摄带有涂鸦墙的街道,几名行人走过,画面有白色边框效果。 | 1.13 | |
| 26 | 全景 | ![]() | 白色边框画中画,男孩站在古典风格火车站的站台走廊上看镜头,车站有拱形玻璃顶棚。 | 1.33 | |
| 27 | 近景 | ![]() | 非裔男子蹲在地上,双手操作地面的智能手机和旁边的小型设备。 | What makes a good photo? | 1.27 |
| 28 | 中景 | ![]() | 非裔男子蹲在户外广场看向镜头,表情有些困惑,背景是圣保罗大教堂和行人。 | I think a lot of the time it's just about trying to create a story from one picture. | 0.80 |
| 29 | 全景 | ![]() | 河边休闲广场上,有人在吹出巨大的肥皂泡,小女孩伸手想摸,背景是河流和城市建筑。 | 0.93 | |
| 30 | 远景 | ![]() | 画中画展示夜晚的高处俯瞰视角,多名穿橙红色工作服的人在铁轨上作业。 | 1.17 | |
| 31 | 全景 | ![]() | 画中画内,一名年轻人坐在彩色半圆涂鸦墙前的台阶上,旁边有红白立柱。 | 1.20 | |
| 32 | 中景 | ![]() | 低机位拍摄一名行人提着黑色微单相机在街道行走,相机轻微晃动,背景有其他路人和欧式建筑。 | How did I get into photography? That's a weird question. | 4.20 |
| 33 | 全景 | ![]() | 非裔男子在城市街道十字路口走过,背景远处的街上有行人在捡拾散落的纸张。 | 4.27 | |
| 34 | 远景 | ![]() | 视角从公园台阶高处延伸,路人走下草坪,树下有游客坐在长椅上休息,背景绿树成荫。 | 2.10 | |
| 35 | 中景 | ![]() | 非裔男子站在户外,背对着有着明显旋涡状虚化效果的绿色树林背景,慢慢向左转身。 | I could say I started at the depths of feeling depressed and isolated in general, really. | 4.33 |
| 36 | 中景 | ![]() | 仰拍茂密树冠,阳光从枝叶间透出,随着镜头旋转产生眩晕感,光芒渐强。 | Like, example, when I was homeless, I would take pictures of like where I would stay, | 3.27 |
| 37 | 近景 | ![]() | 非裔男子站在有着旋涡状虚化背景的树林前,阳光从上方照下产生光晕。 | places where I would like live and stuff. | 3.60 |
| 38 | 远景 | ![]() 长镜头 | 阳光明媚的公园内,有人坐在长椅上,有人在打乒乓球,环境悠闲。 | Because like, I'll have photographs of, perhaps, a bench chair in a park. | 11.43 |
| 39 | 全景 | ![]() | 城市公园绿地,近处是绿草坡,中景有平坦草坪和绿树,远景是建筑群。 | 1.93 | |
| 40 | 远景 | ![]() | 白框画中画,一名男子躺在公园草地上休息,前方有鸽子,背景有红色双层巴士。 | I've slept for maybe a week, a couple of weeks, on that bench. That was my bed. | 2.03 |
| 41 | 远景 | ![]() | 白框画中画,夜晚的公园绿地景观,背景可见带灯光的城市建筑和夜空。 | You know, the surrounding part of that green area in the park was my room. | 1.50 |
| 42 | 特写 | ![]() | 特写镜头,几朵深红色五角星形花朵在茂密的绿叶中盛开,背景虚化。 | 3.33 | |
| 43 | 近景 | ![]() 长镜头 | 非裔男子走在河边步道上,背景是蓝天白云下的城市滨水景观和摩天大楼。 | And then I went to a shelter where they provide a breakfast and somewhere where you can wash. And they had workers there, and one of the workers saw my photography and said I should become part of Cafe Art's photography group. | 14.67 |
| 44 | 全景 | ![]() | 一只鸽子站在河岸石墙边起飞,背景是带红色支柱的大桥和城市高楼。 | 4.67 | |
| 45 | 远景 | ![]() | 阳光下的城市街道,左侧是红砖建筑,右侧是现代办公楼,行人在街上穿梭。 | 4.63 | |
| 46 | 近景 | ![]() | 中年男性对着镜头交谈,背景是明亮的现代办公环境。 | So MyLondon started in 2013. | 2.67 |
| 47 | 全景 | ![]() | 室内讲座正在进行,讲师在投影幕前讲解,台下坐满听众。 | It's a photography project where every year we give out 100 single-use film cameras... | 1.47 |
| 48 | 中景 | ![]() | 一群不同族裔的观众坐在观众席上看向前方,光线略显昏暗。 | ...to people who are homeless. | 1.77 |
| 49 | 特写 | ![]() | 特写:木桌上摆放着一台贴有 MY LONDON 标志的富士一次性相机和几份文件。 | 1.20 | |
| 50 | 中景 | ![]() | 一群观众坐在室内石墙前望向前方,中心是一名穿黑色连帽衫的侧影。 | And they have seven days to take photos of the London they love. | 1.23 |
| 51 | 中景 | ![]() | 戴深色鸭舌帽的老年男性坐在椅子上望向侧前方,背景是浅色石砖墙。 | 1.43 | |
| 52 | 特写 | ![]() | 男子用蓝色圆珠笔在文件上签字,旁边放着两部贴有标志的胶卷相机。 | 1.83 | |
| 53 | 特写 | ![]() | 两台富士一次性胶卷相机摆在桌面上,背景中一名女性低头书写。 | - So, grab 22. - All right. | 1.80 |
| 54 | 近景 | ![]() | 室内,非裔男子正专注地拿纸条操作,身旁长发女性也在查看纸张。 | Camera 22. Right, put your name on it. | 4.83 |
| 55 | 特写 | ![]() | 戴鸭舌帽的男子正全神贯注地低头登记书写,桌上整齐排列着胶卷相机。 | Yeah. | 4.53 |
| 56 | 全景 | ![]() | 长桌前,一名背对镜头的年长男性在整理桌面上大量照片,背景有大片落地窗。 | 1.33 | |
| 57 | 中景 | ![]() | 数十张冲印出的彩色照片平铺在木质桌面上,涵盖各种城市和自然场景。 | We get the cameras processed... | 1.13 |
| 58 | 近景 | ![]() | 四名职员在办公室长桌前站立或坐着,正在低头挑选讨论,气氛专注。 | ...and a panel of judges from a variety of backgrounds, from photography to homelessness... | 1.17 |
| 59 | 中景 | ![]() | 多张冲印好的彩色照片不规则地平铺在桌面上,内容多样,镜头静止。 | ...choose the top 25. | 1.10 |
| 60 | 特写 | ![]() | 多张户外风景、建筑和街道照片铺在木纹桌面上,错落有致。 | 1.17 | |
| 61 | 特写 | ![]() | 桌面散落的照片特写,中心照片是一只小狗和相机,有室内灯光反光。 | 1.80 | |
| 62 | 全景 | ![]() | 四名职员并排站在长桌前,俯身专注挑选桌上大量的照片。 | 2.63 | |
| 63 | 特写 | ![]() | 室内摄影展架上悬挂着一部贴有 MY LONDON 贴纸的胶片相机,背景虚化。 | 1.67 | |
| 64 | 中景 | ![]() | 室内金属网架上夹着多张照片和一张白底红字的“Vote Here”投票告示。 | The public vote, and from that we get 12 or 13 photos... | 1.60 |
| 65 | 特写 | ![]() | 一名女性低头在印有 MYLONDON 的日历上书写,右侧展示架挂着照片。 | ...that go into a calendar. | 1.47 |
| 66 | 多景别 | ![]() 快速剪辑 | 快切片段:男子在会议室翻阅照片、整理照片,最后翻开含有彩色人物照片的挂历。 | 3.70 | |
| 67 | 特写 | ![]() | 画册封面特写,印有 MY LONDON 标志和橙色西装时尚人物的摄影作品。 | 1.27 | |
| 68 | 全景 | ![]() | 伦敦街头,穿红衣的非裔男子背对镜头在路边操作手机,行人走过,背景有红色大巴。 | 2.30 | |
| 69 | 全景 | ![]() | 镜头隔着马路拍摄对面的欧式建筑和商铺,有汽车疾驰而过,一人在路边拍照。 | That's The Simpson's-in-the-Strand Savoy Hotel. | 1.67 |
| 70 | 近景 | ![]() | 非裔男子走在街道上讲话,背景是古典欧式建筑和车辆。 | Um... it's a place I used to work when I was young. | 2.27 |
| 71 | 远景 | ![]() | 镜头远望带有商铺的街面,一辆灰色SUV和黑色汽车快速驶过,接着一辆出租车横穿镜头。 | I was a chef. | 2.17 |
| 72 | 全景 | ![]() | 非裔男子穿过拥挤的街头人行道,然后转向走进一个昏暗的建筑入口。 | That type of life was I was very... very enthusiastic, very naive to the world, um... willing to work everywhere and anywhere to get all sorts of skills. | 9.40 |
| 73 | 远景 | ![]() | 仰拍高处施工中的建筑脚手架和旁边的现代玻璃幕墙,带有眩晕模糊动效。 | 4.23 | |
| 74 | 中景 | ![]() | 后厨内,两名穿白厨师服和高帽的厨师正低头忙碌,前景有遮挡。 | 2.00 | |
| 75 | 特写 | ![]() | 手握小刀在绿色砧板上快速切红辣椒特写,动作飞快。 | But every great time has a bad time, right? | 0.87 |
| 76 | 近景 | ![]() | 戴着亮绿色半透明镜框眼镜的非裔厨师正专注地低头操作,侧脸特写。 | Sometimes in the kitchen it can get stressful. | 1.43 |
| 77 | 中景 | ![]() | 非裔男子戴墨镜、背双肩包站在城市街道讲话,背景有大巴和货车通过。 | I've had panic attacks in kitchens and anxiety attacks... | 1.10 |
| 78 | 特写 | ![]() | 暗调厨房环境中,燃气灶金属炉头点亮一圈蓝色的火苗特写。 | ...because of the amount of stress that's going on. | 0.90 |
| 79 | 中景 | ![]() | 非裔厨师正在操作台前低头处理胡萝卜块,前景有商用厨房机器。 | I've seen chefs cry in kitchens. | 2.47 |
| 80 | 中景 | ![]() | 戴着黄边眼镜的非裔男厨师正在后厨低头专注工作,背景模糊。 | I mean, for myself, in particular, I've had moments where I've been working in a kitchen and people have decided to be verbally abusive. | 1.80 |
| 81 | 特写 | ![]() | 一只手正在触碰操作商用烤箱的电子控制面板按钮。 | 0.63 | |
| 82 | 特写 | ![]() | 双手拿着黄柠檬在金属擦丝器上快速摩擦出柠檬皮屑特写。 | 0.90 | |
| 83 | 近景 | ![]() | 穿红色围裙的厨师侧立,正往铺满面纸的托盘里挤淋油脂,背景虚化。 | I was working at one particular private members club where... | 1.27 |
| 84 | 中景 | ![]() | 多名穿着白厨师服的厨师在狭窄拥挤的不锈钢工作台前忙碌,有动感模糊。 | ...racism in the workplace was more or less acceptable. | 1.77 |
| 85 | 特写 | ![]() | 一只平底锅被放置在燃着蓝色火焰的燃气灶炉头上,压向火苗。 | 1.13 | |
| 86 | 特写 | ![]() | 特写:厨师的手拿着刀柄在绿色砧板上用力拍扁大蒜瓣。 | He used the n-word on me and said... | 1.60 |
| 87 | 特写 | ![]() | 双手正在烘焙油纸上揉捏和按压泛着微光的生面团,前景有手影快速移动。 | ..."You need to chill out, my n-word." | 1.23 |
| 88 | 特写 | ![]() | 特写:厨师拿着擦丝器在金属盆上方熟练地擦出柠檬皮屑。 | And I was like, no, that's not happening. | 1.10 |
| 89 | 特写 | ![]() | 深肤色男子戴着荧光绿色眼镜、穿着白厨师服,正低头工作,明暗对比强烈。 | In the heat of the moment... | 1.93 |
| 90 | 特写 | ![]() | 厨师用铁铲往发烫的金属铁板上泼水刷洗,激起大量白色水蒸气。 | 1.17 | |
| 91 | 特写 | ![]() | 容器内部充满翻滚的白色烟雾(像干冰升华),手持金属工具在里面翻动。 | ...you can kinda like... | 1.30 |
| 92 | 特写 | ![]() | 充满蒸汽的厨房里,粗壮的右手臂挥动厨具翻炒,烟雾缭绕。 | ...lose your cool. | 1.30 |
| 93 | 特写 | ![]() | 厨房铁板上浓雾弥漫,隐约可见一只手拿着铲子在蒸汽下方操作。 | 0.93 | |
| 94 | 中景 | ![]() | 从缝隙窥视,戴白高帽和黑框眼镜的厨师低头在处理食材,有前景遮挡。 | I think that's the nail that... | 1.67 |
| 95 | 大特写 | ![]() | 侧脸特写:戴明亮绿框眼镜的厨师正神情严肃地低头专注操作。 | ...that popped my balloon of stress... | 1.17 |
| 96 | 特写 | ![]() | 特写:深色双手正用削皮刀给芒果剥皮,果皮垂下,背景模糊。 | ...and allowed all my anxiety and, and trauma to come out. | 3.77 |
| 97 | 特写 | ![]() | 戴亮黄边框眼镜的非裔男子低头的面部侧特写,浅景深。 | 2.97 | |
| 98 | 特写 | ![]() | 光线较暗的厨房中,双手正在为绿黄色的芒果削皮。 | Got into a fight. Very serious fight... | 2.20 |
| 99 | 近景 | ![]() | 非裔男子戴墨镜、背双肩包在白天街头行走讲话,背景有古典大楼。 | ...in the middle of a kitchen. | 3.33 |
| 100 | 多景别 | ![]() 快速剪辑 | 快切镜头展示厨师磨刀、仰视面部及飞快切红辣椒的多个动作片段。 | 3.87 | |
| 101 | 中景 | ![]() | 戴黄边眼镜的非裔男厨师表情平稳站在厨房,周围的人和背景呈径向模糊。 | After that I kinda like fell into a descent, started to... | 2.27 |
| 102 | 多景别 | ![]() 快速剪辑 | 极快的模糊转场:从厨房里的厨师工作切变到持相机在街头行走的非裔男子。 | ...take more drugs. Ended up losing everything which I kinda cherished. I.e. friends, family... | 13.03 |
| 103 | 中景 | ![]() | 伴随强烈的运动模糊,背相机的非裔男子站在繁忙的街道中央,红色大巴驶过。 | 1.20 | |
| 104 | 中景 | ![]() | 非裔男子举着银色相机在街头拍照,四周产生向外发散的强烈模糊动效。 | ...and my home from above my head. | 1.70 |
| 105 | 中景 | ![]() | 非裔男子背双肩包在街上行走,背景街道呈强烈向外发散模糊动效。 | 1.43 | |
| 106 | 中景 | ![]() 快速剪辑 | 非裔男子持相机站立街头,随剧烈旋转镜头,背景严重虚化并伴有彩虹光晕。 | Became homeless for like seven years. | 1.90 |
| 107 | 远景 | ![]() 长镜头 | 俯视视角下,非裔男子走到幽暗楼梯间的下端出口走向明亮的街道。 | But photography has been the... one of the things that sustained me... | 21.83 |
| 108 | 全景 | ![]() | SPITALFIELDS市场入口前,骑自行车的男子穿梭而过,多名行人在走动。 | ...through my stressful periods of time. | 2.43 |
| 109 | 近景 | ![]() | 白色网架上挂着摄影作品,最显眼的一张人物照片上贴着数字25。 | Cause each day is bleak when... | 2.33 |
| 110 | 中景 | ![]() | 展览室内,一群观众在观看前方,几名男士用力鼓掌欢呼。 | ...like, you know... You don't wake up in a fancy place. You know what I mean? | 1.73 |
| 111 | 中景 | ![]() | 穿蓝白条纹衬衫的灰白胡须男子夹着书或文件夹在海报板前交谈。 | Welcome to the exhibition. So we're gonna print 4,000 calendars, | 2.23 |
| 112 | 中景 | ![]() | 长发女性背双肩包在看展板上的摄影作品和文字介绍,右方有过往人群。 | gonna sell it here in the market, in some train stations. | 2.40 |
| 113 | 中景 | ![]() | 展架挂着大照片,显示戴墨镜老人抱着黑猫,左上有数字22。 | When we do the award ceremony and hand out prizes, | 1.57 |
| 114 | 近景 | ![]() | 展架上挂着带有红色电话亭等元素的照片,上面有红字投票引导标牌。 | 1.13 | |
| 115 | 近景 | ![]() | 平移特写一张照片,年轻女性坐在红砖墙边看报刊,画面充满复古感。 | we give out 2,000 pounds worth of prize money to the top 25. | 1.33 |
| 116 | 近景 | ![]() | 穿蓝条长袖衫的男子在笑声中向一名年轻男子分发证书或卡片,年轻男子展示后走开。 | Since 2013, we've paid out £300,000 to the photographers and the people selling the calendar. | 1.50 |
| 117 | 全景 | ![]() | 室内公共空间里,有人递出一叠纸,左右的男子微笑并接过看向纸张。 | So the idea is that people can earn money from their creativeness. | 4.50 |
| 118 | 近景 | ![]() | 留胡须的中年男性在明亮的办公室内接受采访,侧方窗户透入日光。 | 3.03 | |
| 119 | 近景 | ![]() | 快切:长桌上的风景明信片、梅花鹿照片特写以及黑白的自动扶梯摄影作品。 | 6.03 | |
| 120 | 多景别 | ![]() 快速剪辑 | 照片特写:女性走在画有巨大绿色老人面孔的半残粉紫色砖墙前。 | 1.97 | |
| 121 | 全景 | ![]() | 黑色洞洞板上挂着雨后自行车倒影的摄影照片,背景为虚化的展览人群。 | 1.40 | |
| 122 | 近景 | ![]() | 展架特写照片,两只小狗坐在带伦敦标识的三轮车上,右侧一只手指指着该照片。 | That is Chanel the mummy, and that's Paris the daughter. | 2.70 |
| 123 | 特写 | ![]() | 深色卷发女性蹲在展架旁指着18号小狗照片说话,表情生动。 | It means a lot to be part of this, especially because I've been affected by homelessness from a domestic abuse situation. | 2.33 |
| 124 | 中景 | ![]() | 戴着墨镜在头顶、穿红色爱心图案上衣的长卷发女性在网格展架旁接受采访。 | 2.40 | |
| 125 | 近景 | ![]() | 女性站在街头,旁边展架夹着伦敦红电话亭照片,她正向镜头讲述。 | I ended up in a woman's hostel. | 5.03 |
| 126 | 近景 | ![]() | 女性站在户外讲述,旁边有照片展架。 | I stayed there for five months. | 2.53 |
| 127 | 中景 | ![]() | 包含吉娃娃和小花车以及一张蓝紫夸张人像涂鸦等城市摄影作品贴墙组合展示。 | And through a lot of obstacles, I came to London and London has been my home. | 5.03 |
| 128 | 近景 | ![]() | 穿红色外套的深肤色女性站在街头接受采访,一旁有网架夹着照片。 | And you can come out and you can be stronger. | 5.30 |
| 129 | 中景 | ![]() | 该深肤色卷发女性站在MY LONDON海报前看着前方说话。 | And it's a journey, it's a journey. | 1.13 |
| 130 | 中景 | ![]() | 夹在银色网格架上的照片特写:带有文字的英国国旗在伦敦街景中飘扬。 | 4.57 | |
| 131 | 近景 | ![]() | 穿黄色反光背心的中年男子在户外明信片架前扭头说话并低头看。 | My name is Kevin, and, uh, this is my photo, photo 12. | 2.63 |
| 132 | 近景 | ![]() | 照片特写编号12:穿涂鸦黄裤和黑马丁靴的人的下半身,背景有双层巴士。 | I basically went to Tottenham Court Road, saw this guy standing there with these trousers, and they look like a pair of Victorian curtains. Yeah? | 1.27 |
| 133 | 特写 | ![]() | 穿黑T恤和黄色反光背心的络腮胡男子在户外明信片架旁讲话。 | And I thought I've got to get a picture of them. It was only when I actually got down onto the floor... | 4.90 |
| 134 | 近景 | ![]() | 再次展示12号涂鸦裤和马丁靴照片,画面平稳。 | ...that it sort of brought up a lot of sort of feelings in me, and it was only afterwards I realized... | 5.30 |
| 135 | 中景 | ![]() | 穿黄色背心的胡茬男子在蓝灯装饰建筑外讲话。 | ...that's actually, that was a perspective that I used to see all the time when I used to actually be on the street homeless. | 2.27 |
| 136 | 近景 | ![]() | 带有反光条黄色背心的胡茬中年男子站在白色标牌旁微笑。 | I was homeless, on and off, for many years, uh, 15 years. | 3.33 |
| 137 | 特写 | ![]() | 络腮胡男子背黑包穿反光背心在户外明信片架前看向前方讲述。 | I had a difficult childhood. I think for me, what happened was I got involved in drugs and all that kind of stuff, which the next thing you know, you know, you lose everything. | 6.27 |
| 138 | 中景 | ![]() | 胡茬男子穿反光背心站在室内展厅里面对镜头,表情严肃。 | Sensing yourself just being part of a group, uh, all focused on the same thing, working together, I just think that's... that's fundamental to you moving forward in your life, doing stuff like that. | 7.10 |
| 139 | 中景 | ![]() | 背巨大琴包的非裔男子穿过红砖店面的街头走向镜头。 | 6.67 | |
| 140 | 中景 | ![]() 长镜头 | 非裔男子背着包走进宽阔的工业风顶棚室内展厅,沿展板墙走过。 | I think the reason why today is important for photographers... | 18.50 |
| 141 | 中景 | ![]() | 非裔男子戴黄框眼镜在室内讲话,展厅顶棚有灯光。 | ...because a lot of us are solo artists. We're all working in our own zone. | 4.60 |
| 142 | 全景 | ![]() | 非裔男子侧头看右侧展架上的大量摄影作品。 | And when we come together and we look at each other's work, | 4.90 |
| 143 | 中景 | ![]() | 网格架特写,夹着两张照片,一张是由鞋子围成国旗,另一张是花伞。 | have a bit of debate, it's like constructive criticism, but from people who are on the same level as you. | 4.20 |
| 144 | 近景 | ![]() 长镜头 | 非裔男子在有黑色网格天顶的室内专注地陈述。 | It's also about taking part and being part of something which is actually productive and beneficial to people. | 10.73 |
| 145 | 中景 | ![]() | 非裔男子面向贴满照片的展板。 | 2.20 | |
| 146 | 特写 | ![]() | 网格展架向左平移,展示街道积水倒影照片等,背景虚化有人走动。 | Anyone can tell you what a good photo is or how it makes them feel. | 2.97 |
| 147 | 中景 | ![]() | 戴连帽衫棒球帽的黑人女性含泪面带微笑看向镜头,口罩拉下。 | And it doesn't matter what background they come from. | 4.17 |
| 148 | 近景 | ![]() | 穿黄色反光背心男子低头专注地看着照片网格架。 | They might be somebody who's homeless or they might be a company director. | 2.73 |
| 149 | 中景 | ![]() | 长发蓄须戴蓝色鸭舌帽和耳机的男子对着镜头微笑,背景有照片架。 | If you can take a photo, you can connect to other people. | 4.37 |
| 150 | 近景 | ![]() | 戴荧光黄框墨镜的非裔男子站在街角表情平静,背景建筑和树木模糊。 | And I think that's the benefit of the project. | 2.73 |
| 151 | 近景 | ![]() | 石砖路面上投出路桩和行人的斜向影子,画面向右横移。 | 2.43 | |
| 152 | 近景 | ![]() | 纯黑底色上显示两行白色手写英文标语文本。 | 3.40 | |
| 153 | 中景 | ![]() | 在特拉法加广场的阶梯下,背红色背包男子向右边喷泉方向走去。 | 3.97 | |
| 154 | 全景 | ![]() | 黑色背景上静止显示两行白色手写英文短句。 | 2.57 | |
| 155 | 其他 | ![]() | 前景人物虚化,背景是特拉法加喷泉和广场上走动的人群,晴天有云。 | 5.53 | |
| 156 | 全景 | ![]() | 黑底白字的手写体画面,呼吁支持无家可归者慈善机构,列出多个名称。 | 4.30 | |
| 157 | 其他 | ![]() | 包含主创职员表的画中画,画心展示彩虹涂鸦墙前的滑板少年。 | 6.63 | |
| 158 | 远景 | ![]() | 左右分屏包装,左侧展示彩色放射虚化装置视频,右侧显示音效字幕。 | 3.67 | |
| 159 | 其他 | ![]() 长镜头 | 两人背对背踩靠在透明红亚克力板两侧的下半身画面,底部有职员表。 | 20.40 | |
| 160 | 全景 | ![]() | 黑色背景下显示鸣谢机构标志组图,含 MY WORLD 及 CAFE ART。 | 4.17 | |
| 161 | 全景 | ![]() | 画面采用左右分屏布局。左侧为一个矩形视频框,内容是一个色彩艳丽、呈几何形状的艺术装置,背景为现代化的玻璃幕墙建筑,画面中心由于后期动效呈现出强烈的向外放射状模糊感。画面右侧为黑色背景,显示白色的演职员表信息。 | 3.13 | |
| 162 | 中景 | ![]() | 画面中出现两个人的下半身,分别位于画面左右两侧并背对背靠在两块垂直交叉的透明红色亚克力板上。左侧人穿着浅色牛仔裤和蓝白色运动鞋,右侧人穿着深色带有火焰图案的牛仔裤和蓝白色运动鞋。两人都将外侧的一只脚抬起并抵在中央的透明板上。背景为户外的草坪、树木和远处的长椅。画面下方有白色的职员表文字信息。 | 3.17 | |
| 163 | 其他 | ![]() | 在纯黑色的背景中央,上方显示带有下划线的手写体文字。下方排列着五个不同机构或品牌的标志,包括文字和图形组合,呈两行错落排布。整体呈现为片尾鸣谢名单的一部分。 | 5.57 |


































































































































































