共70个镜头,该分镜由光厂AI自动生成
| 镜号 | 景别 | 参考图 | 画面内容 | 台词/旁白 | 时长(秒) |
|---|---|---|---|---|---|
| 1 | 近景 | ![]() | 画面从失焦逐渐清晰,展示一名身穿深色外套的灰发男子背影,背景是阴沉的天空。 | 1.83 | |
| 2 | 特写 | ![]() | 男子穿着黑色皮鞋走上黑色金属楼梯,手持带有红色标记的盲杖探路。 | A man with a red cane walks upstairs. | 5.53 |
| 3 | 中景 | ![]() | 男子背对镜头,拄着盲杖沿着室外螺旋楼梯向上走,背影逐渐模糊。 | I was registered blind at age eight, | 5.07 |
| 4 | 远景 | ![]() | 室内,男子站在窗边,背景墙壁为红砖纹理,前景是虚化的两把沙发。 | by my 20s I lost my functional vision, | 5.13 |
| 5 | 特写 | ![]() | 男子的侧脸特写,光线从左侧照入,他正望向窗外。 | and by my 40s I lost all my vision. | 2.27 |
| 6 | 中景 | ![]() | 男子手持盲杖站在室外楼梯平台上,背景是红砖墙建筑。 | My name is Brent Stirton. I am a photojournalist. | 2.50 |
| 7 | 特写 | ![]() | 男子手部特写,手指触摸栏杆上的盲文凸点,下方出现白色标题文字。 | I spend a lot of my time looking at the intersection between man and the environment. | 5.30 |
| 8 | 特写 | ![]() | 另一名穿着卡其色衬衫的男子坐在椅子上,双手交握,背景暗淡。 | I'm Lawrence Gunther. I'm a conservationist, and my goal is to share my passion for the environment. | 2.77 |
| 9 | 中景 | ![]() | Lawrence 坐在椅子上,与左侧未露面的人交流,神情专注。 | A title, World Unseen. | 4.37 |
| 10 | 中景 | ![]() | Brent 坐在扶手椅上,面带笑容与人交谈,背景有明亮的窗户。 | I guess I should tell you a little bit about what I look like. | 1.50 |
| 11 | 中景 | ![]() | Lawrence 表情专注地在交谈,光线从左侧窗户射入,形成逆光。 | So, me and you are actually pretty much the same height. | 1.90 |
| 12 | 中景 | ![]() | Brent 面带微笑地开口说话,背景是工业风格的红砖墙和窗户。 | I think you're marginally better looking, but, um, I know you have very similar interests to me. | 5.93 |
| 13 | 特写 | ![]() | Lawrence 低头沉思,表情深沉,侧光勾勒出他的面部轮廓。 | Yeah, I am always trying to give voice to the environment | 2.33 |
| 14 | 近景 | ![]() | 镜头下移至 Brent 交叠放在膝盖上的双手,背景有红砖墙和窗外光线。 | and whether it's through Indigenous people or Native or Inuit. | 2.43 |
| 15 | 特写 | ![]() | Brent 的后脑勺和侧脸特写,对面是模糊的 Lawrence 在说话。 | But it's amazing because they're connected to nature in ways we can't even imagine. | 2.17 |
| 16 | 特写 | ![]() | Lawrence 侧头倾听,神情专注,视线看向下方。 | I am a photographer who works on things like the illegal wildlife trade, | 2.13 |
| 17 | 特写 | ![]() | Brent 侧身坐着,眼神深邃,若有所思地看向斜下方。 | on sustainability issues. Just, how can we go forward in a greater balance? | 1.60 |
| 18 | 特写 | ![]() | Lawrence 的面部特写,目光向下,表情深沉,侧光照明明显。 | I'm always coming back to the idea that animals just have the same rights as we do. | 2.43 |
| 19 | 特写 | ![]() | 镜头聚焦 Brent 搭在膝盖上的手部,背景是模糊的 Lawrence。 | Why do we make this assumption that there is a hierarchy in the world and we're at the top of it? | 2.40 |
| 20 | 大特写 | ![]() | Lawrence 视线转向侧前方,表情严肃且带有沉思感。 | I totally get what you're saying. You know, when I'm outside, | 1.73 |
| 21 | 特写 | ![]() | Brent 神情凝重地注视着斜前方,背景有红砖墙和光影。 | and my hearing expands because it's not bouncing off walls anymore, | 2.80 |
| 22 | 特写 | ![]() | 镜头从 Lawrence 的侧脸向下移动到他紧握的双手。 | and it stretches out over a big body of water | 2.77 |
| 23 | 特写 | ![]() 长镜头 | 镜头围绕 Brent 的背部和侧脸缓慢环绕,展示他的银发和光影。 | and I can hear birds on the shore and the waves. And I think, I am so insignificant. | 16.43 |
| 24 | 特写 | ![]() | Brent 的侧脸特写,正在开口说话,背景有柔和自然光。 | So let me paint a picture for you. | 2.40 |
| 25 | 特写 | ![]() | 镜头从 Brent 的后方聚焦,他稍转头露出侧脸,对面有模糊人影。 | I went to Kenya, where they have the last three existing northern white rhinos, | 4.60 |
| 26 | 中景 | ![]() | Lawrence 情绪有些激动地说话并伴有手势。 | and at the time this is a 24/7 care situation. So you have these rangers that are with them all the time, | 4.27 |
| 27 | 特写 | ![]() | Lawrence 表情平静深沉,光线勾勒出面部轮廓。 | because they are that valuable, that unique. | 2.50 |
| 28 | 近景 | ![]() | Lawrence 双手比划着手势进行陈述,背景有柔和自然光。 | Pictures are great, but for blind people it's still this whole aspect of our world that we have no connection to. | 4.77 |
| 29 | 特写 | ![]() | 镜头特写 Brent 搭在膝盖上的双手,手指有轻微颤抖。 | What if I could present you a picture | 3.40 |
| 30 | 特写 | ![]() | 镜头透过背对画面的 Lawrence 拍摄模糊对坐的 Brent。 | that is in a form that is more tangible for you than it's ever been before? | 4.20 |
| 31 | 特写 | ![]() | Lawrence 面容憔悴,眼神中透出深思,微微张口。 | In a gallery, Brent leads Lawrence to a large plaque with braille, | 7.33 |
| 32 | 特写 | ![]() | 带有盲文凸点的棕褐色纹理表面由虚焦逐渐变为实焦。 | standing in front of a photograph. | 1.37 |
| 33 | 空镜 | ![]() | 蓝天白云背景下,整齐排列的深色盲文点阵散布在整个画面中。 | Now, I want you to put your hands onto something for me, okay? | 1.50 |
| 34 | 特写 | ![]() | 带有盲文凸点的照片特写,背景虚化显示两人走来。 | Lawrence runs his fingers over the braille and reads out loud. | 2.83 |
| 35 | 特写 | ![]() | Lawrence 的手在倾斜的展示台上轻抚盲文,背景为红砖墙。 | A magnificent northern white rhinoceros dominates the scene. | 4.93 |
| 36 | 近景 | ![]() | Brent 神情严肃地直视前方,背景是模糊的 Lawrence。 | 2.67 | |
| 37 | 特写 | ![]() | 戴着戒指的手在布满盲文凸点的斜面上轻轻触摸滑动。 | His colossal head, with a bump in the place of his horn, | 1.93 |
| 38 | 近景 | ![]() | Brent 侧脸带着笑意低语,左侧背景是模糊的戴帽男子。 | 4.70 | |
| 39 | 大特写 | ![]() | 带有盲文凸点的蓝色卡片表面大特写,呈现蓝天白云图案。 | Nature deserves our support, and in exchange she will take care of us. | 2.03 |
| 40 | 远景 | ![]() | 两人并排站在展厅内的黑色展示架前交流,背景有拱形窗户。 | Now I want you to come over here. | 1.83 |
| 41 | 特写 | ![]() | Brent 侧身站立,神情沉稳,似乎在观察某物。 | Another plaque. | 1.70 |
| 42 | 特写 | ![]() | 镜头平移展现盲文跨越棕褐色褶皱纹理表面和光滑背景的分布。 | Oh yeah, what you're feeling is this rhinoceros, okay? | 4.07 |
| 43 | 特写 | ![]() | 戴戒指的手在白纸上缓缓移动,指尖触摸盲文点位阅读。 | Like I can feel the skin, it's so rough. My goodness. | 1.73 |
| 44 | 特写 | ![]() | 镜头从男子按在展品上的手向上摇至他带着灰色胡须的面部。 | This is... A rifle stands in low relief. | 2.83 |
| 45 | 特写 | ![]() | 戴戒指的手指滑过带有盲文凸点的生锈金属展示板。 | Now what you're feeling is the ranger who's scratching his chest. | 3.10 |
| 46 | 近景 | ![]() | Brent 微微低头面带微笑,背景有窗户光影,氛围温馨。 | Oh, that... look right there. That's... okay. | 2.30 |
| 47 | 特写 | ![]() | 手在倾斜展示牌边缘滑动,盲文细节逐渐清晰。 | Lawrence touches the 3D photo. | 1.57 |
| 48 | 特写 | ![]() | 手在带有破损痕迹的深色平整表面上抚摸,其中一只戴着戒指。 | This is a whole new way of seeing. | 3.13 |
| 49 | 近景 | ![]() | Lawrence 面带微笑低头观察,背景有窗户光影。 | It's beautiful because you've got the textures, you've got the raised and lowered areas, but it's still a picture. | 3.93 |
| 50 | 特写 | ![]() | 戴戒指的手在凹凸纹理的深褐色表面上抚摸游走。 | I've never felt anything like this before in my life. | 3.20 |
| 51 | 特写 | ![]() | 镜头掠过印有步枪图案的浮雕感表面,展示凹凸质感。 | What I'm feeling here and the differences in the skin texture... that feels a lot like the animal. | 2.73 |
| 52 | 大特写 | ![]() | 深棕色带有细小颗粒状纹理表面的大特写,焦点缓慢移动。 | People are gonna go nuts for this. | 4.00 |
| 53 | 中景 | ![]() | 两人相对而立愉快交谈,Lawrence 伸手轻触 Brent 的手臂。 | You think so? Oh yeah. | 3.60 |
| 54 | 特写 | ![]() | Brent 戴着戒指的双手在深褐色浮雕表面上轻轻触摸。 | I am so privileged to be here and experience this. | 7.03 |
| 55 | 特写 | ![]() | 焦点清晰展现类似犀牛头部的粗糙褶皱皮肤质感。 | Oh man. This is my dream. | 2.77 |
| 56 | 特写 | ![]() | 逼真的动物皮肤纹理拼图块特写,表面有深棕色褶皱。 | Really? | 2.97 |
| 57 | 近景 | ![]() | Brent 低头带笑,背景中可见模糊的 Lawrence。 | Brent puts a hand on Lawrence's shoulder. | 1.97 |
| 58 | 特写 | ![]() | 布满皱纹的手平放在倾斜表面上,无名指带有金色戒指。 | Lawrence rests his fingers on the bumpy skin of the rhino. | 2.20 |
| 59 | 近景 | ![]() | 两人并排站立看着下方,面带微笑,神情愉悦。 | I never thought there'd be a day when a photograph could make me feel this way, man. | 1.90 |
| 60 | 大特写 | ![]() | 红褐色粗糙鳞片状纹理大特写,局部伴有深色暗纹。 | This is amazing. | 2.97 |
| 61 | 特写 | ![]() | 戴戒指的手抚摸展板上棕褐色浮雕纹理,光线形成反光。 | Lawrence takes Brent's arm, and they walk away. | 2.27 |
| 62 | 中景 | ![]() | 两名男子对面而立,开怀大笑交谈,背景有自然光。 | The framed photo of the white rhino surrounded by armed park rangers hangs on a brick wall behind the plaques. | 1.43 |
| 63 | 特写 | ![]() | 戴戒指的手在粗糙有光泽的棕色皮革物件上缓慢滑过。 | One ranger crouches with their hand under the rhino's leg, touching his chest. | 1.70 |
| 64 | 近景 | ![]() | 两名男子低头共同观察某物,面带轻松微笑。 | White text appears on black. | 5.87 |
| 65 | 特写 | ![]() | 一只手搭在穿着墨绿色衬衫的肩膀上,伴有轻微拍打。 | Canon. | 2.93 |
| 66 | 特写 | ![]() | 戴戒指的手在立体质感地图的棕色浮雕区域触摸。 | 3.63 | |
| 67 | 近景 | ![]() | 两名男子在室内艺术背景前交谈,右侧男子侧向站立微笑。 | 2.47 | |
| 68 | 近景 | ![]() | 两名年长男性交谈,右侧男子侧脸微笑看着同伴。 | 3.60 | |
| 69 | 全景 | ![]() | 两人在装裱摄影作品前交谈后走开,画作上是犀牛和护卫。 | 8.57 | |
| 70 | 其他 | ![]() 长镜头 | 黑色背景上出现 WORLD UNSEEN 字样和红色斜线,随后切换为 Canon Logo。 | 9.97 |





































































