共210个镜头，该分镜由光厂AI自动生成
| 镜号 | 景别 | 参考图 | 画面内容 | 台词/旁白 | 时长(秒) |
|---|---|---|---|---|---|
| 1 | 远景 |  长镜头 | 画面黑色背景中心出现白色线框同心圆，随后一只巨大鲨鱼在深蓝色深海中由右向左缓缓游动，屏幕中央出现分段出现的白色英文艺术文字。 | When a moment of fate becomes a lifetime of purpose, Aloha lives in that moment. | 18.23 |
| 2 | 远景 |  | 夜晚道路上，一辆汽车开启大灯驶向镜头，光晕遮蔽背景，隐约可见道路两旁的树影和远处停放的车辆。 | The ocean | 2.80 |
| 3 | 全景 |  | 夜色中，一名赤裸上身的男子站在白色皮卡车尾，手动关闭车斗后挡板，车尾红灯照亮局部。 | nearly took my | 1.17 |
| 4 | 中景 |  | 深夜微光下，一名男性的侧影在模糊的树木背景中微微低头沉思，呈现疲惫状态。 | life but it's given me everything in my life. | 3.63 |
| 5 | 全景 |  | 深夜海边，一名穿着长外套的人在沙滩边缘呈现背影剪影，画面深暗，寂静孤独。 | This wasn't a planned out life | 2.90 |
| 6 | 中景 |  | 黎明海边，一名男性的剪影高举双臂做拉伸，背景是平静的水面和深蓝天空。 | but the ocean calls you. | 1.97 |
| 7 | 中景 |  | 昏暗的海面，一个人的下半身剪影涉水走向深水处，激起波纹，色调深蓝。 | 1.70 | |
| 8 | 中景 |  | 傍晚海岸，赤裸上身男子剪影跃入海水溅起白色浪花，水面随后恢复平静。 | 1.90 | |
| 9 | 远景 |  | 暗蓝色海面上，人在游泳划水带起细微浪花，背景天空昏暗深蓝。 | It almost feels like I'm | 3.03 |
| 10 | 大特写 |  | 一名肤色偏深、有皱纹的中年男子面部大特写，低头深思后缓缓抬头，目光严肃深邃。 | not in the driver's seat that I'm being steered in this direction. | 2.43 |
| 11 | 中景 |  | 人在幽暗海面上奋力游泳，视角随即下沉至水下，见其在水下划水并产生大量气泡。 | 1.80 | |
| 12 | 特写 |  | 戴黑潜水镜的男子在昏暗水面奋力向前游泳，随浪起伏呼吸，手臂划水溅花。 | 2.17 | |
| 13 | 中景 |  | 模糊的冷色调水面上，人在奋力游泳溅起水花。 | I would never have thought my | 0.87 |
| 14 | 特写 |  | 身穿灰色T恤的短发中年男子正对镜头说话，表情平静略显沉重。 | life would revolve around sharks | 1.30 |
| 15 | 近景 |  | 微光海面上，戴潜水面罩和呼吸管的摄影师手举带防水壳的专业相机面对镜头，画面出现OluKai和THE CALL字样。 | But see life's irony. | 7.03 |
| 16 | 航拍 |  | 航拍考爱岛北岸，晨雾中连绵山脉与翠绿树冠、零星房屋及开阔水面相互交织。 | North Shore's elevated surf is the other story we've been seeing big north | 8.53 |
| 17 | 全景 |  | 阳光下蓝色平房门前，有修剪整齐灌木、摩托艇、白色皮卡及覆盖着布的车辆停放。 | the last couple of days another set rolling in sometime over the weekend so keep it tuned here the next front maybe arriving Monday. | 2.80 |
| 18 | 特写 |  | 身穿蓝色上衣的男子将电热水壶里的热水倒入装有咖啡粉的法压壶中，冒着热气。 | 2.77 | |
| 19 | 全景 |  | 摄影师Mike Coots拿着杯子走进放有大型打印机及各类摄影器材的工作室坐下。 | My very first photograph of the ocean was with a disposable | 8.40 |
| 20 | 特写 |  | 摄影师Mike Coots面朝镜头接受采访，背景虚化显示相框和室内轮廓。 | film camera, I think you got like 24 or 36 shots, | 3.30 |
| 21 | 中景 |  | 身穿蓝色短袖的男子坐在工作台前，用笔记本电脑处理鲨鱼照片。 | there was always one good shot and it was really to show my parents. | 3.47 |
| 22 | 近景 |  | 办公桌前的人正在用MacBook Pro上的Lightroom修饰鲨鱼头部特写照片。 | They weren't die-hard ocean | 2.40 |
| 23 | 特写 |  | 中年男性神情专注，先闭眼后睁开，背景为虚化办公环境。 | loving as as much as I am. | 1.17 |
| 24 | 近景 |  | 阳光下，老年夫妇微笑并排，老夫人依偎在身穿CAF恤的老先生肩头。 | I love the sound of the ocean and the beauty of the ocean but | 4.57 |
| 25 | 近景 |  | 室内，老年夫妇Karla和John面对镜头接受采访，神情生动交流。 | I'm scared to death of it. I'm scared of sharks. I like rivers and lakes a lot more than salt water. | 6.47 |
| 26 | 全景 |  | 三个拿冲浪板的青少年在海滩微笑合影，展现复古胶片感。 | All my friends love the ocean, | 1.53 |
| 27 | 中景 |  | 左侧为穿椰子树T恤微笑男孩照，右侧胶片底片样式排列着该男孩同样照片。 | it's all we talked about in | 0.93 |
| 28 | 全景 |  | 左侧男童特写证件照，右侧网格排列多张同款缩小照，呈现排版效果。 | elementary school. He was the photographer | 1.50 |
| 29 | 特写 |  | 满头灰白卷发的老年女性侧立开怀大笑，背景为柔和光线下的室内环境。 | guy so that was way cool. | 2.13 |
| 30 | 近景 |  | 中老年夫妇面对镜头，女在说话，戴鸭舌帽的男神情严肃倾听。 | So that was kind of another part of him. | 2.87 |
| 31 | 中景 |  | 黄衣男子趴在冲浪板上在波涛中穿行，海浪与蓝天白云相互映衬。 | You know and it just | 1.40 |
| 32 | 中景 |  | 穿黄色冲浪衣的男子趴在冲浪板上，在巨大卷浪隧道中高速滑行水花四溅。 | kept on going and it just got better and better. | 1.87 |
| 33 | 中景 |  | 室内受访的一对中老年夫妇并排而坐，由微笑逐渐转为大笑。 | We have no idea where that came from. It wasn't us. | 4.03 |
| 34 | 近景 |  | 肤色黝黑的成年男子微笑着接受采访说话，背景为室内。 | Started to learn how to use my thumb to hitchhike with friends and any way any way I could to get to get into the water. | 7.47 |
| 35 | 近景 |  | 年轻男子俯卧红冲浪板上划水后，迅速撑起站立滑行，激起白色浪花。 | 2.10 | |
| 36 | 中景 |  | 男子在清澈水中潜水，仰拍其上半身并有一手伸向镜头，水下有阳光折射光影。 | 1.87 | |
| 37 | 近景 |  | 年轻男子仰视镜头微笑，背景蓝天与隐约树木，呈复古相框感记录。 | 0.57 | |
| 38 | 全景 |  | 驾驶摩托艇的主观视角，逆光海面波光粼粼，远处隐约有岛屿。 | 1.40 | |
| 39 | 远景 |  | 湛蓝海面上，男子驾白色摩托艇疾驰溅起水雾，后方大浪翻卷。 | 1.43 | |
| 40 | 全景 |  | 潜水员主观视角下，手臂向前游动，周围有几条鲨鱼在深蓝海水中游动。 | 1.50 | |
| 41 | 中景 |  | 湿透的男士在海边浅滩活动并灿烂微笑，仰拍角度转向逆光天空。 | 0.77 | |
| 42 | 近景 |  | 两名潜水员在水下金属防鲨笼内，面向镜头右手比出六手势。 | 1.13 | |
| 43 | 全景 |  | 水下视角，冲浪者抓住冲浪板的剪影向上方的水面划动，水面波浪翻滚泛白。 | We were learning | 2.60 |
| 44 | 航拍 |  | 航拍巨大的海浪向岸边翻卷，浪尖吹起水雾，背景为朦胧海岸线与绿丘。 | how to surf in one of the most beautiful places in the world and it's just ever so right that you want to share that with | 5.33 |
| 45 | 特写 |  | Mike Coots面对镜头说话，神情专注，背景虚化可见画框和深色墙面。 | people you love | 0.93 |
| 46 | 远景 |  | 大浪中，男子踩着冲浪板在白色浪花顶端滑行，俯身保持平衡。 | And then that evolved into | 2.53 |
| 47 | 中景 |  | 水下，Mike Coots举着防水壳相机拍摄，周围布满气泡，光线透亮。 | shooting my friends surfing | 1.07 |
| 48 | 远景 |  | 冲浪者随冲浪板在浪尖跃起并侧倾，底部朝向镜头，飞溅大量水花。 | and then my friends got better | 1.13 |
| 49 | 近景 |  | 男子蹲伏在冲浪板上，于卷曲的海浪管前方滑行，左手伸出维持平衡。 | 1.13 | |
| 50 | 全景 |  | 冲浪者在巨大海浪管内部滑行，海浪在身后形成封闭水洞。 | got endorsements and were making money. | 1.30 |
| 51 | 近景 |  | 戴面镜和呼吸管的Mike Coots在海浪中托举防水相机，逆光下波光粼粼。 | I've been in some positions in the past to where we needed a photographer for some ad campaigns | 4.03 |
| 52 | 近景 |  | 戴迷彩帽的Ryan Hakman接受访谈，面部专注，背景为虚化室内。 | and Mike's just been my close friend and such a good photographer that I'm like oh he'll pull this off | 5.97 |
| 53 | 近景 |  | Kepa Kruse在户外树林背景前睁开眼说话，表情庄重专注。 | cause his talent is just limitless. | 2.73 |
| 54 | 中景 |  | 赤膊男子趴在冲浪板上在浪花中滑行，岸边有沙滩与棕榈树。 | Surfing all of his life and growing up it's helped him | 3.47 |
| 55 | 近景 |  | Jeremy Skiz Doudt在草地背景前接受访谈，抬头注视前方。 | get these images | 1.87 |
| 56 | 远景 |  | 夕阳下冲浪者的剪影连同冲浪板在海面跃起腾空，水花飞溅倒映晚霞。 | that other people | 1.13 |
| 57 | 特写 |  | 逆光夕阳中，海浪向上喷涌形成带细密水珠的半透明扇形水幕。 | can't really see. | 1.43 |
| 58 | 远景 |  | 橙黄色夕阳下，冲浪者剪影立于正在卷曲的巨大浪管前方。 | 1.47 | |
| 59 | 远景 |  | 夕阳逆光中冲浪者的剪影穿梭在卷起的波浪与水雾中。 | Growing up here as a photographer be very | 2.70 |
| 60 | 近景 |  | 戴迷彩帽的Ryan Hakman在柔和光线的室内接受访谈讲述。 | difficult especially in the surf world you know in Kaua'i you never you don't take pictures here it's kind of like the way we were brought up. | 5.87 |
| 61 | 特写 |  | Kepa Kruse在户外绿色树木背景前接受访谈，神情认真。 | And that's super important here because Kaua'i is so small and our spots are precious and protected. | 6.93 |
| 62 | 中景 |  | Jeremy Skiz Doudt坐在户外绿地前受访微笑讲述。 | So the fact that he was able to to find a niche here and take photos of professional surfers, | 8.07 |
| 63 | 全景 |  | 左臂残缺的女冲浪者踩板在浪墙上滑行飞溅白色浪花。 | everybody well-known around | 1.33 |
| 64 | 中景 |  | 金发男子蹲在浪管内冲浪，冲着镜头兴奋呼喊，水花翻滚。 | here, | 1.27 |
| 65 | 远景 |  | 女冲浪者腾空跃起在巨浪上方，动作极具张力，黑框排版效果。 | and they allowed him to do it, | 1.17 |
| 66 | 中景 |  | 男子在浪管内侧身穿行，表情专注惊讶，阳光映照水波。 | 1.57 | |
| 67 | 近景 |  | Jeremy Skiz Doudt在户外抬头正视镜头讲述，表情深沉。 | that says a lot about who he is. | 1.47 |
| 68 | 特写 |  | Kepa Kruse在户外环境面向镜头受访，表情凝重讲述。 | And he's really celebrating Kaua'i and what it is and and how special it is. | 3.63 |
| 69 | 特写 |  | Ryan Hakman在室内受访，说话时展露灿烂笑容。 | I don't think I've ever heard anyone say anything negative about Mike, ever. There's a lot of haters out there. | 7.30 |
| 70 | 近景 |  | Mike Coots在室内口播讲述，背景有模糊画框。 | Surfing was so important to my friends and I that we would not miss a swell. | 3.73 |
| 71 | 多景别 |  | Mike Coots抱板趴在海水里，随后在水面快速划水，远景有房屋群。 | And we saw a beautiful one coming um shortly after my 18th birthday. It was in late October. We woke up | 8.27 |
| 72 | 中景 |  | Mike Coots室内受访说话，背后隐约可见设备和挂画。 | very early before the sun came up, got down to the beach, | 2.13 |
| 73 | 特写 |  | Mike Coots面部特写，低头侧面望向镜头，神情深邃。 | the waves were absolutely going off. | 1.37 |
| 74 | 全景 |  | 金色余晖照耀下，带白色泡沫的海浪层层向岸边推进。 | There was a stranger that I'd never surfed with | 3.37 |
| 75 | 中景 |  | 水下视角，男冲浪者握着白色冲浪板穿透浪墙向下潜去，气泡细密。 | before and um he started paddling for a wave and so did I and | 4.30 |
| 76 | 特写 |  | Mike Coots在室内正对镜头讲话，表情认真，背景模糊。 | as soon as I made that first paddle motion, | 3.80 |
| 77 | 中景 |  | 水下镜头剧烈晃动，冲浪板与人没入蓝色深海中并被气泡遮掩。 | a large shark came out of the water, grabbed on to both my legs. | 5.20 |
| 78 | 大特写 |  | Mike Coots面部侧向大特写，眼神凝重严肃，回忆往事。 | I felt no pain, just like there was thousands and thousands of pounds of weight on my legs and | 4.97 |
| 79 | 特写 |  长镜头 | Mike Coots在室内直视镜头访谈，目光带有深思和些许忧伤。 | I punched it in the nose and it let go of my my legs. I got back on my board, I looked to the guy next to me, he didn't say a word, he just gave me this crazy like scary stare in a way. | 10.87 |
| 80 | 航拍 |  | 航拍宁静的白色弧形沙滩和波浪海面，雾霭笼罩远山和绿植房屋。 | My friend Kyle ran right up to me. He took my leash off my arm | 4.97 |
| 81 | 特写 |  | Mike Coots在室内正向镜头诉说，表情认真专注。 | and used that as a tourniquet. Uh later I found out that saved my life. | 4.23 |
| 82 | 中景 |  | 贴近水面的视角，黄昏时分深蓝水波缓缓起伏，倒映渐变天光。 | He said a prayer for me. I remember closing my eyes and | 5.17 |
| 83 | 特写 |  | Mike Coots在模糊的室内环境内讲话，神情略显放空。 | thinking I'm gonna die but it wasn't scary, it was sort of this surreal, really peaceful feeling in a way. | 5.97 |
| 84 | 特写 |  | 昏暗蓝调下的海浪冲刷沙滩后退去，在沙面上留下微弱反光的水迹。 | When I got the call right around eight in the morning I didn't think anything of it and I get on the phone and it's Bob | 8.93 |
| 85 | 特写 |  长镜头 | 室内访谈中，满头灰白卷发的女性面向镜头讲述，眼神流露悲伤与坚毅。 | And I get on the phone and it's Bob Apsado, Mike's coach, and he goes, "Carla, Mike's been in an accident, he's okay." | 11.57 |
| 86 | 中景 |  | 老照片展示一名年轻男子赤裸上身躺在病床上，右臂包裹着厚厚白色绷带。 | And so I'm, good! "He lost his leg. He's okay." | 3.90 |
| 87 | 中景 |  | 老照片中，年轻男子面带微笑躺在病床上，右前臂缠着厚实白色纱布。 | With everything, you go to that place where they're alive instead of what's not there, you go, what is there. | 2.50 |
| 88 | 近景 |  | 室内，老妇人正讲述，老先生戴着黑色棒球帽和墨镜倾听，两人穿着休闲装。 | 3.47 | |
| 89 | 特写 |  | 深蓝水域中，一名成年男性头部露出水面闭着眼睛沉思，光线暗淡压抑。 | I woke up a day later in the main hospital with my parents by my bedside. | 5.03 |
| 90 | 近景 |  | 室内，中年男子面对镜头微笑讲述，背景虚化可见相框和挂饰。 | They're like, "Mike, you lost your leg to a shark attack." I was like, "I know. I saw it happen." And that moment was a sign of relief for them. | 8.57 |
| 91 | 近景 |  | 老夫妇室内受访，女方带笑诉说，男方低头后看向镜头。 | You know, Mike had three out of four limbs with pretty big owies, and he's fine. So we're all good. | 9.27 |
| 92 | 特写 |  | 中年男子正面对镜头平静诉说，穿着灰色T恤，背景模糊。 | Sounds completely strange, but it didn't really bother me that much that I'm missing a leg because I could still ride waves. | 6.50 |
| 93 | 中景 |  长镜头 | 穿戴义肢的冲浪者趴在板上划水后迅速起身，在浪花中滑行。 | There was probably that moment in time after his shark attack where he was recovering, he needed to make a decision whether or not he was going to keep going in the ocean. | 20.30 |
| 94 | 近景 |  | 短发带胡茬男子户外接受采访，从沉思转为苦涩欣慰的微笑。 | I mean, he's never going to quit being a surfer. Let's just face it. That's in Coots' blood. | 5.33 |
| 95 | 近景 |  长镜头 | 带鸭舌帽的老年男性户外受访，神情凝重深思，时而轻触面部。 | I kind of anticipated that Mike would say one day, "Well, why me? Why did this happen to me?" And he never said that. I never, ever heard him say that. It's like, | 12.47 |
| 96 | 中景 |  | 沙滩特写显示装有义肢的男子在阳光下漫步，义肢结构明显。 | my life didn't really change that much. I just got a piece of carbon fiber and some titanium on my leg and that's it. | 5.83 |
| 97 | 多景别 |  | 戴义肢的冲浪者在海浪上滑行，兴奋地俯冲，激起白色浪花。 | He has always been a waterman. As soon as his wounds were slightly healed, got in the pool, and then into the ocean. | 5.33 |
| 98 | 全景 |  | 两名赤裸上身男子夹着冲浪板走在沙滩上，右侧者佩戴假肢。 | 0.83 | |
| 99 | 特写 |  | 中年男子特写，皮肤带水珠，目光坚毅后闭上双眼。 | 0.90 | |
| 100 | 远景 |  | 水下仰视，男子手持摄影机跳入深蓝海水中激起大量气泡。 | As I got older, I figured out how to use my prosthetic really well, | 1.83 |
| 101 | 多景别 |  快速剪辑 | 多段快剪：男子水下潜泳、带义肢的剪影、沙滩跑步及义肢细节。 | and there's really nothing I can't do that my friends can't do. | 4.60 |
| 102 | 特写 |  | 赤膊男子在青蓝色环境中呼吸急促，迅速侧倾脱焦。 | 1.27 | |
| 103 | 特写 |  | 沙滩脚印特写上摇，海浪拍打边缘，远处海岸线若隐若现。 | 1.63 | |
| 104 | 中景 |  | 昏暗深蓝海面上，男子佩戴泳镜正挥动手臂自由泳。 | 0.47 | |
| 105 | 远景 |  | 广阔海面微光中，游泳者向远处游动，留下淡淡水痕。 | 1.33 | |
| 106 | 中景 |  | 水下仰视坐在冲浪板上的冲浪者，左腿佩戴金属义肢垂在水中。 | It wasn't until years after the attack that I got a phone call from a lady named Debbie. | 5.87 |
| 107 | 远景 |  | 深蓝海浪翻涌，地平线尽头隐现带灯塔的岛屿轮廓。 | That phone call was probably one of the biggest moments in my life. | 8.43 |
| 108 | 特写 |  | 穿白色长袖者在工作台前掀开笔记本电脑屏幕并开始打字。 | 5.03 | |
| 109 | 中景 |  | 中年男子坐在室内，微笑抬手做打招呼手势。 | Hi, Debbie. How's it going? | 2.13 |
| 110 | 中景 |  | 笔记本电脑上正进行视频通话，屏幕上是卷发女性微笑交谈。 | Good. It's so good to see you. She was a shark attack survivor from Florida and was like, | 7.10 |
| 111 | 近景 |  | 短发男子在室内讲述，眼神略显疲惫。 | "Do you wanna help some other shark attack survivors lobby for shark conservation?" | 1.50 |
| 112 | 大特写 |  | 中年男子侧脸大特写，表情严肃深沉地说话。 | Words I'd never heard before. | 5.37 |
| 113 | 特写 |  | 灰衣男子室内正对镜头讲述，表情严肃。 | That phone call was the catalyst of watching Sharkwater. | 3.23 |
| 114 | 其他 |  | 黑色背景上逐渐放大显现“SHARKWATER”字样。 | Sharkwater was created by this guy, Rob Stewart. | 4.57 |
| 115 | 多景别 |  | 男子检查大型水下摄影机，随后在船上调整潜水装备。 | Sharks were my favorite animals on Earth. But all I'd heard about was how dangerous they were. | 4.40 |
| 116 | 中景 |  | 全副武装的潜水员在深水中游动，远处隐现鲨鱼。 | I'd never seen sharks filmed like that. | 2.87 |
| 117 | 远景 |  | 深海中大群锤头鲨向一侧游动，形成庞大的剪影群落。 | I had never seen people diving and swimming with sharks underwater. | 2.40 |
| 118 | 远景 |  | 潜水员向下潜入丁达尔效应光束中，下方有一头巨大鲨鱼游动。 | 2.87 | |
| 119 | 特写 |  | 大鲨鱼带着吸盘鱼游弋在湛蓝海水里。 | They talked about 100 million sharks a year killed for their fins. | 2.00 |
| 120 | 近景 |  | 被捕获的带血鲨鱼尸体倒挂着被运走。 | 1.20 | |
| 121 | 中景 |  | 处理过的巨大鲨鱼尸体并排躺在湿地上，工人来回走动。 | They talked about if sharks are removed from this Earth, | 1.80 |
| 122 | 全景 |  | 赤膊男子用力把带血的巨大鲨鱼尸体推入水中。 | 2.10 | |
| 123 | 中景 |  | 人手将带血肉块抛入海中，溅起浪花后沉没。 | so are we. | 1.10 |
| 124 | 特写 |  | 灰衣短发男子严肃真诚地面对镜头讲述。 | And next day, told Debbie, "I'm in. What can I do to help?" | 6.03 |
| 125 | 特写 |  | 户外，坐车门的男子弯腰系左脚运动鞋鞋带，可见蓝色腕表。 | 1.77 | |
| 126 | 特写 |  | 男子双腿迈步行走，左腿佩戴明显的黑色运动义肢。 | It was really that moment that changed the trajectory of my life. | 1.57 |
| 127 | 远景 |  | 热带植被环绕的柏油路上，佩戴运动义肢的Mike Coots正迎面跑来，背景为连绵山脉与阴天。 | It was really that moment that changed the trajectory of my life. | 2.97 |
| 128 | 近景 |  | 戴黑色鸭舌帽的Mike Coots在户外跑步，皮肤布满汗水，神情专注，背景为模糊山峦和暮色。 | 3.83 | |
| 129 | 近景 |  | Mike Coots在室内神情严肃地讲述，背景虚化隐约可见墙上挂画。 | That very phone call, who better to speak out for sharks than a bunch of shark attack survivors? | 3.83 |
| 130 | 特写 |  | Mike Coots背对镜头看着笔记本电脑屏幕，屏幕上Debbie Salamone正在讲话，桌面有办公用品。 | 2.50 | |
| 131 | 中景 |  | 明亮走廊内，数人正进入电梯，有人微笑着交谈，呈现日常办公氛围，画面下部出现说明文字。 | I never believed that people would listen to us as much as they did, that we would take it this far. | 3.40 |
| 132 | 全景 |  | 照片展示八名男女在户外建筑前合影，多人穿“SHARK ATTACK CONSERVATION”T恤，部分佩戴假肢或拄拐。 | 2.00 | |
| 133 | 中景 |  | 历史合影中，穿着“SHARK ATTACK”T恤的人员在宏大室内楼梯处并排站立，背景有拱形天花板。 | 2.63 | |
| 134 | 远景 |  | 四人站在华盛顿国会大厦前草坪合影，穿统一白色印花T恤，两侧男性腿部有明显假肢。 | Ultimately, we went to Congress. | 2.00 |
| 135 | 中景 |  | 室内议会大厅中，戴眼镜、穿深色西装的男子站在讲台麦克风前讲话，背景为红色座椅。 | I rise in support of H.R. 81, the Shark Conservation Act of 2009. | 3.77 |
| 136 | 特写 |  | Mike Coots在室内直视镜头严肃讲述，背景深度虚化，隐约可见白墙与显示器边缘。 | And we were able to get that bill passed. | 1.67 |
| 137 | 近景 |  | Mike Coots侧后方看向笔记本电脑屏幕，视频会议中Debbie Salamone正在交谈，旁边放着镜头和蓝皮书。 | I'm so glad you joined in. You've been a real star and a real hero for sharks. | 5.60 |
| 138 | 特写 |  | Mike Coots在室内神情专注地讲述，身穿灰色上衣，背景模糊隐约可见画框与摆设。 | And it wasn't until a few years later that I got invited to go shark diving, changed my life. | 4.70 |
| 139 | 中景 |  | 傍晚时分，戴浅色棒球帽的Mike Coots背对镜头低头站立，背景为深蓝色天空与棕榈树剪影。 | 1.63 | |
| 140 | 近景 |  | Mike Coots背对镜头低头检查摄影防水壳，左手腕戴蓝表，背景虚化可见灯光。 | 1.60 | |
| 141 | 中景 |  | 傍晚，戴白色鸭舌帽的Mike Coots背向镜头走向停泊船只，左手提包，右肩挎潜水装备。 | 1.20 | |
| 142 | 远景 |  | 从行进船只视角看广阔海面，左下角露黄色充气船边缘，远方天空晨光微弱。 | So it looked like the swell peaked. I'm looking at the buoy readings right now, it peaked last night at about 2:00 a.m. It was 15 feet, 14 seconds. | 4.20 |
| 143 | 中景 |  | 穿黑色潜水服、戴白帽的Mike Coots坐在行进船尾低头整理装备，背景为海面与山脉剪影。 | 1.17 | |
| 144 | 近景 |  | 戴白帽、穿潜水服的Mike Coots开心大笑，背景为淡紫色黄昏天空和金属梯。 | 1.53 | |
| 145 | 近景 |  | Mike Coots从充气快艇边跃入海中，画面迅速下潜至深蓝色水下并产生大量气泡。 | 1.37 | |
| 146 | 全景 |  | 深海中，Mike Coots在水下贴近水面横向游动，双手托举水下摄像机。 | 1.23 | |
| 147 | 全景 |  | Mike Coots在深海向下潜行，左腿佩戴白色义肢，踢动巨大脚蹼激起细密气泡。 | 1.47 | |
| 148 | 远景 |  | 深蓝色海水中，一只鲨鱼平稳向左游动。 | 1.37 | |
| 149 | 远景 |  | Mike Coots在光线透入的水下从左下方缓慢游向中心，上方远处有鲨鱼缓缓游过。 | 1.40 | |
| 150 | 中景 |  | 深海中，一只鲨鱼向右上角缓慢游动，背侧鳍清晰，左侧有小鱼快速游动。 | 1.23 | |
| 151 | 中景 |  | Mike Coots在水下手举设备拍摄，左后方有鲨鱼横向游过，阳光形成丁达尔效应。 | Shark photography is definitely my favorite subject. | 3.00 |
| 152 | 特写 |  | Mike Coots在室内严肃讲述，背景虚化略显白色墙面与深色物体。 | 1.27 | |
| 153 | 中景 |  | 巨大的鲨鱼在浅蓝色水域直面镜头游动，底部白沙明亮，上方有光线射入。 | 1.33 | |
| 154 | 特写 |  | 海报主体为大白鲨头部局部特写，嘴边有极小白色小鱼游动，背景为浅蓝灰色。 | 1.33 | |
| 155 | 近景 |  | 深蓝海水中大白鲨张开血盆大口露利齿，周围有众多小鱼游动。 | Some people may think I'm a crazy shark guy, but as a subject for a photographer, they're extremely badass. | 1.37 |
| 156 | 远景 |  | 大白鲨在光柱中向光源上游，腹白背灰，背景深蓝且纵深感强。 | 1.37 | |
| 157 | 近景 |  | 海面露出深色海洋生物背鳍，光线柔和，水面有蓝色波纹微幅起伏。 | 1.47 | |
| 158 | 中景 |  | 竖版黑背景照片，大白鲨头部特写张嘴上游，身侧带痕，光线照亮吻部和眼部。 | 1.43 | |
| 159 | 中景 |  | 锤头鲨直面镜头，背景深蓝带散景光斑，周围还有数只锤头鲨游弋。 | 1.40 | |
| 160 | 中景 |  | 竖版黑白照片展示巨大鲨鱼张大嘴向上仰冲，光束凸显头部与利齿细节。 | Fun, challenging, difficult, everything that I want in a subject. | 2.93 |
| 161 | 多景别 |  | 浅蓝海底几条鲨鱼游动，右侧虎鲨由中景游近占据大特写，沙床见波动光影。 | 2.57 | |
| 162 | 远景 |  | 画面左侧露出穿黑潜水脚蹼的腿部，俯瞰深蓝海水中多条小鲨鱼游动。 | 1.53 | |
| 163 | 中景 |  | 分水镜构图，上部蓝天白云，下部深蓝海水中隐现黑色鱼鳍剪影。 | 1.17 | |
| 164 | 全景 |  | 清澈深蓝海水中，黑鳍鲨从右向左水平游动，背尾鳍尖端带有黑标记。 | 1.40 | |
| 165 | 特写 |  | 竖屏照片展现大白鲨头部露出水面，可见牙齿深眼，水面带阳光波光。 | 1.37 | |
| 166 | 大特写 |  | 竖向黑白特写展示鲨鱼局部，包括单侧眼、鳃裂及微张口部利齿。 | 1.47 | |
| 167 | 远景 |  | 粉紫渐变天空下，海面凸显两个三角形似背鳍波峰，带有蓝白波纹。 | 1.30 | |
| 168 | 中景 |  长镜头 | 深海中Mike Coots斜上游动，左腿穿黑单蹼，左侧鲨鱼横游，上方透射光柱与气泡交织。 | There's a purpose for me to be here on earth. My purpose here is to give back to the ocean. Sharks need to be loved, they need respect, they need our protections. Sharks need a good publicist. | 20.57 |
| 169 | 特写 |  | 室内访谈，身穿灰绿色短袖的Mike Coots面对镜头微笑交谈，背景可见办公桌和电脑显示器。 | and maybe in some way I'm their publicist. | 3.47 |
| 170 | 中景 |  | 明亮室内，一只戴蓝色腕表的手伸向大型EPSON打印机的控制面板进行操作。 | 1.47 | |
| 171 | 特写 |  | EPSON大幅面打印机正在输出一张带有蓝色海水和鲨鱼特写的照片。 | 3.00 | |
| 172 | 中景 |  | 工作室内，佩戴假肢的Mike Coots从打印机出纸口取出一幅刚打好的大尺寸鲨鱼摄影作品。 | He's done a great job at capturing like | 1.30 |
| 173 | 特写 |  | 特写镜头，Mike Coots在木质桌面上用笔给一张带白边的鲨鱼照片签下自己的名字。 | the innocent shark, the hungry shark, | 1.27 |
| 174 | 特写 |  | 特写镜头，数本蓝色封面且印有银色凹凸质感“SHARK Portraits”字样的精装画册整齐叠放。 | the happy shark, the sad shark, | 1.40 |
| 175 | 特写 |  | 身穿白色长袖的男子快速翻阅一本大开本画册，内页全是关于鲨鱼的水下摄影照片。 | 2.57 | |
| 176 | 中景 |  | 戴迷彩帽的Ryan Hakman对着镜头展示一幅张大嘴的鲨鱼特写照片，随后自己也笑了起来。 | the scary shark. | 2.97 |
| 177 | 特写 |  | 特写镜头，一只手正在翻开平铺在木桌上的白色封面大画册《SHARK》，露出蓝色调内页。 | 0.83 | |
| 178 | 特写 |  | Mike Coots身穿印有文字的白色长袖，俯身在桌上用黑色马克笔为刚翻开的《SHARK》画册签名。 | 1.00 | |
| 179 | 中景 |  | 阳光透过的果园中，Mike Coots站在梯子上采摘果实，树下的母亲Karla正抬头看着他。 | Mike has said that | 1.10 |
| 180 | 近景 |  | 阳光穿过果树绿叶，戴着深色棒球帽的父亲John站在树下仰头伸手采摘果实，画面呈现逆光暖调。 | 1.23 | |
| 181 | 特写 |  | 特写镜头，一双布满皱纹的手正轻轻捏住花柄，从绿叶丛中摘下淡黄色的小花。 | 1.30 | |
| 182 | 特写 |  | 父亲John戴着黑帽和墨镜在户外回廊受访，神情略显复杂地讲述关于Mike的事情。 | being attacked by a shark was the best day of his life. And I had a hard time swallowing that one, but | 5.83 |
| 183 | 中景 |  | Mike Coots和母亲Karla在果园里，Mike伸手采摘高处的果实，Karla则在一旁微笑着抬头看着他。 | what he's meaning is that it just has opened up so many | 2.57 |
| 184 | 特写 |  | 老人手部特写，在柔和的户外光线下，布满皱纹的手再次从绿叶中摘下一朵淡黄色的喇叭状小花。 | 1.30 | |
| 185 | 中景 |  | 身穿短裤、佩戴运动假肢的Mike Coots和穿着印花长裙的女性并肩走在草地上，渐行渐远。 | opportunities that he just cherished it. | 1.80 |
| 186 | 全景 |  | 阴天海滩，Mike Coots和一名穿潜水服的小男孩抬着一块冲浪板走向海水，画面出现字幕线索标题。 | 2.10 | |
| 187 | 中景 |  | 波涛中，Mike Coots在冲浪板前端掌握平衡，穿潜水服的小男孩在后方蹲姿滑行，激起白色水花。 | 1.93 | |
| 188 | 中景 |  | 在浅水区，满脸笑容的Mike Coots和冲完浪的小男孩高兴地击掌互动，阳光洒在海面上。 | I feel like the freaking luckiest shark attack survivor on Earth. | 2.70 |
| 189 | 远景 |  | 夜间户外草坪，一群人围着长木桌聚会，右侧有带灯串的凉亭，人们端着杯盘交谈，氛围轻松。 | 1.27 | |
| 190 | 中景 |  | 穿着后背印有牙齿花环图案T恤的Mike Coots双手捧起花环，准备给面前穿黄衣的长辈戴上。 | Maybe that shark chose me, and | 1.17 |
| 191 | 中景 |  | Mike Coots笑着搂住母亲Karla的肩膀并在她额头亲吻了一下，两人面向镜头展露幸福微笑。 | that's why I'm here doing what I'm doing. | 2.63 |
| 192 | 中景 |  | 聚会人群中，一个小男孩从背后搂住白发老妪欢笑；镜头左移，父母John和Karla紧紧相依开怀大笑。 | There's always a different lesson, and | 7.47 |
| 193 | 近景 |  | 户外聚会场景，镜头从两人背影向下推移至他们紧紧牵在一起的手部特写。 | 1.27 | |
| 194 | 中景 |  | 昏暗暖光下，侧脸特写展示Mike Coots正满脸笑容地看着聚会上的某人，露出大白牙。 | 0.97 | |
| 195 | 空镜 |  | 黑色背景上，些许红色微小火星在空气中飘荡散开，仿佛营火余烬。 | that's the beauty of the sea. | 1.67 |
| 196 | 远景 |  | 夕阳航拍空镜，壮丽的金色阳光从山脊缝隙透射出来洒向平静海面，前景为茂密树林。 | 4.03 | |
| 197 | 特写 |  | 傍晚波光粼粼的水面上，Mike Coots仰面漂浮，闭着眼睛露出半个脸部，神情平静。 | 4.17 | |
| 198 | 特写 |  | 戴迷彩帽的Ryan Hakman在室内受访，眼眶微红，表情动容且真挚地讲述。 | Mike is someone that I look up to a lot for being so positive. | 1.30 |
| 199 | 特写 |  | Kepa Kruse在户外受访，面带温和微笑注视镜头，随后低头轻笑。 | I always love that about him. He's always stoked. | 1.67 |
| 200 | 近景 |  | 穿黑潜水服的Mike Coots坐在明媚的户外阳光下，侧头看向画外爽朗大笑，水珠挂在皮肤上。 | 0.83 | |
| 201 | 近景 |  | 赤膊的Mike Coots在暖黄逆光下转头看向镜头，露出标志性的灿烂笑容，背后隐约有其他人。 | Being around him makes me feel a little bit better of a person. | 1.27 |
| 202 | 中景 |  | 赤膊的Jeremy和Mike Coots并排坐在户外阳光下开心大笑，交谈甚欢。 | 2.03 | |
| 203 | 特写 |  | Jeremy Skiz Doudt在户外受访，收起笑容，目光严肃真诚地看着镜头讲述。 | 1.43 | |
| 204 | 特写 |  长镜头 | Ryan Hakman戴着迷彩帽受访，眼眶含泪强忍情绪，严肃深情地凝视镜头外。 | He's someone that I've always looked up to, and just wanted to be around and learn from, you know? There's not many people like that in the world. | 12.47 |
| 205 | 航拍 |  | 夕阳穿过厚重云层洒向深色山脉和海岸线，航拍视角展现广袤壮阔的深蓝海景。 | 3.30 | |
| 206 | 特写 |  | 傍晚沙滩，佩戴义肢的Mike Coots站在浅水区，海浪不断漫过并冲刷他立于水中的义肢和脚部。 | 3.67 | |
| 207 | 特写 |  | 夜色将至，Mike Coots的侧脸剪影出现在深蓝天幕下，他微微抬头静静凝视远方。 | 2.63 | |
| 208 | 全景 |  | 破晓或黄昏微光中，佩戴假肢的Mike Coots背对镜头静立沙滩面朝大海；几个白色发光细线同心圆随之浮现。 | 4.27 | |
| 209 | 其他 |  长镜头 | 全黑背景上接连涌现白色细线同心圆，随后定格展示出OluKai品牌标和片尾制作人员名单滚动字幕。 | 25.87 | |
| 210 | 空镜 |  | 演职员表淡出后，画面变成完全没有杂质的纯黑，全片结束。 | 1.97 |