共36个镜头,该分镜由光厂AI自动生成
| 镜号 | 景别 | 参考图 | 画面内容 | 台词/旁白 | 时长(秒) |
|---|---|---|---|---|---|
| 1 | 多景别 | ![]() | 胡须男子在昏暗大厅对镜头说话,随后画面切至他处于拥挤的人群中,闭眼皱眉神情哀伤。 | Hi, I'm a crier. | 8.17 |
| 2 | 近景 | ![]() | 烤箱内冒着白烟,胡须男子弯腰看向烤焦的派,神情沮丧。 | I cry when a pie fails. | 1.70 |
| 3 | 近景 | ![]() | 胡须男子在绿幕片场沙发上掩面哭泣,随后抬头露出悲伤神情。 | I cry... between the frames of my own films. | 4.37 |
| 4 | 多景别 | ![]() 长镜头 | 胡须男子在绿幕片场演说,背景变幻出不同名人和卡通孩童流泪的画框,最后镜头推近他脸部。 | Now, allow me to explain. You see, too often, tears are tainted with shame. We stifle them in vain, but we've got it all wrong, because tears have been here to help us all along. | 15.63 |
| 5 | 全景 | ![]() | 胡须男子在光柱下的黑板前掏出内兜物件,黑板上写有眼泪分类。 | Not just to moisturize your eyes and keep them clear. | 2.73 |
| 6 | 特写 | ![]() | 胡须男子手持透明液体的玻璃小瓶,拔开瓶塞冒出紫色光效烟雾。 | We're talking about those emotional tears. | 3.90 |
| 7 | 多景别 | ![]() 长镜头 | 胡须男子倒出紫色圆球进入微观过山车轨道,随后展示装满蓝色小球的情绪收集装置和亚裔男子深夜办公。 | These, we cannot oversimplify. These, we create in response to emotional stimuli. These ones signify feelings overflowing. Something needing dealing with. Sometimes without us knowing. | 20.73 |
| 8 | 特写 | ![]() | 折叠手机亮起显示孩子合影,上方弹出含紫色特效的气泡通知。 | Could be pain, sadness, stress. | 1.67 |
| 9 | 中景 | ![]() | 亚裔男子在电脑前工作,大量立体Emoji从屏幕喷涌而出包围他。 | Anger, hate, helplessness. Or relief, joy, or love. Or any medley of the above. | 2.87 |
| 10 | 大特写 | ![]() | 极近特写男子的下巴和微张的嘴,光影对比较强。 | And your body reacts. | 0.47 |
| 11 | 特写 | ![]() | 智能手表显示带笑脸的UI进度条,颜色由绿变橙。 | And your heart starts to race. | 0.80 |
| 12 | 中景 | ![]() | 紫红色超现实工厂内大量紫色圆球流动,仪表盘显示流泪表情。 | And you're forced to fully concentrate on this time and place. | 2.43 |
| 13 | 多景别 | ![]() | 两名白大褂员工拉开隔板,亚裔男子停下工作疲惫地摸后颈。 | 3.33 | |
| 14 | 近景 | ![]() | 亚裔男子靠墙摘下眼镜,表情悲伤落泪。 | 1.67 | |
| 15 | 中景 | ![]() | 沙漏状机械装置溢出大量紫色发光小球。 | 2.13 | |
| 16 | 特写 | ![]() | 大量紫色透明球倾泻而下,镜头推向一颗球内部形成光斑虚焦。 | 1.00 | |
| 17 | 特写 | ![]() | 短发男子在室内泪流满面,神情痛苦啜泣。 | 5.57 | |
| 18 | 多景别 | ![]() 长镜头 | 胡须男子俯身在哭泣的亚裔男子身后激昂演说,随后递给他纸巾并离开。 | As we cry, we are reloading. We're coping. Releasing endorphins. Restocking oxytocin. Your throat muscles hold themselves open. A lump will be what you perceive in, when really, your body stops your swallowing to keep your breathing. | 11.70 |
| 19 | 多景别 | ![]() | 哭泣表情仪表盘旁的烧瓶装置内滚入蓝色小球,工业感冷紫色调。 | A built-in procedure to keep you from harm. Crying is progress. A passage to calm. | 8.00 |
| 20 | 多景别 | ![]() 长镜头 | 亚裔男子在电脑前办公,画面经由酒吧和迷幻紫色通道转场至落泪的脏辫男子。 | Also, crying plays a social role. | 34.10 |
| 21 | 中景 | ![]() 长镜头 | 酒吧内胡须男子端着黑色饮品落座,与对面的脏辫男子交流。 | Those emotional tears contain more protein. So they are bigger and thicker, so they slowly roll down your cheeks for more chance of achieving their goal. | 10.20 |
| 22 | 多景别 | ![]() 长镜头 | 镜头穿过酒吧方窗切换至明亮工作室,胡须男拿着黑色厚书展示。 | To be noticed. Your body's own protest. An appeal to the people that are closest. | 14.33 |
| 23 | 特写 | ![]() | 胡须男子将旧书重重放在落灰的木桌上,手部动作产生动态模糊。 | A cry for help, yes, but not out of weakness. It's how we evolved. It's our human uniqueness. We are social creatures. | 2.33 |
| 24 | 中景 | ![]() | 胡须男子在光影昏暗的工作室里低头沉思后抬头演说。 | So then, why do we try not to cry? | 3.43 |
| 25 | 中景 | ![]() | 桌上的旧书翻开,弹出古希腊神话风格的低多边形立体纸雕。 | It's only been fairly recent that tears have been deemed indecent. Especially for men when, way back when, male tears were expected and frequent. See, ancient Greek heroes grieved with vigor. | 6.00 |
| 26 | 多景别 | ![]() | 书中升起中世纪教堂纸雕,排拱木门开启露出彩绘玻璃窗。 | Tears always figured when their gods pulled the trigger. It used to be manly to show your emotion. For medieval monks, it displayed their devotion. | 6.63 |
| 27 | 近景 | ![]() | 胡须男在丁达尔光效前对着镜头专注演说。 | The wheels are in motion, now let's get to grips. With residual Victorian shame and stiff upper lips. | 2.50 |
| 28 | 多景别 | ![]() 长镜头 | 胡须男子打开呈现工厂的立体书,转场至插画里绅士拿教鞭指着男孩的场景。 | In the name of progress, distractions were penalized. Natural human actions discouraged and demonized. | 10.13 |
| 29 | 多景别 | ![]() 长镜头 | 胡须男子演说时穿插原始人画像、分身特效及小女孩竖拇指的画面,最后他独自坐椅上说话。 | But crying is a legitimate bodily reflex like laughing and sneezing. Not some kind of defect. We evolved to do it because it is useful. Not a futile refusal to face the truth. Not proof of inaction. Not overreaction. Not melodramatic indulgent distraction. And not reserved for little girls. | 34.67 |
| 30 | 大特写 | ![]() | 脏辫男子闭眼后睁开,眼眶噙泪顺着脸颊滑落。 | So what I'm saying is... God knows there's plenty to cry about. | 1.00 |
| 31 | 特写 | ![]() | 短发中年男子的侧脸特写,眼中带泪两行泪痕。 | Don't add to the pressure by blocking it out. | 1.17 |
| 32 | 多景别 | ![]() 快速剪辑 | 快速切换展现不同场景和族裔的男性流泪或神情悲伤的面部中景及特写。 | When you feel your lips start to tremble, embrace it. If you let yourself feel what you feel, you can face it. It's brave to embrace it, so let it all out. | 7.97 |
| 33 | 多景别 | ![]() | 老厨师对镜头流泪后,切至大厅内的胡须男子接住掉落的画笔。 | It's not what stops you being strong. | 5.57 |
| 34 | 多景别 | ![]() 长镜头 | 胡须男子背对镜头走向阴暗房间深处,停在两名守卫中间的阴影里。 | It's what strength is all about. | 11.80 |
| 35 | 远景 | ![]() | 两名守卫抱胸立于光影斑驳的仓库中央,白色字幕出现。 | 6.80 | |
| 36 | 其他 | ![]() 长镜头 | 黑底白字展示演职人员、致谢及制作公司信息。 | 11.37 |



































