共118个镜头,该分镜由光厂AI自动生成
| 镜号 | 景别 | 参考图 | 画面内容 | 台词/旁白 | 时长(秒) |
|---|---|---|---|---|---|
| 1 | 其他 | ![]() | 纯黑背景下,画面中心出现英文字样,文字呈现逐渐亮起的动效。 | 2.03 | |
| 2 | 特写 | ![]() | 黑白画面,正中呈现大标题字样,下方伴随一行较小的副标题。背景为高度模糊且具有运动感的光影,隐约可见人物侧脸轮廓。 | 2.23 | |
| 3 | 特写 | ![]() | 黑白画面。一名穿着浅色长裤的男子背对镜头行走,腰间挂着一台徕卡风格相机。随着走动,相机在胯部位置轻微左右晃动。背景虚化。 | 2.63 | |
| 4 | 多景别 | ![]() 快速剪辑 | 黑白快切画面:仰望树冠的视角、汽车驾驶室内双手握方向盘的视角、戴眼镜男子(GUS POWELL)低头操作相机的侧脸。 | 0.37 | |
| 5 | 全景 | ![]() | 黑白画面。两名男子并排坐在街道旁一辆深色旅行车的车头上交谈。背景为城市街道建筑。左侧有明显的职员表字幕。 | 1.70 | |
| 6 | 中景 | ![]() | 黑白画面中,一个男人背对镜头坐在汽车驾驶位,举起相机对准布满水渍和污垢的车窗外进行拍摄。画面右上方出现职员表文字。 | 2.13 | |
| 7 | 多景别 | ![]() | 黑白画面,机位快速后拉,一辆深色的沃尔沃轿车在画面中心向镜头驶来,中心有职员表字幕。背景是城市街道。 | 3.73 | |
| 8 | 其他 | ![]() | 全黑背景中,居中显示两行白色文字。文字在镜头开始时显现,随后淡出。无其他视觉主体或背景。 | 5.87 | |
| 9 | 特写 | ![]() | 镜头贴近灰色柏油路面快速向前俯冲,路面产生强烈的放射状拖影,边缘偶尔闪过白色标线。 | 3.03 | |
| 10 | 特写 | ![]() | 红色轿车在道路上行驶,镜头从车门把手向下偏移,展示快速旋转的车轮与路面。车身反射周围环境。 | It's really not about perfect pictures. | 2.73 |
| 11 | 特写 | ![]() | 画面中心偏左可见一个深色的人影侧影,背景呈灰白色并带有发散状运动模糊条纹,光影昏暗且具动感。 | It's about building a story through photography. | 2.50 |
| 12 | 特写 | ![]() | 红色轿车的后视镜中映出一名戴黑框眼镜男性的面部倒影。背景是虚化的街道和绿树。 | Obstacles that happen in life, | 2.10 |
| 13 | 远景 | ![]() | 红色旅行车停在街道上,两侧为住宅建筑和行道树。车牌号码清晰可见。 | the everyday moments that are in between those, | 1.00 |
| 14 | 全景 | ![]() | 俯视视角下,红色沃尔沃轿车行驶在绿树成荫、两旁为红砖建筑的城市街道中央,镜头逐渐拉远。 | and trying to move forward in whatever way you can. | 2.10 |
| 15 | 特写 | ![]() 快速剪辑 | 低角度俯视柏油路面快速推进,白色标线和箭头快速掠过,产生强烈的动态模糊。 | 0.67 | |
| 16 | 近景 | ![]() | 红色轿车停在路边,车内男子正举着相机对准前方拍摄后放下。背景有建筑脚手架和驶过的灰色SUV。 | 3.10 | |
| 17 | 特写 | ![]() | 男子背对镜头,腰间挂着一台黑色徕卡相机。他穿着蓝色衬衫和白色裤子。背景为街头人影。 | 0.80 | |
| 18 | 近景 | ![]() | 戴眼镜的中年男子(GUS POWELL)在户外举起手持相机观察,面带微笑。右下角有另一人物遮挡。有文字介绍。 | Family Car Trouble is a book that it sort of uses this idea of | 1.00 |
| 19 | 近景 | ![]() | 红色经典款沃尔沃轿车在布鲁克林大桥上行驶,车头朝向镜头,背景为钢结构桁架。左下方有文字介绍。 | 2.33 | |
| 20 | 特写 | ![]() | 木质桌面上放着带有手写便签的黑色书籍、印有沃尔沃Logo的白色马克杯及带绿吊牌的钥匙。焦点逐渐对准便签。 | everyone knows what a family car is, everybody's had car trouble. | 3.03 |
| 21 | 特写 | ![]() | 戴眼镜、穿蓝色牛仔衬衫的男子(GUS POWELL)低头沉思,背景为模糊的室内环境。 | What happens when you put those things together? | 1.40 |
| 22 | 近景 | ![]() | 室内木质桌面上,一只手翻开相册,展示小孩照片和跨页的车流照片,桌上有章鱼装饰物。 | Family. Car. Trouble. | 2.20 |
| 23 | 近景 | ![]() | 戴半透明框眼镜、穿蓝色牛仔衬衫的男子(GUS POWELL)在室内神情专注地交谈,并伴有张开五指的手势。 | And using things that we know and are familiar with | 1.43 |
| 24 | 特写 | ![]() 快速剪辑 | 带有折痕的黄色手写汽车维修工单特写,纸面叠加了大号手写体黑色文字。 | to ultimately talk about things that are harder to talk about, | 1.73 |
| 25 | 特写 | ![]() | 旧的黄色汽车维修工单特写,上有粗黑体手写标题,并有其他同类工单重叠构成排版效果。 | which is family trouble. | 1.47 |
| 26 | 中景 | ![]() | 戴眼镜、穿蓝色牛仔衬衫的男子(GUS POWELL)在工作室侧坐交谈,桌上散落照片,他左手在空中比划手势。 | I've always been somebody who photographs the world that is right in front of them. | 4.50 |
| 27 | 特写 | ![]() | 透过红色汽车前挡风玻璃看到车内方向盘及驾驶员的手,玻璃上反射着上方的树木和建筑物轮廓。 | 2.07 | |
| 28 | 中景 | ![]() | 红褐色旅行车停在街道旁,后车窗反射出街道两旁的绿树倒影,阳光洒在路面。 | 1.33 | |
| 29 | 中景 | ![]() | 汽车后座视角拍摄,戴眼镜的男子(GUS POWELL)正坐在驾驶位双手握方向盘。车窗外是街道。 | So when I became a parent, that was the life that was in front of me. | 1.70 |
| 30 | 近景 | ![]() | 戴眼镜、穿浅蓝衬衫的男子坐在红色汽车敞开的后备箱处交谈,背景是户外的黄昏城市轮廓。 | That was what I had to make the most of. | 2.37 |
| 31 | 特写 | ![]() | 一双手在桌面上翻阅洗出来的照片,第一张是玩耍的金发小孩。背景可见散落的其他照片。 | It's not the birthday parties. It's not the ballet. | 4.17 |
| 32 | 中景 | ![]() 快速剪辑 | 汽车内部后排视角,透过天窗和前挡风玻璃可见车辆正行驶在两旁有石材建筑的街道,后视镜映射驾驶员面部。 | It's just these sort of interstitial moments | 0.80 |
| 33 | 中景 | ![]() | 汽车后座视角,车辆正行驶在布鲁克林大桥上,透过挡风玻璃和天窗可见桥塔和钢索,后视镜映射驾驶员面部。 | that happen when you're trying to get from one place to the next. | 1.30 |
| 34 | 多景别 | ![]() 快速剪辑 | 多张生活纪实照片快切展示:海滩上的小孩、靠车窗睡觉的女孩、站在石凳上的女孩等。 | 3.03 | |
| 35 | 全景 | ![]() | 机位从模糊路面后拉,开启大灯的棕红色沃尔沃轿车在繁华城市街道向镜头方向驶来。 | 2.90 | |
| 36 | 中景 | ![]() | 副驾驶斜后方视角,戴眼镜的男子(GUS POWELL)手握方向盘直视前方,透过车窗可见街景后移。 | First time I ever bought a car was when I had a family. | 3.10 |
| 37 | 中景 | ![]() | 戴眼镜、穿蓝色牛仔衬衫的男子(GUS POWELL)在工作室书桌前侧头交谈,背景有黑白照片和长臂台灯。 | Jimmy was the family car. | 1.23 |
| 38 | 中景 | ![]() | 戴眼镜男子(GUS POWELL)在室内呈现侧脸剪影状态,背景是明亮的方格窗户,人物有微小动作。 | It was a 1993 Volvo 940 that I originally purchased shortly after my first daughter was born. | 0.73 |
| 39 | 特写 | ![]() | 桌面特写,一只手揭开照片上的半透明保护纸,露出一张小女孩站在黑色旅行车车顶上的照片。 | 4.50 | |
| 40 | 全景 | ![]() | 林间草地,小女孩坐在深色旅行车车顶边缘。车尾竖立着印有文字的黄色菱形指示牌。 | 3.13 | |
| 41 | 全景 | ![]() | 明亮的工作室内,穿蓝色牛仔衬衫和白色长裤的男子(GUS POWELL)站在窗边低头翻看册子。 | 2.13 | |
| 42 | 特写 | ![]() | 穿蓝色衬衫和白色长裤的男子右手拿黑板擦向下移动,背景为模糊的室内环境及暖气片。 | So the rubber pad that goes on the brake pedal fell off. | 2.53 |
| 43 | 中景 | ![]() | 工作室中,穿着白色长裤和皮鞋的男子用手将印章放在印泥盒旁,随后用脚踩压印章。背景有字母板。 | But I turned it into a stamp that I then stamp special editions of the book with. | 2.07 |
| 44 | 特写 | ![]() | 室内地面,男子穿着浅色皮鞋踩在木质印章上蘸取印泥。随后抬脚离开,背景出现笔记本。 | So that way it's signed by me, | 2.00 |
| 45 | 全景 | ![]() | 工作室内,男子弯腰在地面整理摊开的小册子,整理完起身并踩在册子上。墙上贴满照片。 | but it's also signed by Jimmy the car. | 3.67 |
| 46 | 特写 | ![]() | 打开的书籍放置在网格切割垫上,脚踩木制印章后移开,手将其移走,露出刚盖好的黑色印记。 | 3.90 | |
| 47 | 特写 | ![]() | 柏油路面特写,散落枯黄小叶子,斑驳树影随着风晃动。焦点随后逐渐变得模糊。 | 4.87 | |
| 48 | 全景 | ![]() | 仰拍茂密树冠,树叶在微风中晃动,镜头焦点逐渐模糊呈现虚化的光斑效果。 | The book is designed to look like a novel, and even sort of playful, when it actually is going into pretty heavy stuff. | 7.13 |
| 49 | 特写 | ![]() | 桌上相册中,一只手翻开右侧页面露出小女孩照片。左侧为白发老人照片,桌角有章鱼装饰物。 | It was this moment in my life when my father was very ill and dying, | 4.43 |
| 50 | 中景 | ![]() | 工作室内,戴眼镜男子(GUS POWELL)坐在书桌前比划手势交谈。桌上散落照片,背景模糊可见台灯。 | and my two daughters were growing so quickly and so fast. | 3.97 |
| 51 | 多景别 | ![]() 快速剪辑 | 多张生活照片快切:玩秋千的孩子、跳蹦床的女孩、拉雪橇的孩子、老年男性特写及其患病照。 | So the sonic experience, right, on one side hearing my kids getting louder and louder and more and more alive, | 5.77 |
| 52 | 特写 | ![]() | 白发老人在白床上闭眼躺着,举起右手轻触鼻梁。画面偏左,右侧为黑色留白。 | and on the other side, hearing my father drifting and drifting and drifting. | 1.87 |
| 53 | 全景 | ![]() | 阳光充足的城市天台,穿蓝色衬衫的男子走到金属围栏旁停下,双手扶栏远眺城市天际线。 | 4.77 | |
| 54 | 远景 | ![]() | 俯瞰城市海港远景,男子站在天台往下看,下方为红砖厂房,背景是码头游艇和城市大楼。 | When my father got sick, he was pretty quickly given about nine months to live, | 1.13 |
| 55 | 近景 | ![]() | 戴眼镜、穿深蓝色牛仔衬衫的男子(GUS POWELL)在杂乱的室内低头交谈,表情专注并伴有轻微头部晃动。 | but he ended up living for nine years. | 3.27 |
| 56 | 远景 | ![]() | 高空俯视,蓝衫男子凭栏远眺深色水面区域。左右两侧被模糊建筑结构遮挡形成框式构图。 | I had so many beautiful goodbyes with this guy. | 1.57 |
| 57 | 远景 | ![]() | 天台边缘,男子俯瞰下方河岸与天际线后转身向中心走去。背景可见游艇、仓库和对岸摩天大楼。 | It was just like, that's the one. That's the take. That was perfect. The sun was setting. | 3.30 |
| 58 | 多景别 | ![]() 快速剪辑 | 工作室中男子多视角快切工作状态:整理材料、透过遮挡物操作、在置物架旁操作、手部铺气泡膜特写。 | He looked great in a big coat. That was a perfect goodbye. Thinking like that's probably it. | 4.93 |
| 59 | 中景 | ![]() | 室内男子(GUS POWELL)低头专注处理面前的气泡膜。左前景有深色遮挡物,背景可见挂窗帘的窗户。 | No, another three weeks, another two years. | 1.30 |
| 60 | 近景 | ![]() | 昏暗工作室中,男子侧向左前方费劲操作。环境光柔和偏暗,右手挥动伴有动态模糊。 | It did feel a little bit like Groundhog Day. | 1.67 |
| 61 | 中景 | ![]() | 男子在简陋室内俯身进行操作。背景为带白框玻璃窗和灰色窗帘的环境,左侧见黑色轮胎状物。 | 1.50 | |
| 62 | 特写 | ![]() | 一堆照片上的白发中年男子侧脸肖像照特写,焦点由模糊变清晰,左侧有手在翻动。 | Every time I would visit, I would make a picture of him | 2.90 |
| 63 | 特写 | ![]() | 画册中一张白边老妇人侧脸照片特写,她仰头看向上方,色调灰暗,呈怀旧感。 | and he would always be present and there for me. | 2.60 |
| 64 | 特写 | ![]() | 桌面白色相册上的黑白照片特写。照片中闭眼老人在病床上右手半掩口鼻。相册边缘略虚化。 | 3.40 | |
| 65 | 近景 | ![]() | 戴眼镜、穿蓝色牛仔衬衫的男子在较暗工作室侧身坐着,交谈时双手做出解释手势。 | So after he passed away, you know, I had all these pictures. | 1.77 |
| 66 | 近景 | ![]() | 男子在室内侧身站立,双手拿大尺寸画稿移动查看,背景为明亮的窗户。 | Making the book was a way to take this experience that I had lived through that was so difficult | 2.10 |
| 67 | 特写 | ![]() | 双手将带有蓝色图案的照片贴平在粗糙浅灰墙面上,光线柔和,背景虚化程度高。 | and to tell a story. | 1.43 |
| 68 | 全景 | ![]() | 明亮工作室内,男士侧立于照片墙前,双手调整墙上的彩色照片。背景有砖墙和黑背景板。 | 1.33 | |
| 69 | 特写 | ![]() | 被钉在墙上的彩色照片特写,镜头由左下角小孩上摇至背景墓地中停放的深色轿车和墓碑。 | The act of photographing something is life-affirming. | 3.53 |
| 70 | 中景 | ![]() | 穿蓝色牛仔衬衫男子背对镜头站在浅色墙壁前,审视墙上的墓地照片。 | 2.70 | |
| 71 | 特写 | ![]() | 自动洗车房内,彩色泡沫在汽车挡风玻璃上垂直喷淋流下。背景可见洗车房灯光。 | 3.57 | |
| 72 | 中景 | ![]() | 车内昏暗环境中,驾驶员从后方视角举起相机拍摄,窗玻璃布满污渍和水滴,光影变幻交错。 | We're getting ready to move and leave the country, and | 2.17 |
| 73 | 中景 | ![]() 快速剪辑 | 洗车房内车内视角,可见旋转红光和毛刷。镜头倾斜展示布满泡沫的车窗和瓷砖墙。 | I had to decide what to do with the car and I just didn't want it to sit in storage. | 0.53 |
| 74 | 中景 | ![]() | 车内视角看洗车房外部,透过布满泡沫的后挡风玻璃逐渐清晰看到洗车房横梁与灯光。 | 1.90 | |
| 75 | 中景 | ![]() | 镜头从车后方跟拍行驶在繁华街道上的红色沃尔沃旅行车,背景有其他车辆和红绿灯。 | 3.27 | |
| 76 | 近景 | ![]() | 戴眼镜的中年男性(GUS POWELL)低头并伴有头部晃动,似在思考交谈。背景模糊。 | There's a young man who I've known since birth. | 1.63 |
| 77 | 全景 | ![]() | 两名男子坐在路边红色瓦罐车车头,中年男子拿纸条观看,年轻男子低头注视。背景为古典建筑。 | He was the first child born in our friend circle. | 2.13 |
| 78 | 特写 | ![]() | 过肩视角下,成年男性双手拿着森林背景的家庭旅行车老照片端详,左手戴婚戒。 | That's Jimmy, from that weekend we were all together. | 2.00 |
| 79 | 全景 | ![]() | 林间老式旅行车后备箱内,三个男孩坐在折叠座椅上。背景为茂密树林和落叶。 | Yeah. | 2.77 |
| 80 | 中景 | ![]() | 卷发年轻男性微笑低头注视,前景有虚化手翻动物件遮挡面部,背景为白色建筑外墙。 | You're probably 12, 11, something like that. Less. Less. | 1.27 |
| 81 | 中景 | ![]() | 户外街边,年轻男子与中年男子交谈。前景红色车顶反射建筑倒影,中年男子背深色包做手势。 | That jump seat was so great the way you guys all piled into it. | 1.80 |
| 82 | 中景 | ![]() | 车内视角看,车外中年男子将车钥匙递给年轻男子。背景是欧式街道建筑,光线偏冷。 | Yeah. To hand off the car to somebody who has literally a history with this car, I think it's really nice because he's receiving more than the gift of just wheels. | 1.53 |
| 83 | 远景 | ![]() | 街道边红色瓦罐车旁,两男子准备上车走向两侧车门,左侧停放灰车。镜头右侧有模糊遮挡。 | 1.30 | |
| 84 | 远景 | ![]() | 穿绿短袖男子在红复古旅行车旁拉开车门坐进驾驶座并关门,背景为欧式高楼建筑墙面。 | He's getting a car that somehow is connected to his own family's history. | 5.07 |
| 85 | 中景 | ![]() | 车内视角,戴眼镜中年男子坐在副驾驶位伸左手推开天窗遮阳帘。光线偏暗,有前景遮挡。 | 1.33 | |
| 86 | 中景 | ![]() | 汽车副驾驶位年轻男子拉开天窗遮阳板仰望车外的城市楼宇轮廓。 | 3.13 | |
| 87 | 近景 | ![]() | 戴眼镜的中年男性(GUS POWELL)睁眼露齿微笑,在交谈中显得柔和欣慰。背景模糊。 | I'm really happy to be able to pass it off to him. | 2.50 |
| 88 | 特写 | ![]() | 隔半透明格栅观察下方运动人物,呈现窥视或工业氛围,前景遮挡带运动模糊。 | What's this? | 0.63 |
| 89 | 特写 | ![]() | 驾驶室内双手在带VOLVO字样的方向盘上方拿着蝉形饰品观察,背景略微模糊。 | That's kind of the totem of the car. Keeps it kind of fluttering as we drive along. | 2.77 |
| 90 | 多景别 | ![]() 快速剪辑 | 多场景快剪:红色沃尔沃轿车局部、双手操控方向盘视角、红轿车在街道行驶、低角度跟拍多名行人脚步。 | 3.30 | |
| 91 | 全景 | ![]() 长镜头 | 车内视角拍摄,穿短袖白裤的男子走向车外空地,举相机对帝国大厦方向的黄昏城市天际线拍照。 | 10.27 | |
| 92 | 中景 | ![]() | 戴眼镜男子(GUS POWELL)坐在开启的红色SUV后备箱处侧脸交谈,背景是黄昏城市天际线。 | In addition to my practice as an artist and as a commercial photographer and editorial photographer, I also teach. | 0.87 |
| 93 | 全景 | ![]() | 深绿色施工围栏旁,一小群人聚集交谈。右侧有一排木质长凳,背景为高大建筑。 | 2.93 | |
| 94 | 中景 | ![]() | 户外街道旁,戴眼镜男子面向周围带渔夫帽等人群交谈并做手势。背景有城市楼宇和绿色围挡。 | Most of what we do as photographers is fail. All those lousy pictures. | 5.67 |
| 95 | 近景 | ![]() | 戴印花渔夫帽和墨镜男子正面对镜头方向交谈。背景是虚化建筑,左侧见另一人侧脸。 | But along the way, some of those failures are the pictures that lead you towards making a successful photograph. | 0.80 |
| 96 | 中景 | ![]() | 街头长卷发女性靠绿墙坐着仰视站立的蓝衣男子背影。背景上方见城市建筑轮廓。 | 0.73 | |
| 97 | 近景 | ![]() | 短发戴眼镜的中年女性穿白色工装拿几张纸张抬头微笑看向斜上方。左侧有模糊遮挡。 | 1.00 | |
| 98 | 全景 | ![]() | 全景透过店铺玻璃窗反映街对面建筑行人和绿植,店内男子虚影叠加。右侧有深色前景遮挡。 | When you're driving, you are looking ahead. You're making a plan. | 1.53 |
| 99 | 多景别 | ![]() 快速剪辑 | 快切镜头:长卷发女性举徕卡相机拍照;随后背背包蓝衫男子与白衫女士在现代建筑下交谈并持相机。 | 1.30 | |
| 100 | 全景 | ![]() | 全景透过室内玻璃窗看街道高楼路口,有行人蓝色巴士经过,窗上有室内倒影。左侧有大面积遮挡。 | This could go left, this one could go right. | 2.73 |
| 101 | 中景 | ![]() | 纽约街头,戴眼镜男子拿相机拍黑T恤男子背影。背景为地铁站入口和红砖建筑,左侧被玻璃倒影遮挡。 | How far ahead is my exit? What's happening behind me? | 2.67 |
| 102 | 近景 | ![]() | 戴眼镜蓝衫男子在街头被前景白色立柱遮挡,透过玻璃窗倒影可见其举相机的动作。 | 1.67 | |
| 103 | 特写 | ![]() | 透过白色柱状缝隙看玻璃窗上映照出戴眼镜男子侧脸虚影,背景见室外建筑,室内偏暗。 | So using all those skills that you would use to drive a car is how you have to inhabit space with a camera. | 1.83 |
| 104 | 中景 | ![]() | 背帆布包蓝衫男子背穿过斑马线走向地铁站入口。背景为绿围栏和红遮阳篷商铺。 | 1.03 | |
| 105 | 中景 | ![]() | 街头逆光下,穿橄榄绿外套背对镜头的女性与背单肩包戴眼镜的男子相对交谈,背景是现代大楼。 | When you work together, you get to have a colleague who watches your back. | 1.33 |
| 106 | 全景 | ![]() | 街头白衫持相机女性与蓝衫男步行,女性做拍摄动作。背景有车辆和POST NO BILLS围墙。 | 2.37 | |
| 107 | 全景 | ![]() | 城市街头男子举相机拍照,有绿色围挡和路牌;右侧见行人通过带脚手架的路口。 | It's a very physical relationship that has to be conscious of everything that's happening around you. | 2.10 |
| 108 | 中景 | ![]() | 室内桌前戴眼镜蓝衫男子(GUS POWELL)双手握拳旋转后指向前方交谈。背景墙有装饰物和台灯。 | You have to anticipate the turn. | 4.33 |
| 109 | 特写 | ![]() | 车内视角特写,驾驶员两只手先后握上方向盘。窗外背景模糊为城市街道建筑。 | 1.07 | |
| 110 | 近景 | ![]() | 车内后视镜倒影,戴眼镜男子低头看向下方,四周有车顶棚深色遮挡,背景窗外模糊街景。 | 1.63 | |
| 111 | 特写 | ![]() | 木桌面照片特写,左侧女孩在车顶,右侧手掀开半透明纸露出两小孩背对镜头的海边照片。有书籍。 | This is the last picture from the book. | 2.33 |
| 112 | 特写 | ![]() | 彩色照片特写,两小孩背对镜头面向朦胧海面,左侧穿蓝衣红背带裤张开双臂。周围叠放相片。 | My two children outside, one arms up looking to the left, the other one looking to the right, preparing to move forward in other directions. | 7.63 |
| 113 | 特写 | ![]() | 主驾驶位车内特写,焦点在方向盘中央标志边缘,光线柔和显光影。背景户外模糊。 | 0.93 | |
| 114 | 特写 | ![]() | 复古汽车内饰特写,含木纹中控、收音机及右侧黑色挡杆,光线较暗。 | There's no real resolution. | 1.00 |
| 115 | 特写 | ![]() | 老式汽车仪表盘逆光特写,表面有反光。中间显示里程,下方有金色蝉饰品。 | I'm still in the car, processing some stuff, | 0.97 |
| 116 | 中景 | ![]() | 戴眼镜穿浅蓝衫男子坐在红色汽车驾驶座扶方向盘平视,背景户外建筑光线柔和。 | trying to figure it out. | 5.00 |
| 117 | 远景 | ![]() 长镜头 | 黄昏下红色旅行车停在河岸空地,驾驶座车门敞开后关闭,远方是带帝国大厦的城市天际线。 | 12.60 | |
| 118 | 其他 | ![]() | 纯黑背景下的文字展示。画面中心首先出现两行白色标题字,随后标题消失切换为其他字卡。 | 6.17 |





















































































































