共133个镜头，该分镜由光厂AI自动生成
| 镜号 | 景别 | 参考图 | 画面内容 | 台词/旁白 | 时长(秒) |
|---|---|---|---|---|---|
| 1 | 多景别 |  长镜头 | 黑场淡出，显示标题。随后呈现一名留着长辫的男子背对镜头，站在阳光斑驳的森林中。接着出现“YATTA ON ORIGIN AND CREATION”字样。 | 14.70 | |
| 2 | 近景 |  快速剪辑 | 双手戴着黑色手套，拿着一张刚冲洗出的黑白复古照片，照片上是几人站在草丛中的合影。背景模糊的丛林环境。 | 1.63 | |
| 3 | 特写 |  | 昏暗中，水面上泛起涟漪并反射着微光，接着出现字幕“a film by JAKE VIRAMONTEZ”。 | 4.43 | |
| 4 | 中景 |  长镜头 | Kenyatta走进光线昏暗但有暖灯的房间，从下方拿取物品放在工作台上。台上摆放着烧瓶等化学实验或显影器材。 | 17.33 | |
| 5 | 特写 |  | 在暖光下，戴黑手套的手翻阅一本手写记录的记事本，随后合上，背景中有一个塑料容器。 | Life is so fast. And there's so many parts moving | 2.77 |
| 6 | 特写 |  | 昏暗光线中，Kenyatta戴着面罩和眼镜，在阴影中抬起双手活动，面部微有暖色反光。 | that it's impossible to try to grasp a hold of anything | 4.23 |
| 7 | 特写 |  | 透明液体被稳稳倒入放置在工作台上的量杯中，水底激起水花和气泡。 | if you're thinking just as fast as all those parts that are moving. | 3.00 |
| 8 | 特写 |  | 戴黑色手套的手用勺子从白色罐中舀取浅蓝色结晶颗粒，背景模糊。 | 2.73 | |
| 9 | 特写 |  | 带刻度的量杯中，液体与加入的物质产生旋涡和细小白气泡。 | 2.47 | |
| 10 | 特写 |  | 戴手套的手扶住桌面的透明量筒，里面装有深色液体。气氛严谨。 | 2.10 | |
| 11 | 特写 |  | 戴手套的人继续从白色圆罐中舀取颗粒物质，衣物带有文字，背景为烧杯。 | 0.83 | |
| 12 | 特写 |  | 手举起一个底部有少许白色残留的半透明杯状容器，进行观察。 | I think if you slow down, you can possibly grab a hold of something | 1.10 |
| 13 | 特写 |  | 处于阴影中的手拿着大号试剂瓶，将透明液体倒入前方的量筒中，桌上摆有其他器皿。 | and one thing that you can slowly understand over time | 4.13 |
| 14 | 特写 |  | Kenyatta侧身拿着量筒，将其中的液体缓缓倒入一个已有部分淡黄液体的带刻度大塑料杯中。 | and create like a relationship with. | 5.80 |
| 15 | 特写 |  长镜头 | 桌面的大号塑料杯内，半透明液体随搅拌动作剧烈起伏冒出大量气泡。 | 10.30 | |
| 16 | 多景别 |  快速剪辑 | 快速剪辑：先是一名男子的侧脸近景，紧接着回到暗房，特写往量杯内注入液体。 | 1.27 | |
| 17 | 特写 |  长镜头 | 赤裸上身的男子面部侧影特写，在户外树林背景中专注吟唱或说话，光斑洒下。 | E kšlŁ mai i nā lani ē, Oho mai ka honua e hāliʹi, E hāliʹi mai hoʹi nā kškulu kāhi | 11.30 |
| 18 | 特写 |  | 戴白手套的人正在整理或擦拭一张透明玻璃片，另一侧手拿着白纸，背景是户外。 | Oho mai hoʹi kāhiki nā keala hoʹi, Kāuli lani naʹau kš kī a hoʹi Kī a hoʹi hālo Kūwē mai nā pŁ, mai ka ʹi kāʹi kī, kāʹi kā, kā pŁ, nŁ kā āo, Oho lā lŁ e, | 4.77 |
| 19 | 特写 |  | 双戴白手套的手在户外小心翼翼地拿着一块透明玻璃薄板进行清理。 | Oho mai mānā e | 1.40 |
| 20 | 特写 |  | 手持一块蓝色物品或抹布快速擦拭透明玻璃板，动作带明显模糊。 | 2.77 | |
| 21 | 特写 |  | 单手张开检查擦拭后的透明玻璃片，光线折射明显，背景是绿植。 | 1.77 | |
| 22 | 中景 |  | Kenyatta戴着帽子、背着背带和装备，在明亮的草坪和热带树林中行走，留着脏辫背影。 | Hāhā kšlani nā lani ākua ē, lono mai kā liʹa hē ā... | 2.97 |
| 23 | 中景 |  | Kenyatta在树林中侧身前行，正操作一大块黑布遮盖某物，阳光从间隙透入。 | ia, lono i kŁ e hōʹāʹi lā lono hīʹo lā lāʹeʹa lono, Łpūʹakāu, | 4.17 |
| 24 | 中景 |  | Kenyatta身处草地树丛，戴手套将一块摄影底片插板推入大画幅相机的后背。 | E līʹelīʹi noā. Lē leʹewā lī ākū lā i kā pūle... e... | 8.57 |
| 25 | 多景别 |  快速剪辑 | 剪辑画面：Kenyatta走向覆黑布的相机、镜头旋钮特写、他钻入黑布中，以及镜头镜片侧拍特写。 | 3.37 | |
| 26 | 近景 |  | Kenyatta戴渔夫帽的背影面对热带棕榈树林，身体微晃。 | 2.27 | |
| 27 | 特写 |  | 老式大画幅相机镜头的近距离特写，玻璃反光柔和。 | 3.63 | |
| 28 | 特写 |  | 闭着眼的Kapono侧面特写，随后缓缓睁开双眼又闭上，阳光在绿叶背景间闪烁。 | 6.13 | |
| 29 | 中景 |  | Kenyatta背对镜头调整三脚架上的相机，身披围裙戴手套。 | Take a deep breath. | 4.23 |
| 30 | 特写 |  长镜头 | 昏暗槽内波纹荡漾的水面特写，一只白手套短暂掠过其上。 | Got it. | 12.87 |
| 31 | 特写 |  | 赤膊男子Kapono在户外专注疲惫地喘息，面部呈现强烈侧光。 | 5.13 | |
| 32 | 特写 |  长镜头 | 暗光下戴白手套的手在水槽中按压湿润的透明玻璃底片背面。 | 12.30 | |
| 33 | 中景 |  | 一张动效闪烁的黑白老式照片画面，赤膊男子在树丛中怀抱襁褓婴儿。 | 4.93 | |
| 34 | 远景 |  | 全黑背景中缩小展示这张男子的胶片照，左下角出现文字“KAPONO”。 | 5.10 | |
| 35 | 中景 |  | 傍晚，Kenyatta走到白色SUV后侧打开车门后备箱取物，街灯微亮。 | My name is Kenyatta Kelechi. | 7.23 |
| 36 | 中景 |  | 破晓或黄昏时，Kenyatta扛着长条状的三脚架，逆光背影走过住宅街道。 | Most of my life, I kind of didn't really know what culture | 7.73 |
| 37 | 中景 |  | 依旧是光线极暗的时刻，Kenyatta扛着三脚架走进林间小道，呈黑色剪影。 | to align myself with. | 4.20 |
| 38 | 多景别 |  | 极短瞬间呈现机械或设备细节后迅速切至暗场背影轮廓。 | I grew up in the suburbs in Kailua, | 0.93 |
| 39 | 中景 |  | 纯黑背景中展示老照片：中老年女性与小男孩共进餐食。 | so I was definitely like the darkest kid in the class. | 3.13 |
| 40 | 全景 |  | 老照片：黑皮肤的卷发小男孩手扶木栅栏站在草坪前看向镜头。 | My mom, she's part Hawaiian, | 2.80 |
| 41 | 中景 |  | 老照片：一对成年男女与小男孩在餐桌前的温馨三人合影照。 | part Chinese, part Caucasian American. | 3.97 |
| 42 | 近景 |  | 老照片：年轻时的父母合照（男性短发胡须，女性笑容灿烂）。 | My father is from New Orleans. African American, French, | 4.07 |
| 43 | 近景 |  | 老照片：黑人女性怀抱幼儿的合影，相纸泛黄。 | Native American. | 3.27 |
| 44 | 全景 |  | 老合照：少年满脸微笑双手抱胸，身后的成年人在热带绿植前。 | There was times where I definitely felt like an outsider | 3.87 |
| 45 | 近景 |  | 老合照：三位男子（其中两位穿花纹衬衫戴花环）与一个小男孩的合影。 | to Hawaiian culture. | 4.87 |
| 46 | 全景 |  | 黄昏昏暗中，Kenyatta背着双手，光脚缓缓向大海边走去。 | It made me wonder like, who I am, | 7.97 |
| 47 | 中景 |  | Kenyatta戴着墨镜在树林间停步沉思特写。 | and where do I fit in all of this. | 4.47 |
| 48 | 中景 |  | Kenyatta背对着镜头走在阳光明媚的森林中，背景逐渐明亮过曝。 | I just wondered what it would be like to be participating | 4.60 |
| 49 | 中景 |  | Kenyatta侧身走过阳光穿透绿叶的林间，光晕明显。 | on the inside. | 5.13 |
| 50 | 近景 |  | 披挂绿叶饰物的原住民男子在林间吹奏粉色的巨大海螺。 | 5.07 | |
| 51 | 中景 |  | 一名少年端着装满幼苗植物的木盘在田地中穿行。 | 5.20 | |
| 52 | 中景 |  | 佩戴珍珠项链的女性在丛林里伸手采摘上方果实，随后转身走下。 | 4.10 | |
| 53 | 中景 |  | 长发女性用树叶编织的花环为年轻男子佩戴在颈部。 | 3.40 | |
| 54 | 中景 |  | 原住民装扮的女子同样给孩童佩戴上用绿叶编织的项圈。 | 3.60 | |
| 55 | 特写 |  | 戴手套的人用力甩动并合拢一个透明塑料袋。 | I just | 3.37 |
| 56 | 特写 |  | 戴黑色手套的双手拿起一块玻璃板在光线中端详。 | wanted to find my way in, | 1.07 |
| 57 | 近景 |  | 隔着有重影反光的玻璃，拍摄Kenyatta正在室内说话的侧影。 | into my culture, and learning about my people. And I, I sought after it. | 5.67 |
| 58 | 近景 |  | Kenyatta低头弯腰注视着工作台，动作慢慢在对焦中清晰。 | And I think there was like a path that kind of revealed itself. | 3.27 |
| 59 | 特写 |  | 将深色棕色瓶子内的浅黄液体平缓注入桌面上的锥形瓶中。 | 6.07 | |
| 60 | 近景 |  | 有人正在整理前方原住民女性深色的叶片服装腰部。 | 5.07 | |
| 61 | 特写 |  长镜头 | 戴黑手套的手将小瓶中浓稠黄色液体倒在玻璃板中央铺开。 | I don't really know many things about my culture, but what I do know is wet plate. | 10.27 |
| 62 | 全景 |  | 阴天下，Kenyatta扛着收起的大画幅相机支架穿过带水潭的草地。 | And I think that gives me the right to sit at the table. | 9.13 |
| 63 | 全景 |  | 一组原住民装扮的男女老少正走向草木茂盛的原野深处。 | 3.30 | |
| 64 | 特写 |  | 特写拍摄光脚走在带有水生植物（芋头田）的泥水中的双腿，水花四溅。 | 8.60 | |
| 65 | 中景 |  | Kenyatta侧脸背部入镜，操作户外的大画幅座机相机的后背组件。 | 4.60 | |
| 66 | 中景 |  | Kenyatta面对镜头弯腰铺平前方的黑色大布遮盖物，背景有人围观。 | 4.37 | |
| 67 | 近景 |  | Kenyatta戴手套调节相机镜头旋钮后转身看侧面，准备进行曝光拍摄。 | Okay, so I'm going to tell you to take a deep breath, and then on the exhale I'm going to click it. | 6.07 |
| 68 | 特写 |  | 手部特写，在镜头前等待，随后按下快门。 | Take a deep breath. | 7.57 |
| 69 | 多景别 |  长镜头 | 一张老旧复古相纸浮现，拍摄了这组原住民在芋头田中的合影，逐渐变小。 | 17.77 | |
| 70 | 中景 |  | 老照片完全缩小在黑色幕布中，底部带有文字“UKUMITSUS”。 | 3.30 | |
| 71 | 特写 |  | 穿白T戴棒球帽男子的背影，向树间望去，随后向侧边移动。 | 2.03 | |
| 72 | 近景 |  | 近景手部在翻动黄色的布状物料（风帆）。 | 4.30 | |
| 73 | 特写 |  | 穿白T男子转身向上看，双手将绳子绑在头顶的高处横杆上。 | We don't have any screws or bolts for this entire vessel. That structure, everything is lashed together with cordage. | 2.77 |
| 74 | 全景 |  | 木横梁特写，白绳交叉紧紧将木结构捆绑。 | The reason we, that that's still even in today's days works flawless is because we're out there on the ocean, | 5.03 |
| 75 | 中景 |  | 海边，两人正整理一艘双体帆船，阴云密布。 | and so it, it doesn't try and fight the ocean, it tries to work with it. | 6.10 |
| 76 | 全景 |  | 白T恤男子侧脸说话讲述。 | But what really makes this a Hawaiian canoe, specifically a Polynesian canoe, is the shape of our sail. Most Western sails, their widest part is near the bottom of the vessel. | 4.77 |
| 77 | 近景 |  | 海滩远景，两人正在黄色三角帆船旁合力拉紧固定船帆。 | You kind of see it's like narrow at the top and wide at the bottom. We actually flipped that upside down centuries ago. | 4.30 |
| 78 | 远景 |  | 近景男子向上高举双臂比划，讲述风帆原理。 | And part of that is if you study the wind and if you watch birds, the higher up you go, the stronger the wind is. | 6.20 |
| 79 | 中景 |  | 远景两人在沙滩黄色风帆船侧继续做准备。 | So they get to harness the wind kind of higher up. | 6.70 |
| 80 | 近景 |  | 海边近景，男子继续背着镜头向上比划。 | If they're going to make material, they probably put at the highest. So those kind of three features, if you can identify them, what make it a Polynesian sailing canoe. | 3.87 |
| 81 | 全景 |  | 年轻男子面对大海出神，天色阴沉。 | 7.67 | |
| 82 | 特写 |  | Kenyatta将黑色遮光布披在相机与头上准备取景拍摄。 | I feel that these people that I photograph should be captured | 2.40 |
| 83 | 特写 |  | 暗房中，烧瓶往玻璃板上浇倒液体。 | in a photograph that requires a process. | 4.03 |
| 84 | 近景 |  | 暗光下拉丝的粘稠液体特写，红光闪烁。 | Because what they do requires a process. | 1.53 |
| 85 | 中景 |  | 年轻男子侧头低首沉思。 | 3.17 | |
| 86 | 全景 |  | 赤膊少年在长满水生植物的水田里弯腰干活。 | Every single thing that Indigenous people do requires hard work and labor. | 3.33 |
| 87 | 近景 |  | Kenyatta低头查看某物品。 | So I think it's appropriate, and it matches. | 4.37 |
| 88 | 多景别 |  | 红光切替，Kenyatta钻进大黑布中，进行野外暗房洗相。 | 9.57 | |
| 89 | 特写 |  | 暗红色光照下，用纸擦拭玻璃板表面。 | 3.03 | |
| 90 | 特写 |  | 红光中带有“DEVELOPER”标签的黑色药水罐。 | 2.80 | |
| 91 | 特写 |  | 红光照射下写有警告语骷髅标志的瓶子特写。 | 2.87 | |
| 92 | 特写 |  长镜头 | 酒杯在红光下倒入透明酒液。 | Making wet plate is almost like a religious thing for me now. | 10.80 |
| 93 | 特写 |  | 红光下手拿玻璃圆底烧瓶缓慢倒水在玻璃板上。 | It is kind of like an aha moment, too, like, seeing the plates develop. | 7.93 |
| 94 | 特写 |  | 红光下将玻璃底片插入漏斗口或水槽中操作。 | It's interesting because it's like such a volatile process that | 4.00 |
| 95 | 特写 |  | 侧面的Kenyatta在暗红光中捂头深思。 | it's like you're trying to find peace in chaos. It just seems like something that's not supposed to be possible. | 2.20 |
| 96 | 特写 |  | 红色暗光内，戴手套手紧握一块薄片设备操作。 | 7.57 | |
| 97 | 中景 |  | 红光中，将一块块玻璃板置于支架上冲洗显影。 | 6.90 | |
| 98 | 中景 |  | Kenyatta从遮黑布中退出，站直身体。 | 4.80 | |
| 99 | 中景 |  | Kenyatta手搭镜头操作相机回首。 | Take a deep breath. Exhale. | 2.73 |
| 100 | 特写 |  | Kenyatta戴手套拉出底片板。 | I think the main difference between me feeling like an outsider and me being embraced by Hawaiians is mainly just the fact that now I'm participating and giving back. | 6.67 |
| 101 | 近景 |  | 戴黑色手套的手将带负像图案的底片板浸入显影药水槽。 | 2.37 | |
| 102 | 特写 |  | 刚才的年轻人在运动后喘息。 | 3.50 | |
| 103 | 全景 |  长镜头 | 水面上产生波纹的水槽俯视特写。 | 12.20 | |
| 104 | 中景 |  | 屏幕呈现成片，一张两人站在沙滩帆船旁的老照片。标题“NAVIGATORS”。 | 3.93 | |
| 105 | 特写 |  | Kenyatta从画面走过，岛民在户外露出微笑。 | Wet plate has definitely changed my life, for the better. | 1.67 |
| 106 | 近景 |  | Kenyatta戴黑框眼镜侧脸专注于手中书写。 | It's given me like a sense of purpose. | 3.03 |
| 107 | 近景 |  | Kenyatta在板上倒入一滴液体，背后立有支架布。 | 2.17 | |
| 108 | 中景 |  | Kenyatta微笑说话，背景户外。 | Like, when you do something that means more than just doing it for yourself. | 3.07 |
| 109 | 近景 |  | Kenyatta披着遮光布对着原住民家庭照相取景，旁有黄帆船和奔跑小狗。 | 1.77 | |
| 110 | 特写 |  | Kenyatta端着板子遮挡脸部。 | 2.40 | |
| 111 | 近景 |  | 晃动托盘内的液体冲洗玻璃底片。 | 5.83 | |
| 112 | 特写 |  | 男女低头看手机，表情转喜；随后另一女生专注盯向前方。 | Oh my gosh, thank you so much. | 3.27 |
| 113 | 多景别 |  长镜头 | 双手举起刚洗出的一张原住民家庭合影的底片。 | I think it's, it's pretty amazing that they would let me make these portraits. | 12.93 |
| 114 | 近景 |  | 展现一张有7个人的大合照复古湿版照片，带有“MONIZ FAMILY”标题。 | 6.47 | |
| 115 | 中景 |  | 草坪上，大人温柔地握住怀里孩童的小手。 | Being Hawaiian is understanding that you're part of a, of a greater system. Like you're, you're just one cog in the wheel of nature. | 5.03 |
| 116 | 中景 |  | 赤膊壮汉在阳光斑驳的森林中回眸，身上肌肉纹理清晰。 | 4.10 | |
| 117 | 多景别 |  | 深肤色的女子与有胡须纹身的男子在林中并立凝视镜头。 | 7.17 | |
| 118 | 近景 |  | 呈现照片：戴草帽女子展示手作的巨大树皮编织布。“NANEA”。 | For my children, and my boys, I want them to know being Hawaiian is helping each other out, and not taking more than you need. | 5.13 |
| 119 | 中景 |  | 微弱光中，屋内男子抱娃摇晃，剪影状态。 | 5.53 | |
| 120 | 近景 |  | 屋内逆光儿童剪影；男子躺在床上与孩童互动。 | I want them to understand that there's an importance of like the 'aina, the Earth, and that there's a direct relationship between them and the ground that they walk on. | 4.60 |
| 121 | 全景 |  | 一家人抱着婴童走向傍晚落霞海边，剪影。 | 4.83 | |
| 122 | 全景 |  | 昏暗海岸边，Kenyatta带着孩子向海中走去。 | I think that's vital. Like that's the one thing that a lot of us are missing. | 3.30 |
| 123 | 中景 |  | 剪影，大人在岸边水里教幼儿走路。 | 2.60 | |
| 124 | 中景 |  | 女子在微明海面上抱着幼童。 | 3.83 | |
| 125 | 中景 |  | Kenyatta高举婴童面对海面远方。 | 4.07 | |
| 126 | 中景 |  | 黄昏中Kenyatta怀抱婴童眺望大海，只剩侧面轮廓。 | 2.37 | |
| 127 | 近景 |  | Kenyatta低头托举展示那块带影像的透明摄影片。 | I think wet plate has definitely given me like a sense of belonging. | 2.57 |
| 128 | 中景 |  | 众年轻人围拢笑着指点，笑容纯真。 | 3.27 | |
| 129 | 特写 |  | 聚会的人们，Kenyatta笑颜相对交流。 | It's kind of like my way of giving back to the people and the community that raised me and taught me what it's like to be Hawaiian. | 2.83 |
| 130 | 近景 |  | 戴手套倾斜玻璃板，观看光线下显现的画面。 | 2.13 | |
| 131 | 中景 |  | Kenyatta侧转头望向右方然后笑吟吟俯首。 | 2.30 | |
| 132 | 多景别 |  长镜头 | Kenyatta将黑布遮上准备冲浪板店外合影。 | 25.27 | |
| 133 | 空镜 |  | Kenyatta林间背影，画面带标题；长发女子倾听粉色大螺号。演职字幕滚动。 | 5.93 |