共73个镜头,该分镜由光厂AI自动生成
| 镜号 | 景别 | 参考图 | 画面内容 | 台词/旁白 | 时长(秒) |
|---|---|---|---|---|---|
| 1 | 远景 | ![]() | 黄昏时分的荒原,一女子身披斗篷以剪影形式步入画内。中景有一座破败房屋废墟,左侧斜坡上有一匹马。 | When I started working as a cinematographer, | 3.40 |
| 2 | 特写 | ![]() | 镜头对准蓝眼睛年轻女性面部,她表情凝重略带困惑。背景为荒芜的沙漠和连绵山丘。 | the cameras were mechanical. | 3.03 |
| 3 | 航拍 | ![]() | 俯拍视角下,一辆深红色越野车行驶在笔直穿过荒漠的公路上。 | You had to do all the thinking. | 2.60 |
| 4 | 全景 | ![]() | 广阔荒野高原上,一名身披黑色斗篷的人物背对镜头,面向落日而立。画面有文字出现。 | My name is Emmanuel Lubezki, I'm a cinematographer. | 4.50 |
| 5 | 近景 | ![]() | 荒野日落背景下,Emmanuel Lubezki 手持稳定器使用 iPhone 拍摄背对镜头的女子。 | And stand up. I think that the iPhone Pro will allow filmmakers all around the world | 5.90 |
| 6 | 全景 | ![]() | 三名工作人员在荒凉地貌进行拍摄准备,地面燃起火堆和橙色烟雾,一人躺在地上模拟特技。 | to make films that otherwise are impossible | 1.57 |
| 7 | 全景 | ![]() | Emmanuel Lubezki 弯腰手持手机进行俯拍,地面躺着一人。浓烈的橙色烟雾席卷而来。 | because you don't have the means | 2.27 |
| 8 | 全景 | ![]() | 穿黑色吊带上衣的女性闭眼躺在碎石地面上,黄褐色烟尘部分覆盖了她的身体。 | or because the cameras are too heavy or too complicated. | 1.63 |
| 9 | 全景 | ![]() | Emmanuel Lubezki 手持稳定器和手机,跟随穿黑色吊带和长裤的女子向前行走。 | 1.87 | |
| 10 | 中景 | ![]() | 长发女子背对镜头站立。Emmanuel Lubezki 手持云台稳定器及手机对其录制。 | That was beautiful. | 2.13 |
| 11 | 中景 | ![]() | Emmanuel Lubezki 戴口罩手持云台稳定器面向镜头。背景有工作人员和越野车。 | When I started shooting movies, | 1.50 |
| 12 | 中景 | ![]() | 装在手持云台上的手机显示正拍摄一女子。背景贴满纸钞,光束透过门窗照向中央。 | you had to rent a very expensive camera, | 2.30 |
| 13 | 全景 | ![]() | 荒漠逆光剪影,左侧一匹马和一人,右侧破旧房屋废墟处两名工作人员在操作摄影器材。 | buy film stock, pay for developing, | 2.20 |
| 14 | 中景 | ![]() | Emmanuel Lubezki 手持手机稳定器拍摄背对镜头的女子。背景是蓝天。 | special equipment for editing. | 2.60 |
| 15 | 全景 | ![]() | 巨大方形镜面映照山丘。一女子走出画面后,Emmanuel Lubezki 手持云台手进入镜头。 | Now, you can really go out with one of these devices and make a movie. | 7.00 |
| 16 | 远景 | ![]() | 夜色中带有 IRON DOOR 招牌的木质建筑,一名女性剪影向正门走去。 | These new cameras | 2.37 |
| 17 | 全景 | ![]() | 室内工作人员呈剪影状态在窗前拉开窗帘,阳光照射进来。 | are extraordinary in the sense that they are almost starting to think. | 1.87 |
| 18 | 全景 | ![]() | 女性坐在床边,前景中一人手持手机录像,手机屏幕显示取景画面。 | 1.80 | |
| 19 | 远景 | ![]() | 夜景 IRON DOOR 酒吧门口,女子从越野车副驾驶位下车。 | 3.17 | |
| 20 | 中景 | ![]() | 穿红色吊带上衣的女性在弥漫黄色烟尘的荒凉背景前站立。 | One of the things that is really exciting about the iPhone Pro is that you have Dolby Vision HDR in real time. | 4.73 |
| 21 | 远景 | ![]() | 红裙女性在弥漫的黄色烟雾中缓慢走来。 | So you're able to see an image that is already color corrected. | 3.73 |
| 22 | 近景 | ![]() | 荒凉沙漠背景下,变色龙趴在枯木枝干上张大嘴巴。 | 2.87 | |
| 23 | 远景 | ![]() | 一匹棕色的马在沙地上快速奔跑,背景是连绵起伏的土黄色山丘。 | 2.57 | |
| 24 | 中景 | ![]() | 日落时分,Emmanuel Lubezki 手持云台支架连接手机对女子进行拍摄。 | Shooting with the iPhone Pro allows me to be quite free and spontaneous. | 3.10 |
| 25 | 远景 | ![]() | 摄制团队在荒芜边缘工作。女子整理头发,Emmanuel Lubezki 蹲着使用稳定器拍摄。 | A little bit like a jazz musician finding the best images | 4.27 |
| 26 | 远景 | ![]() | 岩石峡谷中,Emmanuel Lubezki 举着手机跟拍前方的女子向深处行走。 | and just think about composition and framing and motion. | 2.33 |
| 27 | 近景 | ![]() | Emmanuel Lubezki 双手摆弄装有云台稳定器的手机,前方长发女子背对镜头望向山谷。 | The things that make a shot great. | 1.50 |
| 28 | 中景 | ![]() | 男性手持智能手机录像前方女性。远景为土丘地貌和渐变天空。 | 1.23 | |
| 29 | 全景 | ![]() | 剪影画面,女子手提点亮的马灯步行。背景为山脉轮廓和渐变天空。 | 1.53 | |
| 30 | 中景 | ![]() | 室内男子举着带有手机的云台向前方的拱形门洞拍摄。门洞亮起强光并伴有烟雾。 | 1.53 | |
| 31 | 全景 | ![]() | 女性剪影从门外的强光处走进室内,地面映出长投影。 | 2.43 | |
| 32 | 全景 | ![]() | 黄褐色土丘和连绵的淡紫色山脉,光影明暗对比。 | When you're in a place like this beautiful desert, | 1.50 |
| 33 | 中景 | ![]() | Emmanuel Lubezki 手持云台手机取景。背景广阔荒漠,天色黄昏。 | you have to move really, really fast | 1.77 |
| 34 | 多景别 | ![]() | 俯拍脚步转跟随视角,女子向高处走去,Emmanuel Lubezki 举稳定器拍摄。 | because things are changing constantly. | 3.20 |
| 35 | 全景 | ![]() | 深色阴影由下而上逐渐覆盖岩壁,露出蓝色天空。 | The shadows getting long, | 2.67 |
| 36 | 全景 | ![]() | 女子提着煤油灯在干旱荒漠中缓慢行走。背景连绵山脉和夕阳。 | the mountains changing colors, | 3.10 |
| 37 | 远景 | ![]() | 人物剪影背对镜头俯瞰夕阳和山谷,太阳逐渐降至地平线以下。 | the shadow of the earth in the horizon. | 4.00 |
| 38 | 特写 | ![]() | 手机放置在透明塑料薄膜下,周围蓝色边框固定在纸板上进行裁剪。 | The camera becomes an extension of your eye, of your body, | 1.33 |
| 39 | 中景 | ![]() | 男性的手在操作带蓝色边框透明板,透明板中央固定着手机。 | 1.07 | |
| 40 | 特写 | ![]() | 手中拿着透明亚克力板映照录制视频的手机背部,另一只手拿着控制设备。 | when you're framing, when you're composing. | 1.83 |
| 41 | 中景 | ![]() | 户外泳池中,戴呼吸管摄影师持透明取景挡板拍摄水中游动的男子。 | 1.43 | |
| 42 | 全景 | ![]() | 水底环境,潜水镜男子由多人协助,水面透射光影。 | You don't want to be thinking about technique | 1.43 |
| 43 | 全景 | ![]() | 户外泳池中,三男子协助水中一人,岸上黑衣人跳入池中激起水花。 | when you are trying to capture life. | 2.23 |
| 44 | 近景 | ![]() | 长发女性处于水下,长发散开周围气泡,光线照亮面部。 | 3.10 | |
| 45 | 特写 | ![]() | 白发男子戴泳镜看手机屏幕,镜头转焦点。 | That was beautiful. | 1.40 |
| 46 | 全景 | ![]() | 光线明亮的卧室内,Emmanuel Lubezki 手持手机横屏拍摄躺在床上的女性。 | Something that I like about this camera is that | 1.87 |
| 47 | 中景 | ![]() | Emmanuel Lubezki 近距离俯拍躺在枕头上的女性演员。 | you can be right there with the actor to be able to observe, | 2.03 |
| 48 | 大特写 | ![]() | 近距离闭眼缓慢睁开,露出蓝绿色瞳孔,眼睫毛皮肤纹理清晰。 | 1.97 | |
| 49 | 近景 | ![]() | 女子背影在窗前逆光剪影。工作人员用金色手机拍摄并调整风扇。 | and to be in the moment. | 2.43 |
| 50 | 近景 | ![]() | 室内长发年轻女性用力甩动头发。 | To keep rolling and rolling until one of these happy accidents happens right in front of you. | 2.27 |
| 51 | 多景别 | ![]() | 马跑向镜头定格特写。 | 3.43 | |
| 52 | 中景 | ![]() | 酒吧内录像手机稳定器向后拉远显示年长男性面对镜头。 | Man, you're so good, Carl. | 4.10 |
| 53 | 远景 | ![]() | 黄昏中人物剪影行走经过枯树,远方山峦渐变天空。 | Those are the beautiful moments that feel un-rehearsed, | 4.97 |
| 54 | 大远景 | ![]() | 日暮时分,人物剪影在高地边缘俯瞰深谷。 | that feel magical or mysterious. | 3.50 |
| 55 | 远景 | ![]() | 荒漠中人牵马向远方夕阳走去,旁边跟随两人。 | I love the wide lenses that allow | 3.20 |
| 56 | 远景 | ![]() | 女性从山坡向上走,Emmanuel Lubezki 手持云台手机拍摄。 | the images to be immersive, to have focus in depth, | 4.37 |
| 57 | 航拍 | ![]() | 越野车在戈壁滩土路上快速行驶,留下长长阴影。 | to make the audience feel that you are right there. | 4.20 |
| 58 | 近景 | ![]() | 户外智能手机装在摄像套件录制远处沙丘和微弱人影。 | We used a drone because we wanted to see the character | 2.87 |
| 59 | 远景 | ![]() | 黄昏荒漠多旋翼无人机悬停,土丘长袍人影背对远方。 | within the context of the desert, to be able to express how enormous is this place | 4.40 |
| 60 | 远景 | ![]() | 航拍雅丹荒漠峡谷,黑衣人物伫立山脊边缘。 | and how tiny we are when we're in the desert. | 4.40 |
| 61 | 航拍 | ![]() | 航拍黑衣人悬崖边缘,深邃沟壑土层风化地貌。 | And I think the next great cinematographer | 4.07 |
| 62 | 全景 | ![]() | 室内女子坐床边忧虑,背影男子举手机拍摄。 | or the next great film director | 2.20 |
| 63 | 全景 | ![]() | 深夜女子走向开启大灯越野车车灯照射范围。 | is already making movies with one of these devices. | 2.87 |
| 64 | 全景 | ![]() | 荒芜土丘冒烟越野车前女子趴下,Emmanuel Lubezki 手持稳定器手机拍摄。 | 2.47 | |
| 65 | 近景 | ![]() | 荒漠戈壁 Emmanuel Lubezki 戴草帽口罩扶眼镜。 | 1.70 | |
| 66 | 全景 | ![]() | 落日余晖中两戴口罩男女行走交谈,背景土丘落日逆光。 | Kids are able to learn and to do all the training almost by themselves. | 2.17 |
| 67 | 近景 | ![]() | 汽车副驾驶 Emmanuel Lubezki 操作腿上笔记本电脑播放沙漠视频。 | 1.87 | |
| 68 | 远景 | ![]() | 夜晚沙漠木质建筑旁两背影,一人持屏幕设备,越野车停靠。 | And that's incredible. | 2.73 |
| 69 | 远景 | ![]() | 峡谷缝隙女性剪影向亮光深处走,黑色岩石阴影。 | You're starting to see amazing things coming out. | 3.33 |
| 70 | 全景 | ![]() | 海滨沙滩团队站立,海浪拍打礁石。 | And I think it's going to define a lot | 2.43 |
| 71 | 大特写 | ![]() | 女性面部局部大特写发丝飞舞。 | of how movies are going to be made in the future. | 2.30 |
| 72 | 远景 | ![]() | 荒漠峡谷边缘 Emmanuel Lubezki 手持稳定器手机拍摄黑袍女子。 | Action. | 2.93 |
| 73 | 特写 | ![]() | 纯黑背景中心展示白色 Apple Logo。 | 1.90 |








































































