共95个镜头，该分镜由光厂AI自动生成
| 镜号 | 景别 | 参考图 | 画面内容 | 台词/旁白 | 时长(秒) |
|---|---|---|---|---|---|
| 1 | 空镜 |  | 整个镜头画面呈现纯黑色，没有出现任何视觉主体、环境或动作，处于全黑转场或起始黑屏状态。 | 1.50 | |
| 2 | 全景 |  | 夜晚安静的美国郊区社区街道。街道两旁是两层独栋房屋，路灯发出昏黄的光，其中一户车库亮灯，门内停着一辆车。 | It's another sunny day back in Springfield. | 5.10 |
| 3 | 航拍 |  | 俯视视角下，一名穿着紫色短上衣、黑色长裤的女性正躺在滑板车上，滑入一辆白色老式轿车的底部进行维修。车库内堆满杂物。 | things of memories remain | 4.67 |
| 4 | 中景 |  | 光线昏暗中，戴着红色发带、穿着灰色露脐背心的女性躺在白色轿车底盘下，双手向上伸，拿起扳手拧动零件。 | 5.53 | |
| 5 | 特写 |  | 一台深色老式收音机静置在桌面上，拉出的天线呈斜向上方，液晶显示屏显示数字106.0 MHz，背景墙面挂着工具。 | the moment always brings | 3.73 |
| 6 | 特写 |  | 二维动画风格中，一名浓眉大眼、头戴红色头巾的男性仰视微笑，眼神微动，最后画面被快速掠过的手部剪影遮挡。 | when I am older | 4.70 |
| 7 | 全景 |  | 光线昏暗的车库内，一名女子躺在移动滑板上从白色老旧轿车的车底滑出，坐起身背对镜头看向车辆。 | be this far， leave it all | 2.47 |
| 8 | 中景 |  | 一名红发女孩从画面的底部边缘逐渐上升，神情凝重，注视着前方。背景是模糊的傍晚街道和房屋。 | leave it all behind | 2.73 |
| 9 | 近景 |  | 一台老式黑色收音机放置在平整的工作台面上，背景洞洞板挂着工具。画面左侧露出红发角色的背影。 | I've been thinking it over and then finally | 6.20 |
| 10 | 近景 |  | 红褐色头发、扎丸子头的女孩在昏暗的室内或夜晚户外，面带担忧微微抬头看向斜上方，背景模糊。 | 2.97 | |
| 11 | 全景 |  | 昏暗杂物间内，女孩先茫然看向侧方，随后抬头向上看并叹气，表现出无奈，背景有挂满木工工具的墙。 | 啊…… | 2.47 |
| 12 | 全景 |  | 光线昏暗的室内车库中，停放着一辆白色的老式轿车。镜头右移露出车库右侧敞开的大门，隐约可见邻近房屋。 | 3.97 | |
| 13 | 近景 |  | 光线昏暗室内，一名留棕色短发扎发髻的年轻女性神色惊慌，迅速拿出手机查看，蓝白光映照在她紧皱眉头的脸上。 | 2.77 | |
| 14 | 全景 |  | 一辆银灰色的轿车侧停在昏暗车库中，一道手电筒光从左向右再从右向左移动扫过轿车侧门、车窗和后翼子板。 | 2.13 | |
| 15 | 近景 |  | 一名留长发、戴皇冠头饰的女性角色表情惊恐焦虑，低头看着手机，手机蓝光照亮脸部，背景模糊隐约可见架子。 | Hello? | 5.00 |
| 16 | 全景 |  | 室内车库环境，一辆银灰色轿车停放中央。一束圆形的强光照射在轿车后排车门的位置，右侧可见车库门外的夜景。 | 2.03 | |
| 17 | 特写 |  | 昏暗环境中，一个穿紫色鞋袜的动画人物从左侧走出，双脚短暂停留后继续向右走远消失，背景是模糊的深色矩形。 | 3.20 | |
| 18 | 特写 |  | 画面聚焦于行驶中的白色二厢轿车左侧尾部。一个圆形的光斑照亮后车门、轮毂及车尾灯，背景是模糊的夜间路面。 | 1.73 | |
| 19 | 全景 |  | 在充满工具的室内车库中，一名身穿露脐短上衣的年轻女性神情懊恼地看着手中的手机，车旁放着千斤顶。 | 4.50 | |
| 20 | 特写 |  | 略显昏暗的室内环境中，一台带有天线的黑色复古收音机静置在桌面上，液晶显示屏发出微弱的光。 | 这只是一个 | 0.70 |
| 21 | 特写 |  | 室内环境中，一个卡通风格的手臂伸向桌面上的黑色收音机并将其抱住，背景墙上挂着一些工具类物品。 | 1.10 | |
| 22 | 中景 |  | 一名扎丸子头、深红发色的年轻女子抬起头转身看向后方，背景显露出雨后湿润的街道及亮灯的民宅和路灯。 | Liber | 8.27 |
| 23 | 中景 |  | 昏暗室内工作室，扎丸子头的女孩眼神空洞注视侧前方，背后挂满木工工具板，桌面上放着复古收音机。 | 3.63 | |
| 24 | 远景 |  | 大雾弥漫的夜晚街道，一个女性角色低着头，缓慢地从左向右走去，背景有亮灯的路灯和模糊房屋，色调阴暗。 | 4.40 | |
| 25 | 中景 |  | 昏暗且有轻微雾气的环境中，一名扎发髻的动画少女带着警觉和不安转头望向右前方，背景隐约可见车辆轮廓。 | Something is out there | 2.73 |
| 26 | 特写 |  | 长发少年在昏暗环境中由背对镜头缓慢转向正面，瞪大双眼露出震惊表情，背景隐约可见发光的虚化圆点。 | 2.00 | |
| 27 | 远景 |  | 浓雾弥漫的居民区街道，路灯发出昏黄的光，深处可见模糊的路灯光影。地面湿润，能见度低。 | 3.07 | |
| 28 | 特写 |  | 一位深棕色长发的年轻女性面部特写，睁大双眼表现出惊讶和疑惑，眼神从正前方略微向下移动并伴有眨眼。 | 3.67 | |
| 29 | 远景 |  | 浓雾街道上，路灯按顺序由远及近依次熄灭，随后浓雾中浮现出一个体型巨大、拥有发光双眼和尾部触角的黑色怪物轮廓。 | 4.37 | |
| 30 | 特写 |  | 长发男性特写，露出极度惊恐神情张大嘴巴，紧接着角色迅速下坠消失在画面下方，背景暗色。 | 啊 | 1.43 |
| 31 | 中景 |  | 街道上奔跑的女孩突然停下回过身，被前方红光照亮，脸上写满恐惧，背景是模糊住宅楼和路灯。 | Ah! | 1.40 |
| 32 | 远景 |  | 深夜中女孩背影站在车库前，随后车库和后方房屋瞬间被巨大的白色烟雾吞没，只剩女孩剪影和浓烟。 | 4.93 | |
| 33 | 中景 |  长镜头 | 迷雾中女性惊恐跪地捂耳颤抖，身后显现巨大长满尖刺的深色怪物轮廓，怪物的眼部和口部闪烁红色凶光。 | No. No. Kill me. | 14.10 |
| 34 | 远景 |  长镜头 | 阴沉冬日，一座两层式的砖石建筑矗立在雪地中，周围环绕枯萎的树木和积雪，天空中不断飘落着雪花。 | Sparrow Moon was not at all what I thought she would be. I wasn't given much time to go over her case file before our first appointment， but from what I had read， I half expected some kind of uncontrollable monster to walk through the door. She wasn't anything like that. She was quiet and guarded， smaller in person than what I had imagined from her photograph. A perfectly normal 17-year-old girl. That made it even harder to believe she was capable of doing the things that she did. | 43.93 |
| 35 | 远景 |  长镜头 | 雪夜，镜头对准石砖建筑外墙，通过左侧带格栅的窗户可看到室内扎马尾女性侧影微微低头沉思。 | 她是所谓的伍德菲尔德五人组，最后幸存的成员。一群来自同一个偏远北方小镇的孩子，遭受了一系列无法解释的，有时甚至是暴力的精神崩溃。临床记录表明是某种群体性精神病，尽管在我二十年的从业经历中，从未听说过这种事。 | 29.43 |
| 36 | 近景 |  长镜头 | 俯拍办公桌面，桌面上杂乱堆放调查文件、剪报和照片，显眼的一块文件夹板上夹着四人合影照片。 | By all accounts Sparrow had an unremarkable childhood. No indications of behavioral difficulties， good grades in school， active social life， no family history of mental illness to speak of. Her mother had been part of some offbeat spiritual commune years earlier but had left that behind when Sparrow was quite young and eventually remarried. There was nothing to suggest any kind of underlying trauma or abuse. Though as you come to find in my line of work， that's not always so obvious. The only path to understanding what really happened in Woodfield was Sparrow herself. And that would prove more difficult than anyone anticipated. | 49.50 |
| 37 | 近景 |  长镜头 | 中年金发男性用右手支着下巴，食指贴在脸颊上，眼神深邃略带忧虑。环境色调逐渐变暗。 | I learned very little over the first weeks of our sessions together. Sparrow was often uncooperative， careful never to allow the growing familiarity between us to weaken her resolve. I was not as strong. I became unreasonably attached to her. | 22.80 |
| 38 | 中景 |  长镜头 | 充满书架的室内，双马尾少女坐在单人沙发椅上低头情绪低落，手臂上有抓痕。右侧模糊人影对着少女。 | The endless medical diagnostics revealed nothing we didn't already know. She barely slept. The scratches on her arms were self-inflicted. And aside from high blood pressure， she was physically healthy. No one was certain about what exactly was wrong with her， and she was getting worse. | 25.03 |
| 39 | 全景 |  长镜头 | 垂直俯瞰办公室。沙发上的角色逐渐消失，一名金发男性角色出现在办公桌旁，正倒酒并饮用。 | The weeks turn to months and I was running out of time. | 12.33 |
| 40 | 全景 |  长镜头 | 深夜办公室内，男子站在百叶窗前端着咖啡，窗玻璃映照出他面容严肃、陷入沉思的倒影。 | The courts had determined that unless I could demonstrate conclusive progress in her treatment， Sparrow would be transferred to an isolated psychiatric ward and out of my care. I could have walked away at that point. I probably should have. But what I wanted， what I've always wanted， was answers. After all that we'd been through， she wasn't a kid to me anymore. She wasn't a monster either. She was a puzzle to solve. | 40.10 |
| 41 | 全景 |  长镜头 | 昏暗病房中，穿着橙色囚服的女性背对镜头坐在床沿低头沉思。镜头通过虚化的门框进行框式构图。 | Sodium pentothal can be administered to induce something called narcosynthesis. A state between sleep and awake where a subject is highly suggestible. In most places today， the practice is frowned upon. Normally， I would never consider such a treatment， but given the circumstances， my options were limited. I knew full well that this could risk professional censure， perhaps even my career itself. That didn't seem to matter at the time. | 35.50 |
| 42 | 航拍 |  长镜头 | 俯视视角下，左侧坐着身穿橙色运动服的男子，右侧男子正低头看着手中的笔记本，两人隔茶几相对而坐。 | After the injection Sparrow was brought to my office. We were left alone and I asked her to count backwards from ten. Though before she even got to five it was clear she knew something was wrong. | 19.20 |
| 43 | 特写 |  长镜头 | 红黑发色的角色面部特写，满头大汗极度惊恐，视线快速抖动，最后镜头猛拉近并伴随强烈画面震动。 | Her breathing became shallow and her eyes darted around rapidly. She began talking about a mist coming into the room that only she could see. She could hear a voice from within it calling to her. The drug had disoriented her to such a degree that I don't even think she recognized me. | 25.23 |
| 44 | 全景 |  长镜头 | 办公室内，左侧穿橙色上衣女孩垂下头；右侧金发男子低头在笔记本上记录。两人中间是大办公桌。 | Sparrow's small size and chronic fatigue made the dosage I administered tricky. She drifted in and out for several minutes. When lucid， I redirected her， asking if she could tell me what the voice she heard was saying. After a long pause， she finally whispered， "Little bird." | 29.47 |
| 45 | 特写 |  长镜头 | 金发、蓄着黄色胡须的中年男子面露严肃、专注神情，注视前方，镜头缓慢向其面部推近。 | At that point， Sparrow was not interested in answering any of my questions. She just spoke and I listened. She said that it knew， it knew that was what he used to call her， the old man. But the voice wasn't a man's， it was something else. She said it comes with the mist， that it takes things from you and it grows， adding to what it's taken from others. It eats you from the inside. She didn't know its name but called it the Worm. | 46.80 |
| 46 | 全景 |  长镜头 | 空荡荡的室内走廊尽头是一扇紧闭的门，墙壁呈冷蓝色调。左侧墙上挂旧式电话，门牌号显示为183。 | 当斯帕罗陷入昏迷时，我的问题多于答案。我安排她回到自己的房间，并接受了自己可能永远没有机会了解真相的想法。我失败了。我销毁了上次的会议记录，以防止审查委员会发现我做了什么。一切都结束了。或者，至少我是这么想的。 | 36.00 |
| 47 | 空镜 |  | 纯黑的背景，画面中仅在下方居中位置显示白色中文字幕。 | It was that night the dreams started. | 4.90 |
| 48 | 大特写 |  | 一名拥有浅色头发、浓黑眉毛和胡须的中老年男性缓缓睁开布满疲态的眼睛，眼神呆滞地直视上方。 | 5.13 | |
| 49 | 全景 |  | 黄昏或黎明时分的荒野草地上，金发男子在病床上惊醒坐起，抬手按住额头，背景是树林剪影和繁星夜空。 | 额 | 3.60 |
| 50 | 中景 |  | 昏暗病房内，金发中年男子坐在病床上抚额，神情疲惫困惑，随后转头看向右侧，眼神惊讶。 | 2.83 | |
| 51 | 远景 |  | 昏暗郊外草地上，一扇门孤立中央。背景是成排树木剪影，天空呈深紫到橙色渐变，散布微光。 | 2.97 | |
| 52 | 中景 |  | 金发中年男子坐在担架床上，抬手遮挡阳光向右侧张望，表情凝重，随后身体向下移开画面。 | 怎么会这样 | 3.30 |
| 53 | 全景 |  长镜头 | 暮色旷野中，金发男子走近孤立的门。门自动向内开启透出白光，男子走入光门消失，门随之关上。 | 14.33 | |
| 54 | 多景别 |  | 镜头从发光顶灯下摇，金发男子背对镜头沿着空旷的冷色调室内走廊向深处走去。 | 8.77 | |
| 55 | 中景 |  | 昏暗走廊内，留胡须的金发男子从墙后走出，左右环顾，目光警惕不安，氛围压抑。 | 6.33 | |
| 56 | 远景 |  | 昏暗冷清的走廊尽头，穿橘红色上衣的小男孩背对镜头，独自站在两部电梯门前。 | 2.03 | |
| 57 | 中景 |  | 电梯间内，穿橙色095上衣的马尾少年微微侧头，做出噤声手势，随后向左离开画面。 | 嘘 | 5.47 |
| 58 | 全景 |  | 昏暗走廊拐角处，金发长者伸手呼喊，随后身体前倾快速跑向右侧消失。 | Wait， Come back! | 2.67 |
| 59 | 中景 |  | 空旷昏暗走廊中，留黄色胡须的中年男子神色惊恐跑出，在转角处回头张望，姿态警觉。 | 2.70 | |
| 60 | 全景 |  | 阴暗走廊尽头，半透明人影化作白色烟雾，顺着走廊向镜头翻滚扩散，直至填满画面。 | 3.30 | |
| 61 | 中景 |  | 昏暗走廊内，惊恐的中年男性角色转身逃跑，右侧涌入一大团白色烟雾蔓延遮挡画面。 | 啊，呃 | 1.50 |
| 62 | 中景 |  | 留黄色短发和胡须的中年男性神情惊恐在室内奔跑，向后张望并向前伸出手臂。 | 0.83 | |
| 63 | 近景 |  | 金发男子低头闭眼表现痛苦，随后睁眼露出失落神情，背景为模糊室内走廊。 | （喘息声） | 0.77 |
| 64 | 特写 |  | 暗色室内，一双腿膝盖以下陷入带有方格纹理的浅蓝色平滑地面，地面呈液体状凹陷并抖动。 | 1.10 | |
| 65 | 大特写 |  | 金发深肤色男性神情凝重，眼球移动，镜头下移至其紧咬的牙关和胡须部位。 | yeah | 1.07 |
| 66 | 全景 |  | 医院走廊中，惊恐奔跑的中年男子双脚陷入液体般地面，身体后倾逐渐沉入黑色涟漪。 | 1.47 | |
| 67 | 近景 |  | 室内金发胡须男士低头看下方，面露担忧慌乱，张开嘴巴，眼神不安闪动。 | Uh huh! | 1.57 |
| 68 | 远景 |  | 医院走廊中，男子从地面圆形黑洞缓缓下沉，最后仅剩头部露出。 | 1.67 | |
| 69 | 特写 |  | 黄色胡须男性头部露出液面向上看，随后缓缓沉入深色水面完全消失。 | 3.80 | |
| 70 | 远景 |  | 男子在幽暗深水中缓缓向海底坠落，身体略微蜷缩失去意识，水面透下微弱光束。 | 1.97 | |
| 71 | 近景 |  | 中年男子在深绿色水下缓慢下沉，双臂不安挥动神情惊慌，周围伴有小气泡。 | 4.93 | |
| 72 | 特写 |  | 黑暗环境中央有一个明亮圆形发光体，不断升起发光粒子形成微弱光束。 | 2.57 | |
| 73 | 多景别 |  | 男子在浑浊水下坠落挣扎，镜头急推至其面部特写，紧闭双眼表情扭曲。 | 4.13 | |
| 74 | 多景别 |  | 深水底男子倒置缓慢下沉，镜头快推并旋转至正立，男子惊愕双臂交叉。 | 额，额，呼，呼，呼 | 9.20 |
| 75 | 远景 |  | 黑暗迷雾中冷白强光垂直照射地面，人体角色坐在光圈内抱膝蜷缩轻微晃动。 | 2.57 | |
| 76 | 近景 |  | 中年男子低头喘气擦拭额头汗水，神情凝重看向前方，呼吸平复但眼神不安。 | 4.70 | |
| 77 | 远景 |  | 迷雾中年长男性与低头捂脸年轻女性相对而立，地上光源逐渐减弱消失。 | Sparrow | 3.53 |
| 78 | 中景 |  | 女性用双手捂脸身体微颤表现痛苦恐惧，左侧为男性肩膀背影，背景深灰空旷。 | 4.03 | |
| 79 | 中景 |  | 灰暗背景下金发胡须男子喘粗气，神情困惑震惊并开口说话。 | What? | 2.40 |
| 80 | 多景别 |  长镜头 | 女孩捂脸痛苦，周身涌雾双眼发光，随镜头拉远膨胀变形为红眼巨型黑怪兽。 | Doctor. I am so hungry. | 13.53 |
| 81 | 近景 |  | 金发胡须男性惊恐向上张望，画面模糊中其大幅度向右转体躲避。 | 0.63 | |
| 82 | 中景 |  | 年轻男子惊恐向左前奔跑，身后巨大黑色怪物张开獠牙大嘴追赶，男子失去重心抛空。 | 1.60 | |
| 83 | 特写 |  | 男性卡通角色面部特写倒置视角，极度惊恐痛苦剧烈抖动，伴红光照射。 | 啊啊 | 1.53 |
| 84 | 多景别 |  | 红发男子悬浮红光中缩小坠入黑暗，背景巨大生物残骸从云层升起发橙红微光。 | 6.33 | |
| 85 | 远景 |  | 留胡须中年男性跌落进巨大生物长满利齿口中，惊恐坠落向中心发光深处变小。 | 2.73 | |
| 86 | 近景 |  长镜头 | 昏暗室内短发男子惊醒喘粗气满头汗，随后痛苦低头用双手捂脸颤抖。 | Every time I go to sleep it's the same. It doesn't really matter how the dream begins. Eventually the mist will come and with the mist always comes the worm. Just like she said it would. | 25.37 |
| 87 | 全景 |  长镜头 | 俯拍黑暗卧室，金发男子坐床边双手抱头痛苦，床铺凌乱地板散落纸张，氛围压抑。 | You can't run. That never works. It won't let you. The best you can hope for is that you wake up quick before it begins to feed. | 15.90 |
| 88 | 多景别 |  长镜头 | 镜头从冬日阳光树枝下摇，展现红砖庭院精神病院，几人静坐氛围冷清肃穆。 | At first I told myself that it would go away. It could be a simple anxiety-induced aberration brought on by the stress of dealing with the case. But it was soon obvious that wasn't it. The nightmares didn't stop. I couldn't sleep. I couldn't eat. It wasn't long before my colleagues began to take notice. Things got so bad I had no other choice. I called in every favor， pulled every string I could and arranged access to Sparrow at her current facility. I needed answers more than ever. And she still had them. | 48.20 |
| 89 | 全景 |  长镜头 | 校园树旁白发男子与年轻女子相对而立，男子低头凝重，女子坚定看他。 | I almost didn't recognize her at first. She looked strong and alert， a stark contrast to the tired girl that I had spent all that time with. I didn't have to ask any questions this time. Just by looking at me， she knew all too well what was happening. We sat down， and Sparrow Moon gave me what I needed. | 30.07 |
| 90 | 全景 |  长镜头 | 萧瑟校园庭院，男女并排坐长椅对话，女子忧郁男子低语，背景有红砖教学楼。 | The worm is some kind of parasite， a pathogen， an ancient thing passed from host to host， manifesting in their dreams， feeding on their deepest fears. It will not stop， always hungry for more. | 20.93 |
| 91 | 近景 |  长镜头 | 金发胡须男性侧视神情严肃凝重，左前景露对话人侧脸轮廓，背景树木冷清。 | It won't kill you. It doesn't want you dead. It wants what any good virus wants: to propagate， to be passed on， to be fed. | 14.97 |
| 92 | 特写 |  长镜头 | 黄衣女孩侧脸微微低头眼神哀伤，右前景深肤色角色后侧脸对她说话。 | 18.90 | |
| 93 | 全景 |  长镜头 | 昏暗办公室内白发男子坐桌后捂脸沮丧，抬头露出严肃惊恐神情盯前方。 | You have to believe me. I am sorry for this. Now that I've told you I don't know when， but sooner or later in your dreams the mist will come. And with the mist， always comes the worm. | 28.13 |
| 94 | 空镜 |  | 全黑画面，没有任何光影或形状出现，处于完全黑暗状态。 | 3.63 | |
| 95 | 其他 |  长镜头 | 纯黑背景中心排列两行发光浅蓝色警示感英文字符，随后淡出转黑。 | DON'T WALK HOME ALONE AFTER DARK | 13.17 |