共126个镜头，该分镜由光厂AI自动生成
| 镜号 | 景别 | 参考图 | 画面内容 | 台词/旁白 | 时长(秒) |
|---|---|---|---|---|---|
| 1 | 多景别 |  快速剪辑 | 白色影棚内，一辆绿身黑顶的MINI轿车静止停放。快切展示车尾、轮毂、车身侧面及米字旗尾灯细节。 | 2.13 | |
| 2 | 全景 |  | 白色影棚中心停放一台绿黑双色三门轿车。镜头推进，手绘箭头指向车辆，上方出现白色手写单词。 | This is a 2026 MINI. | 4.03 |
| 3 | 多景别 |  快速剪辑 | 汽车局部快切：绿色车身圆形大灯亮起，三角形红色尾灯，车轮轮毂及黑色的后包围套件。 | Small, expressive, instantly recognizable. | 0.90 |
| 4 | 全景 |  | 后排视角展示前排内饰全景。中控台圆形屏幕UI界面切换，左侧为带MINI标识的方向盘。 | But today's MINI could also look kind of like this. | 2.03 |
| 5 | 全景 |  | 深绿色车盖特写迅速拉远，完整呈现紧凑型轿车。车牌处写有Spiritual，停在宽敞明亮的白色室内。 | 1.47 | |
| 6 | 中景 |  | 宝马集团设计主管Adrian身穿西装坐在大厅中央交谈。背后停放深蓝色微型车，画面中心出现大写英文。 | Interesting, isn't it? | 2.60 |
| 7 | 特写 |  | 墨蓝色汽车圆形大灯特写，内部结构清晰。镜头拉远，车漆反射室内光影。 | You heard right. It wasn't always as clear as one might think. | 1.23 |
| 8 | 全景 |  | 深蓝色紧凑型三门轿车停放于宽敞的室内展厅，背景有工业风立柱。车漆呈现金属质感。 | To get here, | 1.30 |
| 9 | 多景别 |  快速剪辑 | 汽车局部快切：深蓝汽车后视镜、行驶中的车轮、人手抚摸车顶、车前杠，最后切换全屏文字卡。 | we had to master what seemed as the impossible task. | 4.17 |
| 10 | 中景 |  | Adrian坐于现代工业风白色大厅中央交谈。大厅有钢结构支架及整齐照明，他面带微笑，身体微前倾。 | Yeah, it's a bit of a wild story. | 1.20 |
| 11 | 特写 |  快速剪辑 | 报刊风格页面快切：包含Mini品牌Logo、油耗及拉力赛信息。随后切换至黑色褶皱纸张上的白色英文。 | This is the story of creating a new original. | 1.97 |
| 12 | 特写 |  | 黑色揉皱纸张纹理背景，居中排列白色大写衬线标题，右下角出现白色手写艺术字。 | 3.90 | |
| 13 | 多景别 |  快速剪辑 | 图形动效后切至Adrian侧身坐姿，随后他转头直视镜头。背景为明亮工业风办公空间。 | Oh, sorry. I forgot to introduce. | 1.70 |
| 14 | 中景 |  | Adrian坐在白色工业风展厅交谈。起初侧头随后转向直视镜头，画面中央叠加白色手绘字母动效。 | This is Adrian, head of BMW Group Design. | 4.23 |
| 15 | 中景 |  | 深色木质墙壁上排列着MINI相关纪念物：赛车海报、黑白合影、奖牌及设计草图。镜头平滑推进。 | He experienced it firsthand. But to understand why this felt like an impossible task, we have to go back. Way back. | 5.43 |
| 16 | 其他 |  | 蓝色褶皱纸纹背景中央显示白色衬线字及数字1。数字下方出现黑色手写体英文及左上角白色标语。 | 2.50 | |
| 17 | 特写 |  快速剪辑 | 镜头向下扫过深色木纹墙。墙上贴有设计图稿，下方排列多个金属质感汽车车标及黑白相框。 | In the late 1950s, | 1.47 |
| 18 | 近景 |  | 木纹墙挂有Alec Issigonis黑白肖像照。手写体人物姓名动效出现，伴有白色手绘箭头指向人物。 | Sir Alec Issigonis designed a car as an answer to the economic crisis back then. | 5.10 |
| 19 | 特写 |  快速剪辑 | 复古汽车设计手绘图纸。从极近距离拉远，展现Mini Cooper正侧视图及具体尺寸标注。 | It should be thrifty in consumption, roomy, but still keep a small footprint. | 1.47 |
| 20 | 多景别 |  | 纸质汽车设计图拉远。图中心为经典两门微型轿车线稿，标注有德语零件及尺寸。镜头微向底部推进。 | 2.73 | |
| 21 | 全景 |  | 蓝色背景上呈现拼贴效果照片：西装男士站在深色经典MINI轿车旁。上方弹出白色手写体及箭头。 | The original Mini was born. | 1.73 |
| 22 | 中景 |  | Adrian坐在工业风大厅交谈。双手配合言语做手势，背景具有对称感。末尾两侧出现白色字母。 | First of all, it was an incredibly clever car. | 3.33 |
| 23 | 多景别 |  快速剪辑 | 复古胶片感画面快切：伦敦大本钟远景、模糊车流、行驶中的白色复古迷你轿车及双层巴士街景。 | It was so clever it became an instant hit. It sold like hot cakes. People loved it. | 3.57 |
| 24 | 航拍 |  | 航拍俯瞰大型户外停车场。大量浅色小型汽车整齐排列成纵队，背景有白色帐篷建筑。 | 1.33 | |
| 25 | 全景 |  | 固定全景镜头。一辆白色老式小型轿车从画面左侧进入，横穿街道向右驶过欧式风格建筑前。 | There were wild variants of it. | 1.43 |
| 26 | 全景 |  | 蓝色平面背景下的拼贴动画。四辆不同型号（越野、旅行、皮卡、货车）的复古迷你车依次出现。 | People started racing it, | 1.53 |
| 27 | 多景别 |  快速剪辑 | 复古赛车影像快切：红色Mini赛车在山间公路及雪地过弯、疾驰。呈现粗糙胶片质感。 | on racetracks, on mountains, | 1.93 |
| 28 | 中景 |  | 暗调室内展厅。银色双耳奖杯置于白色展示柱上，背景为赛车历史展板。奖杯上方出现山脉轮廓动效。 | 3.10 | |
| 29 | 中景 |  | Adrian坐在工业风室内交谈。说话带有手势，背景呈对称结构。中央先后浮现巨大白色英文字母。 | It became sort of a giant killer. | 1.23 |
| 30 | 多景别 |  快速剪辑 | 快切画面：深蓝色经典Mini列队、印刷品广告、白色经典款Mini行驶街头以及男子阅读德语报纸。 | At the same time, it found its way into pop culture. The MINI became a style icon. And that brings us back to our almost impossible task. | 8.10 |
| 31 | 中景 |  | Adrian坐于现代工业风厂房阅读手中报纸。他向下翻动报纸，动作稳重，背景极简。 | 1.63 | |
| 32 | 特写 |  | 带有德语文字旧报纸特写。镜头由左侧向右平移，最后停留在Rover等黑色印刷体字样上。 | It was all over the news. | 1.27 |
| 33 | 中景 |  | Adrian坐于工业风室内交谈。腿上放着报纸，背景为二层围栏极简空间。人物前方叠加BMW与ROVER字样。 | BMW was buying Rover. | 2.47 |
| 34 | 特写 |  | 特写镜头扫过米黄色粗糙纸张。纸面印有黑色粗体外文字母，画面由于平移产生运动模糊。 | You heard right. BMW bought Rover, | 1.83 |
| 35 | 特写 |  | 牛皮纸质感背景上，两只剪纸风格的灰色人手素材向中心移动并重合，呈现握手动作。背景伴随动效模糊。 | 0.77 | |
| 36 | 特写 |  | 拼贴画风格素材展现两只纸片手紧紧握住。背景为棕褐色纹理，表现达成合作意象。 | and Rover owned... guess what? | 1.57 |
| 37 | 特写 |  | 报纸质感纸面特写。黑色手绘箭头动态出现并指向居中的Rovers Mini-Cooper字样。 | MINI. | 1.20 |
| 38 | 其他 |  | 紫色揉皱纸张纹理背景。白色衬线体及数字2排列，左下角黑色手写英文单词逐个浮现。 | This was the chance to take an icon and create a new original. | 4.13 |
| 39 | 近景 |  | Adrian在现代工业室内交谈。双手做手势，背景呈对称设计。后期出现白色大号英文字体。 | The brief was very open. Design a new MINI. | 2.80 |
| 40 | 中景 |  | 黑色展示台放置白色餐巾纸，其上有汽车底盘素描。背景深棕木墙，随后出现手写批注及排版文字。 | But how do you touch a legend without breaking it? Too much change and you lose the soul. Too little and you lose the point. That was the almost impossible task. | 8.67 |
| 41 | 中景 |  | Adrian坐于极简工业风展厅交谈。冷色调环境，面对镜头神情冷静。 | We did a huge competition. | 1.67 |
| 42 | 多景别 |  快速剪辑 | 快切展示蓝色底色红色字母及多张汽车设计草图。包含两厢轿车手绘、手写问号及不同角度设计。 | Designers from both Rover and BMW started working on the same question. | 5.37 |
| 43 | 中景 |  | Adrian坐于现代工业风大厅交谈。双手不断比划手势，背景空旷整洁，画面下方叠现英文粗体。 | Almost 40 years, the very same car, untouched. And then all of a sudden, we had to translate that into the present and into the future. | 8.50 |
| 44 | 多景别 |  快速剪辑 | 快切展示MINI金属徽标、机械线条图、带有数字及单词的纸面印刷文字特写。 | The stakes couldn't have been higher. It was a piece of British identity. | 4.00 |
| 45 | 全景 |  | 黑白老照片展示经典复古Mini轿车停在草地。背景有小型飞机及机场跑道，伴随胶片噪点。 | 1.37 | |
| 46 | 中景 |  | 紫色纹理纸张背景上，复古胶片相机图标以抠图贴纸形式排列。随后画面跳切，呈现拼贴动画效果。 | The press was watching. | 1.90 |
| 47 | 其他 |  | 纯色紫色背景上，黑色双筒望远镜素材以拼贴形式从一个增加到四个。向左平移。 | The fans were watching. | 1.47 |
| 48 | 全景 |  | 绿色切割垫上整齐排列九张汽车内饰仪表盘设计手稿。展示不同配色和造型方案，布局对称。 | Different directions began to emerge. | 1.37 |
| 49 | 中景 |  快速剪辑 | 黑白及彩色汽车设计草图在网格纸上快速切换。展示汽车斜后方与斜前方不同渲染效果。 | Interpretations of what MINI could be. | 0.60 |
| 50 | 中景 |  | 绿色切割垫板上垂直平移展示多张汽车设计草图手稿。呈现多种透视角度及小型轿车形态。 | 3.33 | |
| 51 | 中景 |  | Adrian坐在工业风办公园区中庭交谈。伴有手势，背景有二层走廊，地面呈现反光质感。 | I tried to think of the car as a rally car. | 1.60 |
| 52 | 多景别 |  快速剪辑 | 红色MINI概念车细节快切。展示大灯、轮毂、展厅内的红色车身及排气口标志推进特写。 | Adrian's design was one of three designs to be built as a concept car. The ACV 30. | 2.43 |
| 53 | 特写 |  | 红色复古车辆中控仪表盘特写。银色边框包含三圆表盘显示参数，下方有金属拨杆开关。 | 1.17 | |
| 54 | 中景 |  | 极简展厅内红色白条纹概念车通过快速叠化转为深蓝色微型小车。背景有成排窗户。 | Next, Rover presented its concept. The Spiritual. | 3.00 |
| 55 | 特写 |  快速剪辑 | 深蓝色轿车局部细节掠影。依次展示圆柱尾灯、轮胎纹理、保险杠及后视镜。 | 1.67 | |
| 56 | 全景 |  | 深蓝色双门轿车停于工业风展厅。缓慢推进，车身上方出现白色手写体单词及线条装饰。 | 2.93 | |
| 57 | 中景 |  | Adrian坐于白色工业风大厅交谈。双手配合言语做手势，背景为二层围栏极简主义空间。 | You get very different trains of thoughts in the different locations. | 1.37 |
| 58 | 特写 |  快速剪辑 | 桌面上散落着多张半透明硫酸纸设计草图。包含不同角度的黑白线条设计，右侧可见MINI金属标志。 | 1.47 | |
| 59 | 中景 |  | Adrian坐于挑高展厅中交谈。边说话边举起双手比划，背景具有对称感及白色立柱。 | In the end product, you also see somehow a mix of the ideas. | 1.47 |
| 60 | 特写 |  快速剪辑 | 白色纸张上的汽车侧面轮廓设计手稿快速切换。展示粗细线条不同的素描草图风格。 | 1.57 | |
| 61 | 中景 |  | Adrian坐于宽敞工业风室内交谈。双手随节奏做出解释性手势。中段短暂出现遮罩字母。 | A car that is very small, so it makes clever use of space. But it is quite a low car with the wheels on the corners. | 7.60 |
| 62 | 特写 |  快速剪辑 | 黑白素描风格汽车局部快切。重点展示轮毂及侧身底部线条，网格背景带有动态模糊感。 | 1.07 | |
| 63 | 中景 |  | Adrian坐于现代工业风大厅交谈。表情严肃专注，手势幅度较大。画面中央出现白色横跨英文。 | So I think a little bit of the rally history did actually come into the final design. | 2.27 |
| 64 | 特写 |  | 桌面摆放汽车设计草图。右前方有银色MINI标志，背景有两个圆形汽车仪表盘。 | The moment of decision has come. | 1.83 |
| 65 | 特写 |  | 俯拍桌面散落着半透明手绘草稿图、照片及金属车标。画面中间叠加白色手写感排版文字。 | And with it, a lot of questions. | 3.63 |
| 66 | 其他 |  | 纯紫色纹理背景上，白色问号数量从一个变为多个并列排版。呈现疑问包装效果。 | 1.57 | |
| 67 | 中景 |  | Adrian坐于空旷现代厂房交谈。变换手势，手腕佩戴手表，背景有二层围栏及立柱。 | Everybody was hoping that of course they were going to recognize some of the original Mini in the new one. | 5.77 |
| 68 | 其他 |  | 土黄色牛皮纸质感背景，展示白色及黑色手写体英文排版章节页。 | It was time for the reveal. | 3.30 |
| 69 | 全景 |  | 纯色极简无影墙影棚内，斜放着红白双色搭配的经典MINI汽车。画面向右推进。 | The new MINI was here, and people loved it. | 2.40 |
| 70 | 特写 |  | 浅棕色背景拼贴画面。展示红色立式尾灯、银色前大灯及进气格栅素材，带有白边。 | 0.37 | |
| 71 | 中景 |  | 黄色纹理背景上，红色与蓝色MINI Cooper抠图照片快速切换。呈现定格动画拼贴风格。 | 1.77 | |
| 72 | 中景 |  | Adrian坐在工业风大厅交谈。起初双手抬起做手势，随后放回腿部。整体色调偏暗。 | It was a very exciting new start. | 2.73 |
| 73 | 其他 |  快速剪辑 | 土黄色背景前全屏单词字卡快切。依次展现THE、TASK、SOLVED!。 | The almost impossible task had been solved! | 2.67 |
| 74 | 中景 |  | MINI设计总监Holger坐在深浅绿几何色块背景前。抬手做手势并微笑点头。 | So it seemed. | 2.57 |
| 75 | 特写 |  | 浅黄粗糙背景上的黑色金属弯曲门把手特写。呈现极简特写风格。 | What it really did was open the next door | 1.67 |
| 76 | 其他 |  | 浅褐色纹理背景上，白色大号衬线字体在画面做平面平移排版运动。 | towards a new original. | 1.63 |
| 77 | 其他 |  | 土褐色褶皱纸张背景中央呈现三行居中排列的白色英文艺术字体包装。 | 1.33 | |
| 78 | 近景 |  | Holger站于双色拼接背景前。将黑框眼镜戴上鼻梁并露出微笑。 | By the way, meet Holger, | 0.63 |
| 79 | 多景别 |  | Holger侧对镜头观察后转向镜头微笑。面部大特写后镜头拉远，背景隐约可见汽车倒影。 | Head of MINI Design. He can tell you what it took to make the new MINI an icon of its own. | 6.17 |
| 80 | 其他 |  | 红色纹理背景展示章节文字及巨大数字4，带有黑色手写体包装。 | 3.10 | |
| 81 | 全景 |  | 银灰色车身黑车顶的小型轿车侧面停于户外建筑前。上方有手绘英文标题，带胶片噪点。 | It started with a foundation. | 2.03 |
| 82 | 特写 |  | MINI内饰驾驶座舱。含多功能方向盘、圆形中控大表盘及红色饰板，动态箭头指向右下。 | A set of things that were simply never up for discussion. | 2.70 |
| 83 | 全景 |  | 灰色影棚内，红白双色MINI斜后方停放。上方出现文字，白色线条勾勒车身并伴有箭头动效。 | The overall proportions of the car, three-door hatchback, wheels on the corner, the lovable details. | 5.47 |
| 84 | 多景别 |  快速剪辑 | 快切镜头：红色车门拉手、红色敞篷车山路疾驰及正面跟拍行驶镜头。 | Built on that foundation, MINI grew. | 2.30 |
| 85 | 远景 |  | 纯净灰色影棚内停放白黑双色MINI Countryman。画面底部叠印加粗英文。 | From one car to an entire family. | 1.77 |
| 86 | 特写 |  | 带有CABRIO等字样的棕底白字标牌向右快速平移模糊掠过。 | 0.43 | |
| 87 | 特写 |  | 深蓝色背景俯拍凌乱叠放的MINI汽车彩色海报及宣传册。包含COUNTRYMAN和COOPER车型。 | 1.77 | |
| 88 | 中景 |  | Holger坐于椅子上访谈演讲。双手在胸前张开做手势，背景呈深浅拼接。 | I'm very happy that we take the philosophy of MINI forward and expanded into other areas of purpose. | 3.97 |
| 89 | 特写 |  | 红色纸质纹理背景上，白色大写单词跳出并缩小。呈现文案包装效果及明显折痕。 | 2.07 | |
| 90 | 多景别 |  快速剪辑 | 复古感快切：戴墨镜男驾驶敞篷近景及在沙滩打开后备箱取物。色调明亮。 | And step by step, MINI became something more. | 1.17 |
| 91 | 远景 |  | 粉红色MINI敞篷车停于沙滩。男子在遮阳挡下的躺椅休息，叠加白色无衬线字幕。 | 2.57 | |
| 92 | 中景 |  | Holger在室内进行访谈阐述观点。双手手指交叉并在胸前比划。 | People using MINI as an extension of lifestyle. | 1.63 |
| 93 | 特写 |  快速剪辑 | 深蓝针织面料背景上的缝纫线卷、编织带静物组合。叠加白色手写体字幕。 | Customisation became even more part of the identity. | 1.27 |
| 94 | 特写 |  | 多种材质色块（千鸟格、织物等）拼接叠印背景中心出现白色手写体英文字。 | 1.27 | |
| 95 | 中景 |  | Holger在拼色背景前访谈。双手在身体两侧比划手势，神情自然。 | There's not one MINI that looks like the MINI next to it. | 3.53 |
| 96 | 多景别 |  快速剪辑 | 拼贴风快切展示多款MINI俯视图：含棋盘格、苏格兰及米字旗车顶涂装。 | People started applying their own style, | 2.43 |
| 97 | 其他 |  | 带有划痕纹理的红色背景中央，白色衬线体英文字卡分行依次出现。 | their own story. | 1.17 |
| 98 | 多景别 |  快速剪辑 | 快切镜头：户外男女牵手行走及金发女士在车内后排挥手微笑。 | It allows us to extend our personality. | 2.70 |
| 99 | 全景 |  | 蓝色敞篷MINI侧后方停放于灰色影棚。四周陆续出现环绕车体的白色手绘动态艺术字。 | At that point, MINI had started to grow beyond the car itself. | 3.90 |
| 100 | 特写 |  | 深蓝磨砂背景上，镜头向右平移逐发展示红色排版英文字母。 | And just like the original Mini found its way into culture, | 1.07 |
| 101 | 特写 |  | 紫色背景上德语滑过露词。色调跳变转为蓝底红字。 | 1.40 | |
| 102 | 中景 |  | 黑色空间内中年男从装饰红门后走出，关门并注视门板手写英文短句。 | today's MINI is doing the same. | 3.30 |
| 103 | 多景别 |  快速剪辑 | 快切镜头展示多场景：老人看玩具车、内部X光透视及白色影棚内的定制改装MINI。 | Collaborations are adding even more character. | 4.43 |
| 104 | 全景 |  | 白色摄影棚内展示改装MINI赛车。带几何涂装、黑色斜纹及T53字样，呈现工业风。 | The process in and of itself is so interesting and brings forward completely new things that we haven't done with MINI before. | 1.23 |
| 105 | 特写 |  快速剪辑 | 白色背景下汽车局部细节特写。展示LED行车灯、银白色车漆及宽体套件。 | 0.50 | |
| 106 | 近景 |  | 纯白背景展示浅灰色MINI尾部细节。白色尾翼、车顶赛车条纹及亮起的几何尾灯。 | 1.33 | |
| 107 | 中景 |  | Holger在镜头前交谈。背景左侧深绿右侧磨砂蓝，白色滚动字母滑过。 | 2.37 | |
| 108 | 特写 |  快速剪辑 | 红色纹理背景跳变切换，表现折痕磨损，呈定格动画般质感。 | And at the heart of all of it, | 0.50 |
| 109 | 其他 |  | 红色褶皱背景前多款不同型号MINI拼贴堆叠。最后闪回初始蓝身绿顶款。 | it builds a relationship. | 3.67 |
| 110 | 中景 |  | Holger于拼接墙面前侃侃而谈。伴有举手动作，随后出现巨大白色字母装饰。 | The MINI is one of these cars I want people to attach to. I want to see a relationship happening, and that's possible with MINI. | 8.50 |
| 111 | 其他 |  | 绿色褶皱纸张背景展示章节及巨大数字5。下方出现手写涂鸦文字。 | 2.70 | |
| 112 | 全景 |  | 白色摄影棚内男士走向墨绿色MINI并驻足观赏展墙。背景含木质背板及红色门框。 | 20 years into this ownership came the next step. The boldest in years. | 5.83 |
| 113 | 中景 |  | Holger坐在深浅蓝绿拼接墙前访谈。抬起双手做辅助表达手势，佩戴智能手表。 | We introduced a radically new design. | 1.37 |
| 114 | 多景别 |  快速剪辑 | 快切展示绿色MINI车尾、黑色车标、内饰全景及侧后方轮胎。上方持续手写体动效。 | For some, almost too different. But in reality, closer to the original than ever before. | 3.40 |
| 115 | 中景 |  | 绿身黑顶MINI Cooper停于影棚。缓慢推进，上方出现PURE、CLEAN手绘文字及箭头。 | 5.00 | |
| 116 | 近景 |  | 暗调车内，戴眼镜中年男子坐在主驾驶位交谈。转向镜头，内饰带红色氛围灯。 | And something interesting happened. People started missing things that never even existed in the original Mini. | 3.97 |
| 117 | 中景 |  快速剪辑 | 浅黄背景上复古Mini广告海报快切。展现轿车及赛车排版款式。 | Over time, the reference had shifted. | 1.43 |
| 118 | 全景 |  | 绿色背景上MINI剪纸定格跳切。从经典款变为黄身黑顶现代款，带白边效果。 | 2.50 | |
| 119 | 其他 |  | 绿色纹理背景居中显示收缩的白色英文艺术字动效。带竖向折痕。 | Think about what that means... | 1.50 |
| 120 | 全景 |  | 绿色拼贴背景展示蓝、灰、银色MINI剪纸及箭头。手写体文字交替出现并被划去。 | MINI was no longer only measured against its past. It had started defining its own. | 5.77 |
| 121 | 中景 |  | Holger在深绿及透光玻璃背景前访谈。双手在胸前摊开合拢，神情专注。 | Society and culture creates an icon or selects something to become an icon. | 4.50 |
| 122 | 全景 |  | 白色摄影棚内男士穿过墨绿MINI后方，走向红门走出画面。上方出现巨大的白色字卡。 | Today we could say the almost impossible task had been solved. But in reality, the opposite happened. It grew. | 8.17 |
| 123 | 中景 |  | Adrian坐于工业风室内交谈。举起右手做手势，背景有二层回廊。 | Design is never finished. We will always continue developing along these lines. | 3.97 |
| 124 | 近景 |  长镜头 | Holger坐于拼接背景前访谈讲述。神情专注多次举手比划，随后白色英文动效穿过其身后。 | And MINI created some icons along the way, and we'll try again. But it's not an easy task. And quite honestly, it was never supposed to be solved. Only to be carried forward. | 13.67 |
| 125 | 其他 |  | 绿色褶皱背景上白色无衬线字体分两组切换出现，伴有黑色手写体。 | 6.87 | |
| 126 | 特写 |  | 纯黑背景居中呈现白色静止极简MINI品牌标志。 | 1.03 |