劳斯莱斯 Boat Tail 的创造｜顶级定制豪车幕后纪实_分镜脚本

共155个镜头，该分镜由光厂AI自动生成

镜号	景别	参考图	画面内容	台词/旁白	时长(秒)
1	全景	长镜头	深紫色背景中心出现白色的劳斯莱斯Logo。随后淡入，黄昏时分，一辆浅蓝色的劳斯莱斯Boat Tail轿车静停在水面上，倒影清晰。最后画面切回深紫背景和白色字卡。		10.90
2	全景		蓝色劳斯莱斯Boat Tail敞篷轿车静止在平坦的水面上，车尾朝向镜头。背景是霞光交织的天空。车尾灯亮起红色细线，后盖呈现垂直木纹质感。		5.30
3	空镜		深紫色的纯色背景中央，出现两行白色的无衬线字体英文字样。		4.37
4	全景		在一片平静如镜的水面上，停放着浅蓝色的劳斯莱斯Boat Tail敞篷车。背景是微亮的天空，水面完美倒映着车身。		5.27
5	全景		画面起于深紫色背景上的文字。转场后，一辆蓝黑双色劳斯莱斯敞篷跑车正对镜头，停在开阔的水面上。背景是晚霞天空，车灯亮起。		9.27
6	中景	长镜头	深紫色背景字卡转场。穿着蓝色西装的男子Torsten Müller-Ötvös站在办公桌后接受访谈。桌面上放着车模和汽车组件。	The vision of Sir Henry Royce, one of our founding fathers, was to create the best rolling chassis in the world. The House of Rolls-Royce, the company that we are today, was built on this bedrock of engineering excellence.	14.53
7	全景		纯白背景下，展现黑白手绘风格的汽车底盘设计草图。左侧为侧视图，右侧为俯视图，展示了底盘和机械细节。		7.40
8	全景		一张复古的劳斯莱斯汽车产品手册。左页展示30 H.P.车型的侧面图，右页展示不同底盘的价格表，带有强烈的年代感。	The bodywork which enveloped these chassis was the preserve of coachbuilders,	6.20
9	中景		一张黑白复古报纸广告或宣传画。画面中心是一辆20年代劳斯莱斯轿车照片，背景为古典马车线描图，展现汽车演变时代感。	who worked hand in hand with the commissioning patron. And these motor cars reflected the character of that coachbuilder and also the personality and wishes of the client.	5.70
10	中景		Torsten Müller-Ötvös站在白色设计台后。后方摆放着一尊黑色的胸像，桌面上放置着卷起的图纸和劳斯莱斯车模。		7.60
11	航拍		航拍视角俯瞰劳斯莱斯古德伍德总部建筑。建筑顶部覆盖棕红色植被屋顶，园区内有庭院和小型湖泊。	Today, Rolls-Royce continues to imbue its products with meaning.	4.67
12	中景		展示豪华轿车后排座舱。浅蓝色皮质座椅，头枕有双R刺绣。车顶内衬为黑底星空灯效和白色玫瑰花刺绣。	Our motor cars serve as a canvas on which clients reflect their personal tastes, express ambitions, and often define legacies.	3.13
13	特写		车门内侧装饰板特写。黑色皮革表面有玫瑰花卉刺绣，白花在枝头逐渐绽放，伴随精美金属配件。		3.07
14	全景		劳斯莱斯汽车后排内饰，浅蓝色真皮座椅，车顶饰有璀璨星空顶与白玫瑰蝴蝶刺绣。中央扶手呈现星空面板。		4.50
15	中景		豪华汽车后排空间，镜头从侧门开启处拍摄。棕色座椅间有木纹扶手箱，座椅腿托正在缓慢升起。		1.43
16	中景		劳斯莱斯汽车内饰全景。绿色方向盘、带蓝色背光仪表盘，副驾驶前有精美木纹饰板。米绿双拼色空间宽敞。		1.07
17	特写		汽车副驾驶前方木纹仪表台面板特写。面板上装饰由细密白点组成的图案，包含波浪线和中央蜗牛形符号。		0.93
18	特写		工坊货架上整齐堆放着许多捆薄木片。一只手正从中抽取出一捆木片。	The craftspeople at the home of Rolls-Royce are experts.	1.67
19	特写		工匠的手正在仔细检查两层带天然纹理的棕色木皮边缘，在暖黄色调中进行微调。		1.60
20	特写		戴黑色手套的工匠在工作台上，手握毛刷仔细清洁带有弧度的木纹内饰零件表面。	Experts in interpreting the lifestyles of these remarkable women and men,	1.67
21	特写		工人的手拿着白笔，在带细密横向纹理的灰色板材表面轻轻点触和划线标记。		2.20
22	全景		室内工作室，两侧挂满彩色皮革材料。一名黑衣男子的背影抱着浅灰皮革向内走去。		1.33
23	中景		印有RR标识的黑衣男工在工厂操作台前，双手扶着机械横杆并向下按压。	which has resulted in ever more ambitious commissions,	1.67
24	中景		男工在机器前操作，用手抚平铺在发光工作台上的黑色皮革材料。		1.73
25	大特写		细长画笔特写。手握画笔在墨绿色金属漆面上绘制第三条橙色平行线。	reaching well beyond the existing scope of our bespoke competencies and resources.	1.83
26	中景		两名穿劳斯莱斯黑衣的女性工人在工作台前，细致地将光纤丝逐一穿入框架中。		2.30
27	特写		戴透明护目镜的金发女性侧脸特写。她用小型剪钳修剪固定在面板上的发光光纤。	This has led us into the rarefied realm of contemporary coachbuilding, and the establishment of a permanent department within our company called Rolls-Royce Coachbuild.	2.30
28	中景		汽车工厂里，男工俯身在汽车内安装宽大舒适的橙色皮革内饰座椅。		1.57
29	中景	长镜头	Torsten Müller-Ötvös在办公室设计案头前口播。左侧背景有黑色胸像，桌面放着皮革卷和车模。		16.70
30	全景		皮革手工工作室桌面上，摆放蓝色皮革、剪刀、红皮具等。背景为皮革样品陈列柜。	It all starts here, in this room, the atelier	4.83
31	航拍		航拍劳斯莱斯古德伍德总部建筑。低矮长方形办公楼前有树阵和喷泉，被绿意风光环绕。	at the home of Rolls-Royce in Goodwood in England.	2.87
32	中景		Torsten Müller-Ötvös在办公桌后手势讲解。桌上放着灰皮革和草图，背景有雕塑和车模。	Here, we meet with our clients and discuss their thoughts, their wishes about their coachbuild project.	7.93
33	特写		特写一双持自动铅笔的手，在白纸上绘制产品草图，进行线条勾勒。	Early sketches are drawn by our designers, and formative conversations	2.10
34	特写		手握铅笔在白纸上绘制汽车侧面草图，正在为车窗部分添加阴影。		2.90
35	特写		木柜内折叠或悬挂的面料特写。焦点在带白小花的深紫色织物，旁边叠放棕红皮革。	regarding materials,	2.00
36	中景		室内展陈空间。左侧挂满车漆色块样板，右侧陈列彩色缝线卷。台面有红皮靠枕。	colors,	1.63
37	特写		特写一只手在触摸按压深灰色柔软长毛绒织物，展示材质蓬松感。	and other creative aspects of the project are determined.	1.83
38	特写		工作台上两卷深绿色绒面皮革缠绕在木卷轴上，皮革边缘垂落。		1.90
39	特写		穿西装的男性的手持自动铅笔，在办公桌前白纸上勾勒长方形几何物体草图。	Contemporary coachbuilding at Rolls-Royce is the automotive equivalent of haute couture.	3.80
40	多景别	长镜头	采访Alex Innes。随后画面切至深蓝色字卡。接着切换Torsten Müller-Ötvös在办公室接受采访。	building at Rolls-Royce is the automotive equivalent of haute couture. You know it is the opportunity to move beyond the usual constraints and bounds and create something truly remarkable. We are an historic brand and in many ways we are influenced by our 116 years legacy, but we are not bound by it.	28.33
41	多景别		纯黑背景中，灯光依次照亮深蓝色跑车的车头欢庆女神立标、车尾溜背线条及品牌Logo。	In 2017 we introduced Sweptail which defined the dawn of the contemporary coachbuilding movement.	7.87
42	全景		深蓝色跑车停放在摄影棚中央，随着灯光变亮，显现其流线型快背式侧面轮廓。	Sweptail set a new waterline of potential and ignited a fascination among a small group of three clients	8.17
43	中景		Torsten Müller-Ötvös站在办公桌后接受访谈，边说话边用手势表达。	who approached us to discover if they too could collaborate on a unique coachbuilt commission with us.	8.87
44	全景		纯白背景中，一辆象牙白色复古老爷车侧向停放，配有红色座椅和木纹后盖。	Our designers had a long held ambition to create a contemporary expression of the Boat Tail typology,	7.27
45	近景		象牙白色复古老爷车侧后方特写，展示木纹尾甲板、红色座椅和带白色辐条的轮毂。	where coachbuilders of old would graft the hull forms of sailing boats onto the rolling chassis of a Rolls-Royce.	8.43
46	中景	长镜头	Torsten Müller-Ötvös站在办公桌后面对镜头说话，配合手势。	When the idea of this design direction was proposed, the three patrons were of one mind. They shared a single demand: Show me something that I have never seen before. And Rolls-Royce Boat Tail was conceived.	15.60
47	特写		工作台上摊开着大型手稿册，展示带有流畅线条的汽车轮廓设计草图。	Boat Tail is a	2.83
48	中景		Alex Innes坐着接受采访，说话时不断用手势辅助表达。	particularly special historic body style, you know it, it has this unique form,	5.97
49	中景		纯白色背景上，汽车顶部俯视图手绘草图动态生成，强调车尾部向中心线收缩的设计。	and that has this tapering rear that really converges on centerline.	4.57
50	中景		纯白色背景中，展示流线型汽车顶视图的黑白设计手稿。	And there has never been a contemporary interpretation of this particular body style.	5.60
51	全景		白底上并列展示游艇俯视图和汽车尾部的手绘线稿，中间印有YACHTING VALUES字样。	And that's what we set out to achieve with the modern commission Boat Tail.	5.43
52	特写		画册页面翻动，从汽车线稿翻至展示帆船、建筑局部和条纹细节的照片页。	These three clients shared a deep appreciation of contemporary nautical design.	6.60
53	远景	长镜头	白色双桅帆船在湛蓝海面航行，后方跟着红色快艇，背景为起伏的土黄色山丘。	J-Class yachts, regarded as one of the most beautiful boats ever made, became a touchstone of the design.	12.17
54	中景	长镜头	Torsten Müller-Ötvös在办公室讲解，左侧背景有半身人像雕塑。	Together with these clients, an agreement was reached whereby three cars would share a common body shape, but each would be highly personalized reflecting the character of each of the individual commissioning patrons. And the result is truly transformative. An object that makes a permanent statement and sets itself apart from anything that has gone before.	24.43
55	特写		设计师左手按纸，右手持笔在一张白纸上勾勒直线草图。	We work sequentially so when we do sketch work	4.27
56	特写		设计师手持圆珠笔在白纸上绘制长直线条草图。	in 2D that comes first you're working with the overall line work of the car the key lines of the car	4.87
57	特写		设计师持画笔在纸上勾勒跑车侧面轮廓草图。	let's say, you know, this very clean, elegant form, very, very graceful, but at the same time,	7.03
58	特写		镜头水平移动，展示白色背景上的多张汽车侧视图、正视图等手绘草图。	daringly modern there is this wonderful sense of taper inside view there is	7.13
59	全景	长镜头	Alex Innes在纯白室内走动并比划墙上巨大的汽车侧面设计图。	this beautiful feeling of reduction to the overall surfaces and forms once together with the client	10.17
60	多景别	长镜头	墙上排列汽车草图。深蓝色字卡转场。手揉捏深褐色粘土准备塑形。	we have concluded the design on paper, we then create a full size sculpture of the car in clay.	14.83
61	特写		工匠用手按压并推动浅棕色黏土，使其表面平整并留下裂纹。	Well the clay process I guess largely speaking you're working within the last 10% of the design.	2.57
62	特写		工匠用刮刀刮削油泥表面，切出泥料长条，修整模型肌理。		2.47
63	特写		金属细长刀具在泥质表面划过，切出平行的细长切痕。		3.23
64	特写		美工刀在皮革表面划过，留下一道笔直切口。	You're really working with the minutiae	2.30
65	特写		工匠用金属刮刀刮削土黄色汽车油泥模型表面，散落微小泥屑。	of detail and line refinement and surface control,	3.77
66	中景		女设计师在油泥汽车模型侧面贴合蓝色装饰窄条并按压平整。	and actually it's those two characteristics probably more so than anything that you are optimizing:	3.37
67	中景		女工匠双手握蓝色长条形刮刀平滑刮涂浅褐色汽车泥塑模型侧面。		2.93
68	特写		工匠在一块较大褐色泥质表面涂抹并按压一小块油泥。	quality of line, but with it then the quality of surface.	4.17
69	大特写		长方形金属刮刀在黏土模型表面轻轻刮过，留下平行纹路。	And clay is just, it's a fantastic medium to do that in,	3.97
70	大特写		金属环状刮刀沿粘土表面深色槽线边缘刮除材料，刮出细条。	because it's malleable and also because it's real time. You're doing it there in front of you.	5.67
71	全景		设计实验室内，几名员工围绕棕色敞篷轿车模型进行打磨和线条修整。		3.00
72	大特写		男性的手用力撕开碳纤维质感物体表面的棕色蒙皮，露出黑色底材。		4.33
73	特写		室内地面上停放着汽车轮胎，周边散落着大量土褐色薄片状碎屑。		2.53
74	特写		工匠手持黑色刮刀在棕褐色油泥模型表面刮削，留下平滑切面。		4.60
75	大特写		金属刀具切入浅褐色木材表面，整齐削起一层薄木屑。	You're moving, and there's a certain latitude within which you're	3.27
76	特写		工匠右手握刮刀在粘土模型凹槽边缘进行精细刮削修整。	working with, and then as you near the end of that phase you're sort of bringing	4.70
77	中景		Alex Innes在设计线稿前接受访谈，前景可见飞天女神车标模型。	it down to the finer movements and the finer refinements.	3.40
78	特写		设计师用刷子清扫汽车前脸油泥模型表面的碎屑，随后放下刷子。		4.73
79	中景		室内工作台，两名身穿深色工作服的人员操作不锈钢机器，将一卷白色薄膜在银色长管上覆膜展开。	of Dinoc, as it's called in the industry, and replicates the real surface of the car,	4.37
80	特写		水槽内，银色长管在水中转动，上方覆盖一层透明薄膜，水中泛起波纹。		4.27
81	全景		明亮车间内，三名工人协同将一张巨大的银灰色软布严密覆盖在一辆汽车模型上。	so the painted surface of the car.	4.00
82	中景		技师站在白色车身侧面，用黄色海绵快速将银色改色膜贴合抹平，去除气泡。		2.20
83	中景		技师手持刮板在车身侧面由上至下刮平薄膜，车身映出另一名工作人员的身影。		3.47
84	近景		光头技师持黄色裁膜小刀，仔细沿银灰色汽车轮拱边缘裁切多余的贴膜。	We judge it very much with with light.	4.00
85	特写		技师双手持黄色海绵，在带有劳斯莱斯标志轮毂的车身轮眉处平整漆面贴膜。		2.63
86	全景		设计工作室内，技师正仔细擦拭一辆双座敞篷汽车模型的车门表面。	Lighting in the room is always running in car line with the	5.40
87	中景		工作坊内，三名男士正围绕一辆双拼色敞篷车模型观察讨论，调整车门和底侧细节。	car. And this gives us a, you know, a sort of a theoretical mapping of	4.03
88	中景		设计师蹲在劳斯莱斯车模前侧，用金属刮刀细致修整前翼子板的曲面。	surface to see exactly what the surface is doing. You can see how it connects, how the light moves over it.	7.07
89	全景		宽敞车间中，黑衣男子俯身检视白色劳斯莱斯敞篷原型车的车身接缝。	Our cars are, I think, on first impression, are very, very sober. They're very	4.43
90	中景		身着西装的Alex Innes手持细长金属工具，在劳斯莱斯模型前格栅旁精细调整线条。	clean, the surfaces are distilled of any kind of clutter. That purity requires	5.13
91	全景		Alex Innes弯腰查看白色劳斯莱斯敞篷模型后侧细节，并伸手抚摸车身曲面。	huge amount of focus and dedication to get the simplicity of line and the simplicity of surface.	5.70
92	中景		工作室中，身着西装的Alex Innes正蹲在劳斯莱斯模型右侧操作，车头有欢庆女神立标。	This	2.93
93	中景		Alex Innes拿着一卷胶带，从银灰色劳斯莱斯模型侧面走开离开画面。	final stage is really about understanding how	2.27
94	特写		工匠双手拿着浅色抹布和小片蓝色工具，在带有劳斯莱斯标志的浅棕色皮革上精细作业。	how we are living up to the quality of execution.	2.83
95	多景别		手指划过皮面劳斯莱斯标志后画面切字卡；随后拉开工具柜抽屉，露出一排锤子。		9.03
96	特写		一只手从打开的深蓝色多层工具柜抽屉中，挑选并拿出一把木柄手锤。	A living canvas is created	1.80
97	中景		男技师手握小铁锤，在金属底板上敲打一长条形金属件；背景是未上漆的劳斯莱斯车头。	by hand beating and honing metal.	3.27
98	中景	长镜头	Torsten Müller-Ötvös站在办公桌后讲解，桌上放着车模、图纸和金属件，左侧立有胸像。	And the resulting aluminium body is created with a clarity of surface and continuation of line that is unable to be achieved by machine alone.	11.40
99	特写		戴手套的工人手持平头金属锤，正在铁砧上有节奏地锻打金属板材的翻边。	The car	3.43
100	特写		戴手套的工匠用铁锤反复敲打置于铁砧表面的异形金属零件边缘进行塑形。	very purposefully projects a strong vision of modernity,	3.33
101	中景		男技师在铁砧上敲击金属件，身后是一辆金属原色状态的劳斯莱斯轿车。	but the real juxtaposition is that then this is paired with a very historic process of realization.	4.70
102	近景		工人在一台浅绿色冲压机前，将银色金属板推入机器下方加工。		3.77
103	特写		大型气动旋转工具正抵在一块金属板下表面进行钻孔或打磨作业。	The car starts its life	2.50
104	近景		工人双手扶着一块大型弧形金属板，送入冲压机械中进行成型。	with just sheet metal.	1.97
105	特写		大型金属冲压头的上下端件压住并成型中间的银色金属板材。	And	0.87
106	中景		工人站立在大型绿色冲压机旁，双手引导控制金属大薄板慢慢通过机器冲压。	first you have to create form to that metal.	2.87
107	特写		工人双手托着弧形金属板，送入气锤下方进行高频锻打成型。	And that takes place through, in this instance, the hammer forming process.	3.67
108	中景		工人双手把持半圆球形的金属零件放入液压冲床，巨大的压头正向下移动。		2.63
109	中景		工人站在绿灰色的压力机前，双手拿着金属板在冲头下成型。		2.90
110	中景		工人将薄金属板覆盖于木质模具上方，用双手向两侧按压贴合。	We are	3.63
111	中景		工人双手推着载有劳斯莱斯车门门板的移动铁架车，在车间走过。	realizing a car by hand. You would never through the process of industrialization	6.10
112	全景		两名工人合力将一块修长的金属车身侧板安置在骨架模具车上进行比对装配。	expect to find the creative hand of the team and indeed the clients still involved at this stage.	7.37
113	特写		工匠左手拿直角尺比对金属板折边，右手拿铁锤连续敲击进行找平调整。	Building a car by hand allows the human soul to pass through the hands that are charged with shaping the metal and into the car.	7.87
114	近景	长镜头	戴着黑框眼镜的工人拿着T型直角尺贴在金属侧沿，用小铁锤轻敲微调。	Industrialisation, it's clinical. It's carefully controlled, but it's also soulless.	11.33
115	中景		工人用直角尺测量长条金属件边缘后，俯身用小锤对折角处进行敲打校正。	And what we are doing here is the complete opposite of that.	6.80
116	特写		工人手持T字形金属角尺在银色金属板边缘比对，另一手按压板面。	I think true perfection can almost be seen as sterile.	6.63
117	中景		前景工人双手抬放一片长金属板件，后方另一位工人在检查金属部件。	The car by way of its definition is never entirely perfect,	4.50
118	中景		车间内平铺的银色金属板上整齐排列着带有手写标记的金属长条。戴手套的技师拿起其中一根金属长条翻转，展示其厚度和截面细节。	but somewhere in there is the perfect imperfection. The metal is formed and it's fettled,	3.97
119	全景		宽敞的车间内，三名身穿深蓝色工作服的工人正合力将一辆银灰色汽车模型的引擎盖抬起。背景可见货架和另一名工人。		3.83
120	全景		三名工人分立在银灰色车身前方和两侧，合力将巨大的金属原色引擎盖缓缓放下。车头格栅被白色保护条包裹。		6.77
121	全景		工作坊内，一辆灰白色的汽车外壳固定在支撑架上，表面呈现磨砂质感，带有蓝色标记的深色后挡板已安装。		3.80
122	特写		技师戴手套的手快速抚过带打磨痕迹的金属表面，随后用白色橡胶锤在边缘轻敲微调。		2.00
123	中景		技师站在金属色车头前，左手辅助，右手握木质圆头锤专注敲打引擎盖表面进行调整。		1.70
124	特写		技师左手按压银灰色金属板，右手握木柄橡皮锤，反复敲打金属板边缘进行塑形。旁有图纸和另一把锤子。	It's checked, and then it's refettled, and it's rechecked	2.63
125	特写		工匠左手持带孔矩形金属片比对银灰色车身接缝，右手拿划线针在接缝边缘做标记。风挡被胶带保护。		3.43
126	特写		细长的金属测量针缓慢下降，接触到银灰色引擎盖表面进行精准测量。风挡玻璃被保护膜覆盖。	until you arrive close to the final definition of the exterior surface	3.37
127	特写		工匠戴黑手套，用小铁锤和金属垫块在白色汽车外壳表面进行有节奏的敲打修整。	the car and that is an exhaustive process.	4.33
128	特写		男技师站在金属色车旁，一手按在图纸上，车身放着锤子。长杆测量工具悬垂在车身侧面上方。	Relying on intuition and the intervention of the human hand and the human eye,	3.10
129	中景		男技师手持木柄橡皮锤，敲打表面略带粗糙的金属引擎盖，进行修整。	and that's a really incredible thing.	3.37
130	近景		工匠左手持圆柱木块抵住银灰色金属曲面，右手握蓝头铁锤有节奏敲击木块，微调金属形状。		4.13
131	中景		工匠低头专注于银色引擎盖边缘，右手握木质圆头锤进行均匀敲击。车窗覆有保护膜。		3.50
132	特写		银灰色劳斯莱斯车头特写，欢庆女神立标从黑色引擎盖前端的孔洞中缓缓升起。		2.90
133	中景		无尘喷涂车间内，穿白色防护服的工人手持喷枪，对着深色引擎盖仔细进行喷漆作业。		5.50
134	中景		工人手持喷枪对深蓝色引擎盖进行喷漆，高光泽漆面倒映出工人和顶部灯光。	The bonnet is sprayed by hand and it has this wonderful transition from a dark color to a lighter shade of blue.	5.87
135	特写		双手持电动抛光机在涂有抛光剂的深蓝色车漆表面移动，留下圆形打磨痕迹。		3.73
136	特写		工人手持橙色布，在如镜面般光亮的深蓝色漆面上往复擦拭，漆面倒映着灯光。	It's a canvas that represents the human hands that created it.	5.40
137	多景别	长镜头	深蓝色字卡转场后，Torsten Müller-Ötvös在办公室内解说，身旁有黑色胸像和银色车模。	The first of three Boat Tails is a culmination of our patrons' exceptional thoughts, concepts and items which form the perfect experience. It truly personifies connoisseurship. The client couple who commissioned Rolls-Royce Coachbuild to fashion this Boat Tail wished to create a celebration of life and success, a statement of joyfulness, a moving work of art to enjoy with their family and friends. And in response, the rear deck is designed to house a highly ambitious concept never seen before in the automotive world.	46.90
138	特写		车尾带木纹的灰色面板向两侧平移开启，露出内部平滑带有弧度的银色金属盖板。	It opens in a butterfly gesture to reveal the treasure chest of moving parts and an intricate and generous hosting suite.	2.17
139	特写		车尾盖板呈蝶翼状完全打开，露出银色收纳空间和机械结构。下方横贯式红色尾灯亮起，挂有双R标志。		2.60
140	特写		黑色豪华收纳格内，玻璃杯、白色餐巾及银色配件整齐排列。冷色灯光照亮细节，背景有劳斯莱斯标志。		3.07
141	特写		后备箱内精致的野餐套装特写，水晶高脚杯、带有双R标识的银质餐具和白色餐巾整齐摆放。	This area becomes a celebratory focal point for shared occasions and is appointed with the perfect accoutrements for a true al fresco Rolls-Royce dining experience.	6.43
142	特写		深色收纳格内，带黑桃图案浮雕和金属标牌的黑金香槟瓶在冷光下闪烁着奢华质感。		5.23
143	特写		镜头平移，焦点从带有“BOAT TAIL”字样的银色冰桶转移至背景的精致玻璃杯和条纹台面。		5.70
144	多景别		展示完劳斯莱斯餐具后，转场至欧洲山林中一座沐浴在黄昏阳光下的庄严古堡建筑。		6.20
145	航拍		俯瞰森林中的灰色屋顶古堡，庭院中心红旗飘扬，阳光与树林形成明暗交错的宁静氛围。	This particular client is an aficionado of watches and has commissioned	1.53
146	全景		带木梁的钟表工作室内，多名穿白大褂的工匠坐在各自操作台前，用显微镜等精密仪器专注工作。	two extraordinary timepieces for his Boat Tail. At the client's request, the House of Rolls-Royce and the House of Bovet have worked hand in hand	5.73
147	中景		Torsten Müller-Ötvös在办公室桌面后接受采访并打手势。桌面摆有图纸和汽车模型。		7.77
148	全景		现代工作室中，红发女技师通过显微镜工作，右侧年长技师在台灯下精细操作，背景为大窗户。		2.33
149	中景		戴手指套的技师通过显微镜，对明亮光源下的小型金属零件进行极其精密的观察和操作。	to create exquisite, groundbreaking timepieces that re-imagine Rolls-Royce's iconic centerpiece, the dashboard clock.	2.00
150	大特写		戴手套的手握尖细工具，在棕色圆形底座中心的微型银色金属标志上进行细致雕琢。		2.33
151	特写		佩戴修表放大镜和手指套的钟表匠用镊子夹取微小零件，手腕上佩戴着复杂的机械腕表。		2.00
152	特写		戴放大镜和手指套的钟表匠手握镊子，在白色基座上对精密机械机芯进行细致调试。		3.17
153	多景别	长镜头	依次展示镶嵌在蓝色仪表盘中央的BOVET 1822时钟，以及引擎盖上高耸的银色欢庆女神立标。	What is particularly special about this commission is that it is linking to our heritage and tells a wonderful story of the historic boat tail body style, but our modern interpretation is just that. It's thoroughly contemporary	25.17
154	多景别	长镜头	多景别展示蓝色Boat Tail：大灯与格栅，修长的红色尾灯，C柱装饰线条，以及从带蓝光底座中升起的欢庆女神立标。	but at the same time it still evokes the qualities of the historic body style. We firmly believe that the future of luxury is about creating something singular. Rolls-Royce Coachbuild is a highly distilled expression of Rolls-Royce Bespoke and is reserved for those who look to move beyond existing constraints. When these cars go live, all eyes on us and for that reason,	34.67
155	多景别	长镜头	多景别展示欢庆女神立标和车尾蝶翼式盖板。最后黄昏水面上，敞开后备箱的汽车升起了一把蓝色遮阳伞。	I think they have a tremendous impact into the brand. They are addressing desires many people in the world might say, one day I would love to own such a coachbuilt project myself. It's technically a car. In reality, when it comes to the heart of our clients, it's an object of art. It's luxury in its purest form. This kind of project is not a matter of money. It's just about perfection.	63.37