共125个镜头,该分镜由光厂AI自动生成
| 镜号 | 景别 | 参考图 | 画面内容 | 台词/旁白 | 时长(秒) |
|---|---|---|---|---|---|
| 1 | 多景别 | ![]() 快速剪辑 | 画面在悬浮的红色手写感本子和滴入液体的暗调咖啡杯之间高频闪切。 | 4.90 | |
| 2 | 中景 | ![]() | 室内昏暗,一名青年男子停下翻看报纸的动作,抬头望向斜前方,背景墙上有经典电影海报。 | 3.20 | |
| 3 | 近景 | ![]() | 面色严峻的青年男子在带有烟雾的暗调室内缓慢前行,光影对比强烈。 | 3.37 | |
| 4 | 全景 | ![]() | 暗调街道微缩模型中,身穿深色衣服的人影背向镜头走向远处的亮光。 | There was once a book. | 4.67 |
| 5 | 特写 | ![]() | 暗调中,男子的手托着贴有手写字样标签的黑色小册子。 | A book containing five very strange tales, | 1.83 |
| 6 | 多景别 | ![]() 快速剪辑 | 画面在电话亭、吃东西的男子、海报前坐着的男子及男子脸部特写间快速闪切。 | all revealing the secrets behind | 3.93 |
| 7 | 特写 | ![]() | 暗调中,男子手持黑色小本,大拇指轻按封面。 | 2.13 | |
| 8 | 特写 | ![]() | 昏暗室内,青年男子微微低头,面部轮廓在光影掠过中显现。 | cinematic filmmaking. | 3.03 |
| 9 | 其他 | ![]() | 蓝白油画质感背景上,红黑色加粗英文字体标题呈现并变化。 | 7.40 | |
| 10 | 全景 | ![]() | 夜间,戴帽男子的人形剪影走进田野中亮灯的红色电话亭。 | 5.57 | |
| 11 | 特写 | ![]() | 俯拍暗光下的公用电话机,一只戴戒指的手取下听筒。 | 1.87 | |
| 12 | 特写 | ![]() | 戴圆框墨镜、头部缠满绷带的隐形人在暖光室内侧身接听电话。 | The invisible man was a simple fella, the most painfully ordinary human imaginable. He possessed | 8.00 |
| 13 | 中景 | ![]() | 夜间,戴鸭舌帽和墨镜的隐形人在暖黄光电话亭内打电话。 | a remarkable ability to go completely unnoticed. | 4.07 |
| 14 | 特写 | ![]() | 戴帽蒙面的隐形人侧身坐在昏暗室内,前景有深色遮挡。 | And because nobody ever paid any attention to him, | 3.30 |
| 15 | 大特写 | ![]() | 头部缠绷带、戴墨镜的隐形人慢慢转头看向右侧。 | he paid attention to everyone else. | 2.33 |
| 16 | 远景 | ![]() | 纸板微缩场景中,小人物剪影坐在开口处似在沉思。 | Oh mate, you'll never guess what happened to Bruce right? Oh yeah. | 2.73 |
| 17 | 远景 | ![]() | 暗室中,人影剪影在透着暖光的窄窗框中站起身。 | Yeah so you know he was looking after his nephew for a bit. Yeah. Yes I don't know why this random school just kept | 5.03 |
| 18 | 近景 | ![]() | 夜间,面部包裹的隐形人站在红色电话亭旁接听电话。 | sending like loads of letters. What to his nephew. What a waste of paper. Conversations, | 5.23 |
| 19 | 中景 | ![]() | 头部缠绷带的隐形人站在夜间亮灯的电话亭旁阴影中。 | arguments, strange little habits, the invisible man collected them all. And over time, | 6.87 |
| 20 | 远景 | ![]() | 夜景中,男人的黑色剪影在透着暖光的窗户或门口内低头沉思。 | those fragments became stories. He didn't search for inspiration by staring at a blank | 5.97 |
| 21 | 远景 | ![]() | 小人影剪影坐在纸板结构缝隙中观察。 | screen and waiting for genius to strike. He watched people, he listened carefully, and he stole little | 6.17 |
| 22 | 中景 | ![]() | 夜间,身穿制服、戴大檐帽的人在亮灯的电话亭内。 | fragments from the real world and stitched them all together to make his own | 3.53 |
| 23 | 近景 | ![]() | 戴棒球帽蒙面的神秘男子站在暗调室内窗框旁。 | unique idea. | 1.70 |
| 24 | 大特写 | ![]() | 暗调下,戴戒指的手将公用电话听筒放回挂钩。 | 0.67 | |
| 25 | 特写 | ![]() | 公用电话显示屏上的英文提示文字切换。 | 2.07 | |
| 26 | 中景 | ![]() | 蓝白油画背景上居中显示红色立体艺术字标题。 | 2.37 | |
| 27 | 近景 | ![]() | 人影在暗红光影的线索墙前晃过,形成遮挡剪影。 | Ray used to shoot first and figure it out later. | 7.53 |
| 28 | 中景 | ![]() | 红色暖光勾勒出青年男子专注的侧脸轮廓。 | That usually ended up with a beautiful timeline full of good looking | 3.57 |
| 29 | 中景 | ![]() | 昏暗室内,人影背影遮挡红光线索墙后向左移动让出画面。 | footage, but no clear story. So now every time he makes a film, | 6.60 |
| 30 | 特写 | ![]() | 暗红光下,砖墙上贴着THE HITMAN字样的纸张。 | he asks himself a | 1.27 |
| 31 | 特写 | ![]() | 红光桌面上,手持笔放在有巨大英文单词的白纸旁。 | couple of really simple questions. | 2.27 |
| 32 | 特写 | ![]() | 红光下,粗糙墙面上贴有写着WHO?和箭头的白纸。 | Who are the characters? And for this, | 3.10 |
| 33 | 特写 | ![]() | 暗红光下,隔着网格隐约看到人脸侧影正将物体放入口中。 | he obviously | 0.83 |
| 34 | 近景 | ![]() | 男子脸部在贴胶带的框洞内低头啃咬苹果,红光照明。 | chose Appalachian Andy | 1.30 |
| 35 | 特写 | ![]() | 红光下,粗糙墙面上贴有手写体名字的纸条。 | and four | 1.30 |
| 36 | 特写 | ![]() | 红光砖墙上贴着纸条和人物轮廓模糊的剪影照片。 | Sugars Frank. | 1.10 |
| 37 | 中景 | ![]() | 暗红调仓库内,戴鸭舌帽的男子低头站在纸箱中。 | Where is it | 1.13 |
| 38 | 特写 | ![]() | 红光下,白砖墙上贴着带有WHERE?艺术大字的卡片。 | set? And we've pit Frank's cat. | 1.27 |
| 39 | 特写 | ![]() | 红光下,有颗粒感纹理的招牌上写着FRANK'S CAFE。 | 1.20 | |
| 40 | 特写 | ![]() | 暗红调中展示装在盘子里的模糊食物。 | 0.63 | |
| 41 | 特写 | ![]() | 红光下,粗糙墙面上贴有手绘WHAT?字样的纸条。 | What do they want? And | 1.50 |
| 42 | 特写 | ![]() | 暗红调中,隔着网格看到男子侧影正对着麦克风讲话。 | well and he's a hit | 1.27 |
| 43 | 特写 | ![]() | 暗红光下,手伸向桌面的小型手枪。 | man, so well sorry Frank. | 0.63 |
| 44 | 特写 | ![]() | 红光下,笔记本手写草稿上strike和tension被圈出。 | 1.03 | |
| 45 | 特写 | ![]() | 红调背光中,戴帽男子的侧脸特写处于阴影下。 | Why does that happen? | 0.70 |
| 46 | 特写 | ![]() | 红光砖墙上贴着WHY?及其它疑问句便签和箭头。 | Well, this one isn't that | 2.17 |
| 47 | 特写 | ![]() | 暗红光影下,胶带框内男子正在吃圆球状物。 | deep to one, this is more just like a, it's just a | 1.80 |
| 48 | 特写 | ![]() | 红光下,写有MOTIVE的纸及手持枪局部。 | job, so money I guess. | 2.27 |
| 49 | 特写 | ![]() | 暗红墙上贴有写着OBSTAGES的纸条并有箭头指向。 | And finally, what gets in their way? I mean it never goes | 3.63 |
| 50 | 特写 | ![]() | 红调氛围中,砖墙卡片上写有THE HITMAN。 | smoothly when there's a hitman in a movie, so something's got to go wrong. | 3.60 |
| 51 | 特写 | ![]() | 暗红光下,墙壁上贴有模糊的人物轮廓照片和纸条。 | Frank's got to be like some jujitsu | 2.27 |
| 52 | 特写 | ![]() | 红调暗影中,戴帽男子侧脸的大部分处于阴影内。 | god secretly something. I don't know, I mean is it his gaff, | 2.77 |
| 53 | 特写 | ![]() | 红光昏暗环境中,镜头从FRANK'S CAFE招牌向下移动至阴影。 | so maybe it turns into like a Home Alone situation or | 4.23 |
| 54 | 其他 | ![]() | 蓝白油画背景上显示红色阴影字体标题DISCO DAVE。 | 2.37 | |
| 55 | 远景 | ![]() | 暗调夜间星空下,深色建筑剪影透出暖光窗户。 | Disco Dave had an obsession. | 3.40 |
| 56 | 大特写 | ![]() | 暗调虚化背景中,一根火柴正在燃烧,火焰晃动。 | 1.27 | |
| 57 | 特写 | ![]() | 暖橙光侧面勾勒出年轻男子带有微弱笑意的眼部。 | Light. | 1.57 |
| 58 | 全景 | ![]() | 深蓝水下环境中,人影坐在有亮斑的巨大黑色物体上。 | 1.70 | |
| 59 | 特写 | ![]() | 昏暗背景中,深色头发男子面部受微弱侧光照明,眼神游离。 | 1.53 | |
| 60 | 远景 | ![]() | 全黑背景中,人影坐在深色建筑边缘,带微弱蓝光。 | Now Disco Dave was no theoretical physicist, so he | 5.07 |
| 61 | 全景 | ![]() 长镜头 | 微缩巷道布景中,三个带光效文字标签的人物立牌升起并排。 | came up with his own simple method. He would step into a scene and use what was around him. See what light was coming in real life and enhance that the best he could. Using a reflector to | 12.57 |
| 62 | 特写 | ![]() | 无表情年轻男子受左侧光照明,画面带有黄色动态箭头。 | bounce back that gorgeous sunlight. | 2.27 |
| 63 | 全景 | ![]() | 艺术装置前并排三男子,中者居暖光,两侧居冷光,带有文字标签。 | Embracing that harsh warm | 2.17 |
| 64 | 近景 | ![]() | 暖色逆光勾勒年轻男子轮廓,顶部有动态白色箭头指向头发。 | light at golden hour. | 1.67 |
| 65 | 全景 | ![]() | 暗景中,三版本同一个人影并排站立,带文字标签和箭头。 | At night using practical sources like | 2.70 |
| 66 | 特写 | ![]() | 极暗环境中,男子受弱侧暖光照明,带有指向头部的发光黄箭头。 | the glow from the windows, | 1.33 |
| 67 | 特写 | ![]() | 极暗背景侧光下男子脸部特写,带有指向耳侧的手绘黄箭头。 | or the neon bar sign. | 1.77 |
| 68 | 中景 | ![]() | 三相似男性在星空背景前并排,带黄色发光标注文字。 | Or risk trying to squeeze all of your filming into 30 minutes, | 4.00 |
| 69 | 近景 | ![]() | 男子在深蓝背景前直视镜头,顶部有指向头发的三个黄箭头。 | to get that beautiful soft light at Blue Hour. | 3.20 |
| 70 | 全景 | ![]() | 蓝调暗室中,人平躺受旧电视强光照亮。 | Another thing is practicals. If a scene can be lit by a practical | 4.67 |
| 71 | 特写 | ![]() | 幽暗蓝调室内,侧躺男性的面部受微光勾勒。 | TV, or a tube light | 2.43 |
| 72 | 特写 | ![]() | 暗调下,剪影轮廓点燃口中香烟。 | acting as the light | 0.60 |
| 73 | 全景 | ![]() | 黑暗中,橙黄灯管照亮背向操作的人影剪影。 | from a hob, then use those practical lights. | 2.97 |
| 74 | 其他 | ![]() | 蓝白油画风背景居中显示复古红色标题。 | 2.37 | |
| 75 | 远景 | ![]() | 橙红暖光斑驳背景中站着微小黑影,带消失的金色文字。 | 3.77 | |
| 76 | 多景别 | ![]() 快速剪辑 | 黑白复古监控感男子坐姿镜头与暖色极浅景深操作特写快切。 | 0.67 | |
| 77 | 多景别 | ![]() | 画面在尼康相机微距、带时间码的黑白室内男子及红光人影背影间快切。 | 1.70 | |
| 78 | 多景别 | ![]() | 复古怀旧色调下,戴贝雷帽男子在室内望向右侧。 | This is | 1.63 |
| 79 | 特写 | ![]() | 暖橙暗光下,男子的侧脸轮廓微露,背景模糊带招牌。 | after a day Andy. | 1.67 |
| 80 | 中景 | ![]() | 烟雾中逆光的杀手剪影转身并举起手枪。 | He was a hitman, so un... | 2.07 |
| 81 | 近景 | ![]() | 烟雾和强侧光下,男子拿开挡脸的苹果并咬下。 | like most, he knew that compositions weren't just about choosing pretty | 4.20 |
| 82 | 特写 | ![]() | 暖黄侧光下男子面部咀嚼吞咽动作特写。 | shots. They were about controlling information and controlling | 4.40 |
| 83 | 多景别 | ![]() | 背光男子剪影在烟雾强光中居中,光晕感强烈。 | emotions. What the audience sees and sometimes even more importantly what they don't see. What if you could see a character's face, | 7.90 |
| 84 | 特写 | ![]() | 暗调暖光下,戴戒指的手握着带刻字的黑手枪套筒。 | but not what they were holding. One man | 2.23 |
| 85 | 中景 | ![]() | 橘红暖光中,穿西服男子冷峻俯视,轮廓光明显。 | can appear dominant and in control, | 2.00 |
| 86 | 中景 | ![]() | 冷调室内,戴帽男子抬首望前,背景贴着手绘海报。 | whilst another can appear scared and in danger. If you | 3.40 |
| 87 | 远景 | ![]() | 蓝调薄暮中,人物在偏居右侧的暖光电话亭内,负空间明显。 | wanted someone to look a bit like a misfit or invisible, you could use a bit of negative framing. | 6.30 |
| 88 | 近景 | ![]() | 红暗光室内,人影侧身在贴满碎片的线索墙前张贴布置。 | Important details or secrets | 2.43 |
| 89 | 特写 | ![]() | 暗红光下,黑色遮挡物移开露出猪头面具特写。 | could be shown through close ups. | 2.47 |
| 90 | 远景 | ![]() | 傍晚微光中,电话亭与人影孤立于空旷野外。 | Wide shots can make the character feel isolated or lonely. Most importantly, Andy just knew that compositions weren't just about looking cool, | 8.53 |
| 91 | 近景 | ![]() | 暗调室内俯视视角的西装男子面容严肃,自下举起黑手枪。 | they were about moving | 1.67 |
| 92 | 中景 | ![]() | 强光烟雾中,男子逆光仰首并举起手枪的剪影。 | the story forward. | 2.50 |
| 93 | 其他 | ![]() | 蓝白油画背景上呈现红色复古字体标题。 | 2.37 | |
| 94 | 中景 | ![]() | 冷调海报墙前,男子放下水杯低头,前景有红色虚化字母遮挡。 | And finally, how does it all slice together? | 6.67 |
| 95 | 特写 | ![]() | 暗调俯拍圆盘中丰盛的英式早餐。 | You see editing | 2.10 |
| 96 | 特写 | ![]() | 特写展示焦黄的烤吐司与番茄等早餐食材。 | controls the entire tempo | 2.40 |
| 97 | 特写 | ![]() | 俯拍动作正顺时针搅拌马克杯里的深色咖啡。 | of a video. | 1.30 |
| 98 | 中景 | ![]() | 男子在海报墙前专心用刀叉吃盘中的早餐。 | You could start chilled, maybe the character is tired from a long day of robbing banks and wearing pig masks, and now he's simply enjoying some good old grub. | 8.33 |
| 99 | 特写 | ![]() | 餐盘特写中,刀叉拨动切开煎蛋和豆子。 | 1.77 | |
| 100 | 多景别 | ![]() | 男子进餐镜头中闪切入面具人持枪暗红光特写,后恢复用餐。 | But then maybe he starts feeling a tad guilty. What did he do on that | 5.17 |
| 101 | 近景 | ![]() | 冷调复古海报前,男子微蹙眉头侧视前方。 | last bank job? Did he cross the | 1.70 |
| 102 | 多景别 | ![]() 快速剪辑 | 兜帽面具人红光特写与室内男子中景间的极短快切。 | 0.37 | |
| 103 | 近景 | ![]() | 复古海报墙旁,男子正侧视前方面容专注。 | line? So we can start adding some quick | 1.47 |
| 104 | 多景别 | ![]() 快速剪辑 | 红光面具人与低头吃早餐男子的片段连续快切。 | flash cuts. Maybe then the edit begins to | 2.73 |
| 105 | 特写 | ![]() | 男子凝重看向斜下方,背景为文字海报。 | build up as he starts to feel more | 1.97 |
| 106 | 特写 | ![]() | 特写镜头中金属刀叉反复切碎盘中一段香肠。 | guilty. The sound of the | 1.90 |
| 107 | 近景 | ![]() | 复古海报前,男子微皱眉头紧盯前方。 | food and the cutlery can get louder, | 1.77 |
| 108 | 中景 | ![]() | 男子手持刀叉在餐盘中切割食物,神情有些紧张。 | and as he gets more intense, | 1.50 |
| 109 | 多景别 | ![]() 快速剪辑 | 切香肠特写与戴帽男子专注近景的快切交替。 | and now we cut him faster to show that he's nervous. | 3.30 |
| 110 | 中景 | ![]() | 海报墙前,男子低头在黑色餐桌上用刀叉切食物。 | 2.70 | |
| 111 | 大特写 | ![]() | 男青年下半脸特写,正举白马克杯喝水。 | And then there's music. Maybe this scene requires | 2.77 |
| 112 | 中景 | ![]() | 男子端着咖啡杯专注思索,背景可见《VERTIGO》字样。 | something intense. | 1.37 |
| 113 | 中景 | ![]() | 带红色虚化前景遮挡的构图中,低头男子最终抬头。 | 2.90 | |
| 114 | 中景 | ![]() | 男子坐在海报墙前餐桌旁搅拌饮品并咬下面包。 | 2.03 | |
| 115 | 大特写 | ![]() | 大特写中刀叉正拨弄着盘内的焗豆和煎蛋边缘。 | I mean maybe this scene could | 1.37 |
| 116 | 特写 | ![]() | 特写餐刀在盘中切开煎熟的肉片露出煎蛋。 | work even better with no music. And just the sounds | 2.63 |
| 117 | 特写 | ![]() | 俯拍半空盘中的早餐残渣,叉子正在拨弄。 | of the cafe itself. | 0.87 |
| 118 | 特写 | ![]() | 格子衫男性近景张嘴送食并咀嚼。 | Or maybe the music | 1.53 |
| 119 | 中景 | ![]() | 海报墙前,男子低头取食吐司咀嚼。 | is playing from a small little radio in the corner of the cafe. And then the biggest decision, how you end it. We could linger, | 7.70 |
| 120 | 大特写 | ![]() | 眼部特写中睫毛分明,垂眼后微抬露出忧郁眼神。 | he's deep in thought, maybe regretting his actions. | 2.87 |
| 121 | 特写 | ![]() | 俯拍半吃完的盘中早餐,刀叉正切着香肠。 | It could actually get a bit jolly, | 1.80 |
| 122 | 中景 | ![]() | 简陋海报墙间,男子专心用刀叉吃餐桌上的早餐。 | hopeful. Maybe he smiles and finally enjoys the fry up because he's accepted the fact that this is his last meal, and at least he's not having a salad on death row. | 9.03 |
| 123 | 大特写 | ![]() | 暗光中年轻男性低头的面容大特写,眼神深邃。 | Or we | 1.57 |
| 124 | 中景 | ![]() | 透过红字母虚影窥视海报墙前低头忙碌的男子。 | could build it up again. | 1.50 |
| 125 | 多景别 | ![]() 快速剪辑 | 男子吃早餐动作、局促神情和搅拌咖啡的画面连续快切。 | I mean he's getting more nervous now. He keeps checking the door. Someone's not coming are they? I mean what's he so bloody | 6.67 |




























































































































