共95个镜头，该分镜由光厂AI自动生成
| 镜号 | 景别 | 参考图 | 画面内容 | 台词/旁白 | 时长(秒) |
|---|---|---|---|---|---|
| 1 | 空镜 |  | 整个镜头呈现纯黑屏状态，没有任何视觉主体、背景或其他可见图形元素。 | 2.83 | |
| 2 | 远景 |  长镜头 | 在陡峭的岩石悬崖上，两名穿着红色攀岩服的植物学家悬挂在半山腰。两人在广阔的灰色与褐色岩壁背景下显得十分渺小，悬崖上点缀着些许绿色植被。 | I've been a bit disconcerted by being old. I'm 80 for what that's worth. You know if I said what I did to people, they'd worry or say, "Are you still dangling on a rope?" And if the doctor says I'm alright at the moment, they'll go with that. | 26.00 |
| 3 | 其他 |  | 纯黑色的背景中心显示着白色的英文标题字样，文字在镜头结束前逐渐变暗淡出。 | 5.97 | |
| 4 | 航拍 |  | 航拍俯瞰视角下，一条河流蜿蜒流经深邃的峡谷，两岸覆盖着茂密的绿色植被。一座宏伟的悬索桥横跨在峡谷上方，连接着两侧的高地。 | In the Avon Gorge, it's got this special microclimate. | 9.80 |
| 5 | 特写 |  | 在幽暗的森林底层，光线穿透树荫洒在低矮的植被上。画面前景有一根带有细小刺状物的细长植物茎秆斜跨而过，其叶片呈齿状分布。 | Amongst the very rare plants, | 5.23 |
| 6 | 中景 |  | 仰视视角拍摄繁密的树叶。画面前景是一截细长的树枝，其上簇拥着数片嫩绿的椭圆形叶片，随着微风拂过轻轻摇曳。 | are the whitebeams which have evolved here and aren't anywhere else in the world. | 6.70 |
| 7 | 远景 |  | 宽阔平静的河流右侧是陡峭的岩石山体，覆盖着浓密的绿色森林植被。右侧山脚下可见一条沿河公路，一辆白色小型汽车正在公路上行驶。 | 4.43 | |
| 8 | 中景 |  | 在充满绿色植被的环境中，植物学家莉比·休斯顿背着双肩包，身穿紫色外套，背对镜头向画面右侧走去，背景可见茂密的树木。 | I have discovered five species in the Avon Gorge. | 8.70 |
| 9 | 中景 |  | 莉比·休斯顿身穿蓝色外套，站在茂密的丛林中。她左手轻轻捏住一片悬挂着的绿叶凝神观察，光影柔和。 | The cliffs have had botanists poking about since 1562. | 5.33 |
| 10 | 全景 |  长镜头 | 莉比·休斯顿背着双肩包在石砖砌成的拱桥下方行走，通过一道木质栅栏门，走向郁郁葱葱的林间空地。 | But most of them have been men. | 10.00 |
| 11 | 近景 |  | 莉比·休斯顿身穿蓝色外套和深色双肩包。她低头通过挂脖放大镜观察手中拿着的一株绿色植物细茎，随后抬头仔细端详。 | But the Bristol whitebeam was noticed first by a botanist called Martha Maria Atwood. | 9.33 |
| 12 | 远景 |  | 莉比·休斯顿背对镜头穿行在茂密的草丛中。背景是宏伟的克里夫顿吊桥，横跨在两侧陡峭且长满绿植的山崖之间。 | She has never been personally honored as she should really. | 7.07 |
| 13 | 中景 |  | 莉比·休斯顿背对着镜头，背着深色双肩包，穿着紫色上衣，沿着一条绿植茂密的林间小径漫步。 | The next time I discover a species, I should call it after Martha Atwood. | 8.13 |
| 14 | 特写 |  | 两人配合整理攀登装备，一人双手撑开红色专业收纳包，另一人迅速将成捆的棕色登山绳索放入包内。 | 2.90 | |
| 15 | 近景 |  | 莉比·休斯顿身穿红色连帽衫低头专注操作工具，右侧坐着一名黑衣男伴，背景为户外自然绿植环境。 | 3.20 | |
| 16 | 中景 |  | 黑色金属围栏上悬挂着写有危险警示文字的白色牌子。围栏下方是石砌的矮墙，背景被雾气笼罩，隐约可见远处的植被。 | 3.20 | |
| 17 | 远景 |  长镜头 | 阳光明媚的户外，戴着白色头盔的莉比·休斯顿站在绿篱旁整理绳索，随后跨过绿篱逐渐消失在灌木丛深处。 | 17.40 | |
| 18 | 远景 |  | 在陡峭的山坡上，戴着安全头盔的莉比·休斯顿小心翼翼地向下移动，隐没在繁茂树叶和灌木丛中。 | 4.23 | |
| 19 | 远景 |  长镜头 | 陡峭的灰色峭壁上，两名穿着红色上衣的攀爬者系着安全绳缓慢移动。右侧远景可见悬索桥跨越山谷。 | When I'm looking at plants, a lot of time I'm going to see how things are doing. | 11.10 |
| 20 | 中景 |  | 两名佩戴安全帽的攀登者悬挂在陡峭的石壁上。莉比·休斯顿正低头专注于岩缝间的绿色植被进行操作。 | I don't take a sample, I don't do a quadrat. I count them by hands-on counting. | 8.83 |
| 21 | 远景 |  长镜头 | 近乎垂直的岩石峭壁上，两名身穿专业装备的攀爬者沿着绳索向下缓慢移动，在巨大的悬崖表面显得很小。 | There will have been some that have been killed by the heat this year. A lot of what we had seen in the past is all withered and crumpled. | 16.17 |
| 22 | 中景 |  | 莉比·休斯顿与同伴通过绳索悬挂在石质悬崖上。她正整理攀爬绳索，同伴低头操作设备，石缝中点缀着绿色植被。 | Rare plants have so many different behaviors. Bristol Rockcress, | 7.80 |
| 23 | 远景 |  长镜头 | 两名戴着白色头盔的攀岩者行走在狭窄的岩石平台上，向左侧缓慢移动后停下蹲在地上观察，岩壁缝隙中生长着植被。 | I've got quite a good relationship with it by now. I still don't know exactly how it works, | 10.60 |
| 24 | 中景 |  | 莉比·休斯顿正在整理身上的攀岩安全带，回头微笑；身后站着男伴，两人在绿植背景前准备攀爬。 | but nobody else does either. | 4.33 |
| 25 | 近景 |  长镜头 | 身穿深蓝色连帽衫的莉比·休斯顿站在黑色的铁丝网大门前，正尝试用钥匙开启挂锁，随后拉开铁门进入内部。 | In 2004, I was | 13.07 |
| 26 | 近景 |  | 莉比·休斯顿背着黑色双肩包走在树木繁茂的林间。焦点在她的背影上，阳光透过层叠的树叶洒下斑驳光点。 | supposed to be looking for a Bristol whitebeam. And I was very | 3.97 |
| 27 | 中景 |  | 满头银发的莉比·休斯顿扶着布满绿色苔藓的岩石，在陡峭的山林间向上攀爬，光线自然柔和。 | happy to look for it in the steepest places. The wind blew | 4.73 |
| 28 | 中景 |  | 微风拂过一棵带有灰白色叶片的树木，树叶轻轻晃动，露出背面更接近纯白的色泽，在深绿色植被中显得醒目。 | and there was a tree which appeared to have Bristol whitebeam leaves, but it seemed to be a lot whiter underneath. | 7.27 |
| 29 | 中景 |  | 阳光透过丛生繁茂的绿色植物枝叶投下光斑，树叶在轻微的自然晃动中展现出丰富的绿色调和纹理。 | The veins reminded me of my school uniform, stripy cotton dress. | 6.77 |
| 30 | 中景 |  | 戴着黑框眼镜的莉比·休斯顿背着双肩包在茂密的丛林小路上仰头张望，阳光穿透树叶形成光晕。 | I made a note of it. I took a photograph of it | 3.17 |
| 31 | 特写 |  | 一双穿着登山鞋的腿正走在崎岖不平的山坡小道上，沿途覆盖着青苔、枯树根和落叶。 | and remembered where it was. | 2.47 |
| 32 | 中景 |  | 莉比·休斯顿手持登山杖，行走在植被茂密的森林斜坡上，低头仔细观察路边的植物。 | Lo and behold, yes. | 3.70 |
| 33 | 中景 |  | 错综复杂的绿色灌木枝条在自然光线中展现，背景是深浅不一的绿色植被，形成了自然的虚化效果。 | It was different. It really was different from everything else. | 6.20 |
| 34 | 中景 |  长镜头 | 特写观察一株枝干交错的绿色灌木，周围环绕茂密树叶。整体光线柔和，呈现森林环境的自然质感。 | So there it is on an obscure cliff. A sterile hybrid named after me. | 10.77 |
| 35 | 特写 |  | 斑驳的白墙上钉着手写日历的一角，上方用图钉固定着两张成年女性的证件照以及小号模糊照片。 | Houston's whitebeam. | 4.20 |
| 36 | 近景 |  | 光线较暗的室内，木质柜台上堆放着书角、透明包装面包、红木箱和编织篮等生活杂物。 | 2.87 | |
| 37 | 全景 |  长镜头 | 在杂乱的室内房间，莉比·休斯顿抱着一块巨大的白色画框从房门走入，小心安放在前景的沙发上方。 | 11.30 | |
| 38 | 中景 |  | 莉比·休斯顿专注地站在桌前，从一个大型纸箱里小心拿出一叠白色画稿进行翻阅，手臂可见淤青。 | My husband Mal, he was an artist. | 6.47 |
| 39 | 特写 |  | 一张描绘着闭眼专注吹奏小号人物的黑白线条素描画，画面边缘有装订痕迹。 | 3.33 | |
| 40 | 特写 |  | 莉比·休斯顿苍老的手调整着一张描绘两名交谈男士的白底黑线素描画，下方铺着白纸。 | He would always | 3.30 |
| 41 | 特写 |  | 一只手正在翻阅一本印有不同风格黑白线条插画和幽默漫画的泛黄纸张画册。 | sketch his friends, poets, | 3.23 |
| 42 | 特写 |  | 书页上展示一幅描绘吹奏萨克斯风爵士乐手的黑白对比强烈插画，背景由白色短线组成动感氛围。 | jazz musicians. | 2.17 |
| 43 | 特写 |  | 布满皱纹的手拿着一张怪诞人物弹奏乐器的黑白线条漫画，左侧带有手写英文签名。 | He could just draw. | 4.30 |
| 44 | 特写 |  长镜头 | Argus品牌复古查看器的小屏幕中，依次切换显示戴眼镜长发女性与室内环境的老照片。 | We got married in 1966 and lived in London. So there were six of us living in a kitchen belonging to a very nice socialist book dealer. We could only afford one meal a day. | 20.73 |
| 45 | 中景 |  | 年轻的长发女性站在狭窄杂乱的厨房灶台前搅拌食物，画面呈现复古胶片质感。 | We were really going off our heads on starvation. | 6.27 |
| 46 | 中景 |  | 莉比·休斯顿在挂有爵士乐海报的杂乱艺术教室内，整理桌上堆满的手绘稿件与画纸。 | Mal got a job painting murals in the Flamingo nightclub, and I got into being a poet through | 8.50 |
| 47 | 特写 |  | 橙黄色背景的宣传页特写，印有LIBBY HOUSTON字样和复杂版画纹理，中心倾斜的黄色标签引人注目。 | poetry readings. You know, in the 70s, | 3.97 |
| 48 | 特写 |  | 斑驳墙壁上贴满海报和传单，浅绿色海报印有诗人名字，环境陈旧带有文艺气息。 | you could go wrong being a poet. I really liked | 5.10 |
| 49 | 特写 |  | 墙面上名为BATH POETRY FESTIVAL的诗歌节海报特写，带有手写字条和黑白插图。 | writing something which would work on several different levels | 4.37 |
| 50 | 特写 |  | 两个红白相间的小鱼形状纸艺饰品在发光球形吊灯背景中随风轻晃，光影柔和暖调。 | and also sound beautiful if you couldn't understand any of it. | 6.63 |
| 51 | 全景 |  | 摆满装饰品与日常洗涤用品的窗台，彩绘玻璃小鸟挂饰随风轻晃，窗外植物模糊。 | I'm listening to the rhythm of the words like freeform music, | 7.30 |
| 52 | 近景 |  | 仰拍从褐色枯叶变焦至茂密翠绿心形叶片，阳光穿透逆光展现盎然生机。 | or reformed jazz. As the year curves, | 9.90 |
| 53 | 特写 |  | 单独生长的淡紫色小花在高度模糊的浅景深绿色植被背景中微风摇曳。 | I catch the swifts with something of your eyes, | 6.20 |
| 54 | 特写 |  | 半透明带锯齿边缘的绿叶在圆形光斑与透射阳光中展现清晰脉络。 | One day they're gone. Black into grey ground as time blows. | 5.67 |
| 55 | 中景 |  长镜头 | 莉比·休斯顿在书架前专注朗读手中书籍，随后缓缓放下书本低头凝视。 | Now I have dressed this stone. May nothing ill come near the way you're on. May I see my own. | 20.43 |
| 56 | 特写 |  | 布满皱纹的老人双手在室内环境中翻阅一本装满老式幻灯片的收集册。 | 3.07 | |
| 57 | 近景 |  | 戴黑色圆框眼镜的莉比·休斯顿在光线稍暗的室内低头俯视，神情专注。 | 2.17 | |
| 58 | 特写 |  | 老人的手从收藏册中取出幻灯片，插入墨绿色小型幻灯片查看器中。 | 3.00 | |
| 59 | 多景别 |  长镜头 | 胶片切变展示家庭旧照：长发男子与吃苹果的男孩、男子在书桌前工作，以及忧郁托腮特写。 | Mal had loads of moles all over his back, and one of them started growing. So he behaved really unhappily and depressedly that year, because he was hiding from it. And the following January it began to bleed, and he couldn't pretend it wasn't there anymore. So there was a year of hopeful treatment, | 30.30 |
| 60 | 特写 |  | 手从复古查看器移出长发男子的幻灯片，取景框随之呈现空白的白色背光。 | and then the treatment didn't work. | 8.20 |
| 61 | 远景 |  | 莉比·休斯顿在堆满生活用品和自行车的杂乱局促室内背身整理家务。 | I came to Bristol five years after Mal died. | 8.93 |
| 62 | 中景 |  | 莉比·休斯顿从杂乱且昏暗的室内遮挡物后直起身，环境生活气息浓但凌乱。 | I wasn't managing very well | 3.73 |
| 63 | 全景 |  长镜头 | 女子在堆满杂物的逆光走廊弯腰整理塑料袋和头盔，随后走向背景房门关门。 | as a single mum. It was a really difficult, difficult time. | 11.80 |
| 64 | 远景 |  | 薄雾笼罩的森林山谷中河流蜿蜒，右侧崖壁与植被在阳光侧射下静谧柔美。 | 3.57 | |
| 65 | 中景 |  | 穿蓝色外衣的长发人物蜷坐于草坡岩石，双手撑地低头沉思，微风轻拂。 | 4.97 | |
| 66 | 特写 |  | 满是皱纹的老手在粗糙苔藓石缝间温柔触碰摆弄一株嫩绿小草。 | I wanted to make the time pass. | 5.33 |
| 67 | 中景 |  | 莉比·休斯顿坐在户外深色岩石上，在大树前专注地低头于笔记本上记录。 | I signed up for evening classes, and the only one that stayed was biology. | 6.13 |
| 68 | 全景 |  长镜头 | 长发男子在林木斜坡边缘低头写字，后收起纸笔继续在山坡行动，背景山谷带薄雾。 | If I'm really looking at things, I'm absolutely focused. I'm not with a friend, I'm not with anybody else. | 13.77 |
| 69 | 远景 |  | 背着包的人影在荒凉的岩石斜坡沿着瘦削树木向上攀走，融入暮色。 | I'm in a constant state of moving amongst creatures and beings and spirits and people. | 9.80 |
| 70 | 中景 |  长镜头 | 背蓝包青年蹲在公路边的杂草陡坡中寻找植物，前景虚化绿植遮挡。 | I had come across this botany student as he dropped his notebook counting flowers on the Avon Gorge cliffs. | 10.00 |
| 71 | 中景 |  | 莉比·休斯顿沿铁丝网走向植被繁茂的山谷深处，远景山峦在阴天中连绵起伏。 | And somebody asked me if I could rescue it because I had been bragging about being a climber. | 8.60 |
| 72 | 中景 |  | 莉比·休斯顿侧身静立，凝望被薄雾和森林覆盖的深远山谷，微风拂发。 | So I had a wonderful simplistic idea. | 5.10 |
| 73 | 特写 |  | 平静望向远方的莉比·休斯顿侧脸特写，光斑掩映，沉思于旷野自然。 | If all botanists were like this person who dropped his bag, there could be | 5.63 |
| 74 | 特写 |  | 在夕阳橙黄色暖调与虚化群山背景前，崖壁生长的细长野花随风摇曳。 | all kinds of plants on the cliffs that nobody knew about. | 7.13 |
| 75 | 中景 |  | 仰视交错树枝下的绿叶冠部，阳光形成明亮光斑与暗色脉络的对比。 | 3.77 | |
| 76 | 特写 |  | 翠绿小叶从布满青苔的树干表面生长出，在森林地表的微景观中清新自然。 | 3.30 | |
| 77 | 中景 |  长镜头 | 长发花白的莉比·休斯顿在绿树丛林中漫步，偶尔停下拨弄采摘身侧植物叶片。 | I find writing poetry is a means of thinking. | 10.87 |
| 78 | 近景 |  长镜头 | 采集者在灌木前蹲下，仔细整理阔叶植物，地上放着专业背包，腰挂工具包。 | Truths in poetry might suddenly come from behind, come from beside you. But | 12.00 |
| 79 | 中景 |  | 老人在树丛中半蹲，右手持笔在铺于左膝的绿叶上专注细致地记录。 | the materials of real life observation of a plant is so completely different. | 7.50 |
| 80 | 中景 |  | 植物采集者蹲在林间，小心将植物叶片装入自封袋中，旁边放置专业装备。 | If you | 8.13 |
| 81 | 中景 |  | 莉比·休斯顿在树林里低头寻找植株，随后手持修剪下的枝条直起身来。 | confine yourself is the word, if you confine yourself exactly | 4.07 |
| 82 | 中景 |  | 记录者在细枝系挂标记布条，然后低头于小本专注记录，林间绿意繁茂。 | each step that you're at, and write it down faithfully, you might have discovered unknown truth. | 9.83 |
| 83 | 全景 |  | 老者蹲在森林地面，翻看着记录纸张与树叶，身旁放有背包。 | They are the same questions about existence, but they reach answers by a different way. | 9.27 |
| 84 | 中景 |  | 长发男子站在绿叶深邃交错的树林中，手握物体专注凝视。 | I think I'm the same person doing these things with different parts of the brain. | 8.60 |
| 85 | 中景 |  | 虚焦中的人物拨开繁密树丛，背红包装备沿林间穿行。 | 9.43 | |
| 86 | 远景 |  长镜头 | 航拍林海悬崖与蜿蜒河谷，阳光斜射水面，远山云雾缭绕。 | There's a sort of graveyard where really rare trees that aren't very good at reproducing, three more of them died last year, some of them I've known a long time. | 17.03 |
| 87 | 远景 |  | 树叶前景构成的天然画框里，莉比·休斯顿背对镜头面朝湖泊山林静坐。 | If you got a | 6.10 |
| 88 | 远景 |  长镜头 | 摇曳树林后方雾气沉沉，朦胧中隐约矗立古老桥墩塔楼，天色阴郁。 | one-off hybrid named after you, at some point it's going to die. So who dies first, it's or me, don't know. | 11.07 |
| 89 | 全景 |  | 莉比·休斯顿背挂装备立于随风摆动的草丛中，极目眺望阴空下延绵山丘。 | I think there can be fragments of you out there all over the place, | 6.93 |
| 90 | 中景 |  | 手捏叶片借透光端详脉络，树冠背景下可见黑框眼镜人物略显仰望的侧脸。 | tiny pieces of yourself, what you said or what you did, | 6.50 |
| 91 | 航拍 |  | 航拍匀速掠过浓密树冠林海，骄阳洒向层叠绿叶制造细密光影。 | can pass around like oral culture. | 9.87 |
| 92 | 中景 |  长镜头 | 登山客背负红包装备行经原始丛林，左侧巨大蕨类绿叶醒目。 | One of the things that I have been hoping to do while I can is record all the rare whitebeams in the Avon Gorge. | 16.33 |
| 93 | 中景 |  | 手杖点在落叶断根，背影奋力向上走过陡峭崎岖山林小道。 | I don't know if I will ever manage it. But | 5.00 |
| 94 | 近景 |  长镜头 | 树缝作为自然框景，框住目光平静深远的年长女性，背景林木虚化。 | I think it's important. | 13.70 |
| 95 | 空镜 |  长镜头 | 纯黑背景上依次浮现制作团队的白色演职员与鸣谢字幕。 | 28.20 |