共55个镜头，该分镜由光厂AI自动生成
| 镜号 | 景别 | 参考图 | 画面内容 | 台词/旁白 | 时长(秒) |
|---|---|---|---|---|---|
| 1 | 全景 |  长镜头 | 在一个纯黑背景的空间内，一个底座为白色半球体、上方连着长杆的不倒翁装置在地面上左右摇摆，并投下清晰的阴影。 | It wasn't God who said fear is the opposite of love. God didn't say anything. God didn't speak. We did. | 24.43 |
| 2 | 其他 |  | 纯黑背景上，先后出现两行白色居中的英文片头文本。 | 5.00 | |
| 3 | 特写 |  长镜头 | 一名涂着亮蓝色口红的女性面部特写，她双手戴着银色戒指，剥开胶囊状的开心果并吃下。 | 21.07 | |
| 4 | 中景 |  长镜头 | 暗色背景前，一堆浅米黄色的开心果壳堆积在画面中央，右侧有白色布料垂下。 | 17.17 | |
| 5 | 全景 |  长镜头 | 俯拍沙地上，两名穿着条纹短袖的小男孩相对而坐，在沙堆边玩耍，旁边散落着白色小物件。 | As a child, I believed that everyone around the age of thirty would learn a horrifying secret. A secret that robbed them of the ability to witness true beauty. | 15.23 |
| 6 | 中景 |  | 侧光照明下，两名条纹衫男孩在黑暗环境中相对而坐，右侧男孩正双手捧着沙子准备撒下。 | 3.03 | |
| 7 | 中景 |  | 两名条纹衫男孩在黑暗中并排坐在沙地上，低头专注地拨弄着沙土，侧光勾勒出他们的轮廓。 | Because when I looked at them, the grown ups, I saw disposable eyes. | 7.47 |
| 8 | 特写 |  | 暗调光线下特写沙堆，左侧伸出一只手轻轻拍打沙堆后收回成拳，右侧可见另一名儿童盘坐的腿。 | 3.00 | |
| 9 | 近景 |  | 昏暗车厢内，一名金发小男孩侧躺在后座，脸上贴着黄色小花贴纸，神情迷离地望向车窗外。 | 3.23 | |
| 10 | 近景 |  | 车内视角，一名女性驾驶员正在开车，她松开右手在空中做抓握手势，后视镜下挂着红色十字架流苏挂件。 | 8.93 | |
| 11 | 中景 |  | 深色遮挡形成的框架中，侧躺在车后座的金发男孩慢慢闭上眼睛，脸上贴着黄色小花贴纸。 | The only person in the world who hadn't heard that secret was my mum. | 5.97 |
| 12 | 中景 |  | 车内后座视角，女性驾驶员握着方向盘在夜间行驶，红色十字架挂件在后视镜下晃动。 | Everywhere she looked, she saw beauty. And wherever she went, | 5.37 |
| 13 | 中景 |  | 黑暗缝隙中，脸上贴着黄色贴纸的金发男孩正闭眼熟睡。 | she brought me with her. | 5.97 |
| 14 | 中景 |  | 昏暗烛光下，一名穿白色连衣裙的小女孩在木质家具前欢快地原地旋转跳舞，双手高举合十。 | Once, I sat on the back of her bike, holding her tight. She asked me what I thought of the dance performance we had just seen. | 6.50 |
| 15 | 远景 |  长镜头 | 远景展示室内昏暗空间，穿白色连衣裙的小女孩在点着蜡烛的木柜前独自转圈跳舞。 | I told her I didn't understand it. To which she replied: | 10.03 |
| 16 | 中景 |  长镜头 | 小女孩穿着白色连衣裙站在昏暗室内，先调皮地吐舌微笑，随后双手举过头顶优雅旋转。 | Things don't have to be understood to be beautiful. I never forgot that. | 10.57 |
| 17 | 中景 |  | 昏暗冷调的走廊里，一名白发少年背对镜头站在带玻璃窗的白色大门前。 | The moment she dropped me off at school, I was completely alone. I remember the halls, the eyes, the questions, | 5.07 |
| 18 | 中景 |  | 镜头平移掠过门框，门内是一间明亮的复古教室，学生们穿着制服坐在木桌后望向前方。 | and not finding answers in the books in front of me. | 5.53 |
| 19 | 中景 |  | 复古教室里，金发编辫女生和卷发男生等学生坐在木桌后，表情凝重地注视前方。 | 3.10 | |
| 20 | 中景 |  | 白发少年穿着深色毛衣和白衬衫站在室内，面对镜头缓慢眨眼，前景有他人后脑勺遮挡。 | 3.00 | |
| 21 | 特写 |  | 黑底上，白发少年将蒙在头上的深色布料扯下露出正脸，闭目神情沉静并微微低头。 | Why does every game we play | 1.97 |
| 22 | 中景 |  | 黑底前，白发少年面对镜头痛苦地双手捂脸，随后按住太阳穴，表情纠结。 | end with winners and losers? Why do people want to wear the same logo but not the same T-shirt? And how do all these people around me | 8.57 |
| 23 | 全景 |  长镜头 | 昏暗复古的阶梯教室里，白发少年走下阶梯入座，周围坐满了穿制服的学生。 | seem to know the answers when I don't? I didn't understand. Because at home, I hadn't learned to understand, only to love. | 12.33 |
| 24 | 多景别 |  长镜头 | 黑暗中平移展示数个插着细长黑杆的半球体底座装置，在冷光下投射出长长的阴影。 | Illness came. She was turned into a coffin. I remember them pulling the ropes from under her. It felt like the umbilical cord had been cut again. She left me at school forever. | 20.00 |
| 25 | 中景 |  长镜头 | 黑暗中逐渐亮起，仰拍视角展示茂密的幽暗树冠，光线透过枝叶缝隙洒落。 | 10.13 | |
| 26 | 多景别 |  长镜头 | 草丛中滚落一颗红苹果，一只穿白袖口的手将其拾起，镜头上移露出金发蓝眼男子的深邃特写。 | 14.93 | |
| 27 | 特写 |  | 逆光下树干呈现深色剪影，背景是模糊闪烁的茂密绿叶。 | During that lonely time, the isolation around me turned into a voice. A voice | 7.30 |
| 28 | 特写 |  | 暗调光影下，金发蓝眼男子单手托着一颗红苹果，神情凝重地注视前方。 | that pushed me to understand my surroundings. | 4.47 |
| 29 | 中景 |  | 晚霞中，金发男子坐在大树下，膝盖上摊着书本，边嚼着刚咬过的苹果边低头阅读。 | 5.67 | |
| 30 | 远景 |  | 晚霞漫天的旷野上，大树的剪影下坐着一个人影，画面宁静深远。 | And especially people. | 7.20 |
| 31 | 特写 |  | 昏暗光线下，一名黑人男子的面部特写，他眼神微动，神情严肃专注。 | 7.73 | |
| 32 | 特写 |  | 逆光微孔中，一只手捏着写有类似“尘”字符号的白色方形卡片置入画面。 | After years, I found answers to my questions. | 2.80 |
| 33 | 中景 |  | 昏暗室内，穿黑色连帽衫的黑人男子靠墙坐在发光小方孔边，低头摆弄手中的卡片。 | And finally | 5.13 |
| 34 | 中景 |  | 写满白色繁体古诗的黑墙前，男子侧身低头观察手中的物品。 | I had something to offer. | 2.77 |
| 35 | 多景别 |  | 穿黑色连帽衫的男子将手绘几何符号的卡片贴向写满白色古诗文的黑墙。 | 5.33 | |
| 36 | 特写 |  | 涂蓝色指甲油的双手握着铅笔和卡片，在黑底白字背景上临摹繁体字“里”的下半部分横笔。 | 3.27 | |
| 37 | 中景 |  | 靠墙坐在昏暗室内的连帽衫黑人男子从墙上发光方孔取出卡片查看，随后抬头仰望深思。 | Maybe they weren't my own, but at least I got to exchange something. | 8.77 |
| 38 | 全景 |  | 相框密布的纹身室内，背部满纹身的纹身师正给躺在操作床上的非裔男子手臂纹身，男子脑后有环形灯发光。 | But to be holy is to be guilty I suppose. I began hearing | 5.67 |
| 39 | 特写 |  | 戴黑手套的纹身师手持蓝色纹身机，在人手腕内侧刻画十字形状图案。 | their words when I opened my mouth, and forgot the ink I came from. | 4.80 |
| 40 | 特写 |  | 昏暗室内，光亮头顶的黑人男子低头沉思，其后方有一盏明亮的环形灯如光环般照亮。 | 6.73 | |
| 41 | 多景别 |  长镜头 | 戴眼镜穿格子衬衫的男子坐在昏暗木房内，墙上有十字架和宗教油画，镜头缓缓拉远。 | It felt cold where the roots once were. How could I've mistaken judgement for love. | 17.73 |
| 42 | 中景 |  | 昏暗车厢内，右眼贴向日葵装饰的男子面庞倒映在后视镜中，下方晃着红色十字架挂件，前景是握方向盘的纹身手。 | When I picture her, I can't remember her eyes. | 6.60 |
| 43 | 近景 |  | 右眼贴黄色花朵眼罩的长发纹身男子双手紧握方向盘，表情冷峻地在暗夜中驾车。 | And now that I think about it, I can't even remember my own. | 7.83 |
| 44 | 特写 |  | 黑暗中红白相间的小挂件剧烈晃动，背景隐约闪过人影轮廓，画面动感模糊。 | 0.37 | |
| 45 | 中景 |  长镜头 | 汽车后备箱内，缠有黑胶带的木质棒球棍横放在后座靠背上，随后被一只手快速拿走。 | 11.53 | |
| 46 | 特写 |  | 黑暗中，穿白背心牛仔裤的人影侧身快步走过，银色皮带扣反光，一旁有木阶梯阴影。 | 1.43 | |
| 47 | 近景 |  | 缝隙窥视视角下，右眼贴着黄色花瓣的女孩侧躺在暗处闭目沉睡。 | 0.50 | |
| 48 | 特写 |  | 昏暗中特写一双布满纹身、戴着戒指的男性的手，正紧握棒球棍手柄。 | 1.10 | |
| 49 | 近景 |  | 夜间车厢内后方视角，卷发驾驶员背影握着方向盘，红色十字架挂件在窗前晃动。 | 0.47 | |
| 50 | 特写 |  | 阴暗室内特写，穿白背心的纹身男子左手用力拉动长杆操纵杆，画面随之剧烈震颤模糊。 | 1.20 | |
| 51 | 特写 |  | 镜头聚焦白床单上的开心果壳，穿白衬衫侧卧的女性用戴银戒的手抓起果壳丢开。 | 8.20 | |
| 52 | 大特写 |  | 镜头由后背斑点皮肤特写逐渐拉远，露出深蓝背景前低头俯卧的湿发后颈与耳廓。 | It wasn't God who said fear is the opposite of love because it isn't true. | 9.87 |
| 53 | 全景 |  | 深蓝极简卧室内，白衬衫女性坐在散落开心果壳的白床上低头摆弄物件，赤膊黑裤男子从床尾离去。 | Absence is. | 8.33 |
| 54 | 特写 |  | 深蓝背景前，戴着银戒指的女性用手拿着剥开的开心果仁，光影聚焦于手部特写。 | 6.23 | |
| 55 | 其他 |  长镜头 | 黑色背景上分批出现白色字体的演职员表和致谢名单，最后定格在片名标题字卡。 | 26.90 |