共146个镜头，该分镜由光厂AI自动生成
| 镜号 | 景别 | 参考图 | 画面内容 | 台词/旁白 | 时长(秒) |
|---|---|---|---|---|---|
| 1 | 其他 |  | 纯黑背景中，左侧浮现灰色五角星，右侧是红色AFI及下方白色CONSERVATORY字样，伴随扫光动效。 | 3.27 | |
| 2 | 其他 |  | 纯黑色背景中心，逐渐显现出蓝白色的细体英文字样，随后平滑淡出。 | 3.60 | |
| 3 | 中景 |  | 身穿粉紫色长袖的埃尔维斯背对镜头，跑向波光粼粼的大海，背景模糊。 | Mommy told me my dad used to sing me this song at the beach. | 4.70 |
| 4 | 近景 |  | 深色卷发男子身穿红色上衣，在海边沙滩上微笑着行走，随后背对镜头。 | 2.43 | |
| 5 | 中景 |  | 埃尔维斯背对着镜头向大海奔跑，海面宽阔，远处有帆船。 | but when I think about it, | 2.13 |
| 6 | 近景 |  | 红衣卷发男子侧身微笑着看向镜头，画面焦点虚化，面部特征与背景模糊。 | 2.00 | |
| 7 | 近景 |  | 埃尔维斯背对镜头跑向大海，身着粉紫色上衣，产生动态模糊，背景是白色浪花。 | I don't remember the waves | 2.30 |
| 8 | 多景别 |  | 红衣男子面带微笑看向镜头；随后切换至手持低视角，跟拍埃尔维斯跑向海滩。 | or the sand. or if Mommy told me a lie. | 7.57 |
| 9 | 特写 |  | 深蓝色水下，白色半透明碎屑炸裂扩散，水雾变得浑浊，画面变黑。 | I hate life. | 6.63 |
| 10 | 多景别 |  | 昏暗室内，桌上摆着插有红色蜡烛的生日蛋糕，镜头上移，戴生日帽的埃尔维斯逐渐清晰。 | Happy birthday to you, Happy birthday to you, | 7.67 |
| 11 | 近景 |  | 昏暗室内，身穿蓝色外套的洛拉面带微笑地鼓掌，周围还有其他人在欢呼。 | Happy birthday dear | 1.80 |
| 12 | 近景 |  | 戴着生日帽的埃尔维斯坐在椅子上，表情平静，前景有人影晃动。 | Elvis. | 2.50 |
| 13 | 近景 |  | 昏暗室内，戴耳环的年轻女性欢快地拍手唱歌，随后镜头快速向左平移模糊。 | Happy birthday to you. | 3.20 |
| 14 | 中景 |  长镜头 | 埃尔维斯低头吹灭蜡烛，众人鼓掌欢呼。左侧浮现白色手写体标题。 | Yeah! Bravo! Bravo! Very good, very good! | 10.03 |
| 15 | 近景 |  | 昏暗灯光下，洛拉的手伸向坐在桌前的埃尔维斯，帮他整理衣领。 | You know what I wish for? Listen baby. | 1.97 |
| 16 | 近景 |  | 洛拉身穿花纹毛衣坐在桌前，神情严肃地对埃尔维斯说话叮嘱。 | There things you tell people and things you don't tell people, like wishes. Cause if you do, they don't come true. | 7.53 |
| 17 | 近景 |  | 洛拉侧脸特写；随后镜头左摇，穆罕默德出现在昏暗房间的门口。 | Lola. I'm going, okay? Listen, um, can I open up this week again? | 2.93 |
| 18 | 特写 |  | 身穿黄色T恤的埃尔维斯微微仰头，眼神向上看，光线集中在面部。 | Again? Rent. Why not? It's rent | 4.73 |
| 19 | 中景 |  | 埃尔维斯坐在圆桌前低头摆弄物品，镜头两侧是成年人的侧脸剪影遮挡。 | control. I need the money manure. Meet Mohammed. He's a good guy, | 4.97 |
| 20 | 特写 |  | 埃尔维斯在昏暗室内抬头向上看，随后垂下眼睛，神情低落顺从。 | go have coffee. It's a good opportunity. | 3.30 |
| 21 | 特写 |  | 一双深色皮肤的大手横向拿着一个红棕色木制模型底座，背景模糊。 | My dad used to tell me | 3.90 |
| 22 | 近景 |  | 狭窄黄色密闭空间内水流涌入，深色物体晃动，底部透光，充满压抑感。 | that there were big colorful boats | 2.37 |
| 23 | 全景 |  | 红衣男子蹲在白色浴缸旁，为在水中玩耍的埃尔维斯洗澡，氛围温情。 | where we're from. They carried people in their bellies. Like Mommy used to carry me. That's why I love boats. | 8.43 |
| 24 | 多景别 |  | 黄色空间俯视图通过水波叠化为迷幻水下视角，展示船底和透射的光束。 | Cause it keep us together. Sometimes mommy tells me | 6.73 |
| 25 | 全景 |  | 镜头从昏暗门口切入，展现幽暗客厅内的布艺沙发、台灯和百叶窗光影。 | if I look for something too much, I'll never find it. | 4.43 |
| 26 | 大特写 |  | 水下光束透过水面射入，伴有大量气泡和微小颗粒，光影流转。 | But if my boat floats away and I never look for it, | 5.67 |
| 27 | 多景别 |  | 透过珠帘，看到洛拉将食物放在坐在圆桌前的卷发男子面前。 | does it mean that I'll never come back? | 5.17 |
| 28 | 全景 |  | 室内百叶窗透入条纹光影，前景深色桌椅与背景光影明暗对比强烈。 | 2.97 | |
| 29 | 中景 |  长镜头 | 杂乱的工作间内，穆罕默德弯腰向埃尔维斯演示如何折叠薄饼，洛拉在一旁观看。 | I'm gonna show you a trick Mr. Elvis. My father showed me how to eat this the right way. You take your pizza. You want to take this? Right? You take your favorite piece. Maybe this is a good one here. Yeah? You like that? Just like that. You make a little sandwich. Maybe you dip in the hummus. That's for you. You see? It's okay. If you don't want maybe you could do something different I don't know. | 25.80 |
| 30 | 近景 |  | 洛拉低头专注地看着手中的薄饼，双手轻柔地将其掰开。 | You try. Let's see how her sandwich looks. | 7.73 |
| 31 | 特写 |  | 埃尔维斯的侧面特写，他低头专注活动，背景虚化。 | 1.83 | |
| 32 | 近景 |  长镜头 | 穆罕默德低头微笑准备食物；镜头左移至洛拉面无表情地咀嚼。 | Yes. Yes. Put some more hummus on there, hummus is good. That hummus, you see? How is it tasting? | 12.70 |
| 33 | 全景 |  长镜头 | 仓库内三人围坐简陋桌旁，穆罕默德剥开香蕉递给埃尔维斯。 | It's good is it okay mm-hmm. This is food from my home country Mr. Elvis. I hope you like it. | 11.47 |
| 34 | 特写 |  | 埃尔维斯伸手从白色外卖餐盒里拿食物放入口中咀嚼，背景模糊。 | You're a citizen then, yeah? | 5.43 |
| 35 | 近景 |  | 洛拉吃东西并抬头看向右侧模糊的穆罕默德背影，环境呈青蓝冷调。 | Mm-hmm. How does that work? | 6.37 |
| 36 | 特写 |  | 埃尔维斯侧脸特写，低头专注吃食物并聆听谈话。 | I'm a citizen. That's what you need, right? | 6.67 |
| 37 | 中景 |  | 穆罕默德侧坐拿着食物，认真地边说话边做指点手势，神情严肃。 | Can you pay up front? I can pay half now, and I can uh pay the rest later. | 3.77 |
| 38 | 特写 |  | 埃尔维斯侧对镜头专注吃东西，背景完全虚化。 | That's not gonna work for me. | 6.93 |
| 39 | 特写 |  | 洛拉转头看正前方，边吃东西边说话，右侧边缘有模糊人影。 | 5,000. Okay. And you take the couch. | 6.43 |
| 40 | 大特写 |  | 画面对焦由模糊转清晰，展示男士白衬衫领口精致的黑色领结。 | 1.23 | |
| 41 | 多景别 |  快速剪辑 | 画面快速剪辑：旧电视、手提箱、男孩眼睛、写字的手，最后定格新郎低头签字。 | Mommy doesn't tell me everything. But she doesn't have to. | 6.40 |
| 42 | 特写 |  | 特写双手拿着笔在一份文件上签字，背景有花朵和婚礼蛋糕。 | Sometimes | 1.20 |
| 43 | 近景 |  | 穿白色婚纱的洛拉俯身低头，背景为蓝墙红窗帘，光影迅速变暗。 | 1.37 | |
| 44 | 特写 |  | 两只手交叠握在一起放在文件上，画面光影柔和温馨。 | my eyes like a camera. | 1.10 |
| 45 | 近景 |  | 穆罕默德与洛拉面带笑容并肩而立，洛拉举起白色手捧花轻触鼻尖。 | 2.33 | |
| 46 | 近景 |  | 穿白衬衫系黑领结的埃尔维斯侧脸出现，焦点由模糊转为清晰。 | 1.20 | |
| 47 | 中景 |  | 一对新人出现，镜头快速向下俯冲，聚焦底部的黄色花簇。 | 1.30 | |
| 48 | 近景 |  | 三位女性紧凑地凑在一起面带灿烂笑容合影，亲密欢快。 | It takes pictures | 0.97 |
| 49 | 多景别 |  | 男孩眼部极近特写切至穆罕默德身穿西装低头走进室内。 | of the things that really happen. | 2.83 |
| 50 | 近景 |  | 暗光下，穿深色西装的男子与穿白色婚纱的女士并肩站立，仅露躯干。 | 0.97 | |
| 51 | 特写 |  | 两人在昏暗环境中握住一束由白花和黑芯组成的婚礼手捧花。 | And remember | 1.00 |
| 52 | 近景 |  | 特写手捧花后镜头拉远，展现穆罕默德与洛拉亲密依偎。 | them for a long, long | 1.57 |
| 53 | 大特写 |  | 埃尔维斯的眼部大特写，眼神专注，瞳孔反射微光，轮廓分明。 | time. | 2.13 |
| 54 | 近景 |  | 穆罕默德轻嗅花束并倾向洛拉，两人深情对望互动。 | 2.33 | |
| 55 | 中景 |  | 镜头移开黑色遮挡，展现洛拉与亲友拍摄合影，伴有手持晃动。 | 1.70 | |
| 56 | 全景 |  | 穿白衬衫和背带裤的埃尔维斯站在蓝墙房内，面对窗户阳光，随后离开。 | 4.83 | |
| 57 | 近景 |  长镜头 | 一只成人的手搭在神情凝重的埃尔维斯肩上，镜头缓慢推进，环境变暗。 | 10.40 | |
| 58 | 特写 |  | 极低视角，大面积遮挡下露出人物贴地窥视的半张脸，环境昏黄。 | Allahu Akbar. | 3.03 |
| 59 | 远景 |  | 在黑色前景遮挡下，远处的穆罕默德低头跪在昏暗的地面上。 | 3.40 | |
| 60 | 中景 |  | 埃尔维斯跪在地上进行礼拜，额头贴地，左侧有蓝色塑料框遮挡。 | Allahu Akbar. | 3.23 |
| 61 | 中景 |  | 极低且被遮挡的视角，一名穿蓝色裤子的人跪地低头，双手微动。 | 8.37 | |
| 62 | 大特写 |  | 透过窄缝，展示一只睁开且专注窥视的眼睛局部，上方有阴影。 | 3.57 | |
| 63 | 近景 |  | 低位镜头，穆罕默德在地上寻找物品，随后起身走动。 | White. Blue. | 9.73 |
| 64 | 近景 |  | 穆罕默德坐在地上，从洗衣篮中取出衣服叠放成堆。 | Pink. | 5.70 |
| 65 | 特写 |  | 埃尔维斯的侧脸处于阴影中，他缓缓抬头凝视前方，背景虚化。 | Um, that's my mom's laundry. Mr. Elvis. | 3.07 |
| 66 | 中景 |  | 穆罕默德向背对镜头坐着的埃尔维斯展示手里的衣服。 | This is homework. I have to take a test soon. | 3.67 |
| 67 | 特写 |  长镜头 | 埃尔维斯侧脸特写，抬头带着不安和困惑的眼神开口说话。 | For what? To stay here? With us? Inshallah. And they paid you your money? | 12.40 |
| 68 | 特写 |  | 埃尔维斯侧躺在床上，面带迷茫，半脸在阴影中与穆罕默德交谈。 | You're the water, right? The light, huh? And I paid you. You paid me for something that you have to do. | 4.77 |
| 69 | 中景 |  长镜头 | 埃尔维斯坐起身背对镜头，与站在门外阴影中的穆罕默德对话。 | I have to do? No, we have to do. What if they ask me about us, what do I say? I know nothing about you. Lower your voice. | 13.77 |
| 70 | 全景 |  | 穆罕默德靠在走廊门框边，随后转身走向黑暗中。 | Let me help you, please. | 5.67 |
| 71 | 远景 |  | 昏暗厨房内，洛拉背对镜头在橱柜边活动，穆罕默德站在旁边交谈。 | You want to help? Pay a bill. | 4.03 |
| 72 | 中景 |  长镜头 | 埃尔维斯转身走向房门，穆罕默德在门外恳求洛拉。 | Lola. Lola, please don't walk away from me. Lola. | 21.87 |
| 73 | 中景 |  | 微弱台灯下，穆罕默德躺在床上，一个人影背影从前景走过。 | Get past it. Get past it. | 9.87 |
| 74 | 近景 |  | 洛拉缓缓向后躺下，在昏暗蓝调中与埃尔维斯并排入睡。 | End of day. | 7.93 |
| 75 | 中景 |  | 两人并排躺在床上熟睡，红蓝警车光效在他们脸上交替闪烁掠过。 | 8.43 | |
| 76 | 特写 |  | 卧室微弱黄光台灯下，被子覆盖着双腿，前景露出脚部。 | At night when we go to sleep, | 2.07 |
| 77 | 中景 |  | 穆罕默德侧卧在沙发上，手扶额头，神情忧虑，色调压抑。 | the whole world sinks all at once. | 3.70 |
| 78 | 特写 |  | 极低视角，穿着白色袜子的双脚悬空并在椅子边缘晃动。 | We don't usually do house visits. We must have filled out something wrong. | 3.97 |
| 79 | 中景 |  长镜头 | 林恩与洛拉站在门口附近交谈，背景可见另一间挂着合影的房间。 | It happens, we just have a few follow up questions. Is this the wedding? Yeah, that's my mother and my cousins. They've been like sisters to me. Was June? It was July 10th actually, yeah. | 13.47 |
| 80 | 近景 |  | 埃尔维斯看着前方，专注聆听谈话，光线在脸上形成阴影。 | Where was it? Um, a little hall by the Boston Common. | 4.87 |
| 81 | 近景 |  | 林恩在蓝调室内看着前方露出微笑。 | Mm-hmm. | 2.17 |
| 82 | 近景 |  | 洛拉侧身与人交谈，身后的穆罕默德面带微笑看着对方。 | Um, do you want water, coffee? Water would be fine, thanks. | 2.00 |
| 83 | 特写 |  | 埃尔维斯抬起头，开口接话，侧面受光，半脸隐于阴影。 | Oh, okay. I have water. | 2.03 |
| 84 | 近景 |  | 林恩举杯喝水，背景里穆罕默德正弯腰整理沙发上的衣物。 | Excuse me. Thank you. How was your ride over here, was it long? It was long but you know, the traffic. Okay. Well, have a seat. Feel | 8.10 |
| 85 | 特写 |  | 侧逆光下，埃尔维斯侧脸呈现剪影效果，认真回答问题。 | comfortable. How you doing, Elvis? Good. Yeah? | 6.17 |
| 86 | 多景别 |  长镜头 | 穆罕默德俯身拿洗衣篮，随后镜头切至林恩抬头专注提问。 | When did Muhammad arrive? He got here like in March, I want to say. Yes, in March. Okay. | 12.27 |
| 87 | 多景别 |  | 镜头从桌上交叠的双手上移至埃尔维斯的侧脸轮廓。 | And uh, you're being sponsored by a Mr. Munier still? | 5.63 |
| 88 | 大特写 |  | 林恩侧脸特写，抬头斜视前方并专注对话。 | Yes. No, no. So, how does this work then? Well, he was staying with him and once we got married, he was no longer | 9.10 |
| 89 | 特写 |  | 埃尔维斯特写，凝视前方，若有所思。 | a sponsor. He gave me a job. Yeah. You know, I'm just curious, | 5.10 |
| 90 | 特写 |  | 林恩低头书写，镜头随之上升到她的侧脸。 | how'd you guys meet? | 3.80 |
| 91 | 大特写 |  | 埃尔维斯面部特写，眼神清澈，注视斜前方。 | Manier, he | 1.53 |
| 92 | 中景 |  | 林恩说话，随后镜头左摇至倾听的穆罕默德和紧张的洛拉。 | introduced us. Elvis, do you know the story? | 4.63 |
| 93 | 大特写 |  | 埃尔维斯面部大特写，眼神游移，早熟且充满思考。 | Um... fighting about money? Oh. | 5.03 |
| 94 | 特写 |  | 林恩扭头向上看，思考片刻后转回继续说话。 | Well, hold on, I wouldn't say fighting about money. | 2.67 |
| 95 | 近景 |  | 穆罕默德微笑着看洛拉，洛拉正专注地向林恩解释。 | You know, we have discussions, just like any other married couple. | 5.50 |
| 96 | 特写 |  | 埃尔维斯侧逆光特写，目光专注看向前方。 | Right, right, like you're married you might... do you have a favorite? | 3.13 |
| 97 | 中景 |  长镜头 | 林恩直视前方，随后镜头左移至神情困惑无力的洛拉和落寞的穆罕默德。 | A favorite dad? I mean, are you a mama's boy or... what does it matter? That question, what does it matter? We're just tired. | 11.23 |
| 98 | 特写 |  | 林恩满面倦容揉眼，然后拿起玻璃杯喝水。 | 4.23 | |
| 99 | 多景别 |  长镜头 | 林恩转身向走廊走去，洛拉在墙边等待，埃尔维斯走近两人。 | Okay, well if either of you have any questions, feel free to call me anytime. I think we're all set. Okay. Elvis. Bang on this silly idea, damn hen. Elvis, bang. Bye. | 22.73 |
| 100 | 近景 |  | 埃尔维斯看着前方的林恩，抿嘴低头显得局促。 | Bye. Can I ask you a question? | 3.30 |
| 101 | 近景 |  | 林恩俯身微笑看着背对镜头的埃尔维斯。 | Is that Muhammad's room? | 1.47 |
| 102 | 近景 |  | 埃尔维斯看着对面的林恩背影，眼神中带着询问。 | 2.50 | |
| 103 | 近景 |  | 林恩神情略显沉重地看着埃尔维斯，洛拉在背景中注视。 | Um, he doesn't have a room. | 2.07 |
| 104 | 近景 |  | 埃尔维斯面对林恩，表情由微笑转为严肃专注。 | Yeah? | 2.33 |
| 105 | 特写 |  | 林恩抬头看着前方，轻声回答，神情严肃且带鼓励。 | It's okay. You can tell me. | 4.13 |
| 106 | 近景 |  | 埃尔维斯抬头与林恩交谈，面带思考和犹豫。 | Does he sleep on the couch? I mean, it's been me and my mom for a while, so... | 7.03 |
| 107 | 特写 |  | 穆罕默德神情忧郁地低头沉思，半边脸被侧光勾勒。 | 2.03 | |
| 108 | 近景 |  | 埃尔维斯专注地看向侧前方的林恩背影。 | 2.53 | |
| 109 | 特写 |  | 洛拉面带担忧，视线由注视斜前方转而垂下。 | 2.50 | |
| 110 | 近景 |  长镜头 | 埃尔维斯低头后慢慢抬起，流露出悲伤和迷茫说出真相。 | His room is my mom's room. | 13.03 |
| 111 | 近景 |  | 林恩看着埃尔维斯，随后转身离去。 | 4.00 | |
| 112 | 中景 |  | 埃尔维斯沉默抓头，随后抬头迷茫地看着前方。 | Six to eight weeks, you'll hear from us. | 2.37 |
| 113 | 近景 |  | 埃尔维斯的背影看着走廊远处，女性的身影在光影中消失。 | Yeah. | 8.03 |
| 114 | 多景别 |  长镜头 | 身着黑衣的穆罕默德在水下缓缓下沉，随后切至埃尔维斯水下睁眼的特写。 | I guess this is how Mommy feels like all the time. It burns, but after a little, it stops. | 23.03 |
| 115 | 特写 |  | 带胶片质感的暖色旧照片中，洛拉微笑着看向镜头。 | Mommy used to tell me | 1.67 |
| 116 | 特写 |  | 同样胶片质感下，蓄胡茬的生父面部特写，神情凝重。 | my dad got in big, big trouble. | 1.30 |
| 117 | 特写 |  | 生父的大手覆盖在桌上，埃尔维斯的小手覆在其上。 | 1.93 | |
| 118 | 中景 |  | 年幼的埃尔维斯站在中间表情凝重，父母的手搭在他肩上。 | We went to see him at the water. | 1.97 |
| 119 | 中景 |  | 海浪拍打后没入水中，水下光束和气泡闪烁。 | We took a picture right by it. | 3.73 |
| 120 | 中景 |  | 狱警背影注视下，穿着囚服的生父与微笑着的洛拉和拘谨的埃尔维斯合影。 | It's kind of like a lie, | 3.87 |
| 121 | 特写 |  | 洛拉在后方面带微笑，前方忧郁的年轻女孩低头沉思。 | but happy. I used to think lies only hurt people, | 3.07 |
| 122 | 特写 |  | 埃尔维斯紧紧抓握着桌面上交叠的大手。 | like me. | 4.63 |
| 123 | 近景 |  | 穆罕默德在充满强光的水下缓慢划水，表情平和。 | But sometimes a lie, if it's small enough, | 6.07 |
| 124 | 多景别 |  | 燃烧的生日蛋糕切走后，露出埃尔维斯忧郁注视的侧脸近景。 | can be a big, big gift. | 7.10 |
| 125 | 多景别 |  | 蓝色冷光室内，洛拉背对镜头站立，微微侧头，右下角有生日蛋糕。 | 9.60 | |
| 126 | 近景 |  | 红衣的埃尔维斯忧郁地注视斜下方，脸上映着百叶窗的蓝色条纹光影。 | 4.27 | |
| 127 | 特写 |  长镜头 | 洛拉面部特写，由垂眸苦笑转为含泪欣慰的宽慰笑容。 | 10.10 | |
| 128 | 全景 |  | 透过走廊，展示洛拉与埃尔维斯在冷蓝色厨房围坐生日蛋糕。 | 4.00 | |
| 129 | 特写 |  长镜头 | 暖黄光照下，埃尔维斯局促期待地开口说话。 | Come on, Mommy. Make a wish. | 10.30 |
| 130 | 特写 |  | 洛拉在冷光下闭眼痛苦哭泣，用手捂住颤抖的面部。 | 4.93 | |
| 131 | 中景 |  长镜头 | 穆罕默德与洛拉在水下双手紧握，圣洁白光笼罩，画面旋转。 | No matter how deep we are, will always flow up, up, up. | 24.47 |
| 132 | 空镜 |  长镜头 | 纯黑背景中央浮现淡蓝色英文字幕。 | 9.97 | |
| 133 | 中景 |  | 左侧为复古胶片风动效字幕，右侧为新郎为新娘戴戒指的旧影像。 | 3.97 | |
| 134 | 中景 |  | 左侧为一家三口合影老照片，右侧为带有流体动效的编剧名单字幕。 | 3.97 | |
| 135 | 中景 |  | 左侧为带动态光影的制片人名单，右侧为新郎新娘婚礼合影。 | 3.97 | |
| 136 | 中景 |  | 左侧为穿西装男孩遮眼笑的合影，右侧为制片人名单动效。 | 4.00 | |
| 137 | 近景 |  | 左侧为星空动效字幕，右侧为新郎低头签字结婚照片。 | 3.97 | |
| 138 | 中景 |  | 左侧为手持花束的小女孩照片，右侧为深蓝幕布上的美术指导字幕。 | 3.97 | |
| 139 | 多景别 |  | 左侧为剪辑师字幕动效，右侧为派对上的孩童合影旧照片。 | 3.97 | |
| 140 | 中景 |  | 左侧为派对上喝饮料男孩的照片，右侧为选角指导字幕。 | 3.97 | |
| 141 | 中景 |  | 左侧为音乐指导名单字幕，右侧为男孩女孩并肩站立的老照片。 | 3.97 | |
| 142 | 近景 |  | 画面展示穆罕默德与洛拉面带微笑并排而坐的复古合影及字幕。 | 3.97 | |
| 143 | 特写 |  | 埃尔维斯忧郁侧卧床上的画面，左上方出现演员介绍字幕。 | 3.97 | |
| 144 | 空镜 |  | 深色流体纹理背景上，白色演职员名单向上滚动。 | 2.97 | |
| 145 | 全景 |  长镜头 | 深蓝色水下质感背景上，致谢与工作人员名单持续向上滚动。 | 15.00 | |
| 146 | 其他 |  | 纯黑背景上浮现“for my little people”淡蓝字幕，随后淡出。 | 6.00 |