共178个镜头,该分镜由光厂AI自动生成
| 镜号 | 景别 | 参考图 | 画面内容 | 台词/旁白 | 时长(秒) |
|---|---|---|---|---|---|
| 1 | 大特写 | ![]() | 暗光下特写展示黄色Z形颗粒构成的微观纹理阵列,光线逐渐变亮照亮整体结构。 | 0.57 | |
| 2 | 多景别 | ![]() | 室内篮球馆内,女篮运动员凯特琳·克拉克正快速运球突破,随后切换至她腿部和蓝色球鞋的运动模糊特写。 | 1.30 | |
| 3 | 多景别 | ![]() 快速剪辑 | 快切展示蓝色球鞋的#22数字刺绣和C字Logo细节,以及粉色鞋面纹理,最后一名黑卫衣男子在手绘稿前展示一只黄蓝球鞋。 | This is probably the most hyped shoe. | 2.67 |
| 4 | 大特写 | ![]() | 大特写展示蓝色运动鞋由纤维交织而成的编织鞋面纹理,随着镜头拉开显现鞋面局部结构。 | We're two years | 1.20 |
| 5 | 多景别 | ![]() 快速剪辑 | 快切镜头:设计师在平板上绘制球鞋草图,专注工作的戴帽男子侧脸,紫色三维点云鞋模动画,以及长发女子与男子试穿紫色球鞋的生活照。 | into the process of making it. | 3.57 |
| 6 | 全景 | ![]() | 篮球馆内,凯特琳·克拉克身穿灰色长袖和白色短裤,脚踩蓝色球鞋,正在熟练交替运球。 | Tons of expectations. | 1.50 |
| 7 | 远景 | ![]() | 远景展现凯特琳·克拉克在空旷的室内木质球场上持续运球,背景为阶梯看台。 | 0.97 | |
| 8 | 特写 | ![]() | 特写镜头捕捉球员在蓝色地板上快速奔跑运球的足部动作,展示其穿着的浅色球鞋。 | 0.97 | |
| 9 | 中景 | ![]() | 呈现复古胶片质感的画面中,凯特琳·克拉克在场边单手运球并面向镜头。 | Every signature athlete | 1.73 |
| 10 | 中景 | ![]() | 头戴黑帽、身穿黑卫衣的亚裔男子坐在图书馆书架前接受采访,边说话边打手势。 | only gets one chance | 1.03 |
| 11 | 特写 | ![]() | 特写展示一名穿着格纹上衣的男子双手托着一只亮蓝色的Nike篮球鞋并轻微转动。 | to do the first shoe. | 0.93 |
| 12 | 中景 | ![]() | 凯特琳·克拉克双手捧着一只紫色球鞋,低头专注端详。 | 1.23 | |
| 13 | 近景 | ![]() | 凯特琳·克拉克自信地穿过球场边的人群,面向镜头前行并开口说话,周围有持麦克风的工作人员。 | Ben, don't mess this up. You designed it. | 2.77 |
| 14 | 中景 | ![]() | 球场上,穿蓝卫衣的男子、凯特琳和手拿粉紫两色球鞋的白帽男子正在轻松交谈。 | 1.17 | |
| 15 | 中景 | ![]() | 纯黑背景中,一道白色强光斜穿照亮悬浮的蓝色Nike编织球鞋,两旁浮现白色文字。 | 3.77 | |
| 16 | 航拍 | ![]() | 黄昏时分印第安纳波利斯城市天际线航拍,居中显示白色城市名称字卡。 | Do you remember when we kicked off the process, | 3.87 |
| 17 | 全景 | ![]() | 球场上,凯特琳抱着篮球,与手拿紫鞋的白帽男子和手拿粉鞋的蓝卫衣男子呈三角形站立交谈。 | what you were working on and you asked us like, hey, how can from a performance standpoint, can you guys help me do these things? | 6.70 |
| 18 | 近景 | ![]() | 凯特琳抱着篮球在球场接受采访,配合手势说明,旁边浮现姓名头衔字卡。 | Yeah, I think speed was like the number one thing. | 2.97 |
| 19 | 全景 | ![]() | 女篮比赛中,身穿白色22号球衣的凯特琳正运球变向突破黑衣防守球员。 | Like the step back, how fast I | 3.73 |
| 20 | 中景 | ![]() | 凯特琳在空球场单手运着橙色篮球,面向镜头解说动作要领。 | quickly I can get in and out of a cut. | 1.17 |
| 21 | 中景 | ![]() | 赛场画面,凯特琳低姿态运球试图突破灰衣球员的贴身防守。 | 1.93 | |
| 22 | 近景 | ![]() | 凯特琳单手抱球,向画面外解说并配合手部动作演示。 | Change of direction. | 0.90 |
| 23 | 全景 | ![]() | 巴克莱中心球场俯拍,凯特琳运球尝试从左侧突破黑衣18号球员的防守。 | 1.70 | |
| 24 | 中景 | ![]() | 赛场快剪:黑衣18号球员背向镜头运球突破,遭遇激烈防守,画面带运动模糊。 | 0.57 | |
| 25 | 中景 | ![]() | 凯特琳身穿红色球衣,在比赛中面对白衣球员防守急停跳投。 | 1.33 | |
| 26 | 全景 | ![]() | 凯特琳在比赛中持球侧步横移,准备迎着红衣球员防守起跳投篮。 | 0.80 | |
| 27 | 全景 | ![]() | 凯特琳在多人防守下完成后仰跳投,球飞向篮筐,背景观众席满座。 | What can courts do? | 3.00 |
| 28 | 全景 | ![]() | 凯特琳与手拿球鞋的两名男设计师在球场继续交流,她边单手托球边解说需求。 | That's important for me to be able to push off fast even if I don't have the ball, like to create | 3.10 |
| 29 | 全景 | ![]() | 赛场上,凯特琳在无球状态下跑位,试图在多名白衣防守球员中寻找接球空间。 | space to get open, for three! | 2.83 |
| 30 | 全景 | ![]() | 凯特琳在三分线外急停跳投,篮球空心入网,场边摄影师跟拍。 | She plays with elite pace. | 2.60 |
| 31 | 全景 | ![]() | 凯特琳运球借助队友掩护,试图摆脱两名红衣防守球员。 | She is coming off screens, she | 2.03 |
| 32 | 全景 | ![]() | 凯特琳在比赛中精准传球给跟进的队友,展现广阔视野。 | is facilitating the ball, | 1.33 |
| 33 | 全景 | ![]() | 凯特琳面对紫衣球员贴身防守,向右前方单手传球。 | 1.70 | |
| 34 | 中景 | ![]() | 灰卫衣男士Alex Zerzan在书架背景前接受访谈。 | pulling up and stepping back and hitting kind of her logo three. | 2.47 |
| 35 | 全景 | ![]() | 凯特琳命中超远距离三分,全场观众起身欢呼。 | At the logo! | 3.77 |
| 36 | 近景 | ![]() | 灰卫衣男士在暗调工作室对着电脑侧身受访,阐述设计理念。 | It really starts from the ground up, and what's going on | 2.80 |
| 37 | 中景 | ![]() | 戴白帽的亚裔设计师在工作台前用平板绘制球鞋草图,旁边摆放着两只成品球鞋。 | under her feet. | 1.43 |
| 38 | 特写 | ![]() | 战术板界面显示一条蓝色轨迹线在三分线内延伸为箭头,模拟球员跑位路线。 | 0.67 | |
| 39 | 全景 | ![]() | 凯特琳在比赛中快攻运球上篮,摆脱紧追的防守球员。 | 0.97 | |
| 40 | 多景别 | ![]() | 凯特琳起跳完成精彩上篮动作,画面跟随手臂延展。 | Caitlin told us like I want stuff that I've never seen before. | 1.47 |
| 41 | 近景 | ![]() | 格纹衬衫男子双手展示一块蓝色流线型鞋垫模具,讲解结构细节。 | 2.90 | |
| 42 | 中景 | ![]() | 穿黑卫衣、戴黑帽的男子在书架背景前受访,比划手势分享设计起点。 | And so that was like the start of how we unraveled the design. | 3.27 |
| 43 | 特写 | ![]() | 工作台上,格纹衬衫男子向黑卫衣男子展示一片红蓝渐变透气鞋垫,桌上散落设计图。 | 1.20 | |
| 44 | 中景 | ![]() | 工作室桌面全景,平板上显示蓝色战术图表,周围摆放电脑、球鞋和篮球。 | What I noticed | 2.43 |
| 45 | 全景 | ![]() | 暗光办公室内,两名设计师围坐在黑桌旁讨论,桌上摆有台灯、鞋模和面料,背景有发光屏。 | in watching Caitlin's film is | 1.93 |
| 46 | 近景 | ![]() | 暗调室内,穿灰色连帽衫的灰发男子面对笔记本电脑,侧脸接受访谈。 | She changes the pace of play incredibly well, | 3.70 |
| 47 | 中景 | ![]() | 暗光工作室中,戴白帽的亚裔男子拿触控笔在平板前工作,旁有黄色球鞋和篮球。 | manipulating speed, manipulating the defenders | 1.57 |
| 48 | 中景 | ![]() | 暗光下,穿灰连帽衫的男子继续接受访谈,认真讲解。 | with that kind of start, stop, shiftiness. | 4.47 |
| 49 | 中景 | ![]() | 工作室里,戴白帽亚裔设计师手持触控笔,转头与身旁人交流。 | Yeah, she needs to be able to have that stop on a dime traction. | 2.40 |
| 50 | 特写 | ![]() | 镜头聚焦穿着蓝色Nike球鞋的足部,腾空落在室内篮球场木地板上。 | 1.50 | |
| 51 | 特写 | ![]() | 黑底上悬空展示蓝色球鞋底部红蓝渐变的牵引纹理,白光扫过。 | When you play with pace, I think | 5.10 |
| 52 | 中景 | ![]() | 穿深灰连帽卫衣的男子坐在书架前的沙发上接受访谈。 | the biggest thing that you can have there is elite traction and being able to trust that. | 4.27 |
| 53 | 多景别 | ![]() | 凯特琳身穿灰卫衣白短裤,在室内球场运球跑向镜头,随后推至足部特写。 | 1.20 | |
| 54 | 大特写 | ![]() | 近距离推镜头展示蓝色篮球鞋底的放射状牵引纹理细节。 | Man, I remember like fine-tuning the profile of | 2.60 |
| 55 | 全景 | ![]() | 工作室内,戴帽格纹衫亚裔男子拿蓝鞋部件与穿黑卫衣男子讨论。 | each individual traction blade. | 2.77 |
| 56 | 特写 | ![]() | 男子双手拿着粉蓝渐变色的球鞋翻转,展示鞋底细密纹理。 | 1.50 | |
| 57 | 大特写 | ![]() | 镜头极近特写粉色鞋底的密实人字形抓地纹路。 | That herringbone that we ended up designing | 3.37 |
| 58 | 特写 | ![]() 快速剪辑 | 极近特写蓝色渐变鞋底的抓地纹理细节。 | was all about giving her the ability to | 0.97 |
| 59 | 大特写 | ![]() | 展示深蓝色运动鞋底密集的齿状结构特写。 | 2.40 | |
| 60 | 中景 | ![]() | 穿灰连帽卫衣男子侧颜受访,抿嘴点头。 | stop and change direction on a dime. | 2.23 |
| 61 | 全景 | ![]() | 比赛现场,22号凯特琳在三分线外背身运球转身过人。 | Clark with a spin to the bucket! | 1.13 |
| 62 | 全景 | ![]() | 凯特琳运球快速突破两名对手防守,冲向篮筐。 | 2.67 | |
| 63 | 全景 | ![]() | 凯特琳在篮下跃起上篮得分,身后数名防守球员紧追。 | Clark flying down the floor! On great traction, | 3.37 |
| 64 | 中景 | ![]() | 工作室内两名设计师在桌前交流,灰衣男侧手势讲解。 | then you kind of work up to the midsole and it's about, okay, what is the responsiveness underfoot? | 4.13 |
| 65 | 特写 | ![]() | 手持蓝色运动鞋底中底翻转展示前掌嵌入的白色部件。 | What technology can we put in the forefront of the shoe to get that separation? | 5.07 |
| 66 | 特写 | ![]() | 椭圆形的白色气垫单元悬空于黑色背景中,表面带菱格纹。 | When she steps back to create space, | 4.63 |
| 67 | 近景 | ![]() | 穿灰色连帽衫男子在电脑前侧头交谈。 | she's moving to the side a lot of times before rising up into the shot. | 2.43 |
| 68 | 全景 | ![]() | 赛场中凯特琳后撤步跃起投篮,防守球员跳起封盖。 | I think that Turbo bag sitting so | 2.70 |
| 69 | 中景 | ![]() | 戴帽男子在工作室用触控笔在平板上绘画,若有所思。 | super close to the foot, | 1.83 |
| 70 | 特写 | ![]() | 穿黑衣男子在工作台展示手中圆形白色气垫,另一男子持鞋底。 | helps Caitlin in how she creates space. | 2.13 |
| 71 | 全景 | ![]() | 女篮比赛中,穿黑衣球员跳起试图封盖凯特琳的投篮。 | 2.83 | |
| 72 | 中景 | ![]() | 戴帽男士在工作室用手拿鞋底组件向黑衣男士展示细节。 | All these little grooves here just curve to the ball of your foot, | 3.13 |
| 73 | 大特写 | ![]() | 带有菱格纹理的透明材质部件特写,带蓝色底色及反光。 | getting that pop, that responsiveness you're looking for. | 1.97 |
| 74 | 特写 | ![]() | 男子双手按压一个白色半透明的椭圆形气垫组件展示弹性。 | This is a trampoline for the hooper. | 2.47 |
| 75 | 多景别 | ![]() 快速剪辑 | 球场上凯特琳运球起跑,镜头转到足部运球跨步特写。 | 2.20 | |
| 76 | 特写 | ![]() | 室内球场地板上,穿着蓝色球鞋的脚尖点地准备发力起步。 | 2.47 | |
| 77 | 特写 | ![]() | 黑色背景上展露一片具有波浪边缘和网格纹理的深蓝色鞋面材质。 | The Nike Opticast was crucial to make her feel that she can cut quicker or | 4.17 |
| 78 | 全景 | ![]() | 工作室里,戴帽男拿蓝色鞋面向穿黑衣男子展示讲解。 | stop on a dime or step back quick, | 2.40 |
| 79 | 近景 | ![]() | 男子双手持一片蓝色鞋面样品翻动,展现表面纹理和金属Logo。 | keeping her planted inside the shoe. | 1.60 |
| 80 | 全景 | ![]() | 女篮比赛中,凯特琳晃开防守人,跃起投篮入网。 | Yeah, that support as she's stepping back | 3.23 |
| 81 | 全景 | ![]() | 凯特琳在三分线外与防守球员激烈身体对抗,运球拉开距离。 | 2.03 | |
| 82 | 特写 | ![]() | 镜头捕捉篮球鞋在木板地上侧滑蹬地发力的瞬间。 | and allows that hooper, yeah, to move laterally to push back. | 1.23 |
| 83 | 中景 | ![]() | 凯特琳在训练场运球横移后,快速变向突进。 | This stability is gonna make them feel confident. | 3.43 |
| 84 | 中景 | ![]() | 工作室中,穿黑衣男子拿着鞋底部件与戴帽同伴交谈。 | 2.93 | |
| 85 | 特写 | ![]() | 训练场上,蓝色球鞋双脚跳起并落地,旁边运球产生残影。 | 0.33 | |
| 86 | 全景 | ![]() | 凯特琳在球场中央收球跃起,投篮完成随前动作。 | I'd rather be scoring | 1.67 |
| 87 | 中景 | ![]() | 凯特琳单手拿球转头笑着在球场接受采访。 | and score 40 and have 10 assists in this shoe every single night. | 2.97 |
| 88 | 全景 | ![]() | 凯特琳在人声鼎沸的赛场中迅速起跳转身投射。 | Clark fires, for 3! | 1.73 |
| 89 | 中景 | ![]() | 空球场中,凯特琳举手保持投篮出手后的动作,篮球飞向篮筐。 | 2.60 | |
| 90 | 近景 | ![]() | 木质桌面放置带有银色Logo的蓝色球鞋面料及设计草图。 | There's nothing cooler than creating an athlete's first signature shoe, | 5.37 |
| 91 | 中景 | ![]() | 明亮办公室内,黑衣男士仔细观察鲜蓝色球鞋,另一名男士举起蓝色鞋面材料构件。 | There's nothing cooler than creating an athlete's first signature shoe, right? Like this is a dream realized for a lot of athletes from a | 3.10 |
| 92 | 中景 | ![]() | 灰连帽衫男士坐在沙发上面对镜头受访,书架及半个模特构成背景。 | young age. | 3.13 |
| 93 | 中景 | ![]() | 暗光工作室中,一名男士在平板前专注绘图,另一人在旁电脑前工作。 | But it doesn't come without its challenges. | 3.13 |
| 94 | 特写 | ![]() | 特写展示桌面上散落的球鞋零部件,包括黄色编织鞋面和粉色鞋垫片。 | 2.07 | |
| 95 | 其他 | ![]() | 强烈视觉模糊转场,色彩呈现出红橙蓝交织。 | 0.33 | |
| 96 | 中景 | ![]() | 白板上贴满各类篮球鞋设计草图与照片,蓝色便利贴位于其中。 | There's some parts in the journey where you challenged the team to rethink things to land the shoe. | 4.17 |
| 97 | 全景 | ![]() | 凯特琳抱着篮球在球场与两名男士设计师微笑交谈。 | I did. Um, maybe I was a little difficult sometimes. | 5.90 |
| 98 | 近景 | ![]() | 凯特琳抱着篮球,侧头与身旁人互动后回视镜头微笑。 | Caitlin is elite, she's an elite basketball player, | 3.63 |
| 99 | 中景 | ![]() | 灰卫衣男士坐在沙发受访,左腿搭在右腿上自然交谈。 | and her standard when it comes to her footwear as well is elite also. | 3.57 |
| 100 | 近景 | ![]() | 灰卫衣男士侧身继续讲述,随后画面快速侧切转场。 | And, you know, I think she really pushed and challenged the team. | 4.30 |
| 101 | 中景 | ![]() | 展示挂满各类彩色缝纫线卷的工作室洞洞板,光影柔和。 | What I love about working with Caitlyn is she knows exactly what she wants. | 4.43 |
| 102 | 中景 | ![]() | 工作室中两名男士分别手持部件专注观察细节。 | And you'll know if Caitlin liked something because it's immediate. | 1.53 |
| 103 | 中景 | ![]() | 一人托着带有蓝色Logo的黄色球鞋,向旁人讲解侧面细节。 | 1.90 | |
| 104 | 多景别 | ![]() | 凯特琳在球场中央抛接篮球,向镜头展现从容一面。 | I remember when we showed her this, she was already like in love with it. | 2.83 |
| 105 | 全景 | ![]() | 两名男士设计师在工作台旁探讨,桌上堆满鞋类配件与工具。 | But this is her first signature shoe and we felt we could make it more entertaining. | 2.37 |
| 106 | 近景 | ![]() | 两名男子继续交流球鞋材料,展示蓝色材质部件。 | And she said, well, prove it to me. | 3.27 |
| 107 | 中景 | ![]() | 黑衣男士面向画面外侧头聆听并回应,背景为设计草图墙。 | 1.87 | |
| 108 | 中景 | ![]() | 长桌旁两名男子再次讨论材质,手拿蓝色部件相互印证想法。 | 2.33 | |
| 109 | 中景 | ![]() | 凯特琳手提蓝色球鞋面带微笑走向镜头,摄影师在旁跟拍。 | How does it feel knowing you get to debut your own signature shoe tonight? | 8.07 |
| 110 | 中景 | ![]() | 凯特琳坐在发布会现场麦克风后微笑受访。 | Kind of like a kid on Christmas. | 1.90 |
| 111 | 全景 | ![]() | 比赛间隙凯特琳在场边与队友拥抱,走向球场。 | 1.30 | |
| 112 | 特写 | ![]() | 特写展示穿蓝球鞋的双脚在地板上快速跳动热身。 | You get to show the world what you've been working on for a couple years. | 1.13 |
| 113 | 远景 | ![]() | 凯特琳在远距离底线附近起跳投篮,篮球入网。 | And she releases! | 1.93 |
| 114 | 全景 | ![]() | 凯特琳尝试投篮,周围多名防守球员进行干扰阻挡。 | 1.50 | |
| 115 | 远景 | ![]() | 凯特琳在外线果断起跳投中三分。 | I'm an entertainer, like I want young kids and people to put on the shoe and feel like they can get crazy and have fun. | 2.83 |
| 116 | 中景 | ![]() | 凯特琳转身露脸,扎马尾戴发带神情专注。 | 2.27 | |
| 117 | 中景 | ![]() | 凯特琳与拿着多款色彩球鞋的两名男士设计师交流。 | 2.57 | |
| 118 | 远景 | ![]() | 女篮比赛中红方外线控球组织进攻,准备破防。 | 2.47 | |
| 119 | 多景别 | ![]() | 凯特琳在球场准备回防,背景是快速跑动的其他球员。 | We wanted to take a non-conventional approach by having the shoe feel more alive. | 3.27 |
| 120 | 中景 | ![]() | 黑衣男子在沙发上比划手势回答采访问题。 | 3.30 | |
| 121 | 特写 | ![]() | 蓝色尖刺状特殊肌理鞋面局部细节特写。 | 1.63 | |
| 122 | 大特写 | ![]() | 紫蓝色鞋底细节,凹槽边缘带有隐蔽字母。 | 1.23 | |
| 123 | 大特写 | ![]() | 密集的蓝色硅胶凸起结构,白光扫过凸显表面光泽。 | There's almost this like duality to her that we wanted to make sure that we brought into the shoe. | 0.73 |
| 124 | 大特写 | ![]() | 深蓝色高密度立体颗粒状编织鞋面。 | 1.30 | |
| 125 | 多景别 | ![]() | 凯特琳坐在折叠椅上运球后停下注视镜头。 | 2.80 | |
| 126 | 大特写 | ![]() | 明黄鞋面上流动光泽感的蓝绿色Swoosh标志特写。 | People always ask like what's your alter ego on the court. I'm like I think of myself as like CC22. | 1.90 |
| 127 | 大特写 | ![]() | 带有金属件点缀的蓝色颗粒状鞋面特写随镜头旋转。 | 2.53 | |
| 128 | 中景 | ![]() | 凯特琳身穿22号白色球衣在赛场上自信跑动。 | But like off the court, I'm just Caitlin. | 2.90 |
| 129 | 全景 | ![]() | 凯特琳在一排标志锥前做起跳投篮练习。 | I made it! So how we split the Nike Opticast is one side is C's and one side is 2's, | 1.50 |
| 130 | 多景别 | ![]() | 凯特琳笑着跑向镜头,展示生活活泼一面。 | 3.43 | |
| 131 | 大特写 | ![]() | 呈U形马蹄状半透明蓝色纹理鞋面特写展示。 | was driven from that idea of just there's two sides to her. | 3.10 |
| 132 | 特写 | ![]() | 黄色表面斜向排列连续Z字形浮雕纹路。 | 2.17 | |
| 133 | 中景 | ![]() | 两名男子拿蓝色球鞋进一步探讨材料细节。 | 1.47 | |
| 134 | 大特写 | ![]() | 紫色鱼鳞颗粒状鞋面材质特写。 | But I was really picky of how they were gonna come to life. | 3.40 |
| 135 | 大特写 | ![]() | 蓝色球鞋表面细密颗粒纹理局部特写,中间黑色Nike标志带有光泽反光。 | It's like I wanted it to be discreet enough where | 2.17 |
| 136 | 特写 | ![]() | 纯白背景上深蓝色弧形波纹状纹理阵列随镜头缓慢移动,呈现几何抽象感。 | it makes this ripple effect and you know kind of looks like a 3-point line. | 3.73 |
| 137 | 大特写 | ![]() | 微距旋转展示蓝色球鞋表面颗粒纹理,带有金属光泽的Nike标志缓缓进入画面。 | So this wave here represents just her range beyond the arc, how it echoes | 6.03 |
| 138 | 大特写 | ![]() | 近距展示蓝色球鞋面料的凹凸颗粒质感,光线扫过凸显立体纹路。 | off of that. | 3.20 |
| 139 | 全景 | ![]() | 设计工作室内,两名设计师分别手持蓝色与黄色样鞋,隔着摆满鞋模的长桌交流。 | The one of many non-negotiables from Caitlin. | 4.17 |
| 140 | 中景 | ![]() | 戴帽男子手持蓝色球鞋,正对身穿黑卫衣的男子比划,两人在工作台前热烈讨论。 | I'm Caitlin Clark, two C's, number 22. Can we have two Swooshes? | 3.23 |
| 141 | 大特写 | ![]() | 紫红色球鞋侧面Nike标志特写,展现红灰蓝三层Swoosh叠加设计的丰富层次。 | Here we have two Swooshes we're stacking up. | 5.37 |
| 142 | 中景 | ![]() | 穿灰连帽衫的男子坐在书架前的沙发上,边受访边打手势说明设计思路。 | The Swoosh, or beveling the edge | 1.97 |
| 143 | 大特写 | ![]() | 极近展示黄底球鞋上蓝绿双色折射光泽的Nike标志,边缘做倒角处理。 | which gives this subtle nod to her initials. And what I love is the team even took it a step further, right? | 6.07 |
| 144 | 全景 | ![]() | 工作室内两名设计师面对面探讨,分别审视手中的蓝色和黄色版样鞋。 | Like, you talk about kind of that duality, and then we look at like colorways. | 5.53 |
| 145 | 中景 | ![]() | 戴帽男端着蓝鞋,穿黑衣男举着黄鞋,两人在摆满工具的工作室内讲解配色理念。 | These exist because they're inversion of each other. | 2.97 |
| 146 | 中景 | ![]() 长镜头 | 同一款球鞋在蓝黑配色与黄蓝配色间快速交替闪烁展示,展现二元反转设计。 | To play up the whole duality of Caitlin. I hope that when they see a colorway, they're immediately inverting it to be like, is that colorway coming? Right? | 10.67 |
| 147 | 中景 | ![]() | 黑衣男翻转手中黄鞋,向镜头展示带有英文字样的鞋底局部。 | And then even on the bottom, | 1.87 |
| 148 | 大特写 | ![]() | 特写展示鞋底“THIS WAS NEVER A LONG SHOT”刻字,光线变幻下呈现黄紫不同色调。 | it says, this was never a long shot, which is kind of a nod to when I broke the all-time scoring record in college. | 5.00 |
| 149 | 中景 | ![]() | 凯特琳在暗调球馆内低头单手运球,专注于手中的动作。 | 2.27 | |
| 150 | 大特写 | ![]() | 红色球鞋正面大特写,醒目展示鞋舌上由蓝绿色金属构成的专属CC标志。 | Her logo being predominantly in the tongue was expected. Sure. | 4.00 |
| 151 | 中景 | ![]() | 两名设计师在工作室继续探讨,戴帽男抚摸着蓝鞋局部细节说明设计布局。 | But to have it in an unexpected zone, like in this midfoot area and arch. Yeah. It was like the logo could be from anywhere as well. | 4.17 |
| 152 | 特写 | ![]() | 极近特写蓝色球鞋侧边足弓处,展现内嵌式的黑色金属光泽Logo饰件。 | 3.03 | |
| 153 | 大特写 | ![]() | 镜头顺着蓝色细密防滑鞋底纹路旋转推移,边缘隐约可见粉色材质与英文字符。 | Nike doesn't cut any corners. | 4.97 |
| 154 | 中景 | ![]() | 球场内,戴帽男托着紫鞋,凯特琳单手抱球向他讲述自己的激动心情。 | A lot of time has gone into this, and, you know, I never thought I would get to have my own signature shoe. | 4.07 |
| 155 | 近景 | ![]() | 凯特琳面带灿烂笑容,双手捧起这双紫色专属签名鞋仔细端详。 | And now that I do, it's pretty special. | 2.17 |
| 156 | 中景 | ![]() | 凯特琳单手托紫鞋,另一手用食指娴熟地转动篮球,展现松弛自信。 | They're waiting for this moment. They're waiting for this, and we definitely delivered. | 1.70 |
| 157 | 中景 | ![]() | 凯特琳与手持粉鞋的黑衣设计师在球场谈笑,背景是空旷的看台。 | 2.50 | |
| 158 | 特写 | ![]() | 工作室里,一只蓝色签名鞋被醒目地放置在透明展架上,背景洞洞板略显模糊。 | Caitlin Clark currently sitting at a career-high 38 points. | 2.30 |
| 159 | 全景 | ![]() | 比赛现场,凯特琳果断出手投篮,全场观众屏息注视篮球轨迹。 | And she fires! Oh, what a half! | 9.30 |
| 160 | 多景别 | ![]() | 镜头从脚穿蓝鞋的足部上摇,展现凯特琳自信运球微笑着望向前方。 | I hope every hooper, you know, puts this shoe on | 4.10 |
| 161 | 远景 | ![]() | 远景视角下,凯特琳在满座的球馆中迎着防守强行干拔远投。 | and hopes that they can have a signature one day or that they can go on the court and make 35-foot threes. Let's go. | 5.43 |
| 162 | 全景 | ![]() | 球场中央,凯特琳脚踩蓝鞋,与手捧紫鞋、红鞋的两名设计师开心闲聊。 | Whoo! Okay. Hey. Hey. Not too bad. | 4.10 |
| 163 | 全景 | ![]() | 复古胶片色调中,凯特琳在训练场聚精会神地进行低姿态交叉运球练习。 | Just give them that | 1.17 |
| 164 | 远景 | ![]() | 高速运动模糊中,篮球在空中划过一道残影飞向远处的篮筐。 | sense of belief and that sense of | 1.13 |
| 165 | 全景 | ![]() | 红衣球员接球瞬间遭遇白衣球员贴身严防,双方在对抗中寻找机会。 | confidence to | 0.80 |
| 166 | 中景 | ![]() | 篮下多名球员高高跃起,一双蓝衣长臂在人群中奋力拼抢篮板球。 | achieve whatever they want to. | 1.37 |
| 167 | 全景 | ![]() | 凯特琳背身持球遭遇多人包夹,灵巧转身试图在狭小空间寻找出路。 | Great pass! Caitlin Clark. | 1.20 |
| 168 | 远景 | ![]() | 大远景下,凯特琳在三分线外起跳投篮,观众席人头攒动,气氛热烈。 | 1.93 | |
| 169 | 近景 | ![]() | 凯特琳单手抱球,面对镜头发表充满斗志的讲话,神情坚定。 | We're trying to make the best shoe there's ever been. Come on! | 2.83 |
| 170 | 中景 | ![]() 快速剪辑 | 带有漏光胶片滤镜的画面中,凯特琳双手平托紫鞋,微笑着向镜头展示。 | 1.97 | |
| 171 | 全景 | ![]() | 三人在球场再度同框聚首,两名设计师手托彩鞋,中间的凯特琳单手持球,笑脸盈盈。 | Do you feel faster in the shoes? | 0.83 |
| 172 | 中景 | ![]() | 凯特琳双手抱球,歪头笑着回应场外提问,显得俏皮又自信。 | I feel very fast. | 1.23 |
| 173 | 远景 | ![]() | 凯特琳在空旷球场演示极速后撤步动作,运球流畅果断。 | Can you step back quicker? | 1.97 |
| 174 | 中景 | ![]() | 特写捕捉凯特琳极速后撤时的脚步细节,蓝鞋在地板上稳稳踩定发力。 | I can step back quicker. | 1.00 |
| 175 | 全景 | ![]() | 凯特琳完成流畅的撤步起跳投篮,身影定格在灯光笼罩的球场中央。 | Faster. | 1.33 |
| 176 | 近景 | ![]() | 凯特琳单臂夹球转头望向场外,挑眉露出一抹自信的微笑。 | Checks every box. | 1.73 |
| 177 | 中景 | ![]() | 蓝色编织球鞋在黑暗中悬浮定格,一道斜射光束将其照亮。 | 1.67 | |
| 178 | 特写 | ![]() | 纯黑底色上静止展现由双C图形交织在Nike标志上方的独特专属标识。 | 2.23 |

















































































































































































