共72个镜头，该分镜由光厂AI自动生成
| 镜号 | 景别 | 参考图 | 画面内容 | 台词/旁白 | 时长(秒) |
|---|---|---|---|---|---|
| 1 | 全景 |  | 杂乱的工作室内，一名戴黑框眼镜、穿深色外套和工装背带裤的男子走到橙色椅子旁并看向地面散落的杂物。 | That was good. Um, cool. Shall we get to | 7.73 |
| 2 | 多景别 |  快速剪辑 | 带有翻转包装效果的快切画面：先是黑白影像中的人与机械装置，接着是凌乱工作室内站在工作台旁的留胡子男子。 | 1.20 | |
| 3 | 全景 |  | 穿深色夹克和工装背带裤的眼镜男站在杂乱复古的工作室内，身旁有橙色椅子和木制储物柜，地面堆放着画稿和工具。 | I'm not | 1.47 |
| 4 | 全景 |  快速剪辑 | 穿深色夹克的眼镜男双手插兜站在工作室右侧，背景是堆叠的收纳柜和工具，画面中央有一把橙色转椅。镜头后半段进入纯黑。 | 0.87 | |
| 5 | 空镜 |  | 特写波光粼粼的深蓝色海面，波浪在霞光映照下泛着金橙色的光泽，持续起伏。 | collage feels sort of almost inherent to me like it feels | 7.30 |
| 6 | 特写 |  | 戴黑框眼镜、留胡须男子的面部侧方特写，神情专注，正在说话，背景模糊。 | like a logic I guess | 1.93 |
| 7 | 特写 |  | 画面从布满划痕的木工作台演变为由多块浅色系纸片拼贴而成的网格状画面。 | 1.50 | |
| 8 | 特写 |  | 镜头推进，软木背景墙上错落钉着汽车草图、人物肖像、色块纸片等素材，随后素材散开，聚焦中央空白区域。 | 1.63 | |
| 9 | 特写 |  | 一双穿着深色长袖的手在木质桌面上快速摆放浅色长方形块状物，动作利落。 | 3.00 | |
| 10 | 特写 |  | 戴黑框眼镜、留胡须男子处于室内，神情专注且严肃，嘴唇微张仿佛在思考，背景虚化。 | My work had moved from collage into more | 2.27 |
| 11 | 多景别 |  快速剪辑 | 关于木质与金属机械结构的快切画面，包括电机、金属圆盘组件、带标志的木质方块以及配有灯泡的机械联动装置。 | three dimensional form in conventional sculpture and a lot of the sculptures started to | 3.13 |
| 12 | 中景 |  | 镜头拉开，穿红衣的人拨动机械装置开关，发光的白炽灯泡随即被金属部件击碎，冒出火花和烟雾。 | take on like functions | 2.53 |
| 13 | 特写 |  | 特写铺着浅色布料的工作台，一只手拿着剪刀在桌面上方进行剪裁或比划，背景模糊。 | And I kind of wanted to get back to certain basics of it. | 2.37 |
| 14 | 特写 |  | 戴黑框眼镜、留短胡须男子的右侧面部特写，他表情专注，正在说话。 | and colla | 1.73 |
| 15 | 多景别 |  快速剪辑 | 快切画面：金属杆击碎发光白炽灯泡；一双男性的手正在操作木制的机械联动装置。 | 1.67 | |
| 16 | 全景 |  | 穿深色夹克的男子走入堆满木材和工具的木工工作室，在大型木制工作台前低头整理物品。 | of all the stuff that I've collected and organized and kept in this sort of like | 7.07 |
| 17 | 特写 |  | 戴黑方框眼镜、蓄灰白胡须男子的面部特写，他低着头，神情专注且略显沉思，背景模糊。 | antiquated Skymall of a human being that I am | 2.67 |
| 18 | 中景 |  | 穿灰色T恤的男子在工作室里双手托着一大叠五颜六色的废旧纸张，放到木质桌面上。 | The paper portion has ended up for the most part in these three foot lockers. | 3.27 |
| 19 | 多景别 |  | 悬空的浅绿色金属工具箱瞬间切换成灰黑色扁平金属箱。随着镜头拉远，箱子缩小消失，露出完整的工作间背景。 | What is it One two three is a magic number | 4.93 |
| 20 | 特写 |  | 戴黑框眼镜、留短胡须男子面部特写，他神情认真，视线斜向下，嘴唇微动在说话。 | I just wanted to go to the studio | 1.63 |
| 21 | 中景 |  | 穿灰色T恤的男子在木制工作台前，双手将一大叠花色各异的废旧纸张整体搬起，背景模糊。 | Take all these papers, just take all this raw material and just start | 3.27 |
| 22 | 中景 |  | 一双戴着硕大深色戒指的手在木制工作台上整理不同材质和花纹的小样卡片，台面杂乱。 | putting it together and sort of feel | 2.30 |
| 23 | 特写 |  | 艺术家的双手在木块上平铺白纸，并交替操作调整，背景为模糊的艺术工作室环境。 | free in the art making process and | 3.37 |
| 24 | 大特写 |  | 戴黑框眼镜、留灰白胡须男子的面部特写，低头说话，神情凝重专注，背景模糊。 | I had this idea that even if I didn't know exactly what I was saying that there would be these two people that would | 8.83 |
| 25 | 多景别 |  快速剪辑 | 快剪画面：海边微笑的戴眼镜女性；摩天轮背景的彩色画面；站在墙边的小女孩；走在街道的小女孩；站在百叶窗前的女性。 | Those who don't worry trying to | 2.33 |
| 26 | 特写 |  | 一双穿着深色长袖的手在木质桌面上整理并分开多叠发黄的旧纸张和信封，背景虚化。 | So I took those footlockers of paper and kind of divided them into six | 6.93 |
| 27 | 全景 |  | 俯视桌面，手写分类名称的米色文件袋被排成四行四列，随后画面显示文件袋被塞满彩色剪报和纸张素材。 | sixteen categories not on purpose I didn't set out to say sixteen I just started making them into piles stuff like | 6.80 |
| 28 | 特写 |  快速剪辑 | 俯视视角的文件夹特写，页面正在快速翻动切换，每一页中间都有黑色粗体手写英文字样。 | 0.47 | |
| 29 | 中景 |  长镜头 | 戴眼镜的中年男子弯腰从工作室地面杂乱堆放的物品中分拣出纸张，随后直起身坐在转椅上翻看。 | brown with shapes or graphics or ball players and words which are used to be everybody pretty much human beings food multiple things that pattern colors | 13.27 |
| 30 | 特写 |  | 戴深色粗框眼镜、留短胡茬男子面部特写，微微侧头斜视上方，神情严肃且略带疑惑。 | did I say small shit already? Yeah, things that are multiple. | 4.07 |
| 31 | 中景 |  | 穿深色外套和工装背带裤的男子在木工坊的工作台前，专注地摆弄手中的纸张。 | I'll pick up a piece of paper | 1.53 |
| 32 | 特写 |  | 镜头快速推进贴满复古素材的木桌，一只戴戒指的手翻动素材，定格在棒球运动员滑垒的黑白旧照上。 | I'll pick up an image | 0.93 |
| 33 | 多景别 |  | 快速缩放和切换：从贴满素材的灵感墙到多种长方形色块矩阵，最后定格在木桌上的黄色色卡。 | pattern, color, and don't start looking for something | 3.57 |
| 34 | 中景 |  | 戴眼镜男子低头在木工工作室的工作台前专注进行操作，墙面上挂着木制飞机模型。 | that pairs with it. I start finding these pairings and these groupings. | 3.10 |
| 35 | 特写 |  | 俯拍视角下，戴戒指的手将人像红边卡片放到旧木桌面中央，镜头拉远显现铺满桌面的各种拼贴素材。 | and I put them together | 1.80 |
| 36 | 全景 |  | 三组画面快切：陈旧纸张拼贴墙面；土褐色块状拼接墙面；高饱和度色块网格排列。 | trying to figure out | 0.97 |
| 37 | 全景 |  | 各种彩色纸张、照片和复古图形素材平铺并快速滑动变换位置，进行动态重组。 | that would that would mean | 0.77 |
| 38 | 全景 |  | 戴呼吸口罩的男子站在凌乱的木工工作室窗前，手持一个小方块物体仔细端详。 | time to react a little bit more and give me | 4.87 |
| 39 | 特写 |  | 戴黑框眼镜、留胡须男子低头专注说话的面部特写，背景模糊呈浅木色调。 | so two rules one | 1.50 |
| 40 | 特写 |  | 戴多枚戒指的双手在带有黑白棋盘格纹理的纸张上快速叠放旧照片和碎纸片。 | if I start putting stuff together and | 1.53 |
| 41 | 特写 |  | 戴戒指的手在木质托盘上叠放浅灰色正方形纸张、黑白菱格图案素材和复古图案小纸片。 | one thing feels good next to an | 1.33 |
| 42 | 特写 |  | 戴白色防护指套的手将薄薄的白色材质小心粘合在浅色厚实基底表面，操作细致。 | just glued them | 1.77 |
| 43 | 大特写 |  | 戴黑框眼镜、留络腮胡的男子目光低垂，神情专注且严肃，正在进行交谈的侧脸特写。 | I've got to absolutely not be precious and I've just got to kind of give myself over to the making | 4.83 |
| 44 | 特写 |  | 手握黑色滚轮工具在带有黑白菱格图案的纸张上进行滚涂，画面焦点由模糊转清晰。 | process | 1.07 |
| 45 | 特写 |  | 灰色滚筒在平整物体表面来回滚动，侧面有白色液体流下，表面覆盖半透明白色薄膜。 | Then | 3.30 |
| 46 | 多景别 |  快速剪辑 | 木工坊快切画面：双手合拢槽口木料；戴戒指的手挤压木板；穿围裙木工涂胶水；拍打裤子木屑并整理木板。 | I have allowed myself to make pretty artistic | 5.97 |
| 47 | 特写 |  | 戴银戒指和护指的手操作木板围成矩形框架，并用橙色木工夹具从两侧夹紧固定。 | ulated rigid frame | 1.33 |
| 48 | 特写 |  | 穿深色长袖工作服的操作者双手调整木制夹具固定的方形框体，框体中央有圆形插画。 | for these things, it's just no way I could put a bunch of art on the wall and not like prove to the people looking at it that I have craft and am good at things. | 9.60 |
| 49 | 特写 |  | 戴黑方框眼镜、蓄短胡须男子低头注视下方的面部特写，眼神专注，背景为模糊色块。 | Because I'm an insecure human being. Anyway, | 4.23 |
| 50 | 特写 |  快速剪辑 | 戴宽大银色戒指的双手按压调整木板条；随后手持木棍操作；最后推近至低头工作侧脸特写。 | Those are my two rules, completely let go on one side | 2.33 |
| 51 | 特写 |  长镜头 | 木质台面上平铺蓝色和黄色的木工夹，一叠更重的金属木工夹被扔在上面引发台面震动。 | and I allow myself to clamp down on the other side. | 10.17 |
| 52 | 特写 |  | 留灰色短发胡须、戴黑方框眼镜男子的面部侧方特写，略微低头，表情专注在说话。 | So I set out to make a hundred collages. | 1.73 |
| 53 | 中景 |  | 穿灰色T恤男子在木制工作坊双手环抱并低头整理桌上一大叠五颜六色的旧纸片。 | The idea was if I take | 1.10 |
| 54 | 中景 |  | 穿灰色T恤男子将厚厚一叠旧报纸和彩色纸张用力放在木质工作台上激起灰尘。 | these piles of paper | 1.90 |
| 55 | 中景 |  | 黑白影像中，穿深色上衣男子在昏暗工作室内低头专注写字绘画，墙挂飞机模型。 | and I just start making | 1.37 |
| 56 | 特写 |  | 戴黑框眼镜、留胡茬男子的侧脸特写，低头沉思或说话，背景模糊的室内环境。 | as a chance I might make | 0.93 |
| 57 | 特写 |  | 白色背景前的棕框矩形内图像三次变化：录音机地图；红色色块手锯；食物与轮胎。 | the language | 0.40 |
| 58 | 特写 |  | 戴黑方框眼镜、蓄灰白胡须男子目光向下注视、眉头微蹙的思索面部特写。 | even if I can't be fully in charge of | 2.50 |
| 59 | 多景别 |  快速剪辑 | 快切画面：装裱的拼贴画；戴项链年轻人特写；三人黑白合影，成年男性持手机。 | would speak to my kids | 1.97 |
| 60 | 特写 |  长镜头 | 戴深色粗框眼镜、蓄花白胡须男子的侧脸特写，表情严肃专注，不断开口说话。 | and I called that series in my head letters to my daughters. But my kids are queer, so soon that didn't work. Like they aren't letters to my daughters. And it doesn't fucking matter if they're trans, or sons or daughters, or whatever. It vastly transcends that, as anyone who has kids, or I mean, anyone who loves anyone knows, you don't give a fuck what they are. | 20.83 |
| 61 | 全景 |  | 泛黄纸张拼贴背景变幻为堆叠木质抽屉侧面，镜头拉开显露抽屉内部色彩丰富的艺术作品。 | This series is not intended to o- | 1.67 |
| 62 | 中景 |  | 镜头左移，展示深色背景前密集排列的装有摄影照片和几何色块等艺术品的木质边框。 | that series wasn't | 0.70 |
| 63 | 大特写 |  | 戴黑方框眼镜、蓄花白胡须男子眼神微降、专注认真说话的面部特写，镜头推近。 | not intended to teach them anything I'm just trying to and we are not at sea but what we're doing | 9.07 |
| 64 | 特写 |  | 戴眼镜男士右手扶眼镜框、左手戴戒指低头看物，镜头随后失焦拉开至人物模糊。 | just if there's there's | 1.43 |
| 65 | 特写 |  | 戴眼镜、留灰白胡须男子穿着深色外套，在室内专注对着镜头说话的特写镜头。 | Um, sometimes we don't know what it is, sometimes we do. But all we're trying to do is communicate something. I'm usually good at naming things. | 6.97 |
| 66 | 多景别 |  快速剪辑 | 快切画面：锤子图标灰色方块；双手扶装拼贴画的长盒；装旧报纸质感和插画的正方形画框。 | But I feel like if it's going to | 1.80 |
| 67 | 特写 |  | 白墙上以定格动画形式展示多幅由几何色块和老照片元素组成的现代艺术拼贴挂画。 | -ceeded in communicating with my kids | 3.63 |
| 68 | 特写 |  | 戴黑方框眼镜、蓄花白胡须男子的侧脸特写，神情凝重专注低头看，细节清晰。 | Even if I can't name it, then it's working. | 8.10 |
| 69 | 远景 |  | 俯拍深色海面，海浪在微弱霞光下起伏，波峰带橙红色反光，整体色调偏暗。 | 9.40 | |
| 70 | 特写 |  | 戴深色框眼镜、留短胡须男子抬头直视镜头，表情严肃深思，随后微低头，背景模糊。 | Yeah. | 6.77 |
| 71 | 空镜 |  | 黑底中央出现带胶片噪点和白线划痕的白色手写艺术字“a film by MAC PREMO”。 | 5.13 | |
| 72 | 空镜 |  长镜头 | 黑底上白色手写字体跳跃闪烁，展示演职人员名单，带有老胶片噪点和纹理感。 | 12.67 |