共77个镜头，该分镜由光厂AI自动生成
| 镜号 | 景别 | 参考图 | 画面内容 | 台词/旁白 | 时长(秒) |
|---|---|---|---|---|---|
| 1 | 多景别 |  长镜头 | 暴风雪中巨大长毛猛犸象轮廓逐渐清晰，随后平滑切换为博物馆内悬挂的骨骼化石标本，最后定格在象牙与头骨特写。 | Ten thousand years ago, these giants roamed the earth. | 15.53 |
| 2 | 中景 |  | 光线昏暗的博物馆内，右侧矗立着巨大的猛犸象化石骨架，前景为模拟自然地貌的沙盘模型。 | But climate change destroyed every last one of them. | 3.17 |
| 3 | 中景 |  | 昏暗的博物馆内，卷发女性侧身与小男孩并排仰头观摩前方的猛犸象骨骼化石标本。 | Unable to adapt to the dramatic speed in which their landscape transformed, the wooly mammoths became a monumental symbol | 2.97 |
| 4 | 特写 |  | 暗光环境下，小男孩仰头专注凝视，神情好奇，右后方卷发女性同样抬头向上看，面带微笑。 | of what we stand to lose now. | 3.77 |
| 5 | 特写 |  | 暗光下棱皮龟头部特写，呈现倒置姿态，眼睛微睁，背景模糊。 | One million species are at risk of extinction | 1.80 |
| 6 | 特写 |  | 冷色蓝光中成年北极熊头部特写，鼻翼有轻微呼吸动效，眼神略微警觉。 | in the face of accelerating climate change. | 1.77 |
| 7 | 全景 |  | 昏暗室内，右侧聚光灯照亮站立的虎标本，左侧前方为卧倒的狮子标本头部。 | 1.83 | |
| 8 | 中景 |  | 昏暗环境中黑猩猩的侧脸对着全身骨骼标本，两者面部相对，背景纯黑。 | Including the human race. | 2.70 |
| 9 | 中景 |  | 昏暗的展厅内，蓄须男子抬头仰望，周围环绕着巨大的动物骨骼标本。 | 2.83 | |
| 10 | 特写 |  | 极暗且带有蓝色冷光环境中，左侧为虚化人物背影，右侧佩戴眼镜的男孩侧脸逐渐清晰，表情专注。 | We can still help change the course of this massive extinction crisis | 1.87 |
| 11 | 远景 |  | 昏暗的室内，几位观众背对镜头坐在大屏幕前观看海洋生物画面，上方悬挂海豚模型。 | by addressing one of the biggest drivers of climate change. | 1.87 |
| 12 | 近景 |  | 低角度仰拍，巨大的鹈鹕标本喙部微张，羽毛泛着环境光，右后方可见小型鸟类标本。 | 0.97 | |
| 13 | 特写 |  | 深色背景中，黑色袋獾正对着镜头张大嘴巴露出牙齿，光线聚焦面部。 | 1.03 | |
| 14 | 中景 |  | 黑暗背景下，狮子或幼狮的头部从左侧探出，毛发呈土黄色，环境呈深蓝色调。 | 1.00 | |
| 15 | 近景 |  | 光线昏暗室内，考拉玩偶攀附在柜子边缘静止不动，色调阴暗。 | 1.77 | |
| 16 | 中景 |  | 极暗背景中，镜头从左侧棕色活鸡向右平移，露出右侧贴有标签的完整生鸡肉。 | Intensified animal agriculture. | 6.03 |
| 17 | 全景 |  | 展厅前景为微缩景观模型，中景一男子站在陈列柜前观看，画面叠加The Guardian新闻标题动效。 | Guardian headlines that meat accounts for nearly sixty percent of all greenhouse gasses from food production. | 4.37 |
| 18 | 远景 |  | 蓝色调海洋展厅，左侧陈列标本，前方屏幕播放海洋生物画面。一观众走向屏幕，右侧黑墙显现白色文字。 | According to the Washington Post, the demand for meat is destroying the Amazon. | 5.20 |
| 19 | 中景 |  | 昏暗室内，巨大鹿标本侧躺地上受聚光灯照射。画面叠加联合国标识及相关英文段落。 | This is our moment. It's a fact that the global food system is the primary driver of biodiversity loss. | 3.53 |
| 20 | 远景 |  | 暗光展厅内展示各种动物标本，展台下方有Reuters标识及新闻标题。有观众从右向左走过。 | The extinction crisis is massive. Reuters reports one million species on the brink. | 4.20 |
| 21 | 中景 |  | 光线昏暗的博物馆，黑衣女性从右向左走过玻璃展柜，背景矗立巨大猛犸象完整骨骼化石。 | We must radically change how we produce food and start eating for tomorrow. | 3.63 |
| 22 | 中景 |  | 男子背影走在透明玻璃围成的实验室走廊上，尽头有涂鸦壁画，左下角出现VOW HEADQUARTERS字卡。 | 3.50 | |
| 23 | 远景 |  | 俯拍视角下，两男子坐在金属实验台前讨论，背景有其他科研人员操作电脑及各种设备。 | Vow's mission is to feed billions of humans. We want to change everyone's conception of what meat is | 3.23 |
| 24 | 中景 |  | 明亮的实验室内，白衬衫男子与穿白大褂的科研人员围坐长桌交谈，背景有工作人员在操作。 | and what it can be. We do this by growing meat from the cells of animals | 2.90 |
| 25 | 近景 |  | Tim Noakesmith站在涂鸦背景前侧面微笑说话，左下方出现人物介绍字卡。 | instead of the animals themselves. | 2.30 |
| 26 | 中景 |  | Tim Noakesmith面对镜头说话并比划手势，背景有大幅壁画及两名办公员工。 | We call it cultured meat. | 4.73 |
| 27 | 中景 |  | 明亮的实验室内，两名穿防护服的工作人员专注操作仪器，一人手持透明试管观察。 | 1.97 | |
| 28 | 中景 |  | 穿白大褂和防护装备的实验人员举起装有粉红液体的试管查看，神情专注。 | If you can do something efficiently in the laboratory in a controlled environment, | 2.33 |
| 29 | 中景 |  | 佩戴眼镜的Merlin Crossley教授面对镜头接受访谈，背景为宽敞的实验室环境。 | and you've got a technological solution that works, we should use that. | 6.70 |
| 30 | 中景 |  | 透过窗框看到室内摆放带红色标识的大型不锈钢工业设备，戴眼镜工作人员走动。 | Cultured meat significantly reduces the climate change impacts | 1.57 |
| 31 | 中景 |  | 工业环境下，一名女性工作人员背对镜头爬上印有Vow标识的巨大不锈钢生物反应器旁的金属梯。 | 1.63 | |
| 32 | 特写 |  | 穿白色工作服双手戴橙色手套的人员在明亮室内操作工业或医疗设备的蓝色旋钮。 | that's normally associated with regular meat production. | 1.67 |
| 33 | 中景 |  | Tim Noakesmith在办公室环境中面对镜头说话并比划手势，背景有彩色涂鸦和办公人员。 | Not only can cultured meat save our planet, | 2.13 |
| 34 | 特写 |  | 厨师双手握持厨刀和磨刀棒快速熟练地进行磨刀，背景较暗。 | but it's tastier than most meats out there right now. | 1.40 |
| 35 | 特写 |  | 厨师的手在木质案板上用厨刀快速切割深褐色小型食材，前方有模糊盘子。 | This meat | 1.33 |
| 36 | 特写 |  | Philip Davenport厨师在案板前做切割准备动作，左下角出现身份字卡。 | is achieving great flavours | 1.50 |
| 37 | 中景 |  | Philip Davenport厨师站在砖墙厨房环境中面对镜头说话，并用右手做捏合手势强调。 | from animals we've overlooked. | 2.57 |
| 38 | 特写 |  | 昏暗环境中，喷火枪向木炭喷射蓝色火焰，火花飞溅，木炭逐渐变红。 | And I think even | 2.87 |
| 39 | 特写 |  | 暗调厨房中，木质托盘上球茎状食材散发白色烟雾，厨师在后方侧身操作。 | from extinct animals. | 2.30 |
| 40 | 中景 |  | James Ryall在模糊工业风砖墙背景下面对镜头说话并微笑。 | The technology is moving faster than regulatory pathways can keep up. | 2.43 |
| 41 | 中景 |  | 实验室中穿防护服戴防寒手套的工作人员从散发浓重白雾的容器中提取冷冻样本架。 | 1.57 | |
| 42 | 特写 |  | 充斥白雾的冷库中，戴蓝色防寒手套的人员整理贴有手写标签的透明存储盒。 | 1.67 | |
| 43 | 特写 |  | 实验室内一只手稳住96孔板，另一只手操作多通道移液器加粉红液体。 | 2.10 | |
| 44 | 中景 |  | Tim Noakesmith在涂鸦墙办公区中心面对镜头大幅手势说话，背景有员工办公。 | The world needs cultured meat now. | 1.70 |
| 45 | 全景 |  | 暗光博物馆中，巨大的猛犸象骨骼化石标本静立，左侧为微缩模型。 | The mammoth is a symbol of loss. | 4.50 |
| 46 | 多景别 |  长镜头 | 充满白烟的半球形玻璃罩被手提走转黑屏，出现Vow品牌标识和The Mammoth Meatball动态字卡。 | But we wondered, could this prehistoric creature also become a beacon of hope? Introducing the Mammoth Meatball. | 19.60 |
| 47 | 中景 |  | Merlin Crossley教授在厂房环境中面带笑容接受访谈。 | The Mammoth Meatball. What a name. It's it's huge. | 3.60 |
| 48 | 特写 |  | Merlin Crossley侧身在室内愉快交谈，背景模糊。 | I never thought I'd be eating a meatball made of mammoths. | 3.73 |
| 49 | 中景 |  | 在实验室或更衣区，James Ryall从衣架取下白色工作服，侧脸显露。 | But I think it captures how science tries to do the impossible. | 3.23 |
| 50 | 中景 |  | 穿防护服的男性背影正戴上蓝色一次性无纺布网帽，背景明亮。 | 2.00 | |
| 51 | 中景 |  | 明亮车间内，两名穿白色防护服的人员走向左侧恒温箱设备。 | The goal behind creating the Mammoth Meatball | 2.37 |
| 52 | 中景 |  | 穿白色实验服的科研人员蹲在大型实验设备前将手探入柜体操作。 | was really about starting that discussion around food | 2.27 |
| 53 | 特写 |  | 戴蓝色医用手套的手从培养皿堆中取下最上方带有二维码标签的一个，背景整洁。 | and what that decision to eat meat really means for the world at large. | 1.77 |
| 54 | 中景 |  | James Ryall在实验室走廊接受访谈，并伴随手势，左下角出现其职衔字卡。 | By bringing an extinct protein back to life. | 3.27 |
| 55 | 特写 |  | 穿戴防护装备的工作人员侧身举起透明培养皿观察内含粉红色样本，神情专注。 | 4.63 | |
| 56 | 多景别 |  长镜头 | 研究员用显微镜观察，随后切换至猛犸象基因识别、DNA填补及植入细胞的科普演示动画。 | We first identified a mammoth gene called myoglobin that gives meat that meaty taste that we expect in red meat. We then used publicly available data to identify the DNA sequence in mammoth. We filled in any gaps in the DNA sequence of this mammoth myoglobin gene by using the genome of the African elephant, the mammoth's closest living relative. So we inserted the mammoth myoglobin gene into our cells using a very low current and high voltage charge. Then we continued to grow and multiply these cells, just as would occur in a mammoth thousands and thousands of years ago. | 46.80 |
| 57 | 中景 |  | 有雾或蒙尘的环境中，James Ryall直面镜头，视线穿过模糊棕红色遮挡物。 | And what that means is we've got a lot more cells. | 1.77 |
| 58 | 近景 |  | 实验室内，红发衬衫男子双臂抱胸聆听，白大褂男子背对镜头打手势讲解。 | 2.13 | |
| 59 | 近景 |  | 实验设备旁，白大褂研究人员与右前方背对镜头的人员专业交谈，背景有洗眼器。 | And the amazing thing about this is that not a single animal needed to die to produce the Mammoth Meatball. | 4.47 |
| 60 | 近景 |  | 室内两人站立交谈，左侧微笑抱臂，右侧比划手势，前景有深色遮挡物构图。 | 2.70 | |
| 61 | 中景 |  | 冒白雾的厨房中，厨师双手拿白色纸包裹绑绳物体，随着镜头推进影像变清晰。 | After years of extensive research, | 4.87 |
| 62 | 特写 |  | 白雾散去，木质案板上露出缠麻绳贴标签的纸包。背景模糊可见食材。 | the Mammoth Meatball is finally here. | 4.03 |
| 63 | 中景 |  | Philip Davenport在红砖墙厨房面对镜头摊开双手说话。 | Cultured meat sparks my creativity as a chef. It's a new playground. | 1.10 |
| 64 | 中景 |  | Philip Davenport侧身面向镜头左侧说话并配有手势，背景为复古砖墙及抽油烟机。 | I love the moment when people try it. | 1.47 |
| 65 | 特写 |  | 厨师双手在工作台上熟练地给白色纸包系麻绳蝴蝶结，前景虚化。 | 1.17 | |
| 66 | 中景 |  | 案板前厨师从白色包装纸中拿起一大块红肉，背景虚化有装饰食材。 | There's total magic there. You see this wide-eyed surprise when they put it in their mouth for the first time. | 2.60 |
| 67 | 中景 |  | 厨师在较暗厨房操作台上低头精细烹饪准备，前景放有玻璃腌制罐。 | 3.13 | |
| 68 | 近景 |  | Tim Noakesmith穿着白衬衫面向侧前方专注说话，背后是彩色涂鸦墙。 | And then it's super delicious. | 1.37 |
| 69 | 近景 |  | James Ryall神情专注地走在具备工业管线及玻璃隔断的宽阔实验室中。 | Cultured meat is going to need the support of political systems | 1.33 |
| 70 | 中景 |  | 无尘实验室中，两名穿防护服人员操作，左侧手持粉红液体瓶，右侧看笔记本电脑。 | to generate enough momentum and money to support this brand new technology. | 1.63 |
| 71 | 近景 |  | James Ryall在实验室背景中开口讲话，神情专注。 | 1.00 | |
| 72 | 多景别 |  | 镜头叠化展现厨师将液体倒入白雾干冰碗搅拌，随后特写刨丝器撒粉及手指拾取嫩芽。 | We need to think differently about our future. We need to get smarter. | 6.20 |
| 73 | 特写 |  | 特写镜头展示厨师使用镊子将绿色叶片精准摆放在精致料理上。 | When we think about food and manufacturing at scale, we need to think holistically. | 3.13 |
| 74 | 特写 |  | 暗光下，手托着充满白雾的透明玻璃钟形罩向左下方缓慢移动。 | We need products that are ultimately better | 4.77 |
| 75 | 近景 |  长镜头 | 深灰色室内，一只手向上提走放于石板基座充满浓雾的玻璃罩，露出红褐色球形熟肉主体。 | without destruction. They need to be better for the planet and sustainable for the future. | 16.60 |
| 76 | 特写 |  | 深褐色粗糙球状食物主体放置在灰色石板托盘上，带有干花等点缀，白雾弥漫。 | Climate change is reversible. We just need to get all of humanity to work together. | 3.73 |
| 77 | 其他 |  长镜头 | 黑底上出现Let's eat our way out of extinction标语淡出后显示官网地址与合作伙伴标志。 | 12.87 |