共19个镜头,该分镜由光厂AI自动生成
| 镜号 | 景别 | 参考图 | 画面内容 | 台词/旁白 | 时长(秒) |
|---|---|---|---|---|---|
| 1 | 特写 | ![]() | 室内衣架上挂着一排闪亮的礼服,包括带有亮片的黑色裙装和带流苏的浅色礼服。 | Demna is a storyteller. | 2.57 |
| 2 | 特写 | ![]() | 白大褂工匠在工作台上处理浅灰色亮片织物,右手按住边缘,左手持细线缝纫。 | I always look at his things and think I see a lot of heritage, | 1.70 |
| 3 | 特写 | ![]() | 工匠手戴顶针,引着细白线穿过带有银色亮片的灰色蕾丝材质织物进行手工缝纫。 | you know, things from the past. | 1.87 |
| 4 | 特写 | ![]() | 工匠双手处理银色亮片衣物,左手捏住边缘,右手拿黑剪刀精细剪裁亮片面料。 | But then he somehow makes it his own statement as well. | 2.70 |
| 5 | 特写 | ![]() | 工匠右手戴金色细戒指,用针线在缀满银色亮片的浅灰色薄纱织物上进行缝制。 | This particular dress, | 1.60 |
| 6 | 特写 | ![]() | 工匠双手在浅色样衣上进行细致的手工缝纫,动作规律,背景模糊。 | he went on eBay and bought | 1.63 |
| 7 | 特写 | ![]() | 缝纫机针头在带有亮片和刺绣细节的浅色织物上快速工作,裁缝手指引导布料。 | three vintage couture dresses | 1.83 |
| 8 | 特写 | ![]() | 戴黑色手绳的设计师在白色人台模型上,对黑色面料进行立体裁剪和调整。 | and made them into | 1.40 |
| 9 | 特写 | ![]() | 穿着白色工作服的设计师背对镜头,调整白色人台上穿着的黑色斜肩设计服装。 | 1.27 | |
| 10 | 特写 | ![]() | 手指拨动并整理黑色布料边缘,背景中有穿着白衣的模糊身影,聚焦前景布料。 | one couture dress. | 1.70 |
| 11 | 特写 | ![]() | 人台上穿着银灰色亮片装饰的半成品服装,面料闪烁,可见红蓝定位线和插针。 | You feel a great sense of calm, | 4.37 |
| 12 | 中景 | ![]() | 杨紫琼身着银灰色亮片露肩礼裙,在极简白色室内交谈,右手抬起轻摆。 | but I want the dress to make a statement as well, | 3.13 |
| 13 | 全景 | ![]() | 杨紫琼身穿银色亮片单肩曳地礼服,左手叉腰,右手拉裙摆,面带微笑走来。 | to show that I have been empowered by this whole process. | 2.77 |
| 14 | 中景 | ![]() | 杨紫琼坐在简洁室内,双手比划着进行交谈,神情自然专注。 | So I wanted a, I really, really wanted a dress that would | 2.27 |
| 15 | 多景别 | ![]() | 镜头从杨紫琼穿黑高跟鞋的脚部上移,展示银灰色亮片拼接拖尾礼服及侧脸交谈。 | help me make that statement. And when I saw this, it was... | 2.73 |
| 16 | 全景 | ![]() | 杨紫琼身着银灰色亮片拖地斜肩礼服站在现代室内,低头整理裙摆后抬头。 | 3.77 | |
| 17 | 中景 | ![]() | 杨紫琼坐在室内,双手平举后自然摆动手臂交谈,面带微笑。 | And the story behind this dress made me even think, | 4.53 |
| 18 | 全景 | ![]() | 杨紫琼身着亮片长礼服和黑手套站在奥斯卡红毯上,整理礼服后抬头看向镜头。 | this is why I love Demna. | 4.50 |
| 19 | 空镜 | ![]() | 纯黑色背景中心显示白色的 BALENCIAGA 品牌名称字样。 | 1.97 |


















