共33个镜头，该分镜由光厂AI自动生成
| 镜号 | 景别 | 参考图 | 画面内容 | 台词/旁白 | 时长(秒) |
|---|---|---|---|---|---|
| 1 | 全景 |  | 在复古欧式街道上，一辆黑色老式箱式货车停在路边，远处一对男女正合力抬着木质牌匾走向马路。 | 4.53 | |
| 2 | 中景 |  | 皮埃尔和罗斯合力搬动写有“PIERRE & ROSE”字样的巨大木质招牌走在20世纪初的欧洲街道上。 | It was a sunny day in 1912 when Rose and myself opened our store. | 3.20 |
| 3 | 多景别 |  | 皮埃尔在室外梯子上挂招牌，罗斯在下方指引；镜头平移入室内，皮埃尔在果蔬店柜台后整理苹果，罗斯在后方协助。 | And within a couple of years, our child would be born. | 5.57 |
| 4 | 中景 |  | 在复古果蔬店内，孕期的罗斯笑着咬了一口苹果，皮埃尔在对面双手张开与她交谈。 | 1.07 | |
| 5 | 多景别 |  | 皮埃尔和罗斯在昏暗杂货店内整理货物，镜头穿墙至室外，显示店铺已变为咖啡馆，门外坐满食客。 | By 1924, we started selling tea and cakes. | 6.70 |
| 6 | 多景别 |  | 红发小女孩戴尔芬欢快地跑向路边露天咖啡座，随后冲进室内与罗斯拥抱。 | And little Delphine, there she is, had just turned eight. | 2.77 |
| 7 | 多景别 |  | 成年的戴尔芬在冰淇淋店前逗弄女孩，镜头平移入室内，戴尔芬走向柜台，店内顾客在卡座内就餐。 | But she preferred ice cream. So a glacier, the store became. And along with it came Noah. | 6.80 |
| 8 | 多景别 |  | 小男孩诺亚蹲下穿过复古冰淇淋店的柜台，向门口移动，皮埃尔正搬着老式收音机走进室内。 | Noah was a bit of a brat. But he soon discovered music, and that was that. | 5.20 |
| 9 | 多景别 |  长镜头 | 成年的诺亚抱着收音机走出甜品店，镜头平移展现50年代街道与老爷车，接着黄色复古面包车停在70年代黑胶唱片店前，诺亚跳下车。 | The 50s flew by and the 60s swung through. By the time the 70s came, Noah had found his groove. | 12.30 |
| 10 | 多景别 |  | 优思敏顶着爆炸头沿街走过黑胶唱片店，镜头平移入店内，长发的雅斯敏站在前景。 | From rock to disco, he had it all. But when he first met Yasmine... | 5.97 |
| 11 | 特写 |  | 雅斯敏在整齐摆放的黑胶唱片架中快速翻找，展示手上的戒指和手镯。 | Well, let's just say he... | 1.17 |
| 12 | 全景 |  | 在黑胶唱片店内，诺亚手拿唱片微笑着走向背对镜头挑选唱片的雅斯敏。 | dropped the ball. | 1.73 |
| 13 | 特写 |  | 一张红色黑胶唱片掉落在拼接长毛地毯上，诺亚的双腿部分入镜。 | 1.13 | |
| 14 | 中景 |  | 雅斯敏在木质货架前低头微笑并整理长发，背景是排列整齐的唱片封面。 | 1.27 | |
| 15 | 全景 |  | 诺亚走向坐在地上的雅斯敏，镜头快速右移越过窗户和台灯，停在蓝色唱片架上。 | Good for him, he had her at hello. This leads to that, and along came Paul. | 2.60 |
| 16 | 特写 |  | 复古点唱机木质面板抬起，内部散发蓝光，托盘正在运作。 | 1.67 | |
| 17 | 中景 |  | 镜头右转展现一台屏幕显示“GAME OF LIFE”的发光复古弹珠游戏机。 | Who was great at pinball, but not so great at math. | 0.87 |
| 18 | 中景 |  | 雅斯敏拿着红色文件夹向小男孩保罗展示，保罗抬头看着她。 | 1.17 | |
| 19 | 多景别 |  | 雅斯敏看保罗玩弹珠机，镜头平移至街道，成年保罗坐在白色货车内望向窗外。 | You see, he was more of a space invader, an 8-bit electric surfer. | 4.97 |
| 20 | 中景 |  | 镜头从昏暗车厢拉出，保罗打开车门，左侧有一台复古街机，背景是街道。 | So it was only natural he start the arcade. | 2.27 |
| 21 | 全景 |  | 保罗走向亮着霓虹灯招牌的游戏厅，镜头穿墙转入录像带租赁店，两人在货架前挑选。 | Until he watched a certain movie, and that business decided to terminate. | 5.37 |
| 22 | 近景 |  | 录像店柜台上摆着老式电话、录像带和糖果罐，一只手虚化掠过。 | 0.87 | |
| 23 | 特写 |  | 一只右手从录像店柜台上抓起黑色对讲机。 | From horror to comedy, customers flooded in. | 0.67 |
| 24 | 近景 |  | 保罗在柜台旁接电话，镜头转向另一侧正操作笔记本电脑的女子。 | Until one day, Yasmine found a strange website. | 5.20 |
| 25 | 中景 |  | 女子和保罗在录像店柜台后专注盯着笔记本电脑屏幕。 | And for the first time... | 3.73 |
| 26 | 全景 |  | 白色雷诺货车停在卷帘门紧闭的 VIDEO CLUB 录像店门前。 | they had to close. Now you'd think this would be the end of the line. But the thing is... | 9.73 |
| 27 | 近景 |  | 白色面包车后备箱门拉开，保罗从门缝探头向外张望。 | our story isn't a line. | 2.70 |
| 28 | 中景 |  | 保罗打开装满植物、桌椅和招牌等杂物的面包车厢门，准备搬运。 | It's a circle. | 1.70 |
| 29 | 全景 |  | 镜头从 PIERRE & ROSE 咖啡馆门前右移，保罗走向停在充电桩旁的白色货车。 | Come on, Paul. Let's give this another try. | 5.10 |
| 30 | 特写 |  | 保罗将充电枪插入白色雷诺汽车的充电口。 | 1.23 | |
| 31 | 远景 |  | 保罗推门进入 PIERRE & ROSE 咖啡馆，画面中央出现浮动英文字幕。 | 2.63 | |
| 32 | 特写 |  | 金色渐变背景中心汇聚形成雷诺的菱形双线 Logo。 | 4.10 | |
| 33 | 全景 |  | 三辆连接着充电桩的白色雷诺面包车并排停在街道旁。 | 3.83 |