共180个镜头，该分镜由光厂AI自动生成
| 镜号 | 景别 | 参考图 | 画面内容 | 台词/旁白 | 时长(秒) |
|---|---|---|---|---|---|
| 1 | 多景别 |  长镜头 | 昏暗雨夜，汉娜坐在车内驾驶位，神情凝重地注视前方。镜头从双眼特写拉远，显现脸部轮廓与带有雨珠的挡风玻璃，面部映着蓝色光影，车外有模糊的路灯虚影。 | No, ma'am. She did it right after they broke up. It wasn't right after. She was so in love with him. I really don't think she was. Shut the fuck up, Dave. Stop talking. Shut up, the pair of you. You're right, kiddo. | 21.27 |
| 2 | 近景 |  | 夜晚车内，汉娜坐在驾驶位。车门随后被打开，她解开安全带准备下车，车窗上布满雨滴，环境光线昏暗。 | 4.83 | |
| 3 | 中景 |  | 夜晚户外，汉娜原本背对镜头站在黑色轿车旁。随着机位左移，她转过身面对镜头，神情显得惊恐与疑惑，背景是模糊的街道。 | 2.57 | |
| 4 | 特写 |  | 夜间户外，镜头特写汉娜垂下的右手。她手腕上戴着带有黑色线条图案的白色医用腕带，手中提着一个装有重物的黑色塑料袋。 | 1.93 | |
| 5 | 多景别 |  | 夜间户外，汉娜站在路边，神情凝重。机位左移，画面右侧出现一名正在搬运重物的中年男子侧影，汉娜目视前方。 | Is everyone in there? Can I get a hand with this TV, please? | 6.53 |
| 6 | 中景 |  | 夜晚户外，汉娜站在金属横杆后，神情忧郁地凝视前方。随后她微微垂下视线，转身向左侧走出镜头，背景是亮着灯的房屋。 | 5.13 | |
| 7 | 中景 |  | 昏暗的室内，吉姆和汉娜正合力抬着一个印有“HANDLE WITH CARE”的巨大纸箱走进房间。两人正吃力地搬运，准备将纸箱放下。 | 6.63 | |
| 8 | 多景别 |  | 镜头从餐厅推向客厅，安妮迎面走来，她摊开双手走向前方背对镜头的汉娜并拥抱，大卫跟在安妮身后。 | I don't want those left in my fridge. Hey. I'm sorry I couldn't come and pick you up. I just didn't get a minute today between the house and David, | 6.73 |
| 9 | 近景 |  | 室内昏暗灯光下，安妮与汉娜对面而立。汉娜面带微笑，左手轻轻抓了一下鼻子，两人正在交谈。 | 1.73 | |
| 10 | 中景 |  | 室内餐厅，大卫戴着冷帽微笑着走向汉娜并与她热情拥抱，约翰尼从背景中走过。 | sending you back to the shop to get the right bun. | 2.40 |
| 11 | 特写 |  | 大卫与汉娜深情相拥，吉姆在背景中露出关切的神情。大卫抚摸汉娜的头发并亲吻她的发顶。 | There's my girl. Hey. | 2.30 |
| 12 | 近景 |  | 哈里双手捧住汉娜的脸并亲吻她的额头。随后镜头移向安妮，她正关切地看着汉娜，背景中大卫站在一旁。 | Look at... have you lost weight? | 2.53 |
| 13 | 近景 |  | 汉娜站在室内，低头看了一眼后抬起头露出微笑，背景中隐约可见吉姆。 | I wouldn't do you want cheese on your burger? | 1.77 |
| 14 | 中景 |  | 哈里面带表情地指向前方说话，大卫双手交叠在胸前倾听，汉娜背对着镜头站在一旁，背景是昏暗的起居室。 | Um... | 0.97 |
| 15 | 近景 |  | 汉娜站在室内近景，表情有些专注或迟疑。背景是模糊的室内装修，可见窗帘和挂饰。 | What? Tell him. What? Nothing. Why? | 1.30 |
| 16 | 中景 |  | 哈里面带微笑地说话，安妮表情严肃，大卫侧对镜头。四人站在室内餐厅背景前交谈。 | She's a vegetarian meal. Hey. | 3.90 |
| 17 | 近景 |  | 汉娜站在室内，表情凝重或困惑地看向画面前方，背景是带有蕾丝窗帘的窗户。 | Why? That can't be good for you. | 3.03 |
| 18 | 近景 |  | 室内环境中，哈里与安妮站立交谈，汉娜背向镜头从近景处走过，背景可见老式电视机。 | That's what I was telling her. | 1.40 |
| 19 | 中景 |  | 吉姆站在房间门口面带微笑，背景是暖黄色的灯光和深色窗帘。 | Why didn't no one tell him he was trying to have a fuck... | 1.50 |
| 20 | 中景 |  | 安妮和哈里正走向里屋，房间内摆着老式电视和落地灯，背景中有其他人的身影，气氛忙碌。 | Sit. Hey. Hey, Emma. Hey. | 2.30 |
| 21 | 中景 |  | 汉娜在走廊行走并转身踏上楼梯，低头开口说话。背景可见走廊和远处的厨房区域。 | Yeah? Where are you going? | 3.17 |
| 22 | 中景 |  | 大卫抬头向上看，安妮站在他身后。两人站在室内门口，背景中有其他人的模糊身影。 | Is that your washing? | 1.63 |
| 23 | 近景 |  | 汉娜正走下楼梯，身形略显模糊，处于昏暗的室内环境中。 | Uh, yeah. I'll I'll do it later. | 1.93 |
| 24 | 近景 |  | 安妮与大卫站在门口，两人都抬头看向斜上方，神情显得忧虑或关注。 | You look very pale. | 2.20 |
| 25 | 近景 |  | 汉娜站在室内楼梯旁，神情疲惫且低落，低头向下看并交谈，环境光线昏黄。 | I'm always pale. Would you be anemic? Did they check you out for that at the hospital? | 2.97 |
| 26 | 中景 |  | 安妮在走廊神情凝重地仰头倾听，大卫站在她身后，随后低下头，两人处于门框景深内。 | I don't know, I wasn't. | 1.07 |
| 27 | 近景 |  | 汉娜站在楼梯转角处，神情忧虑。她视线向下垂，嘴唇微动，随后陷入沉默与思考。 | Low iron could be terrible for you, you know. It can make you feel really strange. | 3.43 |
| 28 | 近景 |  | 安妮在室内正向右侧说话，表情凝重，环境光线昏暗，背景可见墙上的照片装饰板。 | 2.33 | |
| 29 | 近景 |  | 汉娜在楼梯口低头沉默，眼神略微向下看，神情忧郁，身体微微前倾。 | 2.10 | |
| 30 | 近景 |  | 安妮在走廊面带哀伤地说话，背景是一扇开着的门，门边挂着照片装饰框。 | Breakups are difficult, mom. | 2.07 |
| 31 | 近景 |  | 汉娜在楼梯处微微低头，眼神流露出忧伤与思考，光线从侧前方打来。 | 0.93 | |
| 32 | 近景 |  | 安妮面带担忧地侧着身，哈里从后方的房间走出并与她一同看向画面右侧，走廊光线昏暗。 | Okay, you just got here. Will you come in and sit down? | 3.97 |
| 33 | 中景 |  | 汉娜站在楼梯边，随后画面转向门口，哈里出现在门边向外看，大卫从他身后走向厨房。 | 8.40 | |
| 34 | 多景别 |  | 昏暗温馨的餐厅内，汉娜神情凝重地向左侧走去。镜头推进，安妮在餐桌旁忙碌，桌上点着蜡烛。 | I don't think he is. I'm telling you he is. That's a surprise to me. Yeah, it was a surprise to you. That's about it. | 5.87 |
| 35 | 中景 |  | 大卫靠坐在沙发上，摸了一下后脑勺，汉娜走到他右侧进行交谈，背景有木制家具。 | How are you feeling? Tired. You must be wrecked. | 6.47 |
| 36 | 全景 |  | 安妮站在餐桌旁，手扶椅背，侧头看向右侧的门厅。餐桌上点着蜡烛，餐厅光线昏暗。 | She can't get a decent night's sleep in hospital. | 1.17 |
| 37 | 近景 |  | 大卫与汉娜坐在沙发上对视交流，大卫的目光随后略微转向侧方。背景隐约可见木质家具。 | Anne, Anne. | 1.30 |
| 38 | 中景 |  | 吉姆坐在方格单人沙发上说话并伴随手势，右侧亮着落地灯，背景是窗帘。 | 0.53 | |
| 39 | 中景 |  | 汉娜坐在沙发上，起初侧着脸，随后转头看向前方，眼神流露出惊讶与不安。 | And you know when I was in with you the other night, | 2.40 |
| 40 | 中景 |  | 吉姆坐在单人沙发上说话并摊开双手做手势，身后有深色窗帘和亮着的落地灯。 | I was talking to you about the time that we went to Disneyland. You know, because they say that people in comas can hear you, you know. | 5.80 |
| 41 | 中景 |  | 大卫坐在靠背椅上，神情严肃地对着镜头说话，左侧背景有一个木质装饰柜。 | You know it wasn't a real coma, dad. Well, what was it then? | 1.73 |
| 42 | 中景 |  | 吉姆坐在单人沙发上，双手微张在说话，右侧有暖色落地灯，背景是米色窗帘。 | Well, it wasn't an actual coma. | 1.13 |
| 43 | 中景 |  | 安妮站在餐桌旁，先面向侧前方，随后转头看向右侧画外，餐厅内点着蜡烛。 | 1.30 | |
| 44 | 中景 |  | 吉姆坐在格纹沙发上交谈，身体微微前倾。背景有窗帘和落地灯，氛围随和。 | Any way, they can hear you. | 1.20 |
| 45 | 近景 |  | 汉娜坐在沙发上，凝视镜头方向。她穿着深色连帽衫，灯光柔和。 | So I started talking to you about the time that we saw the biggest ride, remember it? | 1.73 |
| 46 | 中景 |  | 吉姆坐在单人沙发上，双手配合言语做手势，神情专注。背景有复古落地灯。 | Um... the Kraken. | 4.60 |
| 47 | 全景 |  | 安妮从昏暗的餐厅内走过。餐桌上点着蜡烛，背景有复古台灯与落地灯。 | Did you hear from Johnny? | 1.20 |
| 48 | 中景 |  | 吉姆双手摊开举在身体两侧说话，坐在沙发椅上，右侧亮着带流苏的落地灯。 | Why would I hear from Johnny? | 1.00 |
| 49 | 近景 |  | 汉娜侧身坐着，目视左前方与人交谈，表情略显严肃。背景是白墙与浅色沙发。 | Anyway, I was saying how we were scared of it. | 1.73 |
| 50 | 中景 |  | 吉姆坐在沙发椅上专注讲述，双手时而抬起张开，右侧有带流苏的复古落地灯。 | We went for a swim instead, decided we'd come back to it later. Next thing you... you reefed the tubes out of your mouth | 7.33 |
| 51 | 近景 |  | 大卫与汉娜并排坐在沙发上，两人表情严肃地注视前方。背景有木质家具。 | and we're thrashing around the place. | 3.13 |
| 52 | 中景 |  | 吉姆坐在单人沙发上说话并做手势，右侧是暖黄色的落地灯，背景是深色窗帘。 | Now you came down eventually, but I sat in your catheter, | 2.30 |
| 53 | 全景 |  | 哈里双手叉腰对着镜头站立，安妮在后方餐桌旁整理餐具，桌上点着蜡烛。 | and you started a whole ruckus again, | 2.30 |
| 54 | 中景 |  | 吉姆表情严峻地看向镜头方向说话，右手在扶手上比划。背景有复古落地灯。 | and we had to pin you down. | 3.17 |
| 55 | 中景 |  | 哈里双手插兜站在右侧，安妮在后方神情凝重地看向镜头。桌上点着蜡烛。 | Um, it was very funny. | 3.20 |
| 56 | 中景 |  | 吉姆坐在单人沙发上微笑着交谈，右手搭在扶手上。背景有复古落地灯和纸箱。 | No, you didn't come out of the coma though, you weren't... | 1.23 |
| 57 | 近景 |  | 汉娜坐在沙发上，面色凝重且略带迷茫地倾听。她扎着马尾，灯光柔和。 | you weren't awake like... | 3.53 |
| 58 | 中景 |  | 吉姆坐在单人沙发上，双手交叉在腹前，神情专注。背景是厚重窗帘与落地灯。 | So, mad. | 2.87 |
| 59 | 中景 |  | 汉娜坐在沙发上，低头微笑后抬头看向右侧，眼神柔和。画面色调偏暖。 | Mad. | 3.40 |
| 60 | 中景 |  | 大卫靠在沙发上转头向右看，镜头右移，汉娜转头与大卫对视，背景有木质家具。 | Uh, you're closest. | 3.87 |
| 61 | 中景 |  | 安妮神情严肃地从餐桌旁起身向右走，哈里双臂交叉低头看着她离开的方向。 | Oh, for God's sake, I'll get it. | 1.30 |
| 62 | 中景 |  | 汉娜神色凝重地看向左前方，随后迅速起身离开。大卫转头看她离开的方向。 | 4.23 | |
| 63 | 中景 |  | 哈里站在左侧门口背对镜头。汉娜从走廊深处走来，神情严肃地看着前方停下。 | Jock. Hi, Chin. How did you ring the doorbell? | 5.80 |
| 64 | 中景 |  | 安妮微笑着从门口走过。约翰尼出现在门后，微笑着向前打招呼。 | I did. Ah, Johnny. Hi, Lawrence. | 2.23 |
| 65 | 近景 |  | 大卫抬起头看向画面左侧的人影，身后是摆着画作与餐具的温馨餐厅。 | You're so neat, man. Why did you ring the doorbell? | 1.93 |
| 66 | 中景 |  | 约翰尼在过道向前走，安妮从后方门内探头观看，哈里在左前方的背影入镜。 | I left on Sunday. What are you doing here? | 1.63 |
| 67 | 中景 |  | 安妮表情惊讶，大卫站在她身侧。画面边缘有其他人物背影，室内有台灯与窗帘。 | Uh, well I just wanted to see how you are. | 2.13 |
| 68 | 中景 |  | 约翰尼走向画面中央，安妮从他左侧走过离开，处于居家走廊或客厅环境。 | Okay, alright. | 1.73 |
| 69 | 中景 |  | 汉娜与大卫并排站立，安妮从右侧走入挡在面前，随后另一人从左侧经过遮挡。 | What do you want? Well, your mum asked me to call over. | 2.73 |
| 70 | 中景 |  | 约翰尼看向前方，汉娜背向镜头走入左侧与他对峙。背景有装饰画与深色窗帘。 | 2.40 | |
| 71 | 中景 |  | 汉娜面对约翰尼背影，神情凝重随后双手捂脸。背景房间有人走动，有老式电视。 | I've been trying to ring you, but your phone is off, I just didn't exactly know what's wrong. Something weird, Johnny? Uh, no thanks, Lawrence. | 7.17 |
| 72 | 中景 |  | 汉娜转身面露困惑，身旁的约翰尼微笑看向前方，随后汉娜转身面对他，他笑容消失。 | What? Well, what? | 3.90 |
| 73 | 近景 |  | 汉娜眉头微蹙，疑惑地面对画面中背对镜头的男子，背景是模糊的餐厅用餐场景。 | Are you okay? Will you not come in and sit down, John? | 1.17 |
| 74 | 中景 |  | 约翰尼局促不安地站在窗帘前对面前背对镜头的女性说话。背景是典型的居家环境。 | No, I'm... I'm okay thanks, G. Honestly, I just wanted to see she was okay, I'll shoot off. | 2.37 |
| 75 | 中景 |  | 汉娜站在画面左侧，面部严肃地看向前方背影。背景深处有安妮走近并注视前方。 | Oh well, we have more than enough, you know, you're very welcome. | 1.27 |
| 76 | 中景 |  | 约翰尼正对镜头，向背对着的汉娜说话，左手扶外套边缘，神情局促。背景有挂画。 | Mum. | 2.57 |
| 77 | 近景 |  长镜头 | 安妮在后方微笑着对前方的两人交谈，随后转身离开。汉娜神情不悦地继续对话。 | So what's the story, like, what happened? I'm sure my mum told you. | 12.73 |
| 78 | 近景 |  | 约翰尼神情局促地面向前方说话，汉娜在中途转头看向侧方后又转回面对他。 | Yeah, she told me what happened but she didn't give me... Will you have a beer, Johnny? No, thanks Lawrence, thanks. | 7.37 |
| 79 | 近景 |  | 汉娜凝重而关切地看着前方背对镜头的男子，背景虚化，有人物活动与窗帘。 | What? I mean, | 3.50 |
| 80 | 近景 |  | 约翰尼表情困惑且严肃地与面前侧向镜头的汉娜交谈。背景是深色窗帘与透光的窗户。 | for what happened. | 2.37 |
| 81 | 近景 |  | 汉娜面露惊讶与担忧，看着右侧仅露出后脑勺的人。背景昏暗，有模糊人影与灯光。 | I didn't think you... | 2.80 |
| 82 | 近景 |  | 过肩镜头下，约翰尼神情严肃地对汉娜说话。背景是深色竖条纹窗帘或墙面。 | Straight after we broke up, | 1.77 |
| 83 | 近景 |  | 汉娜面带怀疑地微偏头看着右侧男子的背影。背景昏暗，有其他人影。 | I just didn't think, you know, that you'd be going through your head that you felt that way. | 2.57 |
| 84 | 多景别 |  | 约翰尼仰头抱头显得极度痛苦。镜头快速切到汉娜，她愤怒地大喊。画面情绪冲突强烈。 | Oh, Jesus. Oh! What was that? You hit him! | 5.53 |
| 85 | 特写 |  | 约翰尼低头掩面痛苦激动，身边有人伸手安抚他的肩膀。背景模糊，光线暗。 | Yeah, honestly, em... | 1.57 |
| 86 | 中景 |  | 汉娜愤怒焦急地大声说话，大卫与吉姆站在一旁神情担忧。空间局促，充满冲突感。 | You think I did it because of you?! | 2.90 |
| 87 | 多景别 |  长镜头 | 约翰尼捂着鼻子神情痛苦，汉娜愤怒指责大声说话，安妮担忧地站在一旁。背景有油画。 | That is so humiliating! Why'd you hit him?! You know, if humping Alice and Carrie didn't do it, I don't know what would! Why did you say it? Em... sorry. Fucking Alice and Harry! | 10.20 |
| 88 | 中景 |  | 汉娜在右侧愤怒说话，大卫在左侧注视，吉姆在中间显得困惑不满。三人成三角形站立。 | No, I'm sorry. Chill, alright. What? Is it the first time he's... Who's alright?! Who you're right... | 2.57 |
| 89 | 近景 |  | 安妮惊讶担忧地看着右侧捂住口鼻、低头悲伤的约翰尼，两人并肩而坐。 | I think my nose might be broken. | 1.10 |
| 90 | 中景 |  | 大卫回头争辩，汉娜愤怒回应，吉姆向后走去。环境中有餐桌与台灯，光线昏暗。 | Oh, for God's sake, come and sit down. | 1.90 |
| 91 | 近景 |  | 约翰尼低头捂着口鼻，身体颤抖且呼吸困难，表情极其痛苦。 | Man, | 1.83 |
| 92 | 近景 |  | 汉娜站在画面中央，神情不安，身后的吉姆注视着她。背景可见亮灯的餐厅。 | we can't send them home like that. | 1.20 |
| 93 | 近景 |  | 约翰尼低头捂鼻，安妮在一旁低头交谈。汉娜神情紧张望向左侧说话。背景墙有画框。 | Harry, why didn't you tell me about this? Just... Sit down, eh, down there and don't fucking lean! Get some tissues or something. | 4.20 |
| 94 | 全景 |  | 餐厅内多人慌乱走动，有人试图坐下，汉娜侧身在门边观察。桌上摆着餐具，光线较暗。 | Christ. Thank you, Jim. | 8.50 |
| 95 | 中景 |  | 安妮走向餐桌，俯身对坐在对面的汉娜严肃说话。餐桌上点着蜡烛，摆着食物。 | You can take that off your wrist now. | 5.67 |
| 96 | 近景 |  | 汉娜坐在木椅上，神情忧虑地抬头看向画面左侧的男子。背景可见储物柜与画作。 | I can't believe you'd stay with someone like that. | 2.23 |
| 97 | 全景 |  | 家人围坐烛光餐桌，汉娜从后方走入。哈里起身离开，焦点转向餐桌中心及后方。 | Can you please just eat something? | 3.70 |
| 98 | 中景 |  | 哈里低头后缓缓抬头，神情忧虑疲惫，带有恳求意味。背景是带花纹的窗帘。 | 2.60 | |
| 99 | 近景 |  | 汉娜坐在木椅上，表情凝重忧虑，眼神空洞地望向前方，随后微微低头。 | 2.77 | |
| 100 | 近景 |  | 镜头下移至餐桌，一盘肉类递入画面。某人用叉子取走一块肉，桌上有蜡烛与餐具。 | Jesus. | 5.67 |
| 101 | 近景 |  | 哈里坐在桌前低头沉思，眼神向下，嘴唇微动。背景是深色花纹窗帘。 | Take that out of bed. | 2.10 |
| 102 | 中景 |  | 昏暗餐桌旁，哈里低头擦嘴，右侧汉娜鼓掌拍手。桌上有玻璃杯与餐盘。 | 1.50 | |
| 103 | 中景 |  | 哈里坐在桌前，从前倾坐直并抬头平视前方，表情平静专注。画面右侧有烛光。 | 2.67 | |
| 104 | 中景 |  | 六人围坐餐桌，吉姆与哈里交谈，一男子擦鼻子，安妮从背景走来。桌上有蜡烛食物。 | What's the story with the TV? I got three of them in the end. Oh, yeah? What did you need... You got three televisions. | 9.83 |
| 105 | 中景 |  | 安妮侧身面向镜头，神情严肃交谈。背景有古典画作，右侧可见吊灯一角。 | It's hardly appropriate, Lawrence. Chill, they're televisions. | 2.80 |
| 106 | 近景 |  | 吉姆身体侧转，看向右侧说话。室内灯光温暖，隐约可见台灯与装饰物。 | 1.10 | |
| 107 | 近景 |  | 安妮走向餐椅坐下，侧头向右方平静说话。桌上有大蜡烛和玻璃杯，氛围温馨。 | Hannah, will you eat something please? Yeah, you need to get some meat on your bones. | 3.47 |
| 108 | 近景 |  | 汉娜咬着手指侧对镜头，眼神迷茫深思，手指随后离开嘴唇。背景有木质家具。 | In light of your recent behavior, | 2.40 |
| 109 | 近景 |  | 安妮侧身面对镜头，神情严肃地交谈。左侧有白色点燃的蜡烛，光影居家。 | maybe going vegetarian wasn't the best idea. I went off... | 1.57 |
| 110 | 全景 |  | 一家人围坐餐桌，哈里喝水。背景有水晶吊灯。桌上摆满食物，氛围沉重严肃。 | Shut the fuck up! What's it got to do with Johnny? | 2.27 |
| 111 | 多景别 |  | 汉娜困惑愤怒地说话，安妮严肃担忧地与她对话。背景可见模糊灯光和家具。 | My behavior?! Yes, you've been behaving very oddly, yes. | 6.13 |
| 112 | 全景 |  | 多人在餐桌旁交流，餐桌尽头的男子拿纸巾擦拭面部。背景有暖黄吊灯和门廊。 | Oh, for God's sake. Johnny, there's blood everywhere, will you use your tissue? Sorry, Jim. | 3.10 |
| 113 | 近景 |  | 汉娜坐在木椅上，神情低落沉思，对某人说话。背景隐约有木质家具。 | So do you think I did it because I stopped eating meat? | 3.63 |
| 114 | 中景 |  | 哈里左手托腮坐在餐桌前，面色凝重看向前方，身侧有烛火摇曳。背景是花纹窗帘。 | Of course. Of course not. | 1.80 |
| 115 | 中景 |  | 安妮低头倾听，随后汉娜神情严肃地看向她说话。背景隐约可见木质家具。 | Then what do you mean about my behavior? | 4.67 |
| 116 | 中景 |  | 哈里拿纸捂鼻，神情严肃，汉娜注视着他。餐桌上有蜡烛，环境阴暗。 | Punching him. | 2.30 |
| 117 | 近景 |  | 安妮坐在椅子上面对前方严肃忧伤地说话。背景有门框和花卉，光线暖黄。 | I'm not getting into this with you. But that was a terrible thing to do. I mean, I never taught you to be violent. | 9.10 |
| 118 | 近景 |  | 汉娜坐着向前说话，神情沮丧困惑，带着焦虑。身穿黑色连帽衫。 | Okay, so I'm just doing all this terrible shit, and, and, and everyone else is just doing a really good job? | 5.93 |
| 119 | 特写 |  | 吉姆坐在台灯与黄花旁，严肃直视前方说话，光线偏暖。 | Come on, now, Hannah, don't talk to your mum like that. | 1.97 |
| 120 | 中景 |  | 汉娜坐着向左前方激动说话，背景隐约有深褐家具，色调偏暖且昏暗。 | Do you know, when I told you that I'd broken up with him, you said it was something that I did. I did something wrong. | 6.73 |
| 121 | 近景 |  | 安妮对前方严肃不安地说话。坐在椅子上，背景有家具和暖黄灯光。 | I never said you did anything wrong. | 2.07 |
| 122 | 近景 |  | 汉娜闭上嘴，眼神流露思考和失落。背景有模糊家具和暖色灯光。 | This is not the time to talk about it. | 1.67 |
| 123 | 近景 |  长镜头 | 安妮坐在靠背椅上严肃关切地说话，左侧有花瓶，右后方门半开，氛围沉重。 | Look, I know... breaking up, or... or whatever goings on happened. That must have upset you very much. And of course it would. | 11.63 |
| 124 | 近景 |  | 汉娜在椅子上激动争辩，左手挥动。背景有深色木柜，光线暖调昏暗。 | This isn't because of him, mam. | 2.27 |
| 125 | 近景 |  | 安妮严肃且担忧地对着镜头说话，身后有深色家具和透明花瓶。 | We can talk about this later. | 1.17 |
| 126 | 近景 |  长镜头 | 汉娜坐在木椅上激动不满地激烈表达。背景隐约有深色木质陈设。 | Why? What... why would we wait to speak about us? Because of course we're never gonna talk about it! We're all just gonna pretend like it never happened. | 10.50 |
| 127 | 中景 |  | 吉姆神情凝重，镜头左摇切至眉头微蹙的哈里。两人在烛光餐桌旁。 | 2.93 | |
| 128 | 近景 |  | 大卫坐在雕花木椅上，神情凝重地看向左前方，随后微微低头。 | 2.13 | |
| 129 | 中景 |  | 安妮坐在靠背椅上面容严肃，语气坚定地说话。身后有鲜花花瓶和半开门。 | I am not talking about this now. | 4.90 |
| 130 | 近景 |  | 汉娜坐在木椅前，神情忧虑思考。镜头推近，她目光深沉，最后垂下眼帘。 | 7.20 | |
| 131 | 近景 |  | 吉姆侧向右坐在椅子上转头向右看，背景是暖色调的室内空间，陈设丰富。 | We could set up the new television. | 1.77 |
| 132 | 中景 |  | 哈里坐在点着蜡烛的餐桌前失落无奈地说话。光线较暗，桌布华丽。 | Is anyone gonna eat something? | 1.87 |
| 133 | 中景 |  | 安妮神色严肃交谈，镜头左移，吉姆低头聆听。两人之间点着蜡烛。 | No, David. Because nobody could possibly eat that inordinate amount of food. | 4.80 |
| 134 | 中景 |  | 哈里拿纸巾擦嘴，后方的汉娜起身快速离开。餐桌上有蜡烛，背景古典。 | Hannah? Hannah. Hannah, where're you going? | 4.27 |
| 135 | 多景别 |  长镜头 | 夜晚街头，汉娜惊慌奔跑，大口喘气咳嗽捂脸，最后放慢脚步，环境光线昏暗。 | 38.17 | |
| 136 | 全景 |  | 深夜路灯下，黑车停在路边，一人站在车旁向后走入阴影。街道寂静。 | 6.90 | |
| 137 | 近景 |  | 汉娜靠着黑车坐在地上，深呼吸后双手紧握抵嘴，手腕有医用腕带，神情疲惫。 | 7.63 | |
| 138 | 中景 |  | 夜色中，大卫步入街边停下脚步，神情困惑。背景有树木和路灯。 | 3.27 | |
| 139 | 中景 |  | 汉娜靠在轿车旁低落疲惫，大卫在右侧坐下，汉娜转头看他，两人并排而坐。 | 7.90 | |
| 140 | 中景 |  长镜头 | 两人靠车并坐，大卫脸照暖光严肃开口，汉娜侧脸在阴影中沉默忧郁。 | Are you okay? They're nuts. Sure, they'd drive anyone to... fuck. | 13.30 |
| 141 | 中景 |  | 汉娜在驾驶位凝重前视，随后转头看右侧的大卫，大卫侧脸说话，车内压抑。 | To what? | 4.77 |
| 142 | 近景 |  | 深夜里大卫与模糊的汉娜面对面交谈，大卫面带暖光神情忧郁，靠在车旁。 | You think it's them, and they think it's you. | 6.83 |
| 143 | 近景 |  | 汉娜在车内侧头看向右前方的大卫背影，神情忧郁，车外有微弱黄光。 | 2.80 | |
| 144 | 近景 |  长镜头 | 大卫与汉娜并坐车旁。大卫先直视前方，后转头对汉娜说话并低头落寞。 | Well, what did you do then? | 11.90 |
| 145 | 近景 |  长镜头 | 汉娜在车内驾驶座严肃哀伤地侧头看大卫，大卫背对镜头与她交谈。 | 10.00 | |
| 146 | 近景 |  长镜头 | 大卫与轮廓模糊的汉娜并靠黑车，大卫转头说话后落寞看前方，光线极暗。 | You know you can't talk about it either. | 10.40 |
| 147 | 近景 |  | 汉娜低头沉思，随后抬头看向大卫剪影，大卫对她说话。背景昏暗模糊。 | 4.87 | |
| 148 | 中景 |  长镜头 | 大卫与汉娜并坐车前交谈，大卫随后起身离开。背景黑夜有灯光轮廓。 | I'll see you later. | 11.60 |
| 149 | 近景 |  长镜头 | 汉娜靠着黑车惊惶环顾，随后悲伤疲惫地低下头，撕掉左腕医用腕带。 | 28.93 | |
| 150 | 全景 |  长镜头 | 夜深人静，大卫从车头站起，停留片刻后走向右侧阴影离开。路灯照亮民宅。 | 17.47 | |
| 151 | 远景 |  | 四人围坐暖光餐桌用餐，黑衣人背向镜头走向餐桌。 | 3.20 | |
| 152 | 中景 |  | 汉娜在房门处低头后抬头看向前方，表情悲伤。背景有水晶吊灯和挂画。 | I tried to kill myself. | 3.00 |
| 153 | 中景 |  | 镜头左移，展现家人围坐烛光餐桌，安妮、吉姆与哈里等凝重注视右侧。 | At what point are we actually gonna talk about that? | 6.53 |
| 154 | 近景 |  | 安妮严肃不安地注视右方，身后有放瓷器的木柜，左侧有白袖入镜。 | 3.90 | |
| 155 | 近景 |  长镜头 | 汉娜在门口严肃忧伤地独白。背景有水晶吊灯和金框装饰画，氛围沉重私密。 | It wasn't a mistake. Em... I did realize I was taking enough that could kill me. And not because of Johnny. Or you. Or because I'm too skinny. Or too pale, or a vegetarian. | 15.80 |
| 156 | 中景 |  | 哈里坐在靠背椅上，憔悴带有黑眼圈，视线下移。背景有装饰窗帘。 | 2.37 | |
| 157 | 中景 |  | 大卫双手交叉在下巴，专注思考看着右侧。餐桌旁光线暖黄昏暗。 | 2.23 | |
| 158 | 中景 |  长镜头 | 汉娜在门边对着前方说话，眼神忧虑不确信。背景有水晶吊灯和挂画。 | Just because... for some reason that's... that's what I wanted to do. That's what I thought was best. | 13.93 |
| 159 | 近景 |  | 安妮在餐桌旁低头思索后抬头，眼神悲伤复杂地对视。背景有温馨台灯。 | If I'd left a note, | 8.27 |
| 160 | 近景 |  | 汉娜对左侧的安妮说话，抿嘴犹豫委屈。安妮背影在侧，背景有台灯。 | I didn't know what to say. | 4.93 |
| 161 | 特写 |  | 安妮含泪颤抖悲伤说话。过肩镜头，汉娜轮廓模糊，室内灯光微弱。 | Could I do anything for you, love? Anything. Whatever you need. Always, you know that. | 9.17 |
| 162 | 近景 |  | 汉娜流泪紧抿嘴唇，悲伤地搂着安妮肩膀，面对镜头情感流露。 | You know that. | 4.20 |
| 163 | 特写 |  | 汉娜闭眼哀恸，安妮轻抚其后脑勺安慰，背景隐约有台灯。 | 5.03 | |
| 164 | 特写 |  | 汉娜将脸埋在安妮肩头哀伤哭泣，安妮背对镜头穿着蓝开衫被紧抱。 | 8.03 | |
| 165 | 中景 |  | 大卫、哈里与吉姆在烛光餐桌旁同坐，表情严肃。桌上有汉堡饮料。 | 5.00 | |
| 166 | 特写 |  | 汉娜闭眼靠在安妮肩上，随后睁眼退后，嘴角微颤忍住泪水。安妮背对镜头。 | 5.13 | |
| 167 | 特写 |  | 安妮手搭在汉娜肩上，眼眶含泪悲伤注视汉娜侧影，气氛充满情感张力。 | 7.13 | |
| 168 | 近景 |  | 安妮轻抚汉娜面颊。汉娜微笑低头擦泪后俯身。背景有暖黄台灯。 | 7.13 | |
| 169 | 近景 |  | 安妮低头凝重忧伤，眉头微锁。背景有模糊人影与台灯，氛围压抑。 | 5.87 | |
| 170 | 中景 |  | 安妮欲坐下表情惊讶忧虑，吉姆在旁凝重注视，汉娜伸手拿食物遮挡视线。 | 4.47 | |
| 171 | 特写 |  | 俯拍托盘，一只手将两片汉堡面包胚放入。背景有餐巾，暖光偏黄。 | 2.17 | |
| 172 | 中景 |  | 安妮与吉姆坐餐桌前略显尴尬凝重，汉娜侧影取餐。左移显现哈里注视前方。 | 4.47 | |
| 173 | 特写 |  | 昏暗餐桌特写，一双手向餐盘里的汉堡面包添加生菜，身体偶然贴近镜头。 | 4.83 | |
| 174 | 中景 |  | 大卫、哈里、吉姆围坐餐桌，哈里看向大卫。三人神情严肃，桌有汉堡蜡烛。 | I have half a patty for the... the day that's in it, maybe. | 2.63 |
| 175 | 近景 |  | 汉娜在餐桌前缓缓抬头看前，眼神不安思索。桌有蜡烛，背景模糊。 | You can just try the burger. | 1.73 |
| 176 | 特写 |  | 特写桌面餐盘，双手将汉堡顶层圆面包盖好压实并拿起，背景有花纹桌布。 | 3.47 | |
| 177 | 近景 |  | 汉娜手抓汉堡大口咀嚼表情专注，坐在点着蜡烛的木桌前，穿黑帽衫。 | I left off your favourite, your whole life. I gave it a miss. | 4.63 |
| 178 | 中景 |  | 大卫与哈里在餐桌旁交谈，吉姆吃汉堡聆听。灯光柔和有蜡烛。 | It's tough. Your seasoning's usually, em... What? It doesn't have any iron. What? It doesn't have any iron. It doesn't have any iron. | 5.03 |
| 179 | 多景别 |  长镜头 | 汉娜嚼着食物神情凝重专注看向前方。镜头极缓推近，双眼放大显露深思。 | Why? Because it doesn't have any iron. And David, it's fine. It's fine. It's fine. Just... can you keep eating the burger, please? Stop talking about it. It's fine. She said it's iron-free. What? No, she said... David! David. I... I... I clam-ended her. Her head... her head was in the freezer. It was right there in the freezer. | 24.57 |
| 180 | 其他 |  长镜头 | 电影片尾黑底白字滚动，列主演、主创团队及鸣谢名单，以Kildare致谢结束。 | 36.30 |