共166个镜头,该分镜由光厂AI自动生成
| 镜号 | 景别 | 参考图 | 画面内容 | 台词/旁白 | 时长(秒) |
|---|---|---|---|---|---|
| 1 | 特写 | ![]() | 暗色调背景下,微光照射在堆叠的黑色矿石碎块上,展现其粗糙不规则的纹理。 | Nature is made up of regenerative systems. | 1.50 |
| 2 | 特写 | ![]() | 昏暗环境中,细小的碎石和尘埃在微光下因震动悬浮跳跃。 | 1.20 | |
| 3 | 特写 | ![]() | 微距镜头下,深色土壤表面的细小颗粒在空气中悬浮飞舞,背景虚化。 | It's how glaciers form | 0.90 |
| 4 | 大特写 | ![]() | 冰块表面质地大特写,展现半透明、带有气泡和裂纹的蓝色冷调冰晶。 | 1.03 | |
| 5 | 特写 | ![]() | 近距离展现深色杂质与浅蓝色冰晶交织的自然纹理。 | and forests thrive. | 1.13 |
| 6 | 全景 | ![]() | 幽暗的原始森林里,高耸树木林立,地面覆盖厚实苔藓,细雨飘落。 | 1.50 | |
| 7 | 远景 | ![]() | 宽敞明亮的工业仓库内,两侧高耸货架整齐堆放着彩色卷轴布料。 | The apparel industry doesn't really function this way. | 1.13 |
| 8 | 中景 | ![]() | 昏暗工业仓库中,前景整齐摆放着多色面料卷,背景墙面挂有长条发光灯管。 | 1.07 | |
| 9 | 中景 | ![]() | 工业厂房里,大面积红色面料正通过自动化金属滚轴生产线,横向照明灯管照亮材料。 | 0.87 | |
| 10 | 中景 | ![]() | 服装工作室里,长发女性ALEX站在工作台前对着镜头说话,周围陈列着辅料和布料,画面居中显示在米色包装背景上。 | Our industry has a stuff problem, genuinely. | 3.13 |
| 11 | 特写 | ![]() | 特写拍摄工厂内层层卷绕的红色薄片状材料,展现细腻的同心圆纹理。 | Creating more products | 0.97 |
| 12 | 中景 | ![]() | 仓库中,工作人员将一卷深色布料叠放至被塑料膜包裹的布料堆顶部。 | 0.93 | |
| 13 | 特写 | ![]() | 深色织物在一台带有黄色“FABRIC INSPECTION”标签的设备传送带上水平移动。 | means more raw materials, | 0.70 |
| 14 | 特写 | ![]() | 极简昏暗环境中,镜头下移展现一根表面有反光的深灰蓝色细长金属管。 | 0.87 | |
| 15 | 特写 | ![]() | 米色边框内展示黑灰色交织、不断变幻流动的水墨状液体纹理。 | which means more extraction. | 0.97 |
| 16 | 远景 | ![]() | 浅黄色粗糙边框的画幅中,展示布满亮点的繁星夜空。 | More water, | 1.10 |
| 17 | 航拍 | ![]() | 高空俯瞰错综复杂的工业园区,巨大烟囱正向外排放浓厚的白烟。 | more emissions, | 1.00 |
| 18 | 航拍 | ![]() | 航拍俯瞰堆满生活垃圾与杂物的巨大垃圾填埋场,环境泥泞混乱。 | and more waste. | 1.70 |
| 19 | 航拍 | ![]() | 航拍皑皑雪山,镜头俯冲越过裸露岩石,展现陡峭的积雪坡面。 | It's a problem that affects the places we love most. | 2.87 |
| 20 | 多景别 | ![]() 快速剪辑 | 三段分屏快切:工作室女性操作压烫机、操作裁剪工具细节、特写轮式裁刀裁剪橘色布料。 | So we've been working on something. What if we could | 3.67 |
| 21 | 远景 | ![]() | 攀冰者身穿蓝色外套悬挂在淡蓝色垂直冰壁上,正挥动冰镐向上攀爬。 | make our most essential gear recyclable, | 1.63 |
| 22 | 远景 | ![]() | 仰拍高耸冰瀑,身穿深色服装的攀冰者正利用冰镐和冰爪缓慢向上攀登。 | so it has less impact | 2.33 |
| 23 | 近景 | ![]() | 深黑背景中,穿着橘色始祖鸟冲锋衣的人物背影逐渐亮起,随后向右转头露出兜帽侧面轮廓。 | And has a chance to become something new. | 3.43 |
| 24 | 其他 | ![]() 快速剪辑 | 纸张质感背景上,依次出现深灰色“OBSESSIVE DESIGN”标题和“EPISODE 7 A NEW SYSTEM”文字。 | 4.47 | |
| 25 | 特写 | ![]() | 特写一只手握着黑色剪刀,在橙黄色皮革面料上平滑裁剪。 | 1.27 | |
| 26 | 特写 | ![]() | 俯视桌面,双手使用蓝色圆形裁剪工具在深黄色布料上裁切,周围散布色卡和其他布料。 | That thing we've been working on is to fundamentally change | 1.60 |
| 27 | 特写 | ![]() | 特写细密缠绕的渐变色纱线卷,表面纹理呈网格状交叉排列。 | 1.17 | |
| 28 | 大特写 | ![]() | 深棕色格纹面料表面的一滴水珠顺着纹理向下滑动,没有渗入纤维。 | our approach to the whole product lifecycle and the services that support it. | 1.27 |
| 29 | 多景别 | ![]() | 分屏展示户外攀岩、网状模型、缝纫细节、剪开橘色拉链边缘以及面料裁切等多个画面。 | 2.40 | |
| 30 | 多景别 | ![]() | 蓝色网状球体在纯黑背景收缩消失,随后出现白色始祖鸟Logo与“SYSTEM Ø”字样。 | And we're calling this new approach, System Zero. | 4.43 |
| 31 | 中景 | ![]() | 深色长发女性在布满辅料和缝纫工具的工作室中对着镜头交谈。 | Typically, product is made in a way | 2.13 |
| 32 | 中景 | ![]() | 白色背景上的图示中,一支蓝色笔指向带有文字标签的交叉流程图。 | that we extract | 0.90 |
| 33 | 特写 | ![]() | 特写图示动画中,蓝色笔尖沿着产品周期交叉曲线滑过。 | materials from the environment, | 1.73 |
| 34 | 特写 | ![]() | 蓝色铅笔沿着无限循环符号的右侧圆环轨迹顺时针滑动。 | we use them for a really short time, and then they | 2.10 |
| 35 | 中景 | ![]() | 浅灰色背景图示上,蓝色笔尖在交叉箭头旁由上至下滑过。 | go into | 0.93 |
| 36 | 中景 | ![]() | 白色桌面上放置着带有流程图的透明薄片,手持细棒在下方快速掠过。 | waste. That's a linear model. | 1.87 |
| 37 | 中景 | ![]() | 长发女性站在工作室里对着镜头交谈,面前铺着深紫红冲锋衣面料。 | System Zero is our ecosystem for circular product. | 3.87 |
| 38 | 全景 | ![]() | 延时摄影风格展示多位工作人员在堆满布料卷的实验室桌旁忙碌协作。 | To create this ecosystem, while maintaining our rigorous durability standards, | 5.00 |
| 39 | 中景 | ![]() | 工作人员在绿色工作台上拿起黑色光学仪器,旁边散落着剪刀和线卷。 | there were four areas of focus for the System Zero team. | 1.20 |
| 40 | 近景 | ![]() | 光头男子在挂满标签的工作坊中使用小型放大镜仔细观察桌上的橙色面料。 | 2.70 | |
| 41 | 多景别 | ![]() | 米白色设计排版中,分别展示“Developing recycled fabrics”文字、几何图形、织物和纱线影像。 | Developing recycled fabrics. | 2.33 |
| 42 | 其他 | ![]() | 动画展示标有罗马数字的章节文本,右侧黑色窗口内橘色面料结霜。 | Designing for longevity. | 1.67 |
| 43 | 其他 | ![]() | 分屏展示绿色修补痕迹与带有始祖鸟Logo的棕色面料残片,左侧叠加四条文字列表。 | Designing for repair and end of life solutions. | 4.40 |
| 44 | 特写 | ![]() | 两组实验记录表展示完好与磨损剥落的橙色面料样片对比,随后白纸翻过。 | 0.93 | |
| 45 | 中景 | ![]() | 工作室里,两名男士站在铺有橙黑相间面料的工作台前低头审视样本。 | This is Andrew. | 1.70 |
| 46 | 特写 | ![]() | 特写戴黑帽的亚裔男性Andrew,带有纹理质感画框和头衔说明。 | He's been working on circular performance materials for years. | 3.23 |
| 47 | 特写 | ![]() | 双手举着贴有不规则颜色皮革与面料样板的白纸,背景模糊。 | I think I've always been obsessed with what things are made out of. | 2.43 |
| 48 | 中景 | ![]() | 戴黑帽的Andrew在实验室内俯身工作台,查看材料,神情专注。 | Realizing that materials are one of the biggest unlocks for positive impact | 2.17 |
| 49 | 中景 | ![]() | 戴黑帽的Andrew站在堆满布料的工作室中对着镜头讲解。 | that is what gives me motivation. | 1.83 |
| 50 | 近景 | ![]() | 工作台上,电子显微镜屏幕展示黄色纤维织物的细微编织结构特写。 | 0.93 | |
| 51 | 特写 | ![]() | 戴深色鸭舌帽的男性俯身贴近白色手持显微镜,仔细观察橙色布料。 | 1.93 | |
| 52 | 中景 | ![]() | 戴黑帽的Andrew在工作台前面对橙色户外服装对着镜头手势讲解。 | The first project the system zero team worked on | 1.47 |
| 53 | 特写 | ![]() | 特写工作台上的橙色皮革材料卷,背景有模糊的工作人员操作。 | 1.93 | |
| 54 | 特写 | ![]() | 工业设备旋转轮高速运转,随后速度变慢露出孔洞和指示箭头。 | was to make a pinnacle jacket for a range of activities | 1.77 |
| 55 | 特写 | ![]() | 操作者双手引导深色布料通过带有绿色滚轮的精密工业压胶设备。 | 1.63 | |
| 56 | 多景别 | ![]() | 三分屏展示攀岩、徒步和滑雪者穿着黄色冲锋衣在极端环境运动。 | using recycled and recyclable materials. | 2.50 |
| 57 | 特写 | ![]() | 特写橙黄色面料表面布满水珠,水珠发生轻微移动汇聚展示防水性。 | 1.33 | |
| 58 | 中景 | ![]() | 黑色背景下,橙色SPERRO SV冲锋衣悬浮旋转,配有白色标题和释义。 | That jacket is called the SPERRO SV. SPERRO in Latin is hope. | 6.40 |
| 59 | 中景 | ![]() | 手将中心的正方形橙色面料从钉满色卡的灰白墙上揭下并折叠。 | First, the material. We started with a waterproof breathable material, which is the standard for high-performance jackets. | 4.57 |
| 60 | 中景 | ![]() | 设计办公室内,戴黑帽男子与两名女性同事共同触摸观察棕色布料。 | 2.87 | |
| 61 | 特写 | ![]() | 黑色背景动画演示橙色表层、薄膜和深色底层三层面料复合过程。 | A waterproof breathable is really three materials bonded together like a high-performance sandwich. | 6.47 |
| 62 | 全景 | ![]() | 俯拍男子在摆满工具和红紫色冲锋衣的工作台专注裁切皮革材料。 | To make this, we needed some partners. | 3.60 |
| 63 | 全景 | ![]() | 仓库内宽阔空间里整齐堆放着大量深色网状或织物物资捆扎堆。 | 1.77 | |
| 64 | 多景别 | ![]() | 分屏对比吊起的旧渔网与橘黄色拉链织物的特写,带微缩标注。 | For the Sperro SV, we used recycled yarn from a company called Aquafil | 0.97 |
| 65 | 多景别 | ![]() | 双分屏展示白色纤维状物质下落与带有褶皱的橘棕色织物光影交错。 | 2.30 | |
| 66 | 其他 | ![]() | 米色底纹错位拼贴工业灰色线条动态与橙褐色面料纹理细节特写。 | to create the face fabric and the backer. | 1.27 |
| 67 | 其他 | ![]() | 排版展示快速运动的细长白纤维与橙色表层黑底层分层面料特写。 | Aquafil are a partner in Italy who've scaled chemical recycling. | 3.90 |
| 68 | 中景 | ![]() | 戴黑帽男子在摆放橙黄夹克的面料工作室中对着镜头手势讲解。 | 3.63 | |
| 69 | 多景别 | ![]() | 对半拼贴展示深棕纤维吊装起吊与深海圆形养殖网箱的航拍画面。 | They take back things like fishing nets and carpets | 2.50 |
| 70 | 特写 | ![]() | 左侧编织袋装深棕废料吊起,右侧旧渔网垂下渐变为微观纹理特写。 | and bring them back to their facilities in Slovenia to recycle and make into new yarn. | 2.43 |
| 71 | 多景别 | ![]() | 左侧蓝颗粒在流水线滚动,右侧棕纤维切为蓝丝状物经漏斗输送。 | 4.27 | |
| 72 | 中景 | ![]() | 大型卷装打印机输送带有光泽的黑卷材,置身模糊仓库环境。 | Then our long time material partners at Gore | 1.80 |
| 73 | 多景别 | ![]() | 左侧四组黑白科研影像,右侧展示橙色、薄层、黑底面料层级结构。 | figured out a way to sandwich their innovative ePTFE membrane in between a backer and a face fabric made with Aquafil yarn. | 8.10 |
| 74 | 特写 | ![]() | 橙黑拼色夹克内侧特写,展示带二维码白色内袋与透明压胶拉链。 | The jacket has been certified under Testex Circularity, | 1.50 |
| 75 | 特写 | ![]() | 橙色防水面料特写,表面密集细小水珠及几颗大水滴,展现疏水性。 | 1.83 | |
| 76 | 特写 | ![]() | 特写橙色褶皱防水面料,圆润水珠在其表面滚动弹跳,呈现疏水感。 | A standard that we co-piloted. | 2.10 |
| 77 | 特写 | ![]() | 特写橙色冲锋衣左胸,拉链旁可见始祖鸟品牌刺绣Logo,侧光映衬。 | But this revolutionary fabric still has to be durable. | 3.27 |
| 78 | 远景 | ![]() | 两名登山者在风雪弥漫、冰雪覆盖的极端恶劣环境中艰难顶风前行。 | As durable as anything we've made before. | 4.97 |
| 79 | 特写 | ![]() | 手指按下工业控制面板启动键,转速屏幕数值快速攀升,带文字。 | So, like all our products, we tested it extensively. | 2.13 |
| 80 | 特写 | ![]() | 工业测试设备内紫黄套筒快速往复扭转测试,叠加罗马数字标题。 | 2.93 | |
| 81 | 中景 | ![]() | 左侧面料测试动图,右侧人员使用取样器在橙色面料上按压取样。 | In the lab, we tested for different kinds of wear, | 1.73 |
| 82 | 多景别 | ![]() | 左侧测试微缩图,右侧手调显微镜,灯头对准橙色样本载物台。 | 1.30 | |
| 83 | 多景别 | ![]() | 左侧测试分屏,右侧四个金属托架上橙紫面料经受模拟强降雨测试。 | like hard rainfall | 1.33 |
| 84 | 多景别 | ![]() | 左侧六张测试实验图,右侧黑色精密仪器上彩盘旋转摩擦样本工位。 | and abrasion. | 1.10 |
| 85 | 多景别 | ![]() | 分屏排版展示左侧滑雪者在陡峭雪坡急速滑下,右侧并排展示九张攀登与滑雪等户外运动的图文缩略图。 | Then our athletes took it skiing, | 1.87 |
| 86 | 近景 | ![]() | 图文相册排版,左侧显示登山者挥舞冰镐攀爬雪山岩壁,右侧并排多张户外攀登的缩略图。 | and climbing, | 1.60 |
| 87 | 多景别 | ![]() | 拼贴相册界面,左侧显示三名登山者在漫天大雪的山脊间攀爬岩石,右侧为多张户外极限运动图。 | and into the mountains to make sure it would hold up across a range of activities. | 4.10 |
| 88 | 中景 | ![]() | 戴黑帽的Andrew在布满布料卷的服装实验室内对着镜头手势讲解,工作台铺着橙色冲锋衣。 | What we knew we didn't want to do is make something that was worse just for the sake of having it be | 4.77 |
| 89 | 特写 | ![]() | 工业生产线中,金属质感的洗水罐体设备正在运作流转水珠。 | more circular. | 1.03 |
| 90 | 多景别 | ![]() | 左侧多格展示经脏污测试的橙白冲锋衣,右侧黄色滚筒搅拌机在户外运行。 | We conducted some more | 1.20 |
| 91 | 多景别 | ![]() 快速剪辑 | 快速从拼图切换至暗调中单件橙色SPERRO SV冲锋衣的变色演进效果。 | unique tests, iterated on dozens of prototypes, | 3.80 |
| 92 | 全景 | ![]() | 夜晚草坪上,三名救援队员走向运作中的黄色搜救直升机准备登机。 | then sent it back into the field, this time with North Shore | 3.47 |
| 93 | 中景 | ![]() | 直升机舱内,救援队员戴黄色头盔并调节头戴式照明灯设备。 | Search and Rescue, one of the busiest SAR teams in North America. | 1.83 |
| 94 | 特写 | ![]() | 昏暗室内,身着姜黄冲锋衣的男子调整姿势露出袖口防风拉链和面料细节。 | When they get a call, they don't know if | 2.10 |
| 95 | 中景 | ![]() | 救援人员坐直升机舱门边俯瞰下方茂密的绿色针叶林山区水系。 | it's going to be a 2 hour thing | 2.47 |
| 96 | 远景 | ![]() | 仰拍高耸葱郁的森林天空轮廓中,一架黄色直升机掠过。 | or a 20 hour thing, and in those environments, you really | 1.83 |
| 97 | 中景 | ![]() | 暗调下,攀登者穿梭在密林岩石间溯溪前行,岩壁遮挡视线。 | can't compromise on performance because it's | 1.47 |
| 98 | 特写 | ![]() | 流水飞溅,清澈的溪流在深色岩石上翻滚出白色浪花。 | literally a safety hazard. | 1.20 |
| 99 | 中景 | ![]() | 橙衣搜救队员在降雨的岩石陡坡艰难往上攀爬,大雨淋漓。 | So if a material | 1.47 |
| 100 | 特写 | ![]() | 雨水特写,黄色冲锋衣袖口处水滴汇聚滴落展现面料防水性。 | works for them, it should pretty much work for everybody. | 1.17 |
| 101 | 中景 | ![]() | 两名搜救队员在森林石滩溪谷边整理拉开急救装备包。 | 1.27 | |
| 102 | 近景 | ![]() | 森林中,搜救队员低头连接通讯设备时仰望天空掠过的直升机。 | 1.30 | |
| 103 | 中景 | ![]() | 戴黑帽的Andrew在工作室里手势介绍桌面的橙色夹克。 | So, our circular material passed the pro user test. But how do we keep it in use as long as possible? | 2.33 |
| 104 | 远景 | ![]() 长镜头 | 直升机索降视角,救援队员正将伤员担架缓降至下方茂密森林空地中。 | 10.60 | |
| 105 | 中景 | ![]() | 室内工作站,长发女性整理工作台上的紫色冲锋衣。 | Our ReBIRD program repairs used gear. | 3.10 |
| 106 | 全景 | ![]() | ReBIRD服务中心内,工作人员专心整理悬挂的服饰。 | They've seen where | 2.57 |
| 107 | 中景 | ![]() | 俯拍双手在工作台上快速拿起翻看深绿色和黄色多件冲锋衣。 | and how thousands of products break down. | 1.50 |
| 108 | 多景别 | ![]() 快速剪辑 | 四个拉链磨损与面料撕裂破洞的特写快切。 | With their insights, we were | 2.67 |
| 109 | 中景 | ![]() | ReBIRD墙面前,女子专注于面前的机器操作缝纫维修。 | able to design the Sperro SV | 1.77 |
| 110 | 全景 | ![]() | 储物架满墙彩色零件塑料盒由近及远展示配件库房。 | in a way that can be repaired more efficiently. ReBIRD being part | 1.80 |
| 111 | 特写 | ![]() | 左右分屏,双手用尖嘴钳拆除拉链头对比安装新拉链头操作。 | of this process was foundational. It | 3.80 |
| 112 | 中景 | ![]() | 操作台双手整理对齐拉合橙色冲锋衣领口拉链段。 | really allowed us to design out a lot of the flaws that we know existed in previous | 2.07 |
| 113 | 中景 | ![]() | 女性设计师在充满配件辅料的工作室向镜头陈述研发理念。 | jackets and also how we can ensure that | 5.23 |
| 114 | 特写 | ![]() | 双手在橙色面料上压合压花模具后移开,留下平整几何印记。 | the jacket is as repairable as possible. | 2.30 |
| 115 | 特写 | ![]() | 双手把蓝色贴片精确按压贴合于灰色破损面料进行修补。 | It was really what made this | 2.83 |
| 116 | 中景 | ![]() | 俯拍双手合下热转印机盖板对铺开的橙色衣服倒计时加压加热。 | design process unique. | 1.73 |
| 117 | 特写 | ![]() | 双手轻抚在橙色面料上挪开一块深色遮盖布,展示蓝色菱形Logo细节。 | It's designed to be the most repairable | 1.97 |
| 118 | 全景 | ![]() | 定格动画展示橙色冲锋衣多块面料拼接成蓝色撞色款的维修演化。 | jacket that we've ever made. | 1.87 |
| 119 | 大特写 | ![]() | 特写手将橙色冲锋衣正面的黑色防风拉链顺滑合上。 | But what about when it can't be repaired anymore? | 2.17 |
| 120 | 中景 | ![]() | 修理工作室里,系着蓝色方巾的女性在操作台前摆弄深色厚重衣料。 | Glad you asked. Andrew. | 3.67 |
| 121 | 近景 | ![]() | 戴黑帽的Andrew在发光底板上观看带有服饰版型线稿的胶片。 | The jacket gets back to us through ReBIRD, but instead of being repaired, it gets disassembled, | 3.63 |
| 122 | 多景别 | ![]() 长镜头 | 分屏排版展示,左边为用剪刀拆剪橙色外套结构,右边双手比对图纸展示解体组件。 | where we remove the pieces that can't be processed, like the RECCO reflector, the zippers, and the cuffs, | 12.43 |
| 123 | 中景 | ![]() | 双分屏,左侧流水线切丝水洗循环,右侧手移动冲锋衣拆解全景透明胶片。 | and the remainder gets sent to Aquafil for chemical recycling. And through chemical recycling, we're able to recover the nylon parts, | 3.97 |
| 124 | 中景 | ![]() | 发光台上,双手重叠拼接不同透明图层组装出橙黄色外套组件。 | while other elements that aren't recoverable, like the membrane | 3.27 |
| 125 | 中景 | ![]() | 戴黑帽的Andrew在灯箱前正对镜头收尾讲解。 | and adhesives are left behind. | 1.33 |
| 126 | 多景别 | ![]() | 双分屏排版展示工业车间内半透明纤维线成束斜穿,及黑色机械面上规律排列的光亮金属细线。 | This kind of upcycling is a process that can just | 1.43 |
| 127 | 中景 | ![]() | 双分屏展示裁剪垫上工作人员用剪刀拆解红橙拼接冲锋衣,及黑色材质表面的流动细密纹理。 | 1.70 | |
| 128 | 中景 | ![]() | 低机位仰拍工作人员在工作台折叠橘色冲锋衣,随后将大块布料抛向镜头遮挡视线。 | Keep going. | 1.60 |
| 129 | 特写 | ![]() | 微距视角下展示蓝灰色背景上的白色冰霜结晶如植物根系般交错蔓延。 | similar to the way nature's most resilient systems endure, | 2.13 |
| 130 | 大特写 | ![]() | 微观展示深蓝色半透明冰层内部密集的垂直气泡和裂缝纹路。 | 1.20 | |
| 131 | 特写 | ![]() | 模糊暗背景前,大量形状不规则的灰色粗糙碎石处于失重悬浮状态。 | Because as they break down, they regenerate. | 0.80 |
| 132 | 特写 | ![]() | 深色背景下,大量深浅不一的碎石、砂砾和粉尘剧烈飞溅散开并下落。 | 1.03 | |
| 133 | 特写 | ![]() | 黑色背景中,细小的粉末不断震颤轻微上扬,呈现颗粒震动质感。 | 1.00 | |
| 134 | 远景 | ![]() | 连绵雪山脊线处,滑雪者从陡峭积雪坡面疾驰而下扬起雪粉。 | So, to sum it all up. | 4.50 |
| 135 | 特写 | ![]() | 特写橙色网格纹理织物的压条接缝处,布满浅灰色粉末和泥土污迹。 | We made a durable jacket with materials designed for circularity. | 1.53 |
| 136 | 特写 | ![]() | 特写浅蓝色纤维网状材料层叠,呈现柔软褶皱和网格纹理。 | 0.80 | |
| 137 | 特写 | ![]() | 浅灰色背景上散布大小不一的半透明网状黑色蓬松纤维团块和碎屑。 | 1.00 | |
| 138 | 中景 | ![]() | 服装工作室里,两名设计师在铺有样板和色卡的工作台旁讨论布料小样。 | And it was a massive group effort. | 1.13 |
| 139 | 中景 | ![]() | ReBIRD维修中心内,蓝色工作服女性低头专注工作,背景有发光字样。 | 1.13 | |
| 140 | 多景别 | ![]() | 九宫格拼贴展示服装试穿、面料检测、缝纫作业等研发测试场景快切。 | So many smart people working on every detail. | 2.93 |
| 141 | 特写 | ![]() | 面部特写女性低头垂眸微笑,背景虚化。 | We needed to start at a certain point in terms of | 1.07 |
| 142 | 特写 | ![]() | 特写手引导蓝灰色布料在缝纫机压脚下快速走线缝合,边缘有橙色包边。 | 1.27 | |
| 143 | 中景 | ![]() | 工作室里,黑衣男士站在铺有橙色面料的工作台前讲话。 | this is what we want to stand for as a company. This is how we're moving forward. | 2.13 |
| 144 | 远景 | ![]() | 微光下,穿黄色登山服的登山者在陡峭冰雪岩壁上向上攀爬。 | 1.67 | |
| 145 | 中景 | ![]() | 黑色背景中,身穿带始祖鸟Logo橙色冲锋衣的人体模特渐显光影质感。 | Moving forward, this jacket is just the first of many System Zero products. | 2.30 |
| 146 | 特写 | ![]() | 黑色瓦楞纸盒内垫着半透明纸,叠放着印有始祖鸟Logo的棕黄色皮革裁片。 | 1.97 | |
| 147 | 中景 | ![]() | 纯黑背景下,光束扫过印有SYSTEM Ø和品牌Logo的黑色瓦楞纸包装盒。 | 0.97 | |
| 148 | 特写 | ![]() | 室内工作站,黄衣人员用直尺测量另一人试穿的玫红冲锋衣袖口。 | We make product for people that | 1.07 |
| 149 | 中景 | ![]() | 明亮工作室中,两名女性注视着身穿玫红拼接冲锋衣的主体测试手臂伸展。 | want to be outside. It's our responsibility | 1.07 |
| 150 | 全景 | ![]() | 雪山高海拔环境中,红衣女性攀登者贴近岩石调整攀登绳索。 | 1.60 | |
| 151 | 远景 | ![]() | 昏暗光线下,两名登山者佩戴头灯在厚积雪覆盖的陡峭岩石山坡行进。 | to make sure that we're doing everything we can to protect those spaces. | 1.47 |
| 152 | 航拍 | ![]() | 航拍雪山之巅,橙衣滑雪者高速向下滑行扬起清晰雪雾。 | 2.13 | |
| 153 | 中景 | ![]() | 研发实验室内,长发女性在摆满辅料的桌前低头整理红色冲锋衣。 | 1.23 | |
| 154 | 近景 | ![]() | 巨大蓝橙线卷虚化前景中,中年女性神情严肃专注操作缝纫机。 | We're not just designing for the mountains. | 0.77 |
| 155 | 大特写 | ![]() | 特写缝纫机金属压脚在深色布料上高速跳动,边缘露出黄色内层。 | 1.13 | |
| 156 | 远景 | ![]() | 黎明雪山上,登山者在帐篷和竖立的雪板旁快速整理装备。 | Now, we're designing to try to protect them. | 1.00 |
| 157 | 航拍 | ![]() | 航拍视角的层叠雪山中,滑雪者从山脊陡坡冲刺滑下带出细长雪尘。 | 3.63 | |
| 158 | 特写 | ![]() | 特写橙衣滑雪者滑行激起的大量白色雪屑向画面左侧飞溅扩散。 | It's pretty cool. | 0.67 |
| 159 | 特写 | ![]() | 微观展示几枚六角冰晶雪花垂直附着在深棕色条纹织物边缘纤毛上。 | 1.57 | |
| 160 | 大特写 | ![]() | 黑白色调微距画面布满具有立体感和金属光影渐变的圆形颗粒纹理。 | The gear that we make today has a chance to become the gear of the future. | 1.50 |
| 161 | 特写 | ![]() | 特写黑柄剪刀在厚实黄色平整材料上平稳裁剪出清晰切迹。 | 0.77 | |
| 162 | 特写 | ![]() | 特写戴戒指的手引导浅蓝和橙色面料经过高速跳动的缝纫机压脚。 | It's just a first step, but it's the start of what you might call | 2.50 |
| 163 | 中景 | ![]() | 昏暗环境中,橘衣单板滑雪者身体前倾高速滑行,扬起烟雾般雪花。 | 2.23 | |
| 164 | 远景 | ![]() | 俯瞰深色岩石拱门下方,两名登山者背行囊在积雪山坡缓慢攀登。 | a revolution. | 2.37 |
| 165 | 空镜 | ![]() 快速剪辑 | 浅米色排版底图上依次浮现OBSESSIVE DESIGN与SYSTEM Ø极简文字。 | 4.93 | |
| 166 | 特写 | ![]() | 米白色浅灰方格纹理底板中心展示黑色的极简始祖鸟Logo。 | 1.27 |





































































































































































